This is my 1st review ever made. Review of the Canon EF 50mm f/1.8 II. I sincerely apologize for having such poor English. =( For more, pls visit www.icanshoot.wordpress.com Subscribe this channel and my website!! Thanks to All who watched it. =)
Video Rating: 4 / 5
Free Ebook Copy Here: www.conceptdynamic.com How to edit your native .mov files from Canon without stuttering or slowdown when you import them into your timeline? I started shooting video with my Canon 60D and had a lot of fun. Only to find out that when I try to edit these files in Premiere Pro, it slows down your entire computer and you are not able to scrub through the timeline. What I found out is that you need to transcode original native .mov files from Canon DSLR into a more edit-friendly files. Doing this will make your editing smooth and frustration free. I created a free ebook. You can download it for free and follow the exact steps of what you need to do in order to be able to edit files in Premiere or other video editing software without slow downs. The workflow works for pretty much all Canon DSLR including 60D, 7D, 550D, Rebel t3i, 5D Mark 2.
Video Rating: 4 / 5
A video unboxing of the digital SLR Canon EOS 60D this will be my primary photography and video camera. This replaces both my Canon XL1s and my Sony DHC XH1. www.computingforever.com
Video Rating: 4 / 5
For our holiday greeting this year, we sent out red/cyan glasses with our card, and created this 3D video using as many cheap 3D gags as we could find. Dircks Associates – www.dircksny.com Video, Audio, Design, and Direct Response expertise
Get a FREE Ebook on Video Workflow from Canon DSLR to Premiere to Final Export: conceptdynamic.com This works for most Canon DSLR videos. Including: 60D, 7D, Rebel T3I, 5D Mark 2. Transcoding your original native .mov files is important when you want to be able to edit them in Premiere or other software. If you don’t you may find yourself frustrated trying to scrub through the video timeline. Only to find that you can not get smooth motion in your editing program. Reason for this is Canon DSLR videos are compressed using H.264. This is great for playback, but not good for editing. To edit you need edit-friendly file.
Video Rating: 5 / 5
Testing my brand new red GIO ebike. Shot with a Canon T1i / 500D DSLR camera Don’t forget to subscribe and check my other videos!
Here we introduce the next level of tutorials – Creative Tutorials, where you can increase your photography knowledge and continue on your journey from taking good photos to taking great photos. Join in, find the inspiration for your photography and share at www.canon.com.au/worldofeos
Video Rating: 4 / 5
When one thinks of a focal length ideal to nature or landscape photography 24mm usually tops the list. Historically use of a 24mm prime lens was seen as the ideal way to go and over the past decade lens technology has improved so much that wide zooms (14-24mm, 16-35mm, etc.) are now the norm. The 50mm focal length on the other hand is seldom thought of as ideal for nature or landscape photography and more so for photojournalism or street photography. In fact it is for this reason that 50mm or most mid-range focal lengths were omitted from my earlier post Reader Question: What lens do you use for your Landscape photographs?
To Be A Leaf – Canon 5D III, 50mm f/1.0L USM at f/1.0, 1/6400 sec at ISO 1600
As of late I’ve been having fun with the 50mm focal length and I’ve been going out of my way to experiment with it. In the process I’ve rediscovered making use of much shallower depth of field in my images. For nature and landscape photographers using wide lenses with deep depth of field (> f/16) is often the norm to keep as much of the scene in focus as possible. With a shallower depth of field (< f/2.0) a narrow plane of focus exists and bokeh becomes a more important visual component. Breaking out of my deep depth of field rut I’ve become increasingly fascinated with learning about the varying qualities of bokeh and it’s led me to purchase a rather rare lens, the Canon EF 50mm f/1.0L USM. I have to admit this particular lens has two qualities that piqued my interest: 1. The extreme bokeh created by the ultra-shallow depth of field it is subject to and 2. It’s ability to gather more light for faster shutter speeds in low light situations (ideal for night photography).
