November 2012 – Page 74 – 360Photography

Month: November 2012

Sea Rex 3D – trailer

Sea Rex 3D – trailer
Video Rating: 5 / 5

November 11, 2012
Search For “The Afghan Girl” HQ (3/4)

The search for the mysterious “Afghan Girl,” whose haunting, green-eyed gaze captivated the world in a NATIONAL GEOGRAPHIC magazine cover photograph, takes EXPLORER on a world-wide journey in an attempt to solve the case of a missing person. In January 2002, photographer Steve McCurry, who took the 1984 photograph and has been searching for the girl ever since, traveled to Pakistan with a National Geographic EXPLORER team to search one last time. The refugee camp where the original encounter took place was about to be demolished. War in Afghanistan continues. The plight of refugees there and in Pakistan is worsening. Has the “Afghan Girl” survived? With a lot of detective work and a little luck, the EXPLORER team, together with McCurry, finds a woman who could be the “Afghan Girl.” How can they confirm that this is the same person as the child photographed nearly 20 years ago? National Geographic uses several methods, including state of the art iris recognition, the FBI facial recognition techniques and the technology used by the National Center for Missing and Exploited Children. Sigourney Weaver narrates. Please don’t take this down, I’m only upoading because people need to see the whole story =) I do not own this movie, it is a product of National Geographic and Steve Mccurry Photography.
Video Rating: 4 / 5

LIKE us on FACEBOOK: www.facebook.com FOLLOW us on TWITTER: @DevotionProj CHECK out the WEBSITE: www.thedevotionproject.org This is the first short film created for THE DEVOTION PROJECT, an ongoing series of films documenting LGBT couples and the love they share. This film premiered at Newfest NY Gay & Lesbian Film Festival in July 2011, where it took home the Audience Award for Best Short. It’s also won the Jury Award for Best Short Doc at Outfest in Los Angeles and at Polarifest/the Austin Gay & Lesbian International Film Festival. In addition, Rosie O’Donnell featured the film on her show on the OWN Network in November 2011. The other films in the series, “Say Only Yes”, “Listen from the Heart”, “My Person” and “Build Your Wings” are also available on this channel. Featuring William I. Campbell and John V. Hilton. Produced and Directed by Antony Osso, Director of Photography Martina Radwan, Editor Erica Freed Marker, Sound Mix by Chad Birmingham, Stills Photographer/Camera Assistant Nephi Niven, Music by Paul Hsu. Post Production Services provided by Post Factory NY. Copyright 2011 Antony Osso.
Video Rating: 4 / 5

November 11, 2012
Extreme Sports (Calisthenics Style) pt 8

Some signature workout routines from some of Wingate’s finest. Dre Skillz, Super Mario, ABS, D-Nice, B-Rock. sorry for taking down the video… I did not like the quality… BTW this is my first video as far as editing

November 11, 2012
The Best Camera Is The One You Have With You (Mobile Photography TIPS)

All photographers go through a lifecycle; those distinct stages from new photographer through to seasoned shutter bug. It definitely happened to me and, looking back, my one embarrassing stage was the camera kit snob stage. I’m not going to dwell on it, but suffice to say, it was a pretty cringeworthy stage for me personally. Now I am not too proud to miss an opportunity just because I don’t have my main camera on me.

Years ago I stumbled upon Chase Jarvis who is, I think, a massively creative photographer. He came up with a common sense mantra, the title of this article. The premise is that we should all embrace the camera we have on us and, hopefully a safe punt, that is going to be your cell/mobile phone.

If you are reading this article, chances are you don’t carry around an ageing Ericsson or Nokia from the late 90s. Personally I use iPhone, but I figured out early on with a few must-do tips, you can come up with some impressive images using just the camera in your phone.

All the images in this article were captured, hand held, with a Nokia 808 Pureview. All image editing was performed in Photoshop CS5 and, apart from black and white conversion, very basic – really, 3 minutes load through to save basic.

