Month: November 2012

  • Photograph and Photoshop a Cross Process effect – Week 70

    A wet day doesn’t stop photography expert Gavin Hoey www.gavtrain.com from taking and making a cross processed style of image.

  • The Barber Institute of Fine Arts – The entrance and steps

    A few nice visual art images I found:

    The Barber Institute of Fine Arts – The entrance and steps
    visual art
    Image by ell brown
    This is the The Barber Institute of Fine Arts building on the University of Birmingham main campus.

    It is listed currently as being on University Road, and no longer Edgbaston Park Road (I would assume that University Road is the road that goes from Edgbaston Park Road into the University grounds proper).

    It is a Grade II listed building built between 1935 and 1939, designed by architect Robert Atkinson.

    It is an art gallery and concert hall, and is an Art Deco building. It was opened by Queen Mary.

    1935 completed 1939, architect Robert Atkinson. Sophisticated design marrying
    elements of traditional institutional classicism with Dudok inspired stone
    dressed brick modern. A 2 storey compact block with shallow full height portal
    wing to right hand of front. Ashlar faced ground floor and blind lst floor of
    brick with flat coped roofline. The horizontal emphasis of the strip
    fenestration of the ground floor is suavely combined with the vertical accent of
    the slightly battered portal. The latter is complemented in small scale by
    ashlar panels carved with symbols of the Arts on the first floor and reflected
    by the visual stop of the larger panel at the end of return east elevation.
    The banding and strip fenestration of the front follows round on to the side and
    rear elevations giving a crisp linear definition to the design.

    The Barber Institute of Fine Arts – Heritage Gateway

    The main entance and steps as I kept going back.

    The Barber Institute of Fine Arts – The entrance and steps
    visual art
    Image by ell brown
    This is the The Barber Institute of Fine Arts building on the University of Birmingham main campus.

    It is listed currently as being on University Road, and no longer Edgbaston Park Road (I would assume that University Road is the road that goes from Edgbaston Park Road into the University grounds proper).

    It is a Grade II listed building built between 1935 and 1939, designed by architect Robert Atkinson.

    It is an art gallery and concert hall, and is an Art Deco building. It was opened by Queen Mary.

    1935 completed 1939, architect Robert Atkinson. Sophisticated design marrying
    elements of traditional institutional classicism with Dudok inspired stone
    dressed brick modern. A 2 storey compact block with shallow full height portal
    wing to right hand of front. Ashlar faced ground floor and blind lst floor of
    brick with flat coped roofline. The horizontal emphasis of the strip
    fenestration of the ground floor is suavely combined with the vertical accent of
    the slightly battered portal. The latter is complemented in small scale by
    ashlar panels carved with symbols of the Arts on the first floor and reflected
    by the visual stop of the larger panel at the end of return east elevation.
    The banding and strip fenestration of the front follows round on to the side and
    rear elevations giving a crisp linear definition to the design.

    The Barber Institute of Fine Arts – Heritage Gateway

    The main entance and steps as I kept going back.

    The Barber Institute of Fine Arts – The entrance and steps
    visual art
    Image by ell brown
    This is the The Barber Institute of Fine Arts building on the University of Birmingham main campus.

    It is listed currently as being on University Road, and no longer Edgbaston Park Road (I would assume that University Road is the road that goes from Edgbaston Park Road into the University grounds proper).

    It is a Grade II listed building built between 1935 and 1939, designed by architect Robert Atkinson.

    It is an art gallery and concert hall, and is an Art Deco building. It was opened by Queen Mary.

    1935 completed 1939, architect Robert Atkinson. Sophisticated design marrying
    elements of traditional institutional classicism with Dudok inspired stone
    dressed brick modern. A 2 storey compact block with shallow full height portal
    wing to right hand of front. Ashlar faced ground floor and blind lst floor of
    brick with flat coped roofline. The horizontal emphasis of the strip
    fenestration of the ground floor is suavely combined with the vertical accent of
    the slightly battered portal. The latter is complemented in small scale by
    ashlar panels carved with symbols of the Arts on the first floor and reflected
    by the visual stop of the larger panel at the end of return east elevation.
    The banding and strip fenestration of the front follows round on to the side and
    rear elevations giving a crisp linear definition to the design.