Below is an example night photo taken out of a plane window at 10PM. Visible to the naked eye was the wing and a hint of snow on the mountains. Much of city lights and stars were not visible to the naked eye. What impressed me in this situation is that a nearly pitch black scene could be taken handheld.
Owens Valley Night Aerial – Canon 5D III, 50mm f/1.0L USM at f/1.0, 1/25 sec at ISO 25600
Below is an example of a night video of extreme bokeh at f/1.0
Bokeh Video Test – Canon EF 50mm f/1.0L USM from Jim Goldstein on Vimeo.
To see the difference in bokeh from f/5.6 to f/1.0 in still photos see below
f/1.0 Bokeh – Canon 5D III, 50mm f/1.0L USM at f/1.0, 1/3200 sec at ISO 640
f/1.1 Bokeh – Canon 5D III, 50mm f/1.0L USM at f/1.1, 1/2500 sec at ISO 640
f/1.2 Bokeh – Canon 5D III, 50mm f/1.0L USM at f/1.2, 1/2000 sec at ISO 640
f/1.4 Bokeh – Canon 5D III, 50mm f/1.0L USM at f/1.4, 1/1000 sec at ISO 640
f/1.6 Bokeh – Canon 5D III, 50mm f/1.0L USM at f/1.6, 1/1250 sec at ISO 640
f/1.8 Bokeh – Canon 5D III, 50mm f/1.0L USM at f/1.8, 1/1000 sec at ISO 640
f/2.0 Bokeh – Canon 5D III, 50mm f/1.0L USM at f/2.0 1/1000 sec at ISO 640
f/2.2 Bokeh – Canon 5D III, 50mm f/1.0L USM at f/2.2, 1/800 sec at ISO 640
f/2.5 Bokeh – Canon 5D III, 50mm f/1.0L USM at f/2.5, 1/640 sec at ISO 640
f/2.8 Bokeh – Canon 5D III, 50mm f/1.0L USM at f/2.8, 1/320 sec at ISO 640
f/3.2 Bokeh – Canon 5D III, 50mm f/1.0L USM at f/3.2, 1/250 sec at ISO 640
f/3.2 Bokeh – Canon 5D III, 50mm f/1.0L USM at f/3.2, 1/200 sec at ISO 640
f/4.0 Bokeh – Canon 5D III, 50mm f/1.0L USM at f/4.0, 1/160 sec at ISO 640
f/4.5 Bokeh – Canon 5D III, 50mm f/1.0L USM at f/4.5, 1/160 sec at ISO 640
f/5.0 Bokeh – Canon 5D III, 50mm f/1.0L USM at f/5.0, 1/100 sec at ISO 640
f/5.6 Bokeh – Canon 5D III, 50mm f/1.0L USM at f/5.6, 1/125 sec at ISO 640
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Breaking the Norm: Canon EF 50mm f/1.0L USM Lens
JMG-Galleries – Jim M. Goldstein Photography
www.fiveminutevideomarketing.com Ensuring your video sounds good is one of the biggest reasons why a video can make or break on Youtube. Inside this video I show you the external microphones we use to record our videos. We show you two different versions, a wired microphone which is the cheaper option and the wireless option (the one we recommend). You will soon discover why having an external microphone for your DSLR camera is crucial for any video you create. The external microphones we mention inside the video Audio-Technica Lavalier Microphone – 5mvm.co Sennheiser Wireless Lavalier Microphone System – 5mvm.co Watch this video on Youtube: www.youtube.com Leave a comment about this video and which one would you choose? Remember to subscribe to our channel!
Video Rating: 4 / 5
artoftheimage.blogspot.com – Building a Portrait Lens Kit for the Canon 60D, Canon 550D, Canon 600D, Canon 50D, or the Canon 7D (or any of the Canon crop sensor 1.6X DSLR digital cameras).
Canon EOS 5D Mark II – External Speedlite Controls with Bruce Dorn, courtesy of Canon USA.
Video Rating: 4 / 5