Tag: Camera

  • Video: a Retro Review of Sony’s 24-year-old Mavica FD5 camera, which used floppy discs for storage

    Gordon Laing has shared another episode of Retro Reviews, this time reviewing the 24-year-old Sony Mavica FD5, one of Sony’s earliest digital cameras that recorded cameras directly to 3.5” floppy discs.

    The Mavica FD5 was released in 1997 and retailed for around $ 600. While not the first Mavica camera, it was the first digital Mavica camera. As Gordon explains in the 13-minute video, the selling point of the FD5 was its use of the ubiquitous 3.5” floppy disc as a storage medium. Whereas most other digital cameras in the mid-to-late 1990s either used built-in storage or more expensive (and sometimes proprietary) storage solutions, Sony opted to go for a solution that didn’t require most consumers to go out and purchase additional hardware.

    Naturally, this solution made for a rather large, square-shaped camera. But, aside from its brick-like ergonomics [insert Sony ergonomics joke here], Gordon suggests the camera is fairly intuitive and straightforward due to its almost entirely auto nature (the only adjustable setting was exposure compensation +/- 1.5EV in .5EV increments). However, there are a few user experience quirks, such as the camera displaying only the numbers of images captured, not how many remain until your 1.4MB of storage is used up.

    Below is a collection of sample photographs captured by Gordon with the Mavica FD5, used with his permission:

    $ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_5307541400″,”galleryId”:”5307541400″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

    At the heart of the FD5 was a CCD sensor that was carried over from Sony’s line of digital video cameras and offered a whopping .3MP (640 x 480 pixels) of resolution. Gordon notes the camera applies rather aggressive JPEG compression to the images in order to fit 20–40 60KB photographs onto a single 3.5” 1.4MP floppy disc. The fixed focal length lens on the FD5 is a 47mm equivalent with a slider on the front of the camera for activating a macro lens that popped in front of the main lens.

    The FD5 uses Sony’s FP-530 batteries, which were rated for up to 500 shots per charge. However, reviewing images and keeping the rear LCD display on for extended periods of time dramatically cuts into that shot count.

    As always, Gordon’s video coincides with a written Retro Review of the camera, which you can read over on CameraLabs. You can find more of his Retro Reviews on Gordon’s DinoBytes YouTube channel and find his other photography work on his camera review website, CameraLabs.

    Articles: Digital Photography Review (dpreview.com)

  • TTartisan teases its first AF lens, a 32mm F2.8 for multiple full-frame, APS-C camera systems

    TTartisan has announced it will soon release a 32mm F2.8, its first autofocus lens. Very little information about the lens is revealed, aside from the mount options, which will include Canon RF, Canon EOS M, Fujifilm X, Nikon Z and Sony E mount camera systems.

    As it stands, this particular focal length is going up against quite a bit of competition in nearly every lens mount it’ll be offered in. The F2.8 aperture isn’t exactly inspiring, so its selling point across all lens mounts will likely be its price point, which hasn’t yet been announced.

    We’ll share another article when the lens and its more detailed specifications are released.

    Articles: Digital Photography Review (dpreview.com)

  • Camera Lens: Convex or Concave Explained

    The photographic lens is what creates the optical magic of bringing a subjects image to focus on to the image plane (that is the image sensor or the photographic film at the back of the camera). It refracts the lights rays, condenses them, and brings them to focus. The photographic lens is responsible for all the magic that happens inside Continue Reading
    Photodoto

  • iPad Camera Quality Bad: Solutions for Blurry iPad Photos

    Your iPad is one of many convenient small devices that is always on you and thanks to the integrated cameras is a great tool to take photos and videos on the move. Unfortunately, iPads are notorious for producing blurry images, which can also be caused by other factors. If you own an iPad and have always asked yourself how to Continue Reading
    Photodoto

  • What Camera Lens is Closest to the Human Eye?

