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Posts Tagged ‘FEmount’

CP+ 2018: First look at new Tamron FE-mount 28-75mm F2.8

02 Mar

CP+ 2018: First look at new Tamron FE-mount 28-75mm F2.8

The Tamron 28-75mm F2.8 Di III RXD is the first third-party standard zoom to be created natively for the Sony FE mount. We’re at the CP+ show in Yokohama, where we got our hands on a prototype.

CP+ 2018: First look at new Tamron FE-mount 28-75mm F2.8

The 28-75mm F2.8 is a completely new design, despite offering the same focal length range and continuous maximum aperture as the older 28-75mm for DSLRs. It was designed from the ground-up to be paired with full-frame mirrorless cameras.

CP+ 2018: First look at new Tamron FE-mount 28-75mm F2.8

As we’d expect from Tamron, it’s a compact, relatively lightweight lens, weighing in at a mere 550g (19.4oz). We’re told that a 24-75mm focal length range was discussed, but the company’s engineers preferred to keep the lens as small and lightweight as possible. To that end, the body of the lens is polycarbonate, rather than metal (which you’ll find in Tamron’s ‘SP’ range of optics).

CP+ 2018: First look at new Tamron FE-mount 28-75mm F2.8

Despite lacking the ‘SP’ designation, Tamron claims that the 28-75mm will offer superb optical performance. It’s also sealed against dust and moisture incursion. In an interview with Tamron’s senior executives, we were told that this lens will form the basis for a new range of lenses in the future, designed for full-frame mirrorless cameras not only from Sony, but also hypothetical future Canon and Nikon models.

CP+ 2018: First look at new Tamron FE-mount 28-75mm F2.8

One significant development in the 28-75mm is a new ‘RXD’ stepper motor for autofocus, which is designed to be near-silent. According to Tamron, this is important for a lens designed from the ground up to be used with mirrorless cameras since compared to DSLRs, they’re better suited to switching between stills and high-quality video capture modes.

CP+ 2018: First look at new Tamron FE-mount 28-75mm F2.8

This shot shows the thin rubber gasket around the lensmount, which should help protect both camera and lens from moisture and dust.

With the new 28-75mm F2.8, Tamron is clearly looking ahead to a future where full-frame mirrorless cameras become the norm. We’re excited to see what it can do, when the lens becomes available later this year. What do you think?

Articles: Digital Photography Review (dpreview.com)

 
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SLR Magic announces 35mm and 75mm CINE primes for FE-mount

04 Jun

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SLR Magic has announced two new E-mount prime lenses aimed at videographers and filmmakers. The CINE 35mm F1.2 and CINE 75mm F1.4 lenses provide fast maximum apertures, include geared barrels for use with follow focus rigs, and are compatible with FE full frame cameras.

The two lenses have several features in common, including manual diaphragm with 13 aperture blades that stop down to F16, 52mm filter threads with non-rotating front elements, a black anodized finish.

Both lenses have a retail price of $ 499 and SLR Magic says they should be available from dealers by August. The company will have hands on demos available at the CINE GEAR 2016 show from June 3-4 in Los Angeles.


Press release:

NEW: THE SLR Magic CINE 35mm F1.2 and SLR Magic CINE 75mm F1.4

Hong Kong, China (June 3, 2016) – SLR Magic extends it’s FE-mount lineup with the SLR Magic CINE 35mm F1.2 wide angle lens and SLR Magic CINE 75mm F1.4 telephoto lens. The products will be officially introduced during upcoming CINE GEAR 2016 show in Los Angeles.

The field of view of the SLR Magic CINE 35mm F1.2 and SLR Magic CINE 75mm F1.4 opens up many new creative composition opportunities, particularly in the fields of portrait, interior, architectural and landscape cinematography and photography.

We place our highest priority in the development on our lenses to fulfill the demands of professional cinematographers and photographers. The design and build of the the SLR Magic CINE 35mm F1.2 and SLR Magic CINE 75mm F1.4 is solid and reliable.

THE SLR Magic CINE 35mm F1.2 (MSRP: $ 499 US/ $ 3,299 RMB) and SLR Magic CINE 75mm F1.4 (MSRP: $ 499 US/ $ 3,299 RMB) will be available from authorised SLR Magic dealers by August, 2016.

The SLR Magic CINE 35mm F1.2 and SLR Magic CINE 75mm F1.4 will be first presented at CINE GEAR 2016 show. There would be a demo at the ATOMOS booth in (Stage 16) during the show held in Paramount Studios in Los Angeles from 3rd to 4th of June 2016.