Shooting: Composition

Always think about the composition and what you are trying to capture. I’m willing to bet, with SLR and tripod, you put a great deal of thought into your shot, so why should it be different with your phone.
Rule of Thirds. Except for symmetrical compositions, like shooting down a tunnel, avoid centering subjects and horizons in the frame.
Reduce poor skies to the smaller portion of the frame.
The eye will follow leading Lines into the frame and distance. This is something you can control, like a winding road that will lead the eyes across the beautiful landscape in the frame.
Light is the biggest factor that will make or break a good photo. This is especially true for camera phones and their small sensors – they love the light. Early morning and late afternoon light (golden hour) will enhance everyone’s images! Try and move to compose where the light falls on your subject; faces, buildings, statues, etc.
Decisive moments make for strong compositions. See a great scene? Set up for the shot and then wait for something to occur. In Florence, on a recent trip, I waited on a bridge, with a great view into the distance, for… people on Segways! They’re a rare site in the UK, so I thought it would make a great juxtaposition.

Check out Christina Dickson’s most useful article, breaking down composition into geometric areas.

Shooting: Steady

As with an SLR and tripod, I always try to find a rest or surface to remain steady for the shot. Window frames, lamp posts, benches, trees, girlfriend’s head, etc. It will make such a difference to the resolving power of the pea sized lens on your phone’s camera.

Shooting: Straight

I do edit and publish on the move, so getting it right in shot will get the highest quality up front. Each app you use to edit shots will degrade and potentially resize your images all the more. You have a big LCD, so take a moment to line up and level before pressing the shutter.

Editing: Color and contrast

I don’t think twice that Photoshop will be editing this image for an SLR shot, so the same usually goes for my camera phone shots. It is rare if I do more than boost color and contrast, but it does make for a significant improvement.

Editing: Straighten, Crop

Someone out there always tells me if my images are not meticulously level, so I’ll recheck in Photoshop. If need be, I will crop too – too much sky, half a bird, etc.

Editing: Sharpen, Resize

Use your image editor to make the full size image sharp and then resize down for the internet. I will use a High Pass filter technique in Photoshop.

Camera phone images don’t need to be terrible snaps and with these tips, equally important for compact cameras too, you can definitely open the eyes of those firmly entrenched in the ‘SLR is best’ camp!

Want to learn more about mobile photography? Check out our iPhone Photography eBook.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

The Best Camera Is The One You Have With You (Mobile Photography TIPS)

Digital Photography School

Focus on Chris Porsz ~ It’s All About The People

I’ve had the pleasure to shoot with UK street photographer Chris Porsz in London and, more recently, in Paris. He met up with my group during my week long Paris photo workshop last month and enjoyed sharing his love for street photography with my students. Chris has a true passion for people and for capturing the moment . He can roam the streets of any city tirelessly for days with his camera. Paramedic by day (or night), street photographer the rest of the time, let me introduce you to Chris Prosz.

1- When and why did you start photographing people in the streets?

Over three decades ago some creative urge drove me to roam the streets of my city, recording everyday life. I cannot draw or paint but found it very easy to a press a button and, by some magical process, capture posterity in a fleeting expression on a face. I am not technical and not good at formal studio work with flash and posing people so I like the blank canvas of the streets. I set my stage and wait for the right characters to walk on. You will rarely see a picture of mine devoid of people as buildings bore me on their own while people bring them alive and give a sense of scale. I was a university dropout who became a hospital porter and found this a very satisfying and relaxing outlet. For over twenty years I have been a paramedic which involves approaching total strangers, engaging and reassuring them. Ideal for street photography.

2- You spend hours every week walking the streets of your hometown, how do you keep things ‘fresh’?

