Month: October 2019

  • Sony a9 II has a refined design and more pro-oriented features

    Sony has introduced the a9 II, which adds a host of features for the working professional, along with a refined design largely borrowed from the a7R IV.

    The sports-oriented a9 II uses the same full-frame 24MP sensor as its predecessor, though its faster Bionz X processor improves AF speed and precision, along with EVF display response. It retains the same 693-point on-sensor PDAF system as the a9, but with new algorithms that improve subject tracking. The camera can still shoot at 20 fps with no blackout using the electronic shutter, and the burst speed using the mechanical shutter has risen to 10 fps. There’s also a new anti-flicker system when using the mechanical shutter, making it much more usable under artificial light.

    The biggest changes on the a9 II are targeted toward those who make a living taking photographs and need to deliver large numbers of them quickly

    The a9 II has a larger grip than its predecessor, with improved weather-sealing around ports and doors similar to that of the a7R IV. The rear control dial now sits on the top plate, the EV comp button has a lock and the AF-On button and joystick are a bit larger. Battery life has gone up – and the camera can be powered over its USB 3.2 Type C port – and both SD card slots now support UHS-II speeds.

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    The a9 II has a slightly improved in-body IS system, which can reduce shake by an additional 1/2-stop, while its 3.76M-dot EVF, tilting LCD and oversampled 4K video capture remain unchanged (meaning 8-bit and no Log modes).

    The biggest changes on the a9 II are targeted toward those who make a living taking photographs and need to deliver large numbers of them quickly. Some of the new features include Gigabit Ethernet, 5GHz (802.11ac) Wi-Fi, background FTP transfer and voice memos. The camera can store up to ten sets of both FTP and camera settings, which is helpful when sharing the a9 II with multiple photographers.

    The a9 II will be available in November for $ 4500. The a9 will continue to be sold as a more accessible model – at least for now.

    Press release

    Sony Electronics Introduces the Alpha 9 II with Enhanced Connectivity and Workflow for Professional Sports Photographers and Photojournalists

    New Alpha 9 II Combines Alpha 9’s Unrivaled Speed with New Functionality to Match the Needs of Professionals

    SAN DIEGO — October 3, 2019 — Sony Electronics today announced Alpha 9 II (model ILCE-9M2). The latest model from Sony’s acclaimed line-up of ? (Alpha) full-frame interchangeable lens cameras, the new model has been created to support working professionals in the fields of sports photography and photojournalism.

    The new Alpha 9 II builds on the impressive legacy of the original Alpha 9, maintaining groundbreaking speed performance, including blackout-free continuous shooting at up to 20 frames per second with Auto Focus and Auto Exposure tracking at 60 calculations per second.

    Updates include significantly enhanced connectivity and file delivery, continuous shooting at up to 10 fps with mechanical shutter, and evolved AF performance with newly optimized algorithms, re-designed build to enhance durability and operability.

    “The voice of our customers is absolutely critical to Sony – we are always listening,” said Neal Manowitz, deputy president for Imaging Products and Solutions Americas at Sony Electronics. “The Alpha 9 II is the direct result of our work with agency, sports and news photographers since the launch of the original Alpha 9. We have added connectivity and network capabilities that drastically improve the professional workflow, while also making enhancements to design, interface and processing power that complete the user experience. Complemented by our extremely versatile E-mount system – with 55 native lenses introduced at this point including super-telephoto 600mm and 400mm G Master™ series lenses – this new camera is a tool unlike any other for professionals, whether in the field or on the field.”

    Raising the Bar for Built-in Connectivity in the Professional’s Workflow

    The Alpha 9 II includes a built-in 1000BASE-T Ethernet terminal, enabling gigabit communication for high-speed, stable data transfer operations. Additionally, File Transfer over SSL or TLS encryption (FTPS) is supported for increased data security and PC remote (tether) shooting performance is improved, with decreased release time lag and reduced live view screen delay when using the ‘Remote Camera Tool’ desktop application. The speed of the camera’s built-in wireless LAN functionality has also been increased, adding a stable and fast 5 GHz (IEEE 802.11ac) band, in addition to the 2.4 GHz provided in the Alpha 9. IEEE 802.11a/b/g/n/ac standards are all supported.

