Tag: Cropped

  • Ultra-compact Canon EOS Rebel SL3 offers eye-detect AF and cropped 4K capture

    $ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_4686843819″,”galleryId”:”4686843819″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

    Canon has introduced the EOS Rebel SL3, its smallest and lightest DSLR ever. It uses the same 24MP APS-C CMOS sensor as its SL2 predecessor but adds a DIGIC 8 processor, eye-detection when using Dual Pixel AF, improved battery life and 4K video capture with a substantial crop.

    The SL3 manages to shave a little of the SL2’s size and weight, making it a very trim 15.84oz / 450g. The camera’s most notable upgrade is its new DIGIC 8 processor, and it maintains the SL2’s fully articulated 3″ 1.04M-dot touchscreen, 5 fps burst shooting rate and Wi-Fi capability. The SL3 does boast significantly better battery life than its predecessor; a very healthy 1,070 shots per charge compared to the SL2’s 650-shot rating.

    The SL3 seemingly improves on the SL2’s 1080p video spec with 4K/24p recording, but this is unfortunately accompanied by a heavy crop like the one we saw on its M50 mirrorless sibling. Dual Pixel autofocus is also unavailable when shooting 4K video.

    The Canon EOS Rebel SL3 will be available at the end of this month in either black or white color options for $ 600 body-only or $ 750 with 18-55mm F4-5.6 IS STM lens included.

    LIGHT IN WEIGHT, HEAVY IN FEATURES: INTRODUCING THE EOS REBEL SL3 COMPACT DIGITAL SLR CAMERA

    Empowering Users with an Easy Way to Express Themselves, the New Camera Delivers Stunning Photos and 4K Videos in a Lightweight Body

    MELVILLE, N.Y., April 10, 2019 – Combining ease-of-use with high-image quality, Canon U.S.A., Inc., a leader in digital imaging solutions, today unveiled the EOS Rebel SL3 DSLR camera, the smallest and lightest product within the current EOS lineup. Weighing just 15.84 oz1, the EOS Rebel SL3 offers users a compact system delivering high-resolution images – complete with an APS-C imaging sensor, DIGIC 8 Image Processor and 3.0-inch vari-angle LCD touchscreen as well as 4K video, a first for the EOS Rebel lineup. Compatible with Canon’s full line of interchangeable EF and EF-S lenses, along with the ability to instantly send images to compatible smartphones through Auto Image Transfer via Wi-Fi® connectivity2, the EOS Rebel SL3 is the tool needed to empower aspiring photographers to capture gorgeous shots quickly and easily.

    “Since its inception, the EOS Rebel product line has aimed to provide imaging excellence for entry-level visual storytellers,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “Therefore, it was imperative that the next step in the EOS Rebel journey include innovative features such as 4K video and DIGIC 8 Image Processor to meet the needs of emerging photographers, while living up to the high-image quality and compact size EOS Rebel DSLRs are known for.”

    The EOS Rebel SL3 carries a powerful 24.1 Megapixel CMOS (APS-C) sensor, enabling users to snap photos and express themselves across a multitude of settings – whether it be a beautiful night scene, stunning family-vacation destination or a picturesque landscape. The camera is equipped with Canon’s DIGIC 8 processor – first introduced in the EOS M50 and later built into the revolutionary EOS R full-frame mirrorless system. DIGIC 8 helps improve autofocus performance and allows for the processing of 4K video and 4K time-lapse movies – helping budding videographers record scenes such as the colorful evening skyline in brilliant detail.

    The EOS Rebel SL3 features autofocus (AF) capabilities, delivering nine AF points across the optical viewfinder. This includes a new Spot AF which allows users to focus on a precise area within the subject. The EOS Rebel SL3 is the first DSLR in the Canon EOS line to feature Dual Pixel CMOS AF3 with Eye Detection AF in Live View shooting mode. With its optical viewfinder and Live View LCD monitor, photographers can enjoy two different ways of shooting and customize their experience based on the scene. The system is also the first Canon EOS SLR to incorporate a Smooth Skin setting, which can help render skin tones as well as Creative Assist – an interface by which users can check and seamlessly change shooting conditions in Live View4– such as white balance or brightness – in real time.

