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Archive for April, 2018

Upgrading Your Camera – New Camera Body or a New Lens?

07 Apr

A point of contention amongst photographers everywhere who are budgeting for their new gear is one question, “What should I invest most in when upgrading my photography equipment, the camera body or the lens?” This can be a rather complicated answer, as it does depend on the type of photography that you’re interested in doing.

However, for the sake of a thoughtful article, we will be speaking in generalizations. To break it down, the image quality and ease comes from the lens but the capability comes from the camera body. Here is why.

Upgrading Your Camera - New Camera Body or a New Lens? featured image

dogs 2 - Upgrading Your Camera - New Camera Body or a New Lens?

The Camera Body

The body of the camera contains all of the controls necessary to record digital pictures. The camera is basically a container to house the sensor and the lens along with the electronics and controls. Camera bodies come in all shapes, sizes, and weights. The sensor can be a full-frame or a crop which affects how your images are sized and cropped.

Upgrading Your Camera - New Camera Body or a New Lens? - photo of a dog

The camera body you use will affect the dynamic range of your images, amount of noise in low light, a significant part of the autofocus, the frames-per-second, and the megapixel count (among many other things, but the aforementioned are the most commonly referenced). The camera body is what influences the number of pixels in a photograph and how fast you can shoot. It is also an integral part of the autofocus system.

From a physical standpoint, the camera body is what you’ll hold most in your hands and its comfort is very important when shooting for long hours. Higher end cameras also have better weather sealing than lower end cameras. From a logistics perspective, different camera bodies allow you to control more or fewer aspects of the picture taking process.

people in dark clothes - Upgrading Your Camera - New Camera Body or a New Lens?

The Lens

In laymen’s terms, lenses gather and focus light. Light strikes the front surface of the lens and passes through the glass element. Keeping this in mind, the difference between a good lens and a bad lens is that the former does a much better job at producing properly illuminated and sharp images. Lenses vary in focal length, aperture, type of glass, and so much more.

Upgrading Your Camera - New Camera Body or a New Lens? - portrait of a guy

The lens will make the biggest impact on the final outcome of an image. In regards to the artistic look of a shot, the lens will be in far more control than the camera body. This is because aperture, focal length (the perspective achieved due to the focal length), and sharpness are all dictated by the lens.

Lenses with a wide aperture are considered “fast” lenses because they can achieve the same exposure with a faster shutter speed.

Bonus question: What influences the autofocus, the camera or the lens? The electronic autofocus system is basically a motor. The motor housed inside of the lens will generally provide the greatest performance and highest accuracy. However, the focus motor in the lens is only one part of the process.

The camera body is what drives the motor. In addition to the mechanical components, the firmware in the camera body is what operates the autofocus system. The reason the lens is still the go-to even for autofocus is that it controls the accuracy, and the accuracy tends to be more important!

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Which Will Last You Longer?

Everyone will outgrow their equipment eventually, whether it be due to an improvement in skill, a desire for something better, or equipment dating itself too much. Essentially, interest in upgrading equipment comes from someone’s image-quality criteria.

Keeping this in mind, on the grand scale most camera bodies won’t differ in overall image quality unless you are shooting in difficult situations such as low light (in which case higher-end cameras have lower noise levels than others, as an example). The lens will make a significant impact on the final image result.

A good example of this is pairing a high-end lens with a low-end body and a high-end body with a kit lens. You will find that the audience will gravitate towards the photograph produced with the high-end lens / low-end body combination versus the opposite because the lens will impact the shot that significantly.

You’ll likely never be able to figure out what body is used in a shot, but you can often pick out the quality of the lens.

Which is the Better Investment When Upgrading - a New Camera Body or a New Lens?

A good lens will withstand the test of time as you try many different camera bodies (so long as it is compatible). The lens will travel with you from camera to camera. The lens will also help you create your specific style of shooting, as the aperture and perspective will mold to your personal preference.

Are you someone that prefers a shallow depth of field? Wide-angle fisheye? What about epic action shots with a tight zoom? All of the aforementioned are thanks to the lens, not the body.

Which is the Better Investment When Upgrading - a New Camera Body or a New Lens?

The Lens is a Better Investment

In my opinion, in regard to financial investment, a good lens is the better choice because it’ll last you much longer than the body (as you’ll generally be changing camera bodies faster than lenses). The lens also opens the door for you to create the images you dream of making.