    Designed to improve the speed of news agencies’ workflow, the Alpha 9 II features a new Voice Memo function that allows spoken information to be attached to images in the form of voice memos that can be replayed when the images are reviewed. The voice data can also be included with images sent to an editor, giving them important information needed for effective editing. Alternatively, a field photographer can also use the ‘Transfer & Tagging add-on’ “Imaging Edge™” application to transfer voice tags with the images to their mobile device and have the voice memos automatically converted to text and added to the JPEG images in the form of IPTC metadata. All of this can be done automatically or manually selected by the photographer.

    By combining wireless voice/image transfer and automatic voice-to-text conversion with the ability to auto-transfer images with attached voice memos via FTP, it is possible to shoot and transfer the results to an FTP server without ever having to operate a smartphone. FTP settings within the app can also be sent to a camera via Bluetooth®, allowing for a faster workflow.

    The Platinum Standard for Speed and Auto Focus Performance

    The new Alpha 9 II shares the same acclaimed 35mm full-frame stacked 24.2 MP Exmor RS™ CMOS image sensor with integral memory as the original Alpha 9, giving it the same unmatched speed performance and outstanding image quality. The new model can shoot continuously and completely silently at 20 fps for up to 361 JPEG images or 239 compressed RAW images, with no viewfinder blackout allowing the photographer to follow the subject and action with no interruption to the EVF during picture taking. For times when mechanical shutter is preferred or required, the new Alpha 9 II has been improved to shoot at up to 10 fps, about 2x the speed of the Alpha 9.

    The camera is able to function while continuously calculating Auto Focus and Auto Exposure at up to 60 times per second, with newly optimized AF algorithms that provide notably enhanced AF precision and performance, ensuring that even the most erratic subject motion that is associated with sports are captured with high precision. Also useful for sporting events, the camera now offers an anti-flicker shooting mode that automatically detects and adjusts for the presence of fluorescent or artificial lighting to maximize image quality.

    The advanced focusing system in the new Alpha 9 II is far beyond the capabilities of any professional camera. Comprised of 693 focal-plane phase-detection AF points covering approximately 93% of the image area, as well as 425 contrast AF points, the Fast Hybrid Auto Focus system achieves extremely fast and accurate performance, ensuring all fast-moving subjects are accurately captured. Additional notable focusing capabilities include Real-time Eye AF with right eye / left eye selection, Real-time Eye AF for animal augmented with a new algorithm, Real-Time Eye AF for movie, Real-time Tracking, selectable focus frame color, Touch Pad focus point control while using the viewfinder and more. AF can also now continuously track even if continuous shooting is greater than F16, providing further accuracy for shots that require slower shutter speeds. ?

    Refined Build and Operability

    • Upgraded BIONZ X™ image processing engine gains maximum benefit from the sensor’s fast readout speed; processor works with front-end LSI to enhance speed in AF/AE detection, image processing, face detection and accuracy, and more
    • Upgraded dust and moisture resistant design to meet the needs of professionals in even the most challenging outdoor conditions; stronger sealing provided at all body seams as well as the battery compartment cover and media slot
    • Latest developed image-processing algorithm reduces noise in the medium-to-high sensitivity range while improving subjective resolution and image quality
    • 5-axis optical in-body image stabilization system that provides a shutter speed advantage of 5.5 steps
    • Improved grip configuration for even greater comfort and sure hold; compatible with Sony VG-C4EM Vertical Grip
    • Improved button design and feel; increased diameter and feedback of the ‘AF-ON’ button; a refined multi-selector joystick design; an exposure compensation dial lock button; and a redesigned shape and new position for the rear dial
    • Redesigned shutter mechanism to suppress even the slightest movement that can cause image blur; tested for durability in excess of 500,000 shutter cycles
    • USB Type-C™ connector that supports fast USB 3.2 Gen 1 data transfer
    • Dual media slots that are both compatible with UHS-I and UHS-II SD cards, allowing higher overall capacity and faster read/write speeds
    • Digital audio interface has been added to the camera’s Multi Interface Shoe™ (MI Shoe), enabling the new ECM-B1M Shotgun Microphone or XLR-K3M XLR Adaptor Kit to be connected directly to the MI Shoe for cleaner, clearer audio recordings

    Pricing and Availability

    The new Alpha 9 II will be available in November 2019 priced at approximately $ 4,500 US and $ 6,000 CA. It will be sold at a variety of Sony’s authorized dealers throughout North America.