    Additional key features of the EOS Rebel SL3 camera include:

    • Feature Assistant that guides and offers tips for more effective shooting
    • Continuous shooting mode up to 5.0 fps
    • Digital Lens Optimizer that corrects optical shifting automatically, even without a computer5

    The EOS Rebel SL3 will be available toward the end of April for purchase in black and white color options for an estimated retail price of $ 599.99, for the body only and $ 749.99 for the body with a EF-S 18-55 f/4-5.6 IS STM lens*. For more information, please visit usa.canon.com.

    1 Includes battery and SD memory card (confirms with CIPA standards).1 Includes battery and SD memory card (confirms with CIPA standards).

    2 Compatible with select smartphone and tablet devices (Android™ version 5.0 or later and the following iOS® devices: iPhone 4s or later, iPad 3rd gen. or later, iPod Touch 5th gen. or later) equipped with Bluetooth® version 4.0 or later and the Camera Connect app.

    3 Based on results of AF speed tests in accordance with CIPA guidelines. Results may vary depending on shooting conditions and lens in use. Relies on internal measurement method. • Shutter speed: 1/500 or more• Lens used: EF 50 mm f/1.8 STM• Aperture: within three steps of maximum aperture• Using a fully charged battery pack LP-E17, at 23?C

    4 Available AF points may decrease when shooting with AF cropping or in movie mode, or depending on camera settings or lens attached.

    5 Up to three lenses can be registered at once within the camera.

    *Availability, prices and specifications are subject to change without notice. Actual prices are set by individual dealers and may vary.

    Canon EOS Rebel SL3 specifications

    Price
    MSRP $ 599 (body only), $ 749 (w/18-55mm F4-5.6 lens)
    Body type
    Body type Compact SLR
    Body material Composite
    Sensor
    Max resolution 6000 x 4000
    Image ratio w:h 1:1, 4:3, 3:2, 16:9
    Effective pixels 24 megapixels
    Sensor photo detectors 26 megapixels
    Sensor size APS-C (22.3 x 14.9 mm)
    Sensor type CMOS
    Processor DIGIC 8
    Color space sRGB, Adobe RGB
    Color filter array Primary color filter
    Image
    ISO Auto, 100-25600 (expands to 51200)
    Boosted ISO (maximum) 51200
    White balance presets 6
    Custom white balance Yes
    Image stabilization No
    Uncompressed format RAW
    JPEG quality levels Fine, normal
    File format
    • JPEG (Exif v2.3)
    • Raw (14-bit Canon CR2)
    • C-RAW (compressed)
    Optics & Focus
    Autofocus
    • Contrast Detect (sensor)
    • Phase Detect
    • Multi-area
    • Center
    • Selective single-point
    • Tracking
    • Single
    • Continuous
    • Touch
    • Face Detection
    • Live View
    Autofocus assist lamp Yes
    Manual focus Yes
    Number of focus points 3975
    Lens mount Canon EF/EF-S
    Focal length multiplier 1.6×
    Screen / viewfinder
    Articulated LCD Fully articulated
    Screen size 3
    Screen dots 1,040,000
    Touch screen Yes
    Screen type TFT LCD
    Live view Yes
    Viewfinder type Optical (pentamirror)
    Viewfinder coverage 95%
    Viewfinder magnification 0.87× (0.54× 35mm equiv.)
    Photography features
    Minimum shutter speed 30 sec
    Maximum shutter speed 1/4000 sec
    Exposure modes
    • Program
    • Shutter priority
    • Aperture priority
    • Manual
    Scene modes
    • Portrait
    • Smooth skin
    • Group photo
    • Landscape
    • Sports
    • Kids
    • Close-up
    • Food
    • Candlelight
    • Night portrait
    • Handheld night scene
    • HDR backlight control
    Built-in flash Yes
    External flash Yes (via hot shoe)
    Flash X sync speed 1/200 sec
    Drive modes
    • Single
    • High-speed continuous
    • Silent single
    • Silent continuous
    • Self-timer
    • Continuous shooting after self-timer
    Continuous drive 5.0 fps
    Self-timer Yes (2 or 10 secs)
    Metering modes
    • Multi
    • Center-weighted
    • Spot
    • Partial
    Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
    AE Bracketing ±3 (3 frames at 1/3 EV, 1/2 EV steps)
    Videography features
    Format MPEG-4, H.264
    Modes
    • 3840 x 2160 @ 25p / 120 Mbps, MP4, H.264, AAC
    • 3840 x 2160 @ 23.98p / 120 Mbps, MP4, H.264, AAC
    • 1920 x 1080 @ 60p / 60 Mbps, MP4, H.264, AAC
    • 1920 x 1080 @ 50p / 60 Mbps, MP4, H.264, AAC
    • 1920 x 1080 @ 30p / 30 Mbps, MP4, H.264, AAC
    • 1920 x 1080 @ 25p / 30 Mbps, MP4, H.264, AAC
    Microphone Stereo
    Speaker Mono
    Storage
    Storage types SD/SDHC/SDXC (UHS-I compatible)
    Connectivity
    USB USB 2.0 (480 Mbit/sec)
    HDMI Yes (Mini-HDMI)
    Microphone port Yes
    Headphone port No
    Wireless Built-In
    Wireless notes 802.11b/g/n + Bluetooth
    Remote control Yes (via wired or wireless remote or smartphone)
    Physical
    Environmentally sealed No
    Battery Battery Pack
    Battery description LP-E17 lithium-ion battery & charger
    Battery Life (CIPA) 1070
    Weight (inc. batteries) 449 g (0.99 lb / 15.84 oz)
    Dimensions 122 x 93 x 70 mm (4.8 x 3.66 x 2.76)
    Other features
    Orientation sensor Yes
    Timelapse recording Yes (videos only)
    GPS None