    The human eye has several camera-like features. As a photographer, you would want to know the various parameters like focal length, aperture, and megapixels of the eye, which are the typical parameters of any digital camera. Many famous photographers use the eye equivalent focal length to capture most of their images. Why do many photographers prefer to choose this focal Continue Reading
    Photodoto

  • Xiaomi’s new 11T Pro offers 120W charging, 108MP camera module and more

    Chinese smartphone manufacturer Xiaomi has announced the 11T and 11T Pro, the first two devices in a new lineup from the company that sits just below its Mi 11 and Mi 11 Pro devices in both price and features.

    Xiaomi 11T Pro

    The new Xiaomi 11T Pro is powered by a Snapdragon 888 5G chipset, compared to the 888+ used in the Mi 11 Pro. The front features 6.67” flat 120Hz AMOLED display (1080 x 2400 pixels) that’s capable of 1,000 nits peak brightness and can display HDR10+ content. The device runs on MIUI 12.5, which is based on Android 11.

    On the rear of the camera is a triple camera array, headlined by a 1/1.52″ 108MP sensor (0.7µm, 9–1 pixel binning) that’s likely Samsung’s ISOCELL HM2, based on the specifications. In front of that sensor is a 26mm (equiv) F1.8 lens. The other two cameras onboard are an 8MP ultrawide module with a 120-degree field of view and a 5MP telephoto/macro lens with a 50mm (equiv.) focal length. None of the cameras have optical image stabilization, unfortunately, which the more expensive Mi 11 lineup features.

    Video capabilities include 8K30p recording as well as 4K60p and 1080p recording at up to 960 fps. HDR10+ recording is possible and a gyro-based electronic image stabilization (EIS) should keep footage at least somewhat stable at 4K resolution and below (no EIS on 8K recording). The ‘punch hole’ selfie camera on the front of the device uses a 16MP 1/3.06″ sensor with 1.0µm pixels. In addition to 16MP stills, it also offers 1080p recording at 30fps.

    In addition to 5G connectivity, the device features Wi-Fi (802.11 a/b/g/n/ac/6), Bluetooth 5.2, GPS and NFC support. A single USB-C port on the bottom of the device supports 120W charging, which can power the device’s 5000mAh Li-Po battery to 72% in 10 minutes and 100% in 17 minutes, according to Oppo. A side-mounted fingerprint sensor can be used to unlock the device in addition to the usual passcode locks.

    The Xiaomi 11T Pro is expected to ship later this month in black, blue and white colorways and start at €650 (~$ 770) for the 128GB/8GB RAM model while the 256GB/12GB RAM model retails for €750 (885).

    Xiaomi 11T

    The Xiaomi 11T is practically identical to the more powerful 11T Pro, with the only noticeable specification difference being the chipset inside. Instead of the Snapdragon 888 5G used in the 11T Pro, the 11T uses a custom Dimensity 1200-Ultra chipset. This less powerful chipset means you won’t be getting 8K video capabilities with the 11T, as it tops out with 4K60p recording. All other camera-related specifications remain the same.

    The only other difference we noted is that the fast charging on the 11T is limited to 67W instead of 120W, which means you’ll be able to get to 100% battery in 36 minutes instead of the 17 minutes on the 11T Pro. It’s worth noting though that fast charging will wear down the battery’s life span faster, so the slower charging speeds might actually be more beneficial in the end.

    The Xiaomi 11T Pro is available in black, blue and white colorways and starts at €650 (~$ 770) for the 128GB/8GB RAM model while the 256GB/12GB RAM model retails for €750 (885). The 11T will start at €500 (~$ 590) for the 128GB/8GB RAM model. Both models are expected to ship to much of Europe by the end of the month and are avialable to purchase through authorized Ziaomi retailers, including AliExpress, Amazon, Goboo and Mi.com.