    Articles: Digital Photography Review (dpreview.com)

  • Lighting Workshop Interest List

    Apologies for how the lighting workshops announcement went yesterday. They filled within a few hours, and before many of you even saw the email.

    Given that I typically only do the small-class shooting workshops once a year, I sat down last night and figured out a fairer way to announce them. If you are interested in perhaps one day attending, click through to learn more. Read more »
    Strobist

  • Fujifilm GF 50mm F3.5 sample gallery (DPReview TV)

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    This gallery of images shot on the Fujifilm GF 50mm F3.5 R LM WR ‘pancake’ lens was captured during production of this week’s episode of DPReview TV.

    Articles: Digital Photography Review (dpreview.com)

  • DPReview TV: Fujifilm GF 50mm F3.5 review

    Fujifilm’s GF 50mm F3.5 ‘pancake’ lens is a relatively compact optic for the company’s GFX line of medium format cameras. What do you give up in exchange for the small size? According to Chris, not much.

    Also, subscribe to our YouTube channel to get new episodes of DPReview TV every week.

    • Introduction
    • Design
    • Is it really a pancake?
    • Field of view
    • Sharpness (on the GFX 100)
    • Longitudinal CA
    • River surfing
    • Bokeh
    • Compared to the GF 63mm F2.8

    Sample gallery from this episode

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    Articles: Digital Photography Review (dpreview.com)

  • Gnarbox 2.0 SSD is now available around the world starting at $499

    MyGnar Inc. has announced worldwide availability of the Gnarbox 2.0 SSD. Originally funded on Kickstarter, the Gnarbox 2.0 SSD is now available to purchase from retailers around the globe and brings with it a few new features.

    As detailed in our original coverage, Gnarbox 2.0 SSD is a rugged storage solution that works hand-in-hand with a collection of apps to make it easy to import, sort, edit and export multimedia content while on the go.

    The Gnarbox 2.0 SSD offers a 2.4 Ghz Quad-Core processor, 4GB of RAM and up to 1TB of NVMe SSD storage. Photos and videos can be imported to the device using the onboard SD card slot (up to 75MB/s) or one of the two onboard USB-C ports (up to 350MB/s) and Micro HDMI port is onboard to show photos off on any HDMI comparable display. The battery inside is charged via USB-C and is rated for three to six hours of use.

    Gnarbox has also announced two new features the Gnarbox 2.0 SSD supports. First, MyGnar has partnered with Camera Bits, Inc. to power its Gnarbox Selects App using Photo Mechanic’s image processing technology, Raw file support and metadata tagging tools. Additionally, the Gnarbox 2.0 SSD can now be connected to iPad Pro devices via USB-C if you prefer a tethered connection.

    Although the specs themselves are impressive, it’s the connectivity that makes the Gnarbox 2.0 SSD shine. When used with iOS devices, the Gnarbox 2.0 SSD works seamlessly with Lightroom CC and video editing application LumaFusion, making it easy to edit media when out and about.

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    The Gnarbox 2.0 SSD is available in 256GB, 512GB and 1TB capacities for $ 499, $ 599 and $ 899, respectively. In addition to Gnarbox’s website, it’s also available at Amazon and B&H Photo.

    Articles: Digital Photography Review (dpreview.com)

  • Epson reveals SureColor P7570, P9570 wide-format printers that offer ‘museum quality’ prints

    Epson has expanded its SureCore P-Series line of printers with the new wide-format SureColor P7570 and SureColor P9570 models offering 24in and 44in print sizes, UltraChrome PRO12 pigment ink, and PrecisionCore MicroTFP printhead tech. Epson’s Reed Hecht calls the P7570 and P9570 its ‘most advanced printers to date.’

    Both printer models feature dedicated nozzles for Matte and Photo Black ink, which eliminates ink switching and improves overall printing speeds. According to Epson, the new 6.6cm (2.6in) PrecisionCore MicroTFP printhead combined with the new 12-color UltraChrome PRO12 pigment ink enables these models to print up to 2.4 times faster than the previous models.

    Other features include a new print mode called Black Enhanced Overcoat offering improved DMAX for what Epson says is better sharpness and wider contrast ratio on glossy prints, as well as a 4.3in customizable color touchscreen, support for the optional Epson SpectroProofer, a built-in LED light for viewing prints as they’re printing, and a sealed roll media door designed to better protect against dust.

