Learning basic photography begins with the main light. The main light is what we base all of our lighting on. In this StudioTip from StudioStyles.net, Mike explains what the main light is, the difference between hard and soft light, and considerations when you are positioning the main light for various effects. For more in depth training and a robust interactive community visit us at www.studiostyes.net
Video Rating: 4 / 5
Happy November from me and www.samys.com This episode directly from the Mastery of Photography DVD is designed to show you how to shoot in clubs, in the night or any other place where there is very little light. Enjoy and Learn. Here is a link to a great tripod www.samys.com
HIGH-END RETOUCHING by Lucie Kout for Koutmedia.com luciekout.deviantart.com see final product here luciekout.deviantart.com Since videos on youtube can`t be longer than 10 mins this is extremely shortened demonstration of modeling an image with light airbrushing – technique we originated to be used instead of D/B since results looks too artificial. Planned – basic mistakes of beauty retouch, creativity retouch training (unusual methods used for image postprocessing), … total time retouching 5hours 26minutes thanks to: model Dana Reznickova hairdresser Michaela Valentova corset designer Mistress Adrienne music by Adam Tanner aka Zenbeer www.zenbeerbass.com please respect the model in your comments and copyright
Video Rating: 4 / 5
Light Tec Light Tip #7 – Lasolite “High Key” lighting for studio photography. Lighting tutorials from Light Tec based in Dallas, Texas. Light Tec is your source for professional lighting equipment and training in Dallas.
This video tutorial demonstrates how to bring back/add in golden-hour light to a photo that is a little washed out and would benefit from this kind of retouching. This technique (illustrated with a portrait) would be perfect for enhancing the golden-hour lighting of other subjects (such as building in a landscape) as well. Concepts: Gradient Fill, Masking (and Painting), and Blending Modes.
Video Rating: 0 / 5
Watch the course at www.lynda.com Photoshop is one of theworld’s most powerful image editors, and it can be daunting to try to use skillfully. Photoshop CS5 One-on-One: Advanced, the second part of the popular and comprehensive series, updated for CS5, follows internationally renowned Photoshop guru Deke McClelland as he dives into the workings of Photoshop. He explores such digital-age wonders as the Levels and Curves commands, edge-detection filters, advanced compositing techniques, vector-based text, the Liquify filter, and Camera Raw. Deke also teaches tried-and-true methods for sharpening details, smoothing over wrinkles and imperfections, and enhancing colors without harming the original image.
Join Simon Plant as he walks you through creating a light painted night-time digital photograph. From the initial shooting of the image to the methods and techniques he uses in Photoshop to create a great finished product! If you enjoyed this tutorial you can find out more about Simon, his work, and his training material over at: prophotoinsights.net Also be sure to check out www.tutvid.com Check out the blog @ http
Video Rating: 4 / 5
short sample footage showing low light high contrast performance of this nikon prime. kawa adaptor
Video Rating: 5 / 5
All audio captured by GH1 internal stereo mic. All shot with the Nikkor 50mm prime on the GH1 in FHD 1080p (mostly ISO 1600, Shutter Speed 1/60) The darkest sections of all the out door shots are disgusting, it could be my cameras settings but as far as I know the GH1 just can’t handle really low lit situations.
My af-s nikkor 18-55mm 1:35.5-5.6GII ED lens keeps jumping and clicking half way through its focusing cycle. i definatly doesn’t sound healthy but it doesnt seem to be affecting the cameras autofocus. I just would like to know if this could get worse over time/use. www.myspace.com/bite_photography
Video Rating: 5 / 5
Behind the Scenes of a Strobist on location photoshoot with Conceptual Photographer, Ben Sant of BTS Photography. We go out to the shores of the Great Salt Lake to shoot 3 looks with just one speedlight coupled to one umbrella. You don’t need thousands in gear to get studio quality lighting.
Video Rating: 4 / 5
