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Posts Tagged ‘Cinema’

Samyang adds 14mm and 35mm lenses to Xeen cinema system

06 Feb
The 14mm T3.1 Samyang Xeen lens

Korean lens manufacturer Samyang has added two new wide angle lenses to its Xeen series of full-frame video lenses. The new focal lengths are 14mm and 35mm, and while the 35mm conforms to the family-standard maximum aperture of T1.5 the 14mm opens only to T3.1. The Xeen system now contains a total of five lenses as these two join the existing 24mm, 50mm and 85mm.

All the lenses are manual focus only, and feature focus and aperture gear rings in identical positions so that they can be switched quickly in and out of the same rig. Filter rings also match, and users have a choice of metric or imperial focus scales. The lenses come with interchangeable mounts, and adapters are available for Canon EF, Nikon F, Sony E, PL and Micro Four Thirds bodies.

The 35mm T1.5 Samyang Xeen lens

Samyang is proud of the way its lenses render out-of-focus highlights, and the new 35mm complements the existing lenses with its 11-blade diaphragm. The wider lens uses a 9-bladed iris.

The lenses should be on sale by March at a cost of £1599.

For more information visit the Samyang Xeen website. 


Press Release:

Two more XEEN Lenses announced by Samyang to complete a Perfect Five-Lens-Set

SEOUL, February 5th, 2016 –Global optics brand, Samyang Optics, has announced the release of 2 new lenses: XEEN 14mm T3.1 and 35mm T1.5. These two lenses, along with the existing 24mm T1.5, 50mm T1.5 and 85mm T1.5 lenses, create a perfect balanced five-lens-set for filming video and cinema with the outstanding image quality from resolving power for 4K+ production.

XEEN is a specialized brand in professional video-cine lens launched by Samyang Optics in 2015. The XEEN lenses are designed with Samyang Optics’ know-how and have outstanding optical performance for 4K+ with the X-Coating Technology, ensuring maximum image quality to create a cinematic look.

The 24mm x 36mm negative size allows XEEN to not only work with full frame cameras, but also with Super 35, APS-C and APS-H cameras. The lenses are available in five different mounts – PL, EF, F, E, and MFT and two different focus scales – metric and imperial units. Also, the aluminum metal housing is known for its reliability in various shooting conditions.

Most of the XEEN lenses come in a bright T1.5 aperture. The lenses deliver high quality footage with clear contrast and impressive colours, even under less-than-optimal lighting conditions. The large aperture also creates a pleasing bokeh effect for a cinematic look.

“Thanks to the rise of multi-channel networks, the demands for video creation is internationally surging and the expectation of video quality is also increasing,” stated a XEEN official. He continued, “to satisfy the international needs, we have completed the first five lenses which deliver a high-quality cinematic image.” As an answer to the future product plan, he carefully disclosed that two more XEEN lenses will be announced in the second half of the year.

Created to deliver infinite possibilities, XEEN14mm and 35mm lenses will be globally available in early March. The recommended retail price of each lens is £1599.00 inc VAT.

More detailed product information is available on the official website (http://www.xeenglobal.com) and Facebook (http://www.facebook.com/xeenglobal) or Samyang Lens Global Facebook (http://www.facebook.com/samyanglensglobal).

Articles: Digital Photography Review (dpreview.com)

 
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Canon plans high-res future with 120MP DSLR and 8K Cinema EOS in development

10 Sep

Canon is clearly in a forward-looking frame of mind: announcing more development projects that it has under way. These include a 120MP DSLR and a Cinema EOS camera that can shoot 8K video. Although it adds caveats that specifications can change, the press release suggest both projects are planned for commercial, rather than research purposes. Read more

Articles: Digital Photography Review (dpreview.com)

 
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24 Frames Per Second: Finding Photographic Inspiration From Cinema

25 Jul

I don’t believe that, as a photographer, it didn’t occur to me for quite some time to look to movies for inspiration and lessons I could use in my own art. But as I’ve grown as a consumer of movies and art, I’ve learned to look more closely at the choices filmmakers have selected in order to convey information to Continue Reading

The post 24 Frames Per Second: Finding Photographic Inspiration From Cinema appeared first on Photodoto.


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Meet the Blackmagic Micro Cinema Camera, a Super 16 action camera with a Micro Four Thirds mount

14 Apr

Blackmagic revealed the Micro Cinema Camera today, a lightweight professional-grade action camera with a Micro Four Thirds lens mount and a Super 16 sensor. GoPros may be good enough for your extreme family vacation and your cousin Jeremy’s POV skateboard videos, but Blackmagic is counting on pro filmmakers needing more. Read on

Articles: Digital Photography Review (dpreview.com)

 
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ARRI announces the ALEXA Mini 4K UHD, a lightweight carbon fiber cinema camera

24 Feb

We don’t normally write about thirty-thousand-dollar cinema camera, but the ARRI ALEXA Mini caught our eye. This digital motion picture camera packs a whole lot of firepower into a super compact, carbon-fiber body. The specs also foreshadow what me might expect in future consumer-level cameras, in terms of video capabilities. Read more

Articles: Digital Photography Review (dpreview.com)

 
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High pixel-density camera displays and wide-gamut Cinema 4K panel technology on the way

04 Nov

Reports from Japan’s Display Innovation 2014 exhibition highlight a number of advancements and prototypes in camera LCDs. Included are a high-pixel-density 3.2″ display using WhiteMagic technology, a high-resolution touch screen with in-cell touch sensors and a 31″ cinema 4K wide-gamut display with 99.5% AdobeRGB coverage from LG. Learn more

Articles: Digital Photography Review (dpreview.com)

 
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Blackmagic Design introduces PL Mount options for Production Camera 4K and Cinema Camera

13 Sep

Blackmagic Design has announced the addition of two new PL mount options to its line of professional motion picture cameras. The Production Camera 4K and Cinema Camera are now available with a PL mount, complementing existing EF and passive Micro Four Thirds models. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Sony unveils FE PZ 28-135mm F4 G OSS cinema lens

12 Sep

Sony has unveiled another full-frame compatible lens for its E-mount, the FE PZ 28-135mm F4 G OSS. With an emphasis on its capabilities in video production, it offers three separate control rings for zoom, focus and aperture. The lens is dust and moisture-resistant and uses a Super Sonic Wave Motor for fast and quiet autofocus and iris control. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Canon announces plans for firmware update to Cinema EOS cameras

05 Sep

This December, Canon will release a firmware update for its popular EOS C500 and EOS C300 video cameras, as well as version 1.3 of its Cinema RAW Development software. Support is added for a new color space used in recent broadcast testing, and both cameras will also gain the ability to use the assignable Func. button to specify color temperature. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Blackmagic releases firmware 1.8 for all cinema cameras

27 Jun

Blackmagic Design, maker of a range of high-end compact cinema cameras, has announced a firmware update for all of their models. Available today, the new firmware provides an entirely new code base for the Blackmagic cameras and will enable the company to roll out new features to their devices. The new update claims to provide improved performance and introduces a new user interface. Learn more

related news: Digital Photography Review (dpreview.com)

 
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