    Talking about what users can expect from these two models is Wilhelm Imaging Research director of research Henry Wilhelm, who said:

    Preliminary data for the Epson 12-color UltraChrome PRO12 pigment inks in the new SureColor P7570 and P9570 create stunning museum-quality prints with WIR Display Permanence Ratings that will equal or exceed the ratings achieved by the current UltraChrome HDX inks of up to 200 years for color prints and up to 400 years for B&W. Prints framed with UV-absorbing acrylic – and those displayed under LED illumination – will achieve significantly higher ratings.

    Epson plans to showcase its new printers from October 3 to 5 at PRINT19 in Chicago. Both models will launch in December at around $ 4,695 USD (P7570) and $ 6,595 (P9570).

    Articles: Digital Photography Review (dpreview.com)

  • Duet Display adds support for turning Android tablets into secondary displays

    Duet Display, the software that was launched as a way to turn an iPad into a secondary Mac display, has launched support for Android. The new Duet Display for Android app enables users to turn an Android smartphone, tablet, or Chromebook into an extra display for use with a PC or Mac computer, a feature that is particularly useful when working outside of the office.

    Apple made the Duet’s main product defunct with the launch of its Sidecar feature, which now directly offers a way for using an iPad as a secondary Mac display. Users had anticipated an eventual arrival of Duet Display for Android given the sudden change in its primary market.

    As with iPad, Android and Chromebook users can turn their devices into secondary displays for a main PC or Mac computer by connecting the two with a USB cable. Users must install the free Dual desktop client on their computer and the Duet Display Android app on their supported secondary device.

    Duet supports gestures and touch control, enabling users to scroll and zoom, among other things, directly on the secondary device. The Duet Display for Android app costs $ 19.99 USD, but is temporarily discounted on the Google Play Store at $ 9.99 USD.

    Articles: Digital Photography Review (dpreview.com)

  • Microsoft launches ARM-powered Studio Pro X, updates Surface Pro 7 with USB-C

    Today, Microsoft released the details on its two new Surface Pro 2-in-1 PCs, the Surface Pro 7 and the Surface Pro X. The new devices might look similar on the outside, but take quite different approaches to mobile computing on the inside.

    Surface Pro 7

    The Surface Pro 7 remains largely unchanged from its predecessor on the, well, surface. Aside from the jump to USB-C (finally), the Surface Pro 7 is identical to the Surface Pro 6, including the 12.3-inch PixelSense touchscreen display (2,736 x 1,824, 267 ppi), Surface Type Keyboard and Surface Pen.

    After years of Microsoft using its proprietary Surface Connector, the Surface Pro lineup now gets USB-C. It’s not Thunderbolt 3, but it’s a welcomed change nonetheless. Other ports include USB 3.0, Mini DisplayPort, Surface Connect and a Micro SD port.

    Internally, the Surface Pro 7 is powered by Intel’s 10th generation processors with a number of options ranging from dual-core 1.2G GHz i3 processors to quad-core 1.3 GHz i7 processors. The Surface Pro 7 can max out with up to 16GB of RAM and 1TB of storage, but the base model will include just 4GB of RAM and 128GB of storage.

    On the wireless side of things, the Surface Pro 7 will include 802.11ax Wi-Fi and Bluetooth 5.0 connectivity. Microsoft claims a runtime of up to 10.5 hours on a single charge, although a specific Wh rating was not given for the battery.

    The Surface Pro 7 starts at $ 749 for the base model—$ 150 less than the base level price for the Surface Pro 6. It’s available for pre-order today in black and silver and will ship starting October 22, 2019.

    Surface Pro X

    Microsoft is switching things up a bit with the Surface Pro X. Unlike the Surface Pro 7, which relies on Intel processors, the new Surface Pro X will use a custom ARM-based processor.

    Microsoft says the processor is a co-developed version of Qualcomm’s Snapdragon 8cx processor called the Surface SQ1. Microsoft says the 7-watt processor can get upwards of ‘three times more performance per watt than the [Intel-driven] Surface Pro 6.’ Microsoft says the GPU inside the Surface Pro X was also co-developed with Qualcomm.

    Other benefits of using an ARM-based processor is that the Surface Pro X will support LTE connectivity, offer up to 13 hours of battery life and will offer fast charging (0-80 percent with just an hour charge).

    The device itself looks very similar to its Intel counterparts on the outside, with a few notable exceptions. Rather than a 12-inch PixelSense display, the Surface Pro X will offer a 13-inch display. The edges and corners of the Surface Pro X have also been rounded off compared to the Surface Pro 7.