Technical Data

SLR Magic CINE 35mm F1.2

  • Lens Type: Fast standard lens
  • Compatible Cameras: FE-mount and E-mount cameras
  • Optical Design: 9 elements in 8 groups
  • Distance Settings:
  • Distance range: 0.3m to ?, combined scale meter/feet
  • Aperture: Manually controlled diaphragm, 13 aperture blades , Lowest value 16
  • Filter Mount: Internal thread for 52mm filter; filter mount does not rotate.
  • Surface Finish: Black anodized
  • Dimensions: 
  • Length to bayonet mount: approx. 77.40mm (approx. 3.05in)
  • Largest diameter: approx. 64.73mm (approx. 2.55in)
  • Weight: approx. 535g (approx. 18.87oz)

SLR Magic CINE 75mm F1.4

  • Lens Type: Fast standard lens
  • Compatible Cameras: FE-mount and E-mount cameras
  • Optical Design: 6 elements in 6 groups
  • Distance Settings: 
  • Distance range: 0.70m to ?, combined scale meter/feet
  • Aperture: Manually controlled diaphragm, 13 aperture blades , Lowest value 16
  • Filter Mount: Internal thread for 52mm filter; filter mount does not rotate.
  • Surface Finish: Black anodized
  • Dimensions: 
  • Length to bayonet mount: approx. 78.68mm (approx. 3.09in)
  • Largest diameter: approx. 64.67mm (approx. 2.55in)
  • Weight: approx. 455g (approx. 16.05oz)

Articles: Digital Photography Review (dpreview.com)

 
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Sony releases three premium ‘G Master’ lenses for FE-mount

03 Feb

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Sony has created a new lineup of lenses for its full-frame cameras known as G Master (GM). These are the company’s high-end lenses that sit above its ‘G-series’ lenses and, as you might imagine, command a premium price. The first three GM lenses include FE 24-70mm F2.8, FE 85mm F1.4 and FE 70-200mm F2.8 OSS.

In addition to the lenses, Sony also released a pair of teleconverters (1.4x and 2.0x) for use with the new 70-200mm F2.8 lens.

At the press conference announcing the new lenses the company placed enormous emphasis on the importance of high resolution and high quality bokeh. Says Senior Technology Manager Mark Weir: “Being a leader in image sensor technologies, we have a unique insight into where sensor and camera technology is going, and we put this insight into our lens design.”

Sony mentioned they’re now designing G Master lenses to a 50 lines per mm standard, a step up from the 10 and 30 lines/mm MTF traces we’re used to seeing. Regarding bokeh, Sony explained that the lifelike nature of an image in either still or video is determined by the nature of the transition from in-focus to out-of-focus areas, and that an abrupt shift between the sharp region and the background can look artificial. Their research shows that this often comes down to a lack of precision in the preparation of the lens elements, and less than optimal positioning the optical cavity. Sony indicated that G Master lenses can be shaped to within 1/100th of a micron of their design spec to address this problem. 11 aperture blades on the new 85mm and 70-200mm lenses also indicate a serious commitment to smooth out-of-focus areas.

Additionally, each G Master lens employs a different drive mechanism for optimal AF performance. The 24-70mm uses a Direct Drive Supersonic motor (SSM), which we’ve previously noted to confer incredibly fast, accurate, and silent AF to the FE 35mm F1.4 lens. Sony boasts this focus motor to offer 0.01mm precision of focus group placement. The 85mm F1.4 uses a ring drive. The 70-200 sports a dual implementation: two focus groups at either end of the lens are drive by different actuators. A ring drive SSM drives the front AF group while dual linear motors drive a floating rear group. The result is fast continuous autofocus and silent AF for video, as well as in impressive minimum focus distance of <1m.

Sony also emphasized their development of advanced simulation techniques that make it possible to control things like bokeh right from the design stage. Previously, it was difficult to judge the effects of optical design without first building the lens – simulation technologies now help Sony see the effects of iterations on the optical design.

The first G Master lenses will be available in March, with the 24-70mm listing for $ 2200 and the 85mm listing for $ 1800 in the U.S. The 70-200mm will follow in May, with pricing yet to be determined.

Press release:

Sony Launches New G Master Brand of Interchangeable Lenses

Three new models including 24-70mm F2.8 Zoom, 85mm F1.4 Prime and 70-200mm F2.8 Zoom deliver unrivaled imaging experiences 

NEW YORK, Feb. 3, 2016 – Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced their flagship G Master™ brand of interchangeable lenses.           