I think the very nature of street photography ensures that it stays’ fresh.’ I love the total unpredictability and spontaneity of people and never knowing what is around the next corner. You walk for miles and get average shots but just occasionally you capture something special. I am always looking out for someone unusual who stands out from the crowd, pink hair or the elderly battling against the elements with a Zimmer frame. I look out for situations with people interacting and wait to see what develops.

3- What other cities have inspired you the most photographically and why?

Out of my comfort zone I visited many large English cities to be inspired and I was overwhelmed by the potential. I also wanted a more international flavour so I made a trip to New York City. It was also wonderful to be involved in Valerie Jardin’s Paris photo workshop. Amsterdam, Berlin and Prague are on the list to capture. Every city has its iconic buildings but the challenge is to capture them in a unique way and for me that has to be through its people.

4- What was your most memorable experience as a street photographer and have you had any close-calls, such as people becoming aggressive, etc.?

I think it was at 2:00 am when a man called an emergency ambulance for help and, through his oxygen mask, he told me I had taken his picture over thirty years ago. This led to one of my reunion pictures which can be quite emotional and immensely satisfying.

A man in his seventies who looked like Santa Claus was sitting in an armchair in the middle of our Cathedral Square when he spotted me and my camera. Wearing only a white bath robe, boots and a red bobble hat he chased me down the road. What a picture and fortunately no one was around to take it.

In 1980 a recluse was murdered and the only picture available was one I took of him walking the streets. It helped to capture his assailants.

I have occasionally been threatened by drunks and accused of all sorts but usually a smile and an explanation go a long way.

5- Is there one shot you absolutely want to get and will continue hunting for until it’s in your memory card?

I have my railway kiss picture but I am still searching for that Doisneau lovers’ embrace on say the escalators. Or some exclusive photo journalist type dramatic image. So always carry a camera and keep it primed ready. Nothing worse than capturing a great moment that is blurred and out of focus.

6- What #1 tip would you give someone starting out as a street photographer?

Take Robert Capa’s advice and “If your photographs are not good enough then you are not close enough.” I have ditched the artificial compression of telephoto and almost exclusively use a wide angle where the viewer feels part of the picture.

I also try to follow Dave Beckerman’s maxim “Street photography is 90% perspiration and 10% inspiration.” So walk miles, take plenty, be very self critical and post just the best. Back up your images three times as I have learned the hard way and lost precious memories.

7- You’ve exhibited your work in various galleries in Peterborough, England. What is your next project?

My book New England is out this month and contains my favourite images from the seventies and eighties, many which have never been seen before. It reflects a typical English city of that era. I have been invited to record the life of a large country Park through its staff and visitors during the four seasons. I will employ my street style but with beautiful backdrops instead.

8- Which photographers have inspired you the most?

The list is endless but one of my heroes is Don Mc Cullin a modest, compassionate, brave, honest photographer with his haunting Vietnam images. I was a lousy printer and ruined many but his dark, rich, gritty monochrome printing influenced me.

His colleagues too, Eddie Adams and Phillip Jones Griffiths The ‘gentle eye’ of Jane Bown and the reportage of Chris Steele-Perkins

Over the pond the humour of Elliot Erwitt and Vivian Maier’s newly discovered treasure trove. Jo Wigfall, Dave Beckerman, James Mayer and Eric Kim. They are generous with their time, support and encouragement. Thank you too Valerie for kindly helping me and now sharing my work with your readers.

Find out more about Chris and his work by visiting his website.

Chris Porsz

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Focus on Chris Porsz ~ It’s All About The People

Digital Photography School

Canon EOS 60D time lapse

www.123bulgarianproperty.com Canon EOS 60D time laps
Video Rating: 4 / 5

Become a fan on Facebook: facebook.com Testing the Canon EF-S 10-22mm 1:3.5-4.5 lens in video mode on the Canon EOS 60D. 1920×1080 / 24p Twitter: twitter.com Subscribe to our YouTube channel: www.youtube.com DSLR website: www.fenchel-janisch.com
Video Rating: 4 / 5