    The Surface Pro X is just 5.3mm at its thinnest point and weighs only 762g (1.68lbs). Microsoft says the Surface Pro X will run a full-fledged version of Windows 10, unlike the toned-down version the ARM-powered Surface RT used.

    The Surface Pro X is available to pre-order today for $ 999 and will arrive at retailers on November 5th.

    Articles: Digital Photography Review (dpreview.com)

  • Exposure Software releases Exposure X5 image editing and organizing software

    Exposure Software (formerly Alien Skin) has released its new flagship product, the image editing and organizing software Exposure X5. The new package comes with long list of improvements over the last version Exposure X4.5 which includes the following:

    • 3D Color Masking allows you to control where an image adjustment is applied by color characteristics such as hue, saturation, and luminance. You can select foreground or background areas, skies, skin tones or specific color ranges using the tool.
    • Chromatic Aberration Correction removes color fringes caused by lens refraction. Corrections can be applied by selecting a lens profile or manually for more precise control. Apply via lens profile or by manual adjustment if precise control is desired.
    • Vignette Correction does what it says on the tin and lifts the brightness around the edges of your images to counteract vignetting effects. Like the CA correction, this can be applied using a lens profile or manually.
    • Custom Camera Profiles let you control the JPG color rendering from RAW data for a particular camera. Camera profiles created by X-Rite or other software can be automatically applied by matching a camera model or serial number. Optionally they can also be applied when matching a specific lens or a pre-defined ISO range.

    Other new few features and functions include complementary color presets, additional black&white film simulation presets, new image flip options, support for gatscale TIF and JPG images as well as multiple user interface language options.

    Owners of Exposure X4 who purchased their copy on or after August 1st, 2019 will be receiving a free upgrade to Exposure X5 soon. Anyone you bought any Exposure version before this date will be able to purchase an update version for $ 89. The full version will set you back $ 119. A 30 day trial version is available. You’ll find more information on the Exposure website.

    Articles: Digital Photography Review (dpreview.com)

  • Loupedeck+ Review – the Perfect Editing Companion for Lightroom and Premiere?

    The post Loupedeck+ Review – the Perfect Editing Companion for Lightroom and Premiere? appeared first on Digital Photography School. It was authored by Carl Spring.

    Loupedeck+ Review - the Perfect Editing Companion for Lightroom and Premiere?

    There is something undeniably cool about Hollywood editing studios. I remember seeing one in a magazine as a child and wanting to play with it. Thinking how cool it would be to figure out what all the dials did and edit Hollywood Blockbusters. I never made it in Hollywood, but I can remember my first editing console. Purchased from the high street, it allowed me to link 2 VCR players and have a fade and wipe slider for video. It even had an audio fader that allowed me to (surprisingly) fade audio. At the time it was amazing! I made a lot of skateboard videos using that console.

    Obviously we’ve moved to digital everything, but there is something about using knobs and dials to edit that I have always liked. So, when I was given the opportunity to try the Loupedeck+, I jumped at the chance to get hands-on with it. 

    What is it?

    Simply put, Loupedeck+ is a keyboard-sized photo editing console. The main editing functions are controlled via a series of knobs and buttons.

    Loupedeck started life on Indiegogo. The initial Loupedeck was marketed as a photo editing console just for Lightroom. With the Loupedeck+, however, it has become much more than that. The new version has support for several different software platforms too.

    This device is still aimed primarily at Adobe users, with support for most of the Creative Suite. There is also support for Apple’s Final Cut and Aurora HDR and is also currently in Beta testing with Capture One Pro, which is my preferred choice of photo editor.

    Out of the box

    In terms of looks, it is beautifully packaged. However, that doesn’t mean anything if the product itself is not up to scratch. The Loupedeck however, definitely is. Although fully plastic, everything is solid and feels like it will survive long term usage. The only exception to this is the control dial, which does feel a little flimsy compared to the rest of the device.

    In terms of the buttons, when making notes, I put down that they are squishy but solid. I still think that’s the best way to describe them. There is also a nice little detail for the cable to connect the Loupedeck. There are grooves that allow you to place it to work with how your computer is setup. It’s not a deal-breaker, but attention to detail like this tends to show the makers care about the end-user. 

    dpsloupedeck+-review

    The Loupedeck+ is well built apart from the control dial. It just feels a little flimsy. However, in use, it has been flawless so far.