That being said, the camera does determine if you’re capable of photographing what you want to photograph – but you can work around many limitations with an excellent lens. Cheap, low-quality lenses will affect both your shooting experience and the final product far more than the camera body will. This is because cheaper lenses tend to be slow, which results in a harder time capturing low-light scenes or achieving a super shallow depth of field.

Which is the Better Investment When Upgrading - a New Camera Body or a New Lens?

The lens will also retain more of its value (both from a monetary and photography standpoint) than the camera body when talking about resale value. This is because camera bodies are upgrading and advancing at a far faster rate, thusly, older bodies become obsolete quickly.

The same lenses, on the other hand, will likely still be used five to 10 years from now (if not even longer).

The best investment is the lens that lets you capture all of the pictures you want. You’ll find ways to work around body limitations, I guarantee it! Though when you do upgrade that camera body, you’ll appreciate the ease even more as you’ll no longer have to work around previous limits.

Which is the Better Investment When Upgrading - a New Camera Body or a New Lens?

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Report: Apple won’t release the next Mac Pro until 2019

07 Apr
Credit: Apple

Apple delivered some slightly disappointing news to professional users in an interview with TechCrunch this week. Speaking with the tech publication, Senior director of Mac Hardware Product Marketing Tom Boger revealed that the next version of the Mac Pro is not coming in 2018. It will be a 2019 product.

The current Mac Pro—colloquially referred to as the trash can Mac Pro because of its form factor—was released all the way back in 2013, and even Apple admitted that the design was a mistake. In April of 2017, Apple executive Craig Federighi told BuzzFeed News that the company had “designed ourselves into a bit of a corner” with the circular form-factor, and Phil Schiller promised users that Apple was “completely rethinking the Mac Pro” for the next generation.

Since then, we haven’t heard much, and professional users not content with the all-in-one form-factor of the powerful new iMac Pro were holding out purchasing it in the hopes that the next Mac Pro was right around the corner. It sounds like Apple knows this, and decided to be un-characteristically candid with the professional community through this TechCrunch interview:

“We want to be transparent and communicate openly with our pro community, so we want them to know that the Mac Pro is a 2019 product,” says Boger. “We know that there’s a lot of customers today that are making purchase decisions on the iMac Pro and whether or not they should wait for the Mac Pro.”

Professional creatives who are married to the Apple ecosystem—particularly high-end video producers—still have a choice to make: purchase an iMac Pro now, or wait a year (or more) for the next generation Mac Pro? But at least now they won’t have to worry that a new Mac Pro will come out a few days or weeks after they pull the trigger on their iMac purchase.

To find out more about Apple’s Mac Pro plans—including some interesting tidbits about the company’s secretive “Pro Workflow Team”—head over to TechCrunch to read the full interview.

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic Lumix ZS200 sample gallery updated

07 Apr

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With spring rolling around, the Panasonic ZS200 / TZ200 is likely catching the eyes of photography-minded travelers planning for upcoming trips. Our testing is underway, and in the meantime we’ve added another batch of sample images to our gallery along with some Raw files and conversions.

See our Panasonic Lumix ZS200
Sample Gallery

Articles: Digital Photography Review (dpreview.com)

 
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Quick Video Review – What is the Best Camera Bag or Way to Carry Your Gear?

07 Apr

There are many ways to carry around your precious camera gear – so which is the best? Well, that is a very subjective question, that only you can answer. In this video from the Camera Store, Jordan demonstrates some of the pros and cons of the most popular options.

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Here is a list of all the camera carrying bags, straps and other options mentioned in the video and a few extras.

List of camera straps mentioned:

  • Op/Tech Pro Loop Neoprene neck strap
  • BlackRapid Curve Strap Ultra Padded
  • Cotton Carrier Camera System
  • Lowepro S&F Technical vest system
  • Lowepro S&F Technical Belt
Video Quick Review - What is the Best Camera Bag or Way to Carry Your Gear?

Holdfast Moneymaker dual camera strap system

Photography backpacks:

  • Pro Trekker 650 AW Camera Backpack
  • Manfrotto Pro Light camera backpack RedBee-210
  • Lowepro Tahoe BP 150 backpack
  • Lowepro Slingshot Edge 250 AW
Video Quick Review - What is the Best Camera Bag or Way to Carry Your Gear?