    Articles: Digital Photography Review (dpreview.com)

  • How to Use the Canon Camera Connect App (in 2021)

    The post How to Use the Canon Camera Connect App (in 2021) appeared first on Digital Photography School. It was authored by Suzi Pratt.

    how to use the Canon Camera Connect app in 2021

    In this article, I’m going to share everything you need to know about using the Canon Camera Connect app, including:

    • How to connect your camera to the app
    • The ins and outs of the app interface
    • What the app can do for you as a photographer

    So if you’re struggling to get your camera connected to the app, or you simply want to know how you can use the app to revolutionize your photography, then you’ve come to the right place.

    Let’s jump right in.

    Step 1: Check for compatibility and download the app

    Canon Camera Connect is a free app available for download on Android and iOS devices. To get started, head to the Play Store or the App Store and hit Install.

    The app is compatible with a broad range of Canon digital cameras, including:

    • Over a dozen Canon PowerShot models
    • Plenty of Canon DSLRs, including the 5D Mark IV, the 6D Mark II, and the Rebel SL3
    • Canon’s mirrorless lineup, including the EOS RP, the EOS R, the EOS R5, and the EOS R6

    If you’re not sure whether your camera is compatible with the Canon Camera Connect app, you can check the full compatibility specs here, though bear in mind that the compatibility list hasn’t been updated to include Canon’s latest camera models. Alternatively, you can download the app and search for your camera:

    selecting your camera

    Step 2: Connect your camera to the app

    The specifics of this step will vary depending on your camera model. Fortunately, the Canon Camera Connect app offers startup instructions that take into account these variations.

    In the app, select Easy Connection Guide:

    activating the Easy Connection Guide

    Then hit Connect another camera/camcorder:

    picking your camera in the Canon Camera Connect app

    Next, search for your camera model:

    searching for your camera model

    Depending on your camera’s capabilities, you may have the option to connect via Bluetooth, Wi-Fi, or NFC. Canon recommends Bluetooth for the best connection, but any of the three options should work.

    selecting your connection method

    Finally, head through the setup instructions.

    By the time you’ve finished, your camera should be paired with the app and ready to go.

    follow the instructions to connect your camera

    Step 3: Explore the interface of the Canon Camera Connect App

    After you have successfully connected your phone to your camera, head back to the app home page. The menu is minimal and pretty straightforward.

    the Canon Camera Connect app interface

    While the app offers several functions – including the ability to automatically download photos from your camera to your phone – you’ll generally stick to the top two options:

    • Images on camera
    • Remote live view shooting

    Let’s take a look at each of these items in turn:

    Images on camera

    viewing images on your camera via the app

    Selecting Images on camera will show you a gallery of all the images on your connected camera (i.e., on the camera’s memory card), sorted by the date they were taken.

    images on the camera

    To open an image, simply tap it with your finger. You’ll see it displayed large.

    viewing a camera image

    At the bottom of the screen, you’ll find several useful options, including Info (which lets you view camera settings for the file), Rating (which lets you give your file a rating between one and five stars), Import (which lets you download the file to your phone), and Delete (in case you want to erase the image from your camera on the spot).

    Remote live view shooting

    selecting the remote live view shooting option

    Selecting Remote live view shooting will give you a live camera feed on your phone. Hit the big circle at the bottom of the screen to fire the camera shutter.

    viewing a live view feed

    You can make adjustments to settings, too; for instance, from your phone, you can change the point of focus, the shutter speed, the aperture, the ISO, the white balance, the AF area mode, and more.

    When to use the app for amazing results

    Now that you’re familiar with the Canon Camera Connect app basics, let’s discuss some common situations where the app can help your photography, starting with:

    1. Photographing landscapes without a dedicated remote trigger

    When shooting landscapes, it’s best to avoid using the shutter button to take photos. After all, most landscape photography occurs at slow shutter speeds, where the action of pressing the shutter button can introduce unwanted blur.

    So what do you do?

    Well, most landscape shooters rely on one of two options: They either carry a remote trigger, or they use the camera self-timer.