    Getting set up 

    Once you have unpackaged your Loupedeck, the next stage is setting it up. To do this, you need to install the Loupedeck software. This is a simple download from the Loupedeck website, which then allows you to customize the Loupedeck to your specific editing preferences.

    I have left it is standard for now, but I can definitely see me looking into this again to fine-tune it to how I edit.

    Once you have the software installed, it is as simple as choosing which software you want to use the Loupedeck with and off you go. Loupedeck has a series of guides for each piece of software that it is compatible with. I recommend having these on hand, especially when using software other than Lightroom. Even with Lightroom though, it is worth having nearby to see what extras you may find yourself reaching for.

    The fact that the user guide for Lightroom alone is 31 pages tells you what level of customization is possible.

    Image: To get started with Loupedeck+ you need to download the software from the Loupedeck website....

    To get started with Loupedeck+ you need to download the software from the Loupedeck website. Once installed, choose your software and away you go.

    The learning curve

    The learning curve is in two parts; getting used to the Loupedeck from your usual editing routine, and how Loupedeck reduces the learning curve of the software.

    To test this, I got my wife to use Loupedeck to work on a wedding we had recently shot. She normally helps make picks, but she has very limited editing experience. She can just about manage to tweak exposure a little, but that’s it.

    I put her at the Loupedeck and asked her to try and edit images she thought needed work. After about 2 minutes of me explaining the device, she started. Two more minutes passed before she explained how brilliant it was.

    By removing the need to search through the menus (of Capture One in our case), she was able to edit photos easily and without needing constant reminders of the locations of buttons or sliders. It made her experiment more, and within an hour, she felt completely confident using the Loupedeck.

    For beginners, this will make the process of learning to edit (especially in Lightroom) so much easier. Everything is at hand, and the layout makes it simpler for beginners to experiment. They can use more of the features of the program without the need to remember the locations in the menus.

    For me, as a power user of Capture One, the learning curve was a little steeper. I’ve put this down to Capture One currently being in Beta testing. There are some quirks I needed to get used to when editing, such as using the color balance tool.

    There is also the fact that when you use the software every day, you acquire muscle memory from the keyboard shortcuts you use most often. Moving to dials does take a while to get used to.

    I do feel that even for Lightroom users (whom this deck was designed for), the change to Loupedeck will mean your editing is slower until you get up to speed. However, I am talking only hours here, not days.

    Loupedeck+ and Lightroom

    Obviously I wanted to start this test with Lightroom as this is really the program the device is designed for. Now I am not a Lightroom user, so having me use this is more like an inexperienced Lightroom editor versus someone who uses it every day.

    I loaded up a selection of images into a catalog and began editing. Using the Loupedeck was completely intuitive. I simply started to edit images without the need to try and remember control locations. It was as easy as twisting the dials with the required name on them. In my experience, the Loupdeck+ and Lightroom work flawlessly together. There is no lag, and the degree of control with each twist feels perfect. Everything is at hand, and if you do find yourself needing something that is not here, you can customize the software until your heart’s content.

    It made the process of editing in Lightroom a pleasure and, as a hardcore Capture One user, that is the highest praise I can give it.

    dps-loupedeck+-review

    It is easy to see that the Loupedeck+ is designed with Lightroom users in mind.

    Loupedeck+ and Capture One Pro

    Because I’m not a Lightroom user, I went down the road that is Beta testing to put the Loupedeck in my day-to-day editing software. 

    Now compared to Lightroom, I found editing in Capture One Pro to be a more clunky affair. The problem is that in its current Beta state, the Loupedeck doesn’t offer the same level of functionality. This is something that Loupedeck are working on and are currently looking for feedback from any Capture One users to help improve the experience.

    The basic adjustments work perfectly well in Capture One. To adjust white balance and exposure is just as good as Lightroom. However, there are elements, such as resetting adjustments, that are not there.

    The issue here is that the Loupedeck was designed with Lightroom in mind and Capture One works differently. The most obvious example of this is the P1-P8 buttons. In Lightroom, these assign to presets; however, in Capture One, they are simply not set up.

    Shooting Fuji, I would love to map this to my film curves, where it would be great to choose the look of my image. However, at present, this is not possible. For more advanced editing, it can be frustrating, and I find myself reaching for the mouse and keyboard more often than I would like.

    It’s not perfect by any means, and it does sound a little doom and gloom, but in terms of basic edits, it really did speed up my workflow. I have now edited two weddings with the Loupedeck, and it has definitely saved me some time. Also being super simple for basic adjustments, it really has allowed my wife to do basic edits for things such as exposure.
    When editing a wedding, I reach for it straight away. It really is something that after using it, I wouldn’t be without.

    The best thing about using Loupedeck+ with Capture One is that I know it can only get better from here. Once there are some more options added, and a few things ironed out from the beta testing, I feel this will be a powerful editing tool.

    Loupedeck+ and Photoshop

    This is where things start to feel like I was using the Loupedeck for the sake of it. When editing a RAW file, it was great, but after that, I really felt no benefit from using it. When editing in Photoshop, you tend to use your mouse or tablet much more.

    You can use it for working with curves, but you need to work with the mouse too, and I found it just too clunky. Other things like zoom in and out, which are mapped to knobs, simply do not work as well as using the middle mouse button.

    Unlike using it in Lightroom and Capture One, when working in Photoshop, I found myself using it for the sake of it, rather than reaping any real benefit. I do feel that the Loupedeck+ working with more software is good. However, I feel that, in some cases, it just feels like it is added for marketing over actual functionality. 

    Loupedeck+ and Premiere

    The ability for Loupedeck to work with Premiere was something that I found myself excited to try. I am by no means a power user, but I know my way around Premiere and edit with it enough to consider myself proficient.

    Using Loupedeck with Premiere, though, is where things go a little too far for me. When using it to edit a video, it was just too hard for me to remember what all the functions did. It could be due to my lack of time spent in Premiere, but I think it’s more than that. When photo editing, things like exposure, and contrast are the same no matter which program you use. Video editing, however, uses a completely different language.

    It is not that you can’t learn how to use Loupedeck with Premiere. I think once you got used to what each button and dial was mapped to, it would really speed things up. However, as someone who uses the software occasionally, I would find it hard to remember the settings for Premiere.

    I think the best way to sum it up is that if you are buying a Loupdeck+ solely for Premiere use, you may face a steep learning curve. For me, to have it as a bonus is nice, even though I can’t really see myself using it.

    loupedeck+-review

    As you can see from the layout above, Loupedeck is not as intuitive in Premiere.

    Conclusion

    It’s hard to sum up the Loupedeck+.

    Some may see this as a gimmick you will buy, only to put it in the cupboard after a few months to gather dust. But that really isn’t how it is. It’s a well-made, high-quality device that really is a time-saver, especially in basic edits.

    I use the Loupedeck+ on every edit now. That must say something. It has sped up my editing (it needs to, I am currently behind on editing a wedding and am writing this article rather than doing that). However, I do still find myself reaching for the keyboard or mouse quite often. I think the best way is to give three different outcomes, depending on what software you use.

    If you’re a Capture One user like me, you may find it frustrating. It is almost there, close to being great, but then there are silly little things that are really annoying! However, this is in beta testing, which means things are still ironing out. I am sure this is going to improve moving forward. It’s just a question of whether you are willing to pay for something that doesn’t quite work as you would like it to.

    If you’re using this on Premiere or Final Cut, you will need to spend some serious time with the manual. It really is not intuitive in the same way it is for photo editing. If you are willing to put in the time, I am sure it will speed up your workflow. I do question how long it would take to get to this point though.

    Lastly, Lightroom. This is still what they designed the Loupedeck for. If you are a Lightroom user, I would definitely suggest getting your hands on a Loupedeck+ – It really does make editing much faster. It worked incredibly well in use, and I enjoyed editing in Lightroom. This really is the highest praise I can give it.

    However, where this console really shines is for new users. If you are new to editing, I cannot recommend this enough. I wish something like this had existed when I started editing. It makes the process of understanding how tools work so much more organic. Beginners will get a lot out of using a device like this – It just makes editing more intuitive. My wife managed to edit much better than ever before in minutes.

    Moving forward, I will continue to use a Loupedeck+ to edit. Maybe it’s just my old ways. Maybe it means I get to pretend I am in a film studio editing suite. Or maybe, it’s something that I never really thought I would want, but now don’t want to stop using.

    In all honesty, I think it’s all three.

     

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    The post Loupedeck+ Review – the Perfect Editing Companion for Lightroom and Premiere? appeared first on Digital Photography School. It was authored by Carl Spring.


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