Agua Versa 90 backpack

Other kinds of bags:

  • Domke Journalist Chronicle Shoulder Bag
  • Kelly Moore Luna fashion bag
  • Ona makes stylish designer leather bags
  • Jill-e Designs also make fashionable bags
  • Filson makes stylish unisex bags

OR read this to avoid having a bag collection in your closets like I do – 5 Camera Bag Hacks to Help You Curb the Temptation of Buying More.

Others options not mentioned:

  • Wrist straps
  • Holster systems (like the Cotton Carrier G3 Strapshot Holster)

What do you use?

So of all those options, which do you use to carry your gear? Are their other options we’ve missed? Please tell us in the comments below.

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The Winners of the Three NYIP Photography Courses Are . . .

07 Apr

A BIG thank you to everyone who entered our recent competition to win one of three photography courses from our friends at New York Institute of Photography.

The response was wonderful. In fact, it was so wonderful that the team at NYIP decided to offer a special 20% discount off any of their courses (details below).

The winners of the three NYIP photography courses are…

But first – here are the three winners of the competition for Professional Photography Course – worth $ 1,199 (the winners were chosen by NYIP).

  • Harry McCann
  • Matt Bingaman
  • Elizabeth Hollis

A message from NYIP (and a 20% discount offer)

“Congratulations to all three winners! Thank you to all the participants for your many comments. We were so excited to see how many people were interested in our Professional Photography Course. To those who did not win, we wanted to let you know that for a limited time we are offering you the chance to save 20% on the NYIP course of your choice. Learn more here. Simply use the code NY20 at sign-up. But don’t wait, because this offer is only available until April 27th, 2018 (USA time).” – The NYIP Team”

Winners will be emailed with details of how to collect their prize by the team at NYIP.

Thanks to everyone for entering and to NYIP for yet again, sponsoring another wonderful competition.

Photo by Steve Coulombe, NYIP Graduate

The winning comments

By Harry McCann – Nearing the end of my current career I have finally begun to devote more time to my love of photography. For as long as I can remember I have loved to capture the moments. I still remember the Christmas (many, many years ago) I got my Polaroid and the little note on it said: “Open me first.” Since that time I have taken 1000s of photos. However, it wasn’t until recently that I began to take the time and learn what was needed to take photographs that others would also enjoy. I have learned quite a bit in the last couple years. The biggest thing I have learned…is that I still have a lot to learn. A course from the New York Institute of Photography would provide me with the skills and technical experience to take my photography to the next level. I would be grateful for the opportunity.

By Matt Bingaman – I am nearing the end of my Air Force career. This course will help me take my photography to the next level so I can recoup some of the time I lost with my family due to my job. Thank you for the opportunity.

By Elizabeth Hollis – This is a wonderful opportunity for someone like me! I’ve been an enthusiastic amateur for many years and feel I have improved as much as I can through self-direction. I crave a comprehensive course like this to help me grow my skills and determine my focus. Feedback on my photos and goals from an actual professional would be invaluable. My ultimate dream is to become a professional photographer and own my own photography business. This course would be a big step in achieving that goal. Thank you for making this opportunity available.

Thank you all again.

You can learn more about NYIP HERE

Disclaimer: NYIP is a paid partner of dPS.

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NiSi jumps into lens game, unveils five full-frame cinema prime lenses

07 Apr
Credit: NiSi

With NAB 2018 just a few days away, the video gear news is coming fast and furious. Atomos shared some exciting news for Panasonic EVA1 shooters, Apple revealed the new ProRes RAW format, Adobe’s video apps got some major updates, and now the more unexpected of them all: NiSi, the camera filter company, has released a set of cinema primes.

If this news had come out on April 1st, it would have been suspect. Alas, it’s April 6th, and the new NiSi F3 cinema lenses are very much real.

Designed to cover full-frame sensors, the NiSi F3 lenses will come with interchangeable PL, Canon EF, and Sony E mounts. There are five lenses in all—25mm T2.1, 35mm T2, 50mm T2, 75mm T2, and 100mm T2—and each is built within an identical housing for maximum convenience when fitting lens accessories. NiSi plans to add an 18mm lens to the lineup in mid-2018, but here’s a closer look at current lineup, followed by a detailed spec breakdown:

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Regarding the F3 lens line’s performance, NiSi promises that the lenses’ “apochromatic optical design […] results in excellent Axial aberration and Transverse aberration performance. It gives a natural and pure color with almost no purple/green fringing both within focus and in bokeh.”

The company also claims “the lenses contain a unique optical coating design which controls dispersion perfectly while retaining rich details.” This allegedly results in “stylized flare and contrast enhancement.”