    The Barber Institute of Fine Arts – Heritage Gateway

    The main entance and steps as I kept going back.

  • Nikon 50mm ƒ/1.4D AF

    Questions? Go here: www.youtube.com Hands-on review on Nikon 50mm ƒ/1.4D AF. See below for compatibility. AUTOFOCUS UNAVAILABLE D40 D40X D60 D3000 D3100 D3200 D5000 D5100 AUTOFOCUS AVAILABLE D50 D70-Series D80 D90 D7000 D100 D200 D300-Series D600 D700 D800-Series D1-Series D2-Series D3-Series D4-Series

  • 12 Ways to Inspire the Creative Photographer Inside You: Part II

    A Guest Post by Andrew Gibson

    Note: Andrew Gibson is currently offering his 5 popular eBooks for under $ 20 on SnapnDeals.

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    In the first part of this article I came up with six ideas that you can use to break out of a creative rut. I’ve been there myself, when it seems as if there is nothing around to photograph and no subject seems appealing.

    The idea behind these articles is to give you some inspiration for those times when creativity seems hard to come by. Here are the rest of the ideas:

    7. Try a new Genre

    Part of the fascination of photography is that there are so many genres and techniques to try out. That’s part of the fun. Even professional photographers have a comfort zone of subjects and techniques that they are familiar with. Anybody can learn a lot by trying a new genre.

    For example, if you’ve never photographed a stranger before then why don’t you look for a model on a website like Model Mayhem? The whole exercise of finding a suitable model and coming up with the concept of a shoot and taking the photos will be challenging and educational.

    08

    I tried some steel wool spinning photos last week for the first time. Great fun, and a new way to use a local location for photos.

    8. Build a photoblog or a website

    What do you do with your photos after you’ve taken them? Uploading to Facebook, Flickr or 500px is one thing, but an interesting challenge is to set up your own website or photoblog.

    If you have no idea how to do this, don’t panic – it’s fairly easy once you know how. You can use WordPress or Pixelpost to set up a photoblog with an absolute minimum of programming knowledge. The instructions for both are easy to follow. And if you don’t want to buy your own domain name and a hosting plan (essential in order to have your own website) then Blogger, WordPress.com or Tumblr may be the answer. The important thing here is to create your own personalised space on the web for publishing your photos.

    The best approach is to be critical of your work and only post your best images. Online portfolios are usually judged by the strength your weakest images. Weed those out to improve your portfolio.

    A website or photoblog can work well if you have a long-term project to publicise. Check out Bill Wadman’s 365 portraits as an example.

    An added bonus, if you’ve never done this before, is that learning to create a website or blog may be a useful skill to add to your CV.

    09
    I created the photo gallery on my website using photo blogging software Pixel Post.

    9. Create a Photo Book

    Do you print your photos? I printed some of my favourites out a few years ago on a borrowed A3 printer and most of them are still stored in a wardrobe. I framed a few, but not the rest. This is a problem for me when it comes to making prints – what to do with them afterwards?

    One answer is to create a photo book instead. Blurb is perhaps the most well known photo book service but there are plenty of others. The quality from the best companies is extremely high.

    Designing a photo book is not just a matter of placing photos on pages. It will force you to edit your images, look for themes, juxtapose images on the same spread and learn about graphic design. If you have a long-term project a photo book could be a great end product and a nice reward for the hard work you put it in.

    Another reason I like the concept of photo books is for the legacy. Books are easier to give out to friends and relatives than prints. You can create a meaningful collection of your best images that people can look at for many decades to come.

    10. Make the most of the Light

    Are you lazy with light? One of the quickest ways to improve your photos is shoot in the best light. If the light is beautiful, this will inspire you to take better photos.

