Tag: $2200

  • Panasonic Lumix S Pro 24-70mm F2.8 to ship in October for $2200

    $ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_1553724933″,”galleryId”:”1553724933″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

    Panasonic has announced its fourth L-mount lens: the Lumix S Pro 24-70mm F2.8. The company is making no small claims about it: promising superior bokeh and sharpness. To that end, the 24-70mm uses 18 elements in 16 groups, including three aspherical lenses, four extra-low dispersion lenses and one UHR (ultra-high refractive index) lens.

    As with the other ‘S Pro’ lenses, the design is certified by Leica (though the lens isn’t branded as Panasonic/Leica, since Leica designs its own L-mount lenses).

    Panasonic also touts the lens’s high-speed autofocus. The system is powered by both linear and stepping motors, and a focus clutch allows for quick switches between auto and manual focus. The lens is dust and splash-resistant, as well as freeze-proof to -10°C (14°F).

    The 24-70mm F2.8 should will offer video shooters benefits such as silent focusing, and Panasonic claims that the lens exhibits minimal focus breathing.

    The Panasonic Lumix S Pro 24-70mm F2.8 will cost $ 2200 when it ships in mid-October.

    Press Release

    Panasonic Launches a New L-Mount Interchangeable Lens for the LUMIX S Series Full-frame Digital Single Lens Mirrorless Camera

    LUMIX S PRO 24-70mm F2.8 (S-E2470)

    Newark, NJ (August 27, 2019) – Panasonic is proud to introduce a new interchangeable standard zoom lens, the LUMIX S PRO 24-70mm F2.8 (S-E2470) compatible with the L-Mount system for the LUMIX S Series Full-frame Digital Single Lens Mirrorless Camera. Developed with high-quality professional performance in mind, the LUMIX S Series of cameras and lenses together achieve uncompromised photographic expression..

    The LUMIX S PRO 24-70mm F2.8 (S-E2470) is a large-aperture standard zoom lens that boasts high descriptive performance across the entire zoom range. Optical performance is remarkably high, passing stringent LEICA standards.

    The rugged dust- and splash-resistant* design withstands harsh conditions and ensures versatile use for landscapes, snaps and portraits with its 24-70mm focal length. The LUMIX S PRO 24-70mm F2.8 features stunningly high resolution and high contrast at each focal length point, with a filter diameter of 82 mm and an 11-blade circular aperture diaphragm. The full-range F2.8 high-speed aperture provides smooth defocus gradation from the focus peak to the neighboring area of the image to achieve a beautiful bokeh effect as well as a rich perspective.

    Comprised of 18 lenses in 16 groups, three aspherical lenses and four ED (Extra-low Dispersion) lenses effectively suppresses both axial chromatic aberration and chromatic aberration of magnification. The aspherical shape of the lenses corrects astigmatism, achieving high resolving performance. Furthermore, a UHR (Ultra-High Refractive Index) lens achieves uniform image quality from the center to the edges of the image while downsizing the lens unit.

    A double focus system combining linear and stepping motors achieves sensor drive at a maximum speed of 480 fps. This realizes fast, high-precision AF, ensuring the user never misses a photo opportunity. Focus clutch mechanism adoption enables instant AF/MF switching and accurate manual focusing. The LUMIX S PRO 24-70mm F2.8 also excels in video recording performance with a mechanism that suppresses focus breathing, a common problem in all interchangeable lenses designed for still image photography.

    By 2020, Panasonic will design and develop 10 or more Lumix S Pro and other lenses, further expanding the S Series lens lineup. More than 45 interchangeable L-Mount lenses are or will be available from Panasonic, Leica Camera AG and Sigma, demonstrating an almost limitless spectrum of new creative possibilities.

    The LUMIX S PRO 24-70mm lens will be available in October for $ 2199.99.

    *Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water.

    Panasonic S Pro 24-70mm F2.8 specifications

    Principal specifications
    Lens type Zoom lens
    Max Format size 35mm FF
    Focal length 24–70 mm
    Image stabilization No
    Lens mount Leica SL
    Aperture
    Maximum aperture F2.8
    Minimum aperture F22
    Aperture ring Yes
    Number of diaphragm blades 11
    Optics
    Elements 18
    Groups 16
    Special elements / coatings 3 aspherical + 1 UHR + 4 ED elements
    Focus
    Minimum focus 0.37 m (14.57)
    Maximum magnification 0.25×
    Autofocus Yes
    Motor type Linear Motor
    Full time manual Yes
    Focus method Internal
    Focus notes Has double focus system made up of linear and stepping motors
    Distance scale No
    DoF scale No
    Physical
    Weight 935 g (2.06 lb)
    Diameter 91 mm (3.58)
    Length 140 mm (5.51)
    Materials Magnesium alloy
    Sealing Yes
    Colour Black
    Zoom method Rotary (extending)
    Power zoom No
    Zoom lock No
    Filter thread 82 mm
    Hood supplied Yes

    Articles: Digital Photography Review (dpreview.com)

  • PSA: Don’t film laser tattoo removals unless you too want to fry a $2,200 camera

    Laser systems used at concerts and even self-driving cars are known for damaging camera sensors, but now there’s one more thing to add to the list — tattoo laser removal lasers, even when the laser isn’t being pointed directly at the camera.

    As unfortunately demonstrated in the 37-second video above, Andy Boyd destroyed the sensors inside his $ 2,200 Sony a7S II when he was filming a laser tattoo removal.

    In the video description, he writes:

    ‘Hot tip: Don’t record laser tattoo removal on…anything. You can see with each pulse the sensor shows new damage. The repair cost was about as much as a new camera so try to avoid this. Club lasers can do this too but we’d never seen the reflection of a laser beam do damage, only when the beam itself hits the sensor.’

    Hopefully you’re never in a situation where you’re asked to film a tattoo removal — especially one that reads ‘I am juicy’ with a strawberry next to it — but in the event you are, either use a camera you don’t mind destroying or pass up the opportunity as a whole.

    Articles: Digital Photography Review (dpreview.com)