Sony’s new brand includes three new E-mount full frame lenses including a 24-70mm constant F2.8 standard zoom, an 85mm F1.4 prime and a 70-200mm constant F2.8 telephoto zoom.   Representing the ultimate blend of high resolution and beautiful bokeh, the new lenses feature Sony’s innovative optical element technology, design and calibration.  This allows them to produce still image and video content with a level of detail and expression that has never before been possible. 

“The new G Master brand represents the finest and most impressive group of lenses that Sony has ever brought to market,” said Neal Manowitz, Vice President of Digital Imaging at Sony Electronics.  “With our knowledge of what the future will bring for digital imaging, we have designed these lenses and can ensure that the G Master brand will inspire and ‘wow’ photographers and videographers for years to come.”

New FE24-70mm F2.8 GM Standard Zoom Lens

Featuring some of the most advanced lens technologies in market today, the new FE 24-70mm F2.8 GM (model SEL2470GM) is the ultimate choice for those seeking the highest possible optical performance for portrait, travel and event photography or even simple everyday shooting1

The new lens is built with three aspherical elements including a newly developed, extremely precise XA (extreme aspherical) element that reduces aberration and delivers the ultimate resolution throughout the entire zoom range and aperture range, as well as from corner to corner of all image files. Additionally, an ED (Extra-low-Dispersion) glass element and Super ED glass element keep chromatic aberration to a minimum while maximizing resolution and bokeh without any unnatural coloration. 

The lens features a 9-bladed aperture that maintains a near circular shape at all settings and is coated with Sony’s original Nano AR coating to suppress reflections and ensure spectacular contrast and clarity.    

The new FE24-70mm F2.8 GM lens has a direct drive SSM (Super Sonic Wave Motor) focusing system that works with incredible efficiency thanks to a new set of algorithms that positions the lens elements quickly and accurately. The motor is smooth and quiet, making it an ideal choice for shooting both still images as well as movies.

To maximize usability, the lens is dust and moisture resistant and features a compact, streamlined design that includes AF/MF switch as well as focus hold, zoom lock and hood release buttons.

Two new matching filters for the FE24-70mm F2.8 GM lens have also been introduced, including the VF-82MP MC protector and VF-82CPAM Circular PL filter..

New FE 85mm F1.4 GM Telephoto Prime Lens

Designed as the ultimate portrait lens, the long-awaited new FE 85mm F1.4 GM telephoto prime lens (model SEL85F14GM) strikes a perfect balance between resolution and bokeh in a compact package.

The lens features a new XA (extreme aspherical) element as well as three ED glass elements that work together to ensure that the in-focus areas are captured in extremely high resolution while the surrounding out-of-focus areas dissolve smoothly into a beautiful soft backdrop. It has a circular aperture with 11 blades – the most ever used in an ? lens – that ensures bokeh is smooth and visually appealing.  Externally, the new model has Sony’s original Nano AR Coating, which is of particular importance in a portrait lens as it reduces flare and ghosting, even with backlit subjects or similarly challenging lighting conditions.

For accurate autofocusing, the FE 85mm F1.4 GM lens includes a ring drive SSM motor system that provides ample power and speed to drive the lens’ large, heavy focus group. It’s also equipped with two position sensors to support flawless focus control of the large, heavy lens elements.   

This new professional portrait lens is dust and moisture resistant and also has an aperture ring with on/off switchable click stops that can be adjusted based on whether a user is shooting still images or movies.  It also has an AF / MF switch and a focus hold button.2

New FE 70-200mm F2.8 GM OSS Telephoto Zoom

Covering the frequently used 70-200mm focal range, the new FE 70-200mm F2.8 GM OSS telephoto zoom lens (model SEL70200GM) offers extremely high rendering, AF performance and image stabilization, making it a versatile choice for shooting wildlife, sports, weddings and a variety of other events and locations1.

The new flagship telephoto zoom model delivers extraordinary sharpness and clarity throughout the entirety of its zoom range thanks to its three advanced lens elements including XA, Super ED and ED glass components, as well as its Nano AR coating. 

The new FE 70-200mm F2.8 GM OSS lens features a floating focusing system – implemented in an ? zoom lens for the first time – that contributes to an impressive minimum focusing distance of merely 0.96m and ensures AF performance is optimized during both still and video shooting. The lens includes a SSM (Super Sonic Motor) plus dual linear motors that work together to move large lens elements quickly – a task that requires a high level of drive control and ensures focus accuracy. The new model also has built in Optical SteadyShot™ image stabilization for capturing sharp, blur-free subjects at all focal lengths and a rotating tripod mount that allows the camera to be quickly removed from a connected tripod as needed. 

The new 70-200mm telephoto zoom lens is dust and moisture resistant with an additional fluorine coating added to the front lens.  It also has a focus hold button as well as a focal range limiter. 