    Unfortunately, both these methods come with significant drawbacks. It’s easy to forget a remote trigger at home, plus it requires batteries of its own, and it introduces yet another element of uncertainty into a camera setup. And the camera self-timer fails when you’re trying to photograph moving objects, such as a wave coming in on the beach; thanks to the delay, you rarely end up with the result you envision.

    Enter the Canon Camera Connect app, which lets you fire your camera remotely, straight from your phone. You don’t need to carry anything extra (except for a smartphone, of course, but these days, who doesn’t?). And you don’t have to worry about self-timer delays.

    2. Photographing from odd angles

    If you’re the type of photographer who shoots from down low, up high, or any other uncomfortable positions, you’re going to love the Camera Connect app.

    Simply turn on the remote live view shooting option, then position your camera without hurting your neck or scraping your elbows.

    Preview the composition and exposure through your smartphone feed, then take your photo.

    3. Doing street photography from the hip

    In street photography, the goal often is to shoot without being noticed by your subject.

    This has led street photographers to develop various techniques for shooting inconspicuously, including shooting from the hip, which involves blindly firing your camera without looking through the viewfinder.

    Unfortunately, shooting from the hip, while discreet, results in very few keepers – unless you preview images through the Camera Connect app first.

    In other words:

    Set up your shots the way you normally would, with your camera held below eye level. But hold your phone in one hand and surreptitiously check the remote feed for framing information. That way, you can ensure your compositions look good before firing the shutter button, and your keeper rate will immediately skyrocket.

    Make sense?

    4. Product photography from a distance

    If you like to shoot products (or any still life subjects, really) with studio lighting, you probably spend a lot of time walking to your lights, then back to your camera, then back to the lights, and back to your camera, and so on.

    It may not seem like a lot, and if you’re just starting out, it probably isn’t. But over time, moving back and forth between camera and lights can become frustrating, and you’ll wish you had some way to simplify the process – such as the Canon Camera Connect app.

    With the app, you can preview images and fire off test shots while standing next to your lights, then simply reach over and make adjustments to your light settings without needing to journey to your camera and back.

    How to use the Canon Camera Connect app: final words

    Well, there you have it:

    How (and why) to use the Canon Camera Connect app. Hopefully, you can now confidently connect your camera to the app – and use it to improve your photography workflow!

    Canon Camera Connect app

    The post How to Use the Canon Camera Connect App (in 2021) appeared first on Digital Photography School. It was authored by Suzi Pratt.


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  • Camera Lens Universality Guide: What Works and What Doesn’t?

    Lens mounts are an integral part of understanding whether or not a lens will work with your camera system. Most often we are not given that choice because entry-level cameras come bundled with a kit lens. However, once we want to go beyond a kit lens and want to buy an extra lens comes the inevitable question – will this Continue Reading
    Photodoto

  • The ZV-E10, Sony’s First Interchangeable-Lens Vlog Camera, Will Ship on the 24th

    The post The ZV-E10, Sony’s First Interchangeable-Lens Vlog Camera, Will Ship on the 24th appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

    The Sony ZV-E10 will ship on August 24th

    Next week, Sony will release its distinctive new vlogging camera, the ZV-E10, which features a compact build, APS-C image quality, and interchangeable lenses.

    Sony’s new camera is “designed from the ground up for vlogging and vloggers,” and aims to provide content creators with a blend of beginner-friendliness, top-notch video, and compactness for a uniquely effective shooting experience. 

    While Sony already offers a vlogging camera, the ZV-1, the ZV-E10 aims to keep the best of the former model while improving upon it in a number of ways. Most notably, the ZV-1 is a fixed-lens camera, while the ZV-E10 is compatible with Sony’s range of E-mount glass. The ZV-E10 also outperforms the ZV-1 in terms of image quality, thanks to its powerful APS-C, 24 MP sensor.