    Here are three types of light that I like:

    The golden hour

    This is the hour around sunset and sunrise when the sun is low in the sky and casting low, raking light over the landscape. Ideal for landscapes, seascapes, architecture and portraits.

    The blue hour

    This is the period from after sunset to night when the natural colour of the ambient light is deep blue. This is a beautiful time for taking landscapes and seascapes. If you take photos by the sea, as long as you have a tripod you can take photos until it is nearly dark. The water reflects the light left in the sky so that you don’t end up with large black areas in the image.

    Shade

    For portraits my favourite type of lighting is shade. The light is soft, flattering and beautiful. On a bright sunny day any light bouncing off nearby sunlit areas brings a real glow to the model’s face.

    It’s important to make the most of the light. It requires effort to make sure that you’re in position when the light is at its best for your subject. But you’ll be rewarded with stronger images.

    Now, reverse that idea. Why not try different types of light? For instance, is it possible to take photos of the landscape in strong midday light? I’ve seen it done – one solution is to convert to black and white to take advantage of graphic shapes and shadows created by the direct light.

    And what about portraits? Shade is beautiful, but what if the subject is backlit? Or in the midday sun? How can you make this light work? A technique to try in midday light is to use portable flash to fill in the shadows or overpower the light from the sun.

    10

    One of a series of photos shot on the beach in the middle of day in the summer. I used portable flash to light my model and counter the harsh light of the sun.

    11. Shoot in Black and White

    I love black and white photography. In black and white there is no colour and the image requires a strong composition using elements such as shape, line and tonal contrast to succeed. It takes time to learn how to see in monochrome. Here’s an easy way to get started.

    Set the camera to its black and white mode (check your camera’s instruction manual if you don’t know how to do this). Set the filter colour to red or orange and increase the contrast. Now, when you take photos, the image is displayed on the LCD screen in black and white. This gives you immediate feedback on how well the composition works in black and white.

    The image is displayed in black and white even if you set the file format to Raw. The beauty of shooting in Raw is that you have a full colour file that you can do anything with afterwards. That includes converting to black and white in software that gives a better result than the black and white mode on your camera.

    11
    You may not think of photographing colourful subjects like flowers in black and white. It’s a different approach to a common subject that can work really well.

    12. Work in Colour

    Here’s another way to look at things in a fresh way. Why not set a colour project? Spend the day just taking photos of things that are red. Or blue, yellow or green…whatever colour inspires you.

    An alternative is to work with a more subtle colour such as brown or grey. This can really challenge your creativity as you look for ways to make interesting photos from subtle colour palettes.

    14

    A selection of photos utilising the colour red. Not all taken on one day – but it shows how effective it can be to group photos together that share a strong visual element such as colour. Going back through your old photos and arranging them by colour may give you a new way to present your work – or inspire you to take more colour based photos.

    Andrew Gibson currently is offering a bundle of 5 of his amazing eBooks for sale for under $ 20 on SnapnDeals. You’ll get eBooks on Understanding Lenses, Understanding Exposure, Understanding DPP and square format photograph. Check them out here.

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    12 Ways to Inspire the Creative Photographer Inside You: Part II



    Digital Photography School

  • Make 3D Photo using 3DMasterKit software and Lenticular lenses

    3DMasterKit, is a comprehensive and powerful stereo imaging suite that provides you with a broad range of image editing capabilities. It primary purpose is the creation of realistic and detailed lenticular prints with a variety of effects: flip, animation, morphing, zooming and more. The application is capable of encoding images for a number of viewing methods, including stereoscopes, anaglyph and LCD shutter glasses and, of course, «glasses-free» lenticular lenses viewing. Download 3DMasterKit from www.triaxes.com
    Video Rating: 4 / 5

    Here’s the tutorial I’ve been promising on how to make 3D with just one camera and a compositing program like CompositeLab Pro from FXHome.com Also a good source for cheap anaglyph 3D glasses too