Credit: NiSi

The lenses are currently live for pre-order on the NiSi website, where you’ll need to put in a deposit of $ 1,000 per lens. Shipping is expected to start on June 1st, and you can see the retail prices listed below:

  • NiSi F3 25mm T2.1 – $ 3,000
  • NiSi F3 35mm T2 – $ 2,500
  • NiSi F3 50mm T2 – $ 2,500
  • NiSi F3 75mm T2 – $ 2,500
  • NiSi F3 100mm T2 – $ 3,000
  • Full Set of Five Lenses – $ 12,000

Note that if you pre-order before April 30th, you can take advantage of a $ 500 discount on each individual lens, or the full set of five. That means that, for the next 24 days, it’s actually cheaper to buy all five lenses individually because of the $ 2,500 in total discounts you’d be getting.

To learn more about the Nisi F3 cinema prime lenses or pre-order a set for yourself, head over to the NiSi website.

Articles: Digital Photography Review (dpreview.com)

 
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WD’s new blazing fast gaming SSD is perfect for 4K video editing

07 Apr

Western Digital has unveiled a new line of solid state drives in 250GB, 500GB, and 1TB capacities. Called the Black 3D NVMe, this new model is designed for gaming but is ideal for video production as well, due to its key selling point: the ability to rapidly and seamlessly handle 4K/UHD graphics.

The 500GB and 1TB 3D Black NVMe drives have a sequential read speed up to 3,400MB/s, while the 1TB drive exclusively has a read speed up to 2,800MB/s. Additionally, the new SSD is capable of up to 500,000 random-read IOPs for what Western Digital calls “extreme throughput.” That, the company explains, makes its new NVMe drives particularly ideal for multitasking environments that are data-intensive, as well as multi-threaded applications.

“With our new architecture and controller, the Western Digital Black SSD integrates our 3D NAND technology with the NVMe interface to enable new levels of performance,” says Mark Grace, senior vice president of WD’s Devices Business Unit. “Whether it’s a new gaming rig or a video-editing workstation, our innovative NVMe drives will power many existing and future environments that enable data to thrive.”

The drives will be available in the US by the end of the month for $ 120, $ 230, and $ 450 for the 250GB, 500GB, and 1TB SSDs, respectively.

Press Release

Western Digital Ups the Game with Powerful New Gaming SSD with NVMe Performance

PC gaming is increasingly immersive, with richer and more intense visual content than ever before, and gamers are faced with making technology choices to maximize their experience. To push leading-edge performance, lower power consumption and extended durability for PC gaming systems, Western Digital Corporation(NASDAQ: WDC) today introduced a high-performance Western Digital® Black 3D NVMe™ SSD featuring the company’s own SSD architecture and controller. The drive accelerates data for PC applications to enable users to quickly, access, engage and capture today’s high-resolution video, audio and gaming content.

With growing demand for rich content, PCs must have the capability to run intensive applications and enable the 4K/Ultra HD graphics and video content experiences. To move this immense amount of data quickly and seamlessly, Western Digital developed a new breed of SSDs to help remove the traditional storage bottleneck. This M.2 drive features a new NVMe architecture and controller, which optimally integrates with Western Digital 3D NAND. Western Digital’s new vertically integrated SSD platform was engineered from the ground up, specifically architected to help maximize performance for NVMe SSDs, with advanced power management, durability and endurance for the growing range of applications benefiting from NVMe technology.

“Today’s gaming applications require increasing capability from their PCs, and this will only continue to advance. With our new architecture and controller, the Western Digital Black SSD integrates our 3D NAND technology with the NVMe interface to enable new levels of performance. Whether it’s a new gaming rig or a video-editing workstation, our innovative NVMe drives will power many existing and future environments that enable data to thrive,” said, Mark Grace, senior vice president, Devices Business Unit, Western Digital.

Western Digital Black 3D NVMe SSD – Built to Boost Gaming Systems

With exceptional sequential read (up to 3,400 MB/s for 1TB and 500GB model) and write performance (up to 2,8001MB/s* for 1TB model) combined with up to 1TB capacities, the new drive is ideal for enhancing user experiences in gaming environments that benefit from acceleration of intensive fast data. Additionally, the drives feature up to 500,000 random-read IOPs (for 1TB model) to deliver extreme throughput, which is ideal for multi-threaded applications and data-intensive multitasking environments. The drive offers a five-year limited warranty with up to 600TBW endurance (for 1TB model). The Western Digital Black 3D NVMe SSD is available in the U.S. in capacities of 250GB ($ 119.99 USD), 500GB ($ 229.99 USD) and 1TB ($ 449.99 USD). The new drives will be available by late April 2018 in select Western Digital retailers, e-tailers, resellers, system integrators and distributors globally.