    And when it comes to video, the ZV-E10 brings the goods. You get 4K/24p shooting with no crop and no pixel binning (4K/30p with a crop factor), not to mention 1080p up to 120 fps, mic and headphone jacks, an excellent inbuilt mic, S-Log recording, and top-notch autofocus. Plus, the high-resolution LCD swivels to the side, so you can preview your video while vlogging:

    The Sony ZV-E10 vlogging camera

    Sony has even packed in several video-focused features designed for vloggers and other video beginners, such as a “Background Defocus” option, which instantly widens the lens aperture for a beautiful background blur effect. You also get a “Product Showcase Setting,” which tells the camera to focus on products rather than faces.

    In other words, if you’re a beginner vlogger, you can get started with pro-looking videos from the get-go. 

    The ZV-E10 will also perform well as a beginner stills (or hybrid) camera. The 24 MP sensor comes straight from the highly regarded a6100 and works alongside Sony’s class-leading Real-Time Eye AF and Real-Time Tracking. You can expect an impressive 11 frames-per-second continuous shooting, plus touchscreen autofocusing – making the ZV-E10 an excellent option for action photography, fast-paced walkaround shooting, and more.

    The ZV-E10 will begin shipping on August 24th, though it is currently available for preorder. Prices start at $ 698 USD (body only), though you can also grab the ZV-E10 as part of a camera-lens kit.

    If you’re a vlogger or a content-creation beginner and you’re looking for a standout option, the ZV-E10 is not only a powerful camera, but also very reasonably priced. Sony’s first interchangeable-lens vlogging model is bound to be a hit – so grab it next week!

    Now over to you:

    What do you think of the ZV-E10? Are you impressed? Would you buy it? Or is it missing features you’d like to see in a vlogging camera? Share your thoughts in the comments below!

    Credit: All images courtesy of Sony.

    The post The ZV-E10, Sony’s First Interchangeable-Lens Vlog Camera, Will Ship on the 24th appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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  • A Beginner’s Guide to Buying a Camera (2021 Edition)

    The post A Beginner’s Guide to Buying a Camera (2021 Edition) appeared first on Digital Photography School. It was authored by Jeremie Schatz.

    a beginner's guide to buying a camera

    Are you searching for your first real camera? Do you want to know what to look for and how to choose?

    In 2021, you have plenty of options, but talk of megapixels, mirrorless technology, viewfinder type, and other technical terms can get very confusing, very fast. That’s why, in this camera buying guide for beginners, I’m going to break it all down for you.

    Specifically, I’m going to cover the different types of cameras and the key features to look for, plus I’m also going to share some simple tips for getting the right model for your needs.

    Let’s dive right in.

    Price

    camera with money

    Brace yourself: High-quality photography equipment often requires a significant investment.

    All cameras cost money, and sometimes lots of it – so determining your budget is a good place to start.

    In my experience, the easiest approach to camera budgeting is to come up with a narrow price window. If you think you want to spend under $ 1,000 USD, you’ll be overwhelmed with choices, but if you aim for the $ 800-$ 1,000 range, your options will be much more manageable.

    While you’re mulling over your camera budget, consider what other accessories you may need or want. Don’t blow your entire budget on a camera body with no lens. And depending on the type of photography you plan to do, you may want to acquire a tripod, external flash, extra batteries, and memory cards.

    Types of cameras

    Now that you’ve (hopefully) determined your budget, it’s time to figure out which camera type is right for you.

    Generally speaking, you have four main options:

    1. Point-and-shoot cameras
    2. Bridge cameras
    3. DSLRs
    4. Mirrorless cameras

    many cameras in a group

    Point-and-shoot cameras are compact and convenient. In general, they’re designed for beginners, and they feature automatic modes for easy, no-knowledge-required photography. Unfortunately, the lenses are built in and non-interchangeable, though they usually cover a wide zoom range. Quality-wise, point-and-shoots run the gamut from cheap and uninspiring to pro-level compacts.