  • Canon best mid range camera T4i vs 60D vs 7D

    Lots of people ask me, which is the better mid range camera, Well I hope this video helps….Sorry about the voice lagging, It was late and I was sleepy. The 60D has better photo capabilities over the T4i The T4i has touch screen 7D and the 60D has a top LCD screen for quick access to menu

  • Mayhem in Maui

    When Overtone books a gig in Hawaii, Dina plans a family vacation around the concert–and invites all of Morgan’s friends to stay at the Eastwood’s vacation home in Maui. But, she didn’t count on Francesca bringing along her unpredictable photographer boyfriend Tyler Shields. When the lovebirds land on the island, it doesn’t take long for Dina to pull Francesca aside for a little chat. Meanwhile, the band mates get feisty when they discover there’s only three suites to split amongst the group–and not all of the rooms have breathtaking views.
    Video Rating: 0 / 5

    Kiran cooks up a sob story about how Simran and Abhimanyu were responsible for her getting to do something so cheap. Aastha receives a message from Simran saying that Abhimanyu and she were leaving for France, and that she could return home whenever she wanted to. Saurabh sees a hoarding of Aastha on his way back home. Saurabh phones Aastha and demands to know about the photographs. Kiran, without revealing her identity, replies that Aastha has left her stepmother s house for good. Saurabh phones Aastha again after learning the truth from Shaguna and begs her to return but she retorts that everybody is dead for her. Saurabh suffers a heart attack.

  • True Mates

    Ein Beitrag von: Daniel Sadlowksi

    Im Dezember 2011 habe ich mit meinen engsten Freunden bei mir zuhause meinen 26. Geburtstag gefeiert. Zu dieser Zeit war meine fotografische Motivation sehr hoch, da ich gerade mein Heimstudio eingerichtet habe und dabei war, meine CI für Linsensuppe–Fotografie zu erstellen. Da gerade all meine Freunde versammelt waren, habe ich die Gelegenheit genutzt, um alle für eine schöne Erinnerung abzulichten.

    Die Idee war geboren, jedoch entpuppte sich die Umsetzung als schwierig. Einige haben sich vor der Kamera unwohl gefühlt und das Projekt drohte zu scheitern. Angeheitert von der Stimmung und der einsetzenden Wirkung des Geburtstagspunsches kam dann die Idee, dass jeder einfach eine Grimasse zieht.

    Selbst die unfotogensten Menschen (ich zum Beispiel, siehe Bild rechts) sind in der Lage, absichtlich doof zu gucken und vor allem, sich damit auch anzufreunden, wenn genau dies erwünscht ist.

    Ich habe insgesamt mit drei Blitzen fotografiert. Eine 90cm-Softbox von links oben sorgte für das Hauptlicht, das relativ weich und gleichmäßig sein sollte. Ich wollte vom Hauptlicht einfach keine harten Schatten haben, weswegen die Wahl auf eine Softbox gefallen ist.

    Außerdem kamen zwei Striplights zum Einsatz, die die Modelle jeweils von hinten rechts und hinten links getroffen haben. Die Striplights sorgten für schöne und kräftige Streiflichter. Durch diese Lichtkanten erscheinen die Personen plastischer und heben sich besser vom Hintergrund ab.

    Ich habe vor einem grauen Hintergrund fotografiert, um einfach sehr flexibel in der Bearbeitung zu sein, da ich nicht ganz sicher war, wie die fertigen Bilder aussehen sollten. Da ich wusste, dass ich den Hintergrund austauschen wollte, habe ich diesem keine weitere Aufmerksamkeit geschenkt und komplett auf eine separate Hintergrundbeleuchtung verzichtet.

    Fotografiert habe ich mit einer Nikon D90 und einem Tamron 28-75mm f/2.8, meiner damaligen Standardbesetzung bei Personenfotografie. Die Fotos sind mit einer Brennweite von 50-70 mm und einer Blende von f/8 – f/11 entstanden.

    Bei diesem Setting hat das Objektiv einfach die beste Abbildungsleistung. Die Belichtungszeit und der ISO-Wