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Posts Tagged ‘Canon’

Canon EOS Rebel SL3 sample gallery and studio comparison

18 May

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Canon’s EOS Rebel SL3 is a compact, easy-to-use DSLR that takes great photos and comes packed with some of the company’s latest technologies – and also some frustrating limitations. While we work our way through our final review, take a peek at how the Rebel SL3 (also known as the EOS 250D and EOS Kiss X10) handled the New Orleans heat, the gray Seattle skies, and of course, our studio test scene.

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Articles: Digital Photography Review (dpreview.com)

 
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Canon Rebel SL3 (250D), Sony a6400 and Fujifilm X-T30 buying guides updated

10 May

We’ve updated a trio of buying guides, adding our final thoughts about the Sony a6400 and Fujifilm X-T30, along with our initial impressions of Canon’s EOS Rebel SL3 (EOS 250D).

While neither the a6400 or X-T30 came out on top in the guides below, we think they’re both well worth considering. Since the SL3 is yet to be reviewed, it’s not eligible for an award.

Best cameras under $ 1000

Best cameras for beginners

Look for more buying guide updates in the weeks ahead, including a look at the latest waterproof cameras.


View all buying guides

Articles: Digital Photography Review (dpreview.com)

 
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Canon announces the RF 85mm F1.2 L USM lens, the first RF lens to feature its BR optics

09 May

Canon has released the RF 85mm F1.2 L USM lens, a medium telephoto lens that’s the first RF lens, and only the company’s second lens, to feature Canon’s Blue Spectrum Refractive (BR) Optics. It will sell with a recommended price of $ 2699. There’s no news of the DS ‘Defocus Smoothing’ variant Canon has said is in development.

The lens features a new optical design compared to the EF version of the 85mm F1.2 II USM lens that includes one aspherical element, one ultra-low dispersion (UD) glass element and the aforementioned BR optics, which is placed between the concave and convex lenses and is designed to eliminate longitudinal chromatic aberration (typically seen as purple and green fringing in front of and behind the focal plane). In total, it contains 13 elements in 9 groups. Canon has also included its Air Sphere Coating (ASC), which helps to minimize lens flare and ghosting.

The RF 85mm F1.2 L USM lens has an aperture range of F1.2 through F16, a minimum focus distance of 85cm (2.79ft), an 82mm front filter thread and is weather-resistant with a dedicated fluorine coating. Like other RF lenses, the RF 85mm F1.2 features a customizable control ring at the front of the lens that can be used to adjust exposure compensation, aperture, ISO or shutter speed.

Below are three high-resolution sample photos provided by Canon:

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The lens measures in at 10.4cm (4.1″) diameter, 11.6cm (4.6″) long and it weighs 1.2kg (2.6lbs). Compared to its EF counterpart, it’s both wider, longer and heavier.

The Canon RF 85mm F1.2 L USM lens is currently available to pre-order (Adorama, B&H) for $ 2,699 and is set to ship in June 2019.


Canon RF 85mm F1.2 L USM Specifications

Principal specifications
Lens type Prime lens
Max Format size 35mm FF
Focal length 85 mm
Image stabilization No
Lens mount Canon RF
Aperture
Maximum aperture F1.2
Aperture ring No
Number of diaphragm blades 9
Aperture notes Circular aperture blades
Optics
Elements 13
Groups 9
Focus
Minimum focus 0.85 m (33.46)
Autofocus Yes
Motor type Ring-type ultrasonic
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 1195 g (2.63 lb)
Diameter 103 mm (4.06)
Length 117 mm (4.62)
Sealing Yes
Power zoom No
Zoom lock No
Filter thread 82 mm
Hood product code ET-89
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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Sony a7 III sales beat combined efforts of Canon and Nikon in Japan

03 May

Business information service BCN has released its latest data that shows Sony is so far ahead of the competition in Japan that in April its a7 III sold more than all the other top five full-frame mirrorless camera bodies combined. The growth of Sony a7 lll sales coincided with a dramatic drop in sales of the Canon EOS RP and only low volume sales for the EOS R and Nikon’s Z6. The Nikon Z7 doesn’t feature in the chart of the top five full frame mirrorless models, as the a7 ll takes the 5th spot.

The data shows the EOS RP performing well in the middle of March, but it declined quite quickly thereafter.

In some senses the results aren’t that surprising as Sony has a much more established user base and a much wider native lens selection than either Canon or Nikon for full frame mirrorless models; not to mention both Canon and Nikon are serving early adopters in this market. What might seem surprising though is that the a7 III is quite a bit more expensive than the EOS RP – proving that perhaps the market isn’t as price-sensitive as many expect.

Articles: Digital Photography Review (dpreview.com)

 
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Sony a7 lll sales beat combined efforts of Canon and Nikon in Japan

03 May

Business information service BCN has released its latest data that shows Sony is so far ahead of the competition in Japan that in April its a7 lll sold more than all the other top five full-frame mirrorless camera bodies combined. The growth of Sony a7 lll sales coincided with a dramatic drop in sales of the Canon EOS RP and only low volume sales for the EOS R and Nikon’s Z6. The Nikon Z7 doesn’t feature in the chart of the top five full frame mirrorless models, as the a7 ll takes the 5th spot.

The data shows the EOS RP performing well in the middle of March, but it declined quite quickly thereafter.

In some senses the results aren’t that surprising as Sony has a much more established user base and a much wider native lens selection than either Canon or Nikon for full frame mirrorless models; not to mention both Canon and Nikon are serving early adopters in this market. What might seem surprising though is that the a7 lll is quite a bit more expensive than the EOS RP – proving that perhaps the market isn’t as price-sensitive as many expect.

Articles: Digital Photography Review (dpreview.com)

 
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Tamron announces new 35-150mm F2.8-4 lens for Canon, Nikon cameras

26 Apr

Tamron has announced the 35-150mm F2.8-4 Di VC OSD lens for Canon EF and Nikon F mounts.

The lens, which Tamron says is a ‘dedicated portrait lens,’ is constructed of 19 elements in 14 groups including three Low Dispersion elements (LD), three hybrid aspherical elements and a features Tamron’s Broad-Band Anti-Reflection (BBAR) coating throughout the lens to reduce ghosting and flares. Its maximum aperture range is F2.8 through F4 while its minimum aperture range is F16 through F22, depending on what focal length the lens is set to, and it features a nine blade aperture diaphragm.

Autofocus on the lens is powered by Tamron’s Optimized Silent Drive (OSD) DC motor and the image stabilization is done with Tamron’s Vibration Compensation (VC) technology, which is CIPA-rated for up to five additional stops of stability.

The lens features a minimum focusing distance of 45cm (17.7in) across the entire zoom range, a 77mm filter thread and a fluorine coating on the front lens element to protect against water and oil. The lens measures in at 124.4mm (4.9in) long and weighs 790g (27.9oz) for the Nikon F mount version, and measures 126.8mm (5in) long and 796g (28.1oz) for the Canon EF version. Tamron’s TAP-in ConsoleTM can be used with this lens to update the lens’ firmware and make fine adjustments to the autofocus and vibration compensation motors inside.

The Tamron 35-150mm F2.8-4 is currently available for pre-order at B&H for $ 799 (Canon EF, Nikon F).

Articles: Digital Photography Review (dpreview.com)

 
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Zeiss officially unveils Otus 1.4/100 lens for full-frame Nikon, Canon cameras

25 Apr

The rumored Zeiss Otus 100mm F1.4 lens for full-frame Canon and Nikon cameras has been officially announced, joining the existing Otus 28mm, 55mm, and 85mm models. The new Otus 1.4/100 lens features a full-metal housing, high-precision manual focusing, and the company’s T* anti-reflective coating for minimizing stray light and maximizing contrast.

The Otus 100mm lens features an F1.4 to F16 aperture range, 14 elements in 11 groups, and an 86mm filter diameter, as well as a ‘consistent center of gravity’ and ‘optimum balance.’ That, in conjunction with the full-metal housing, makes the 100mm lens ‘well-suited for the rough conditions a professional photographer faces,’ according to Zeiss Camera Lenses Product Manager Björn Pados.

The company says that despite being designed for 35mm full-frame cameras, its new Otus 1.4/100 lens offers ‘the look and quality’ of medium-format cameras. The product’s apochromatic design eliminates ‘almost all conceivable aberrations,’ says Zeiss, which promises ‘practically no color fringing’ and bright-dark transitions that are ‘almost completely free of color artifacts.’

Below is a gallery of images taken with the images and provided by Zeiss:

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Global delivery of the new Otus 1.4/100 has started. The lens will be available for €4,500 EUR / $ 4,500 USD with included protective caps and a lens shade when it hits retailers’ shelves.

Press release:

New ZEISS Otus 1.4/100 DSLR Lens for the Most Demanding Applications

ZEISS adds a tele focal length to its line of lenses for full-frame DSLR cameras from Canon or Nikon

OBERKOCHEN/Germany, 2019-04-24 — With the ZEISS Otus 1.4/100, ZEISS is expanding its lens family for Canon1)– and Nikon1)-photographers who do not want to make any compromises concerning image and build quality. Whether in the studio or on-the-go, for portrait or product photography, the tele focal length delivers high resolution and outstanding definition in any situation – even at maximum aperture. This high-speed lens clearly sets the subject apart from the background. The exceptional level of detail and harmonic bokeh ensure the “3D pop effect”, ZEISS lenses are known for.

Achieving the outstanding image quality of medium format cameras

“The extremely high imaging performance and reliable production quality set the ZEISS Otus 1.4/100 apart in this class of lenses,” says Björn Pados, Product Manager for ZEISS Camera Lenses. “ZEISS’ comprehensive expertise and many years of experience went into developing the lens. The images captured with a ZEISS Otus lens in combination with a high-resolution, full-frame DSLR camera are on par with those created using a medium format system.”

The lens design, with aspheric lenses and special glass materials keeps chromatic aberrations and distortion to a minimum. Even when shooting against the light, the T* anti-reflective coating developed by ZEISS allows for extremely high contrast and minimizes stray light.