Enabling the possibilities of data, Western Digital offers the industry’s broadest portfolio of products and solutions to help people capture, preserve, access and transform their content. For more information, visit our website: Western Digital.

Articles: Digital Photography Review (dpreview.com)

 
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Weekly Photography Challenge – Cats

07 Apr

Whether you’re a cat or a dog person we’ve got you covered. Last week’s photography challenge “went to the dogs” and now it’s time for the kitties!

My girls, Munchkin (Munch) on the left and Fuzz on the right.

Need some help? Try these dPS articles:

  • 9 Tips for Taking Better Photos of Cats
  • Your Essential Guide to Photographing Cats and Dogs: Snapn Paws
  • 6 Tips for Working with Unruly Animals in Pet Photography
  • 8 Tips for Better Pet Photography

Weekly Photography Challenge – Cats

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

Share in the dPS Facebook Group

You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

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Snapchat launches more realistic AR face masks for iPhone X users

07 Apr

It looks like more and more third party developers are starting to make use of the iPhone X’s TrueDepth front camera that was originally implemented on the device for Apple’s FaceID unlocking feature. Yesterday, Bellus3D launched a 3D face scanning app for the iPhone X. Today, Snapchat has delivered an update to its iOS app which lets iPhone X users decorate their selfie images with augmented reality masks that take advantage of Apple’s advanced facial mapping technology.

Apple’s TrueDepth front camera will help the masks more realistically superimpose onto the user’s face, and face motion will be tracked more precisely than for Snapchat users with other mobile devices. To start with, there are three Snapchat lenses that utilize the TrueDepth technology: a Mardi Gras-style mask, a Day of the Dead skull, and a gold-plated eye cover. More masks are expected to be made available in the near future.

The TrueDepth camera also allows for DSLR-style blurring of the background, and more accurate application of small details and 3D objects that reflect and react to ambient light in the image.

If you happen to own the iPhone X, let us know in the comments how the new feature works for you. With similar technologies being adopted by other smartphone makers, we’d hope the new Snapchat masks make it to Android devices (at least high-end ones) in the nearer future as well. Snapchat for iOS can be downloaded free of charge from the App Store.

Articles: Digital Photography Review (dpreview.com)

 
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The SELDI 7-in-1 wearable video rig simplifies recording POV footage

07 Apr

Meet SELDI, the newest gadget to hit up the photo community for some crowdfunding. This odd contraption is a 7-in-1 wearable video rig designed for action cameras, smartphones, 360-degree cameras, and compact digital cameras. The rig loops over the wearer’s head and rests on their shoulders, though the design also enables it to be used as a handheld mount, to rest on surfaces like a tripod, and to hang from any item it can be looped over, such as a fence post.

SELDI claims its 7-in-1 rig replaces five accessories: hand grip, mini tripod, selfie stick, stabilizer, and chest mount. A pair of hinges on each side of SELDI are key to its flexibility, enabling users to adjust the camera angle based on need. By doing so, SELDI’s rig offers six shooting “modes” total, including the five performed by the accessories above, plus “multi-mount” mode, which involves placing the rig anywhere it can fit, such as on top of a door frame.

The team behind the 7-in-1 rig also present it as an entertainment device, suggesting that owners can use it as a smartphone and tablet holder for hands-free usage to, for example, watch a movie. The device supports 1/4”-20 mounts that weigh less than 500g / 1.1lbs. Additional accessories—such as microphones and lights—can also be attached, and tools aren’t required to make adjustments.

SELDI is offering various rewards to Kickstarter backers who are willing to fund the 7-in-1 wearable, including a super-early-bird “Pro Package” for pledges of at least $ 77 USD. The Pro Package includes a body strap, GoPro mount, mini ball head, hand grip, smartphone holder, smartphone GoPro adapter, super bolt, and the SELDI itself.

To learn more or put down a pledge of your own, head over to Kickstarter where the SELDI is already nearly half-way to its $ 10,000 goal with 32 days to go. If the funding campaign is successful, shipping to backers is expected to start globally in June.

Articles: Digital Photography Review (dpreview.com)

 
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