    Bridge cameras take the point-and-shoot concept and kick it into high gear; while bridge cameras don’t offer interchangeable lenses, they do offer more control over camera settings, along with larger grips, improved ergonomics, and more rugged bodies.

    DSLRs are the classic, fancy-looking cameras with all the buttons and big lenses. Lower-end DSLRs offer good image quality and give users a ton of control, while higher-end DSLRs include an array of advanced features, such as lightning-fast continuous shooting, complex autofocus tracking, and an ultra-rugged frame. You’ll find a mind-boggling assortment of lenses and flashes, as well as a myriad of other gadgets for all sorts of creative effects.

    Mirrorless systems are all the rage these days, packing the features of DSLRs into smaller bodies. They offer a great compromise of quality and versatility, and thanks to advances in mirrorless sensor technology, many photographers view mirrorless as the future.

    Of course, at the end of the day, none of these camera types are obviously best – rather, they’re good for different users and different types of photography. Choosing a camera type is about recognizing what you want to photograph and how you want to photograph it, rather than grabbing the option with the flashiest features.

    So if you’re after an ultra-compact model designed for beginners, I’d suggest picking a point-and-shoot camera, especially if you don’t ever plan on moving past the basics. On the other hand, if your goal is to do serious photography, an entry-level DSLR or mirrorless camera is probably best; these cameras offer excellent image quality at a reasonable price.

    Of course, if money is no object, you might consider purchasing a high-level DSLR or mirrorless camera, though these models mainly distinguish themselves in terms of high-level features that you may not have much use for, so think long and hard before you spend thousands on a body like the Sony a7R IV.

    Sensor

    Once you’ve picked the perfect camera type, you’ll need to understand how to compare different sensors, which vary in three key ways:

    1. Size
    2. Resolution (megapixels)
    3. High-ISO capabilities

    Let’s take a closer look at each characteristic in turn:

    Sensor size

    buying a camera with a sensor

    The bigger the sensor, the better the image quality (all else being equal). For this reason, big sensors tend to be pricey, and they also tend to make their way into the hands of professionals rather than beginners.

    In fact, the largest consumer sensors are known as full frame and are the size of a 35mm film negative. But the majority of cameras on the market pack sensors smaller than full frame; these are usually referred to as cropped, or APS-C. Then there are smaller sensors still, known as Four Thirds, and even smaller sensors (though once you get below Four Thirds, you’ll be looking exclusively at compact and bridge cameras).

    If capturing sharp, clean images is your main goal, then I’d recommend purchasing a Four Thirds sensor at the very least (and I’d urge you to consider APS-C and even budget full-frame options). That said, larger sensors do correspond to larger camera bodies, so a smaller sensor is a tradeoff worth considering, especially if you plan to travel frequently or you like the idea of carrying a camera around in your pocket.

    Note that larger sensors often offer more megapixels, the importance of which I discuss in the next section:

    Resolution (megapixels)

    These days, high-megapixel cameras are all the rage. You have cameras like the Canon EOS R5 and the Nikon Z7 II packing 45 megapixels, the Sony a7R IV reaching to a whopping 61 megapixels, and talk of an 80+ megapixel model from Canon.

    But what do all those megapixels get you? Two things: big prints and cropping latitude.

    In other words, a 61 MP camera will let you produce gigantic prints with tons of detail, or it will let you crop in on your subject for a magnified view.

    Unfortunately, higher megapixel counts do come with several significant drawbacks. For one, more megapixels tend to reduce high-ISO capabilities so that you’ll capture noisy, messy images in low light. Also, resolution is directly correlated with file size, so you’ll fill up your memory cards and computer hard drive much quicker with a high-resolution camera.

    Before you go out and buy that 40+ megapixel camera, ask yourself: do I really need that many megapixels? Sometimes it pays to skimp!

    camera memory card

    High-megapixel cameras come at a price: they eat up storage on your memory cards and hard drive.