Robust and reliable

The ZEISS Otus 1.4/100 also features impressive production quality and ergonomics: the extended rotation angle and smooth operation of mechanical components enable highly precise manual focusing. The stable full-metal housing with internal focusing ensures a consistent center of gravity and optimum balance when taking photographs. “This makes the ZEISS Otus 1.4/100 well-suited for the rough conditions a professional photographer faces, and its high-quality mechanical design ensures it will last for a long time,” adds Pados.

The ZEISS Otus lens series

The ZEISS Otus lens series was developed for professional photographers who expect unrestricted edge-to-edge image quality that extends across the entire aperture range. ZEISS launched its high-end SLR lens family back in 2013 with the release of the ZEISS Otus 1.4/55. This series continued with the addition of a short tele lens, the ZEISS Otus 1.4/85, in 2014. The ZEISS Otus 1.4/28 wide-angle lens followed in 2015.

Price and availability

Global delivery for the ZEISS Otus 1.4/100 will begin immediately, with a sales price of 4,500 Euros (incl. German VAT) or 4,500 US$ (excl. local taxes). A lens shade and protective caps for the front and back lenses are included.

Articles: Digital Photography Review (dpreview.com)

 
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Leak: Canon has a 63MP full-frame sensor destined for high-resolution EOS R camera

23 Apr

There’s been rumors of a high-resolution EOS R camera since the EOS R was first released last year, but a leaked data sheet detailing a new 63-megapixel full frame CMOS sensor is the best hint yet that a mirrorless 5DS equivalent might be right around the corner.

According to the leaked data sheet, the sensor — referred to as 35MM63MXSCD — features Canon’s Dual Pixel AF and 63 million effective 3.7nm pixels (9696 x 6464). Using the 16 channel digital signal outputs, the data sheet says the sensor should be capable of up to 5.2 fps at 12-bit.

Below is the data sheet and a collection of leaked illustrations showing the various specs and schematics of the 35MM63MXSCD sensor:

Canon has been teasing in interviews that it’s excited to make cameras capable of showing off the quality and performance of its latest lenses, including its impending ‘holy trinity’ (16-35mm, 24-70mm and 70-200mm). Combined with the ongoing rumors churning around the mill that the next EOS R would be a high-resolution model due out sometime this year, it seems pretty clear this will be at the heart of the camera whenever it is released.

Articles: Digital Photography Review (dpreview.com)

 
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Report: Canon is lowering profit forecast 20% due to shrinking camera sales

20 Apr

According to a report [partial paywall] from Nikkei Asian Review, Canon is planning to lower its profit forecasts for the 2019 fiscal year by 20 percent — amounting to approximately 50 billion yen — due to shrinking camera sales.

What’s to blame for this downturn? According to Nikkei, the digital camera and semiconductor markets are shrinking due to the increasing capabilities of smartphone cameras. Below is the full translated section of the report:

‘Canon will lower its forecast for the fiscal year ending December 2019. Consolidated operating profit (US GAAP), which indicates the mainstay of the business, is likely to decrease by 20% over the previous fiscal year to just over 270 billion yen. About 50 billion yen lower than the previous forecast. The shrinking of the digital camera market and the deterioration of the semiconductor market due to the functional improvement of smartphones (smartphones) will hit hard.’

This report echoes the drop in global camera sales reported by the Japanese Camera & Imaging Products Association (CIPA) earlier this month.

Articles: Digital Photography Review (dpreview.com)

 
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Canon EOS R firmware update 1.2.0 brings eye-detection AF to Servo mode

19 Apr

On April 18, Canon released firmware version 1.2.0 for its EOS R full-frame mirrorless camera, adding eye-detection AF and small AF frame size support for Servo AF when shooting still images. In addition, both AF options are available while shooting videos regardless of the camera’s Movie Servo AF setting, according to Canon.

As with the version 1.1.0 firmware update released in February, the new 1.2.0 update is fairly small. Joining the new AF support are fixes for the following bugs: incorrectly displayed electronic level in the EVF, improperly rotated info displayed in the EVF, and an issue with updating the WFT-E7 firmware.

The version 1.2.0 update is available to download from Canon’s Support website.

The full changelog is below:

Firmware Version 1.2.0 incorporates the following fixes and enhancements:

Eye-detection AF

  • Supports Servo AF when shooting still images.
  • Now available when shooting movies regardless of “Movie Servo AF” setting.

Small AF Frame Size

  • Supports Servo AF when shooting still images.
  • Now available when shooting movies regardless of “Movie Servo AF” setting.

[Bug Fixes]

  • Under certain conditions the electronic level displayed in the electronic viewfinder did not display properly.
  • Under certain conditions information displayed in the electronic viewfinder was not properly rotated.
  • Under certain conditions updating the firmware for the wireless file transmitter WFT-E7 was not possible.

This firmware update is for cameras equipped with firmware up to Version 1.1.0. If the camera’s firmware is already Version 1.2.0, this update is unnecessary. When updating the firmware of your camera, please first review the instructions thoroughly before you download the firmware.

The firmware update takes approximately 6 minutes.

Articles: Digital Photography Review (dpreview.com)

 
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