Sony has also announced new compact 1.4x and 2x Teleconverters  – models SEL14TC and SEL20TC respectively – that offer even greater reach while maintaining the overall streamlined design and feel of the 70-200mm lens.3   

Pricing and Availability

The new FE 24-70mm F2.8 GM Standard Zoom and 85mm F1.4 GM Telephoto prime lenses will be available in March for about $ 2,200 and $ 1,800, respectively.  In Canada, they will be sold for $ 2,900 CA and $ 2,400 CA, respectively. 

The new 70-200mm F2.8 GM Telephoto Zoom Lens and its compatible 1.4x and 2x Teleconverters will be available in May.  Pricing is not yet available for these models. 

The new G Master Series of interchangeable lenses will be sold at a variety of Sony authorized dealers throughout North America.  

1.      A software update may be required to provide compatibility of lenses with some cameras. See the Sony support site www.esupport.sony.com for additional details.

2.      Limitations apply to AF operation when shooting movies with certain camera bodies. A software update may be required to provide AF compatibility of FE 85mm F1.4 GM with some cameras during movie shooting. See the Sony support site for lens/body compatibility details.

3.      SEL70200GM is only compatible lens at the time of announcement

Sony 24-70mm F2.8 GM & 70-200 F2.8 GM OSS specifications

  Sony FE 24-70mm F2.8 GM Sony FE 70-200mm F2.8 GM OSS
Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 24–70 mm 70–200 mm
Image stabilisation No Yes
Lens mount Sony FE
Aperture
Maximum aperture F2.8
Minimum aperture F22.0
Aperture ring No
Number of diaphragm blades 9 11
Optics
Elements 18 32
Groups 13 18
Special elements / coatings One extreme aspherical, one super ED, one ED element + Nano AR coating One double-side aspherical and one extreme aspherical element + Nano AR coating
Focus
Minimum focus 0.38 m (14.96) 0.96 m (37.8)
Maximum magnification 0.24× 0.25×
Autofocus Yes
Motor type Piezoelectric Ring-type ultrasonic
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Focus distance limiter Yes
Physical
Weight 886 g (1.95 lb) 1480 g (3.26 lb)
Diameter 88 mm (3.45) 88 mm (3.46)
Length 136 mm (5.35) 200 mm (7.87)
Sealing Yes
Colour Black Gray
Zoom method Rotary (extending)
Power zoom No
Zoom lock Yes
Filter thread 82.0 mm 77.0 mm
Hood supplied Yes
Hood product code ALC-SH141 ALC-SH145
Tripod collar No Yes

Sony 85mm F1.8 GM specifications

Principal specifications
Lens type Prime lens
Max Format size 35mm FF
Focal length 85 mm
Image stabilisation No
Lens mount Sony FE
Aperture
Aperture ring Yes
Number of diaphragm blades 11
Optics
Elements 11
Groups 8
Special elements / coatings Extreme Aspherical, Super ED, ED elements + Nano AR coating
Focus
Minimum focus 0.80 m (31.5)
Maximum magnification 0.12×
Autofocus Yes
Motor type Ring-type ultrasonic
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Focus distance limiter No
Physical
Weight 820 g (1.81 lb)
Diameter 90 mm (3.52)
Length 108 mm (4.23)
Sealing Yes
Colour Black
Filter thread 77.0 mm
Hood supplied Yes
Hood product code ALC-SH142

Articles: Digital Photography Review (dpreview.com)

 
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Sony brings big zoom power to FE-mount with 24-240mm F3.5-6.3 lens

04 Mar

Another full-frame lens from Sony’s roadmap that hit the market today is a consumer-friendly super zoom. This 24-240mm F3.5-6.3 FE lens features optical image stabilization, five aspherical elements and one ED element, and is sealed against dust and moisture. The lens will ship this month for around $ 1000.

Articles: Digital Photography Review (dpreview.com)

 
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Fotodiox creates ‘Tough E-Mount’ for Sony E & FE-mount cameras

28 Oct

Sony’s NEX and Alpha range of E and FE-mount cameras have a lot going for them, but some users have reported a ‘wiggle’ in the lensmount, especially when heavier lenses, or third-party optics via adapters are used. Fotodiox thinks it has the answer with its new ‘Tough E-Mount’ – literally a replacement lensmount for E and FE-mount cameras. With a single metal ring replacing the two (one metal, one plastic) originally attached to the camera, the Tough E-Mount should (according to the manufacturer) eliminate any movement between camera and lens. Click through for more details

Articles: Digital Photography Review (dpreview.com)

 
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