    High-ISO capabilities

    Some cameras can shoot at ISO 3200, ISO 6400, and beyond without producing significant noise, whereas others struggle to produce usable images past ISO 800.

    Here, the difference is partly a function of size, where larger sensors offer better low-light performance, but also a function of sensor technology, where certain sensor types (often found in the most expensive cameras) outperform others.

    Unfortunately, it’s difficult to determine a camera’s high-ISO capabilities from its specification sheet alone, so it’s important to read hands-on reviews before purchasing any particular model, especially if low-light photography interests you.

    Lens quality (and lens selection)

    A sensor is only as good as the lens you put in front of it. If your lens is blurry, then you could have the best sensor in the world, but your photos will turn out blurry, too.

    If you’re aiming to purchase a point-and-shoot or bridge camera, compare the zoom range of different models. Ask yourself: How much zoom do I need? Some lenses cover huge ranges and can therefore handle many genres of photography from landscapes to birds and everything in between. Other lenses feature more limited zoom ranges, which might be fine or might become an issue, depending on your interests.

    camera lens

    With DSLRs and mirrorless models, you must purchase at least one lens – otherwise, your camera can’t capture photos. Fortunately, the lens options are nearly endless, and there are lenses for pretty much every photographic genre, from portraits to street to wildlife and beyond. Many cameras are offered as kits that come with the camera body and lens. These “kit” lenses are usually lower quality but can certainly produce good results.

    Some lenses are more expensive than others, based on several main factors: they let in a lot of light, for one, and they produce very sharp, undistorted images. They also might feature longer focal lengths or large zoom ranges and are often built to more exacting and durable standards.

    Really, choosing the perfect lens is often as hard as choosing the perfect camera. As a beginner, though, it often makes sense to start with a kit lens, spend time developing your photographic interests, and then upgrade to more specialized lenses as needed.

    Additional key features

    Up until this point, I’ve focused on the camera essentials – the characteristics that you should always think about before picking a camera.

    But there are plenty of additional features worth considering, depending on the genres that interest you. In this section, I’ll highlight a few of the big ones, starting with:

    Autofocus and drive speeds

    If you want to photograph action – sports, wildlife, or birds – then you need a camera with advanced autofocus and high continuous shooting speeds.

    Look for models that feature complex tracking algorithms (e.g., human or animal eye AF). Also look for 10+ frames per second, as well as a deep (50+ frames) buffer.

    Durability

    Some cameras are built to last, whereas others struggle to handle a light rain.

    If you plan to shoot most of your photos indoors, durability may not matter to you. But if you’ll be capturing landscapes, wildlife, sports, or even outdoor events, the more weather-sealed your camera, the better.

    Ergonomics and handling

    Some cameras are comfortable to hold plus they’re easy to operate, thanks to helpful features such as fully articulating screens, touch functionality, and autofocus joysticks.

    man with a camera pointed upward

    For each camera you consider, make sure to look carefully at the specification list. If there’s a feature you desperately want – such as a fully articulating touchscreen – make sure you grab a camera that includes it!

    Other

    Here’s a long list of other features worth considering:

    • Wireless connectivity
    • Built-in flash
    • Hot shoe (for an external flash)
    • Dual memory card slots
    • Image stabilization
    • RAW file support
    • Video capabilities (HD, 4K, etc.)
    • External microphone support
    • Shooting modes (for creative effects)
    • Battery life
    • Weight

    Guide to buying a camera: final words

    Buying a digital camera can be intimidating, and it often feels like the choices never end. Hopefully, this article has offered you some clarity – and you’re now ready to make your first camera purchase.

    Also, it’s important to remember: While camera choice does matter, pretty much every model out there is capable of great shots. So don’t stress too much!

    camera silhouette at sunset

    The post A Beginner’s Guide to Buying a Camera (2021 Edition) appeared first on Digital Photography School. It was authored by Jeremie Schatz.


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