    Articles: Digital Photography Review (dpreview.com)

  • Writer’s Favorite Lens the Nifty Fifty on a Cropped Sensor Camera

    50mm1Growing up, the first letter of my last name was towards the end of the alphabet, which meant that I was one of the last kids who got to choose my electives in high school. It was for this reason that I ended up with strange electives such as Physics, Advanced Placement Composition, Metal Shop, and eventually Black and White Photography. I was less than thrilled about taking Photography – I had SATs to take, colleges to get in to, and certainly did not have time for a photography class taught by the Psychology teacher who was notorious for making kids walking around campus with their hands in the shape of a rectangle, “visualizing” the shot. Despite my best efforts, somewhere between the enlarger and placing my paper in the developer for the first time, I fell in love.

    I clung to black and white film photography for a number of years, until husband bought me my first DSLR – a Canon Rebel XS. One of the very first things I noticed was that something was wrong. Even when shooting with some of my favorite focal lengths, something looked off. After consulting Dr. Google, I quickly realized that the difference was that I learned photography in 35mm film format, and that the cropped sensor of the Canon XS made my lenses function in a different way than I was used to. There are plenty of articles that go into great depth explaining the hows and whys of cropped sensors, but what you need to know is that if you own an entry-level DLSR, you probably have one. If you do have a cropped sensor camera, you also need to know that a 50mm lens on a cropped sensor camera doesn’t actually act like a 50mm lens. Rather, APS-C (cropped sensor) cameras have a magnification factor of either 1.6x (Canon) or 1.5x (Sony & Nikon). So, you need to multiply the length of the lens on your camera by the magnification factor above in order to see what focal length that particular lens will function as on your camera. For example, if you put a 50mm lens on a cropped sensor camera, you have to multiply by 1.6x which means that your 50mm lens is actually functioning more like an 80mm lens.

