Tag: 1635mm

  • Canon introduces EF 16-35mm F2.8L III USM and EF 24-105mm F4L IS II USM L-series glass

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    Coinciding with the announcement of the 5D Mark IV, Canon has introduced updates to two L-series lenses: the EF 16-35mm F2.8L III USM and EF 24-105mm F4L IS II USM. The 24-105mm F4L II offers improved image stabilization, claiming four stops to its predecessor’s three, and adds air sphere coating for better resistance to ghosting and flare. Two aperture blades have been added, totaling 10 now – arguably one more than it should have for pleasing sunstar rendition.

    The third iteration of Canon’s 16-35mm F2.8L uses a large diameter GMO (glass-molded) dual surface aspherical lens. Like its predecessors the lens is water- and dust-resistant, and Canon claims the new lens boasts improved durability. We’ve seen some initial comparisons vs. the Mark II, and the Mark III clearly addresses one of its predecessors largest shortcomings – poor off-center performance – while arguably improving upon one of its most revered qualities: beautiful sunstars, now with 18 rays.

    The EF 16-35mm F2.8L III USM will cost $ 2,199 and the EF 24-105mm F4L IS II USM will sell for $ 1099. Both lenses are scheduled for October availability.

    From the press release:

    New Canon EF Lenses and EOS Accessories
    In addition to the new EOS 5D Mark IV DSLR, Canon is also introducing two EF-Series L-series lenses as well as a variety of EOS accessories. The new EF 16-35mm f/2.8L III USM Ultra-Wide Zoom Lens features a large diameter GMO dual surface aspherical lens and ground aspherical lens, f/2.8 aperture throughout the entire zoom range, fluorine coating, improved durability and is dust and water resistant. The new EF 24-105mm f/4L IS II USM Standard Zoom lens features an improved four-stop image stabilization as well as ghosting and flare reduction with air sphere coating. The Canon EF 16-35mm f/2.8L III USM Ultra-Wide Zoom Lens is scheduled to be available late in October for an estimated retail price of $ 2,199.00†† and the EF 24-105mm f/4L IS II USM Standard Zoom Lens is scheduled to be available in late October for an estimated retail price of $ 1,099.00††.

    Additional EOS accessories include the Canon Battery Grip BG-E20, Canon Rain Cover ERC-E5S/E5M/E5L and Canon Protecting Cloth PC-E1. For more information about all these products and accessories, please visit: https://www.usa.canon.com/5D4Legend

    ††Availability, prices and specifications are subject to change without notice. Actual prices are set by individual dealers and may vary.

    EF 16-35mm F2.8L III USM / EF 24-105mm F4L II USM specifications

      Canon EF 16-35mm F2.8L III USM Canon EF 24-105mm F4L IS II USM
    Principal specifications
    Lens type Zoom lens
    Max Format size 35mm FF
    Focal length 16–35 mm 24–105 mm
    Image stabilization No Yes (4 stops)
    Lens mount Canon EF
    Aperture
    Maximum aperture F2.8 F4
    Minimum aperture F22
    Aperture ring No
    Number of diaphragm blades 9 10
    Optics
    Elements 16 17
    Groups 11 12
    Special elements / coatings 1 dual-surface aspherical, 1 aspherical + fluorine, Air Sphere, Sub-wavelength Structure coatings Fluorine and Air Sphere Coatings
    Focus
    Minimum focus 0.28 m (11.02) 0.45 m (17.72)
    Maximum magnification 0.25× 0.24×
    Autofocus Yes
    Motor type Ring-type ultrasonic
    Full time manual Yes
    Focus method Internal
    Distance scale Yes
    DoF scale No
    Physical
    Weight 790 g (1.74 lb) 795 g (1.75 lb)
    Diameter 89 mm (3.48) 84 mm (3.29)
    Length 128 mm (5.02) 118 mm (4.65)
    Sealing Yes
    Colour Black
    Zoom method Rotary (internal) Rotary (extending)
    Power zoom No
    Zoom lock No
    Filter thread 82.0 mm 77.0 mm
    Hood supplied Yes
    Hood product code EW-88D EW-83M
    Tripod collar No

    Articles: Digital Photography Review (dpreview.com)

  • Writer’s Favorite Lens – Nikon 16-35mm f/4

    favorite, lens, nikkor, 16-35mm, ultrawide, wide angle, landscape

    Rodeo Beach, Marin County, California

    Asking me which lens is my favorite is somewhat akin to asking me which one of my two children I love the most. The simple answer is, “the one that will get me the shot I want!” I will also tell you, it depends on the subject I’m shooting. If I’m photographing a portrait, I’m more likely to choose my 85mm f/1.4. But primarily, I am a landscape photographer, so as I look back at some of my favorite images, I will say that most have been made using my AF Nikkor 16-35mm f/4G ED.

    As I have grown as a photographer, I must admit I have become more and more enamored with the ultra-wide angle point of view. I enjoy seeing things in that perspective, and using the wide angle to emphasize foreground objects. I do also own the 14-24mm f/2.8 lens, but one thing sets the 16-35mm apart for me – that is the ease with which filters can be used. More on that in a bit.

    First, some technical specs:

    • Focal Length:  16-35mm
    • Maximum Aperture: f/4
    • Minimum Aperture: f/22
    • Format: FX
    • Vibration Reduction: Yes
    • Dimensions: 3.2 in.(82.5 mm)
    • Weight: 24 oz. (680g)
    • Price: $ 1259 USD

      AF Nikkor 16-35mm f/4G ED VR II, my favorite lens

      Courtesy of Nikon

    Ultra-Wide Angle Coverage

    As a landscape photographer, I love using the perspective of an ultra-wide angle lens to be able to distort perspective and emphasize foreground objects. I often find that 24mm just isn’t wide enough to do what I’d like. Also, the 2x zoom to 35mm adds some nice versatility on the wide angle end of things. I can go from ultra-wide at 16mm to moderately wide at 35mm, without needing to change lenses to my mid-range zoom.  This provides me with a little more flexibility than the 14-24mm.

    While that lens can go just a bit wider, there are several trade-offs that make the 16-35mm more appealing. In addition, I find the lens to be tack sharp throughout the range, with very little if any chromatic aberration (color fringing that can happen in high contrast areas). While the maximum aperture of f/4 may give some photographers pause (believing that f/2.8 is a necessity) I find that more often than not, I am shooting this lens while mounted on a tripod, and stopped down for maximum depth of field.  Being able to shoot at f/2.8 just isn’t a requirement for me. Keep in mind, I am using this lens on a Nikon D810. If you are using a DX body, the lens’ coverage won’t be as wide.

    my favorite lens, photography, landscape, wide angle, ultrawide angle, landscape,

    Lower Fox Creek Schoolhouse

    Using Filters

    As a landscape photographer, the ability to use filters is no small consideration. While I have filters for my 14-24mm lens, they are quite large. If I’m trying to travel light, I can’t always fit them in the bag, and those filters only fit the 14-24mm. My 100mm filter kit fits all of my lenses except for the 14-24mm, so it’s more economical in terms of space if I only carry that one kit and use my 16-35mm as my ultra-wide option when a filter is needed. The 16-35mm takes a 77mm sized filter for screw ins, or 77mm mounting ring if I’m using my drop-in filters. That matches most of my other lenses, making it convenient in terms of compatibility with accessories.

    my favorite lens, photography, landscape, wide angle, ultrawide angle, landscape,

    Cape Kiwanda, Oregon

    Image Stabilization

    While it’s not typically deemed necessary in an ultra-wide angle lens, the inclusion of VR, or vibration reduction (sometimes also called image stabilization) is a nice plus for this lens. Other lens makers have also begun including it in their competitors in this range. As I said, I am generally on a tripod when shooting with this lens, but there are times when hand-holding is necessary. Having the option of turning on the VR to give me some extra help in steadying the camera, gives me a great sense of reassurance that my images will be sharp. This is of particular importance when standing on a bridge, which can vibrate due to cars on the roadway, or when photographing in a place where tripods aren’t allowed.

    my favorite lens, photography, landscape, wide angle, ultrawide angle, landscape, cityscape, architecture

    Cathedral of Learning, University of Pittsburgh

    The Bottom Line

    For me, it’s all about the image. Size and weight are a distant second. Is the lens sharp? Yes. Is the field of view what I want? Yes. Can I use it with my filters to achieve my final image? Yes. It is the positive answers to those three questions that make this lens my favorite for photographing landscapes. Come back and talk to me about my favorite portrait lens another time.

    my favorite lens, photography, landscape, wide angle, ultrawide angle, landscape, sunset

    Great South Bay, NY

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    The post Writer’s Favorite Lens – Nikon 16-35mm f/4 by Rick Berk appeared first on Digital Photography School.


    Digital Photography School

  • Canon EOS 7D Mark II firmware improves AF with EF 16-35mm F2.8L and EF-S 17-55mm F2.8 lenses

    Canon has released firmware version 1.0.5 for the EOS 7D Mark II. This update fixes a couple of bugs and claims to improve AF accuracy when the camera is used with the EF 16-35MM F2.8L USM or EF-S 17-55mm F2.8 IS USM lens. Read more

    Articles: Digital Photography Review (dpreview.com)

  • Sony updates 24-70 and 16-35mm A-mount Zeiss lenses with improved AF and image quality

    As promised last November, Sony has announced two new full-frame A-mount lenses. Compared to their 2008-vintage predecessors the Vario-Sonnar T* 16-35mm F2.8 ZA SSM II and 24-70mm F2.8 ZA SSM II feature improved image quality, less ghosting and flare, and a four-fold improvement in subject tracking speed, according to Sony. Another addition are seals that should make these lenses dust and water resistant. More details

    Articles: Digital Photography Review (dpreview.com)

  • Sony rolls out Zeiss FE 16-35mm F4 wide angle zoom and HVL-F32M flash

    Sony has announced the Vario-Tessar T* FE 16-35mm F4 ZA OSS for its E-mount interchangeable lens cameras, as well as the HVL-F32M flash and XLR-K2M XLR audio adaptor kit. The 16-35mm is the fifth full-frame zoom for Sony’s Alpha 7 series. Read more

    Articles: Digital Photography Review (dpreview.com)

  • Canon announces 16-35mm F4L and 10-18mm F4.5-5.6 lenses

    20140513_hiRes_efs1018mm_3q.png

    Canon has officially announced a pair of new lenses. The first is an EF 16-35mm F4L IS USM lens, which is a cheaper version of the existing F2.8L model. For cameras that support EF-S lenses, there’s also a new 10-18mm F4.5-5.6 IS STM model, which is equivalent to 16-29mm on APS-C bodies. The two lenses will be available next month for $ 1199 and $ 299, respectively.

    News: Digital Photography Review (dpreview.com)

  • Nikon 14-24mm vs. Nikon 16-35mm

    Detailed comparison between the nikon 14-24mm f/2.8 and the nikon 16-35mm f/4. Images taken with each lens are compared and contrasted. See more comparisons and wide angle lens reviews under my wide angle lens review playlist on my main page.
    Video Rating: 4 / 5

    Shooting some videos with my Canon T2i with a Sigma 24mm f/1.8 EX DG Macro lens

  • Nikon 16-35mm f/4 Lens Review

    Rent this and many more lenses at: www.borrowlenses.com See my photos at momentsofnaturephotography.com Detailed review of the nikon 16-35mm f lens. Includes a look at some sample images taken with the lens on the nikon d3x to check out the image quality of the lens. See many more wide angle lens reviews under my wide angle lens review playlist on my main page.
    Video Rating: 4 / 5