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Posts Tagged ‘14mm’

Canon announces 14mm T3.1 and 135mm T2.2 Cinema EOS prime lenses

10 Jan

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Canon has announced two additions to its range of Cinema EOS prime lenses, a 14mm T3.1 and 135mm T2.2. The CN-E14mm T3.1 L F and CN-E135mm T2.2 L F are both designed to be used on movie cameras with image sensors up to 35mm full frame in size, and include a range of features optimized for movie shooting. These include geared focus and aperture rings with markings designed to be read from the side of the camera, 11-bladed circular aperture diaphragms, and all-metal weather-resistant construction. The 14mm T3.1 will be available from April 2013 at an estimated retail price of $ 5,500, while the 135mm T2.2 will appear in May for $ 5,200.

News: Digital Photography Review (dpreview.com)

 
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Samyang announces price for AE 14mm f/2.8 ED AS IF UMC lens

24 Oct

Samyang has announced its AE 14 mm f/2.8 ED AS IF UMC lens for Nikon F mount will be available from the end of this year at a retail price of €329. Announced at Photokina 2010, the manual focus lens is designed for full-frame cameras, but works with APS-C cameras as well. The lens’ electronic contacts allows full support of automatic exposure modes of Nikon DSLRs and includes lens-related data in the EXIF. 
News: Digital Photography Review (dpreview.com)

 
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Nikon 14mm f/2.8 Lens Review

16 Oct

Rent this and many more lenses at: www.borrowlenses.com See my photos at momentsofnaturephotography.com Detailed review of the nikon 14mm f fixed lens. Includes a look at some sample images taken with the lens on the nikon d3x to check out the image quality of the lens. See many more wide angle lens reviews under my wide angle lens review playlist on my main page.
Video Rating: 5 / 5

 
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Just Posted! Panasonic GH2 14mm F2.5 preview samples gallery

09 Oct

Just posted: Our Panasonic GH2/14mm F2.5 samples gallery. Panasonic’s latest video-focused Micro Four Thirds camera features an entirely new 18MP multi-aspect-ratio sensor and has been released alongside a 14mm F2.5 pancake lens. We’ve got hold of production examples of both and have taken them out shooting to get a flavor of how they perform with a variety of lighting conditions, subject distances and apertures. Rather than shooting the same scene at all ISO settings, we’ve shot an outdoor scene at ISO 160 to ISO 800 and indoors 1600 to 12,800 to give a more realistic impression of what you can expect in situations you might actually encounter.
News: Digital Photography Review (dpreview.com)

 
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