    50mm3

    This is important because when you see reviews of lenses, or even when professional photographers talk about lenses, chances are that the images that they include will be taken with a full frame camera, which does not have a cropped sensor. In other words, even if you buy exactly the same lens, your photos will probably not look similar if you are using a cropped sensor camera. Now, please hear me when I say that this doesn’t mean that your camera is “bad” or that you need to upgrade your gear – you are capable of taking some absolutely amazing photos with a cropped sensor camera and a nifty fifty lens. There is a TON of potential there at a fairly low price point, which is why the 50mm f/1.8 lens is the first upgrade that a lot of new photographers make, and rightfully so! Today, I’d like to showcase a few of my favorite uses of a 50mm lens on a cropped sensor camera. In fact, every photo in this article was taken with a Canon 50mm f/1.8 lens and either a Canon XS or Canon 60D, which are both cropped sensor cameras.

    Newborn Photography

    50mm2

    When I’m photographing newborns, I’d say that the 50mm lens is on my camera 90% of the time. I like to go to the new parents rather than have them come to me whenever possible because I tend to find that mom and baby relax a bit faster in their own space, and I like to include a lot of “lifestyle” images in the session as well. However, doing so comes at a trade-off, which is that I don’t have as much control over the light in their home as I would in my space. Yes, I can move furniture if necessary or even shoot in the kitchen if that’s where the best natural light is, but it’s also nice to have a lens that can accommodate lower-light situations if needed, and the 50mm certainly can do just that when I shoot wide open or close to it. I find that the sweet spot in terms of aperture with this lens is around f/2.5, which is typically sufficient, but I like the fact that I can go down even further if I want to bring the focus to little feet, hair, or newborn features.

    Nature Photography

    50mm4

    While I have experimented with landscape photography using my 50mm lens, I prefer a wide angle lens (somewhere around 35mm) for that purpose. That said, while the 50mm may not be your best option for capturing waterfalls or beautiful mountain ranges, the 50mm lens shines in capturing the smaller details of nature – think flowers, vegetables, fruit, leaves, snow covered branches, and buds on trees.

    50mm5

    Portraits

    Of course, one of the most common uses for the 50mm lens is for standard portraits. I use my 50mm lens most often for portraits of one or two people, but have pulled it out quite frequently for groups of about three to six people as well (any more than six, and I prefer a wider angle lens). When I first purchased the 50mm lens, I was so excited about the ability to create a blurred background in portraits that I almost always shot wide open, with the aperture at f/1.8. It was so exciting to be able to achieve that bokeh!

    However, I also created a lot more work for myself and ended up with a lot fewer photos that nailed focus because the depth of field was so shallow, and any small movement of a kid could throw the focus out of whack . Now, I tend to set the aperture around f/2.5 when I’m shooting portraits, which still gives plenty of blur in the background but also makes my life a little easier. This is especially true when it comes to photographing toddlers and young kiddos that are often moving even when they’re “sitting still”. The bottom line? Don’t fall into the trap of shooting wide open all the time just because you can!

    50mm6

    Unexpected Surprises

    When I’m out and about, I often toss my camera with the 50mm lens in my purse or in the car. As I’ve mentioned, it’s my favorite lens, and the one that gets the most use, so it’s a generally safe bet. That said, there have been a handful of occasions in which my 50mm lens may not have been my first choice if I had other options with me, but it performed better than expected nonetheless.

    One such instance was when we ended up at a ski resort on the day of their high school snowboarding competition. I grabbed my camera just for fun, and was surprised at how well the 50mm lens handled a shot that I’d typically prefer a wider angle for. So, don’t be afraid to experiment with a 50mm lens even beyond the standard portrait applications, there’s a whole lot of potential there!

    50mm8

    Your Thoughts?

    Do you own a 50mm lens? What do you find yourself using it for most often? Do you have a cropped sensor or full frame camera?

    The post Writer’s Favorite Lens the Nifty Fifty on a Cropped Sensor Camera by Meredith Clark appeared first on Digital Photography School.


    Digital Photography School