Tag: olivier

  • ‘Letting Go of the Camera’: Olivier Duong concludes look at gear addiction

    nex-7-miami-street-photography-5.jpg

    Florida-based photographer and blogger Olivier Duong has concluded his examination of so-called ‘gear acquisition syndrome’ with an article that explains how he broke free from his addiction. Starting with the mantra ‘there is more to photography than gear’, Duong describes how he make a conscious effort to appreciate the equipment he already owns, and to concentrate on using it to improve his photography. Click through for more details.

    News: Digital Photography Review (dpreview.com)

  • Blogger Olivier Duong continues look at ‘Gear Acquisition Syndrome’

    ricoh-grd-iv-miami-street-photography-11.jpg

    Florida-based photographer Olivier Duong has expanded his ongoing examination of so-called ‘Gear Acquisition Syndrome’ with a description of how he overcame his own personal addiction to buying photographic equipment. Categorizing G.A.S. as a ‘habit’, Duong identifies three components – trigger, routine, and reward, and describes how he went about overcoming his addition by ‘changing the routine [but] keeping the trigger, and the reward’. Click through for more details. 

    News: Digital Photography Review (dpreview.com)

  • ysinembargomagazine16_Page_47 (olivier gilet)

    Check out these visual art images:

    ysinembargomagazine16_Page_47 (olivier gilet)
    visual art
    Image by fernandoprats
    "du-champ-i-ssue"
    jun.jul.ago.2008 | inviernosurveranonorte

    ON PAPER (new! second edition! 25/09!)
    PDF (new! second edition! 24/09!)
    NAVIGATE it (new! second edition! 24/09!)
    Hi-Res PDF (new! second edition! 24/09!)

    Un número dedicado a explorar la visión y propuestas de Marcel Duchamp.
    No su vida, no su obra; tan sólo algunos de sus conceptos.
    Realizado con aportes de artistas, pensadores y diseñadores de todo el mundo
    combinados con la explícita intención de producir a su vez un objeto duchampiano.

    -el medio como instrumento intelectual que transpasa su especificidad y se burla de ella
    -la obra independientemente de su carácter representativo e interpretativo
    -”arte”, en términos de convenciones, lo más “amorfo” posible
    -”obras” en las que la obra no es una finalidad en sí misma sino una excusa
    -interpretaciones o, mejor dicho, lecturas que pueden convivir a pesar de ser aparentemente excluyentes
    -objetos “anestesiados estéticamente”, anulados en su probable complacencia de la mirada, “rectificados”,”asistidos” para otorgarles una nueva -a menudo, insólita- significación. Como en la elección de los “ready-mades”: “basada en la indiferencia visual y en la ausencia total del buen o mal gusto”
    -obras “definitivamente inacabadas”
    -rrose sélavy, su alter(-)ego
    -ajedrez, máquinas ópticas, matemáticas, geometría, “artefactos”
    -la “pintura mental”, “pintura de precisión”, el rechazo de cualquier elemento en el que la mirada se pueda recrear con fruición

    -texto, – bloques, – fotografías, + mixed-media, + pintura, + ilustración.
    -toda la revista está en castellano e inglés.

    (descárgala gratis y comienza felizmente el verano -o el invierno-)

    # # #

    This issue plays around the conceptual universe of Marcel Duchamp. Not his life, nor his works, just some of his concepts.

    – the medium, as an intellectual tool which goes beyond its specificity mocking it.
    – the work, regardless of its representative and interpretative character.
    – “art”, in terms of conventions, as “amorphous” as possible.
    – “construction”, in which the work is not it’s purpose, but an excuse.
    – interpretations, or rather readings which can coexist despite being seemingly exclusive.
    – objects “aesthetically anesthetized,” lapsed in their likely sight complacency; “rectified”, “assisted”, to give them a new –often unusual- significance. As with the choice of “ready-mades”: “based on visual indifference and a total absence of good or bad taste”
    – works “definitively unfinished”.
    – rrose sélavy, his alter (-) ego.
    – chess, optic machines, mathematics, geometry, “artifacts”.
    – “mental painting,” “precision painting”, the rejection of any element in which sight can be delighted.

    – aesthetics: – text, – blocks, – photographs, + mixed-media, + painting, + illustration.
    – the whole magazine, in spanish and english.

    (download it. it’s free. and start enjoying summer -or winter-)

    # # #

    edit(ing), direct(ing) + complements
    fernandoprats
    art direct(ing) + design(ing)
    estudi prats
    insistAnçao, correct(ing) + additional stuff
    r | v
    listen(ing)
    hernán dardes
    musicaliz(ing)
    albert jordà
    translat(ing)
    kiddo | emilia cavecedo
    frontcover(ing) concept fot
    une autre sensualité
    backcover(ing) concept borrador
    UU – dou _ ble _you et aa
    open(ing) concept
    nacho piédrola + salaboli & fp porta

    -structure:
    accesories, lisa kehoe { kiddo | emilia cavecedo, lisa liibbe lara, josean prado, oriol espinal, mark valentine sullivan, hernán dardes, alfredo de la rosa, jonathan minila } => meta
    { pepo m.-the secret society, r | v, leah leone } => hilarious
    { pancho lorenz, natalia osiatynska } fernandoprats => rage

    => meta kiddo | emilia cavecedo, nacho piédrola, salaboli, lisa kehoe { lisa liibbe lara, mark valentine sullivan + shari baker, oriol espinal, gabriel magri, naomi vona, mara carrión }
    => hilarious { d7, olivier gilet, jef safi, special spatial guests }
    => rage { brancollina, gabriel magri, natalia osiatynska, bill horne, UU, christy trotter } simon fröehlich

    ysinembargo#16… sensualmente inacabada.

    a b r e l a m u r a l l a
    antwerp · barcelona · basauri · boulder · bruxelles · buenos aires · carlsbad · collioure · coyoacán · grenoble · holden beach · iowa city · lawrenceville · lansing · london · madrid · mendoza · mexicali b.c. · milano · san francisco · san rafael · sào paulo · tarragona · warsaw

    # # #

    YSE #16’s Original Music | YSElected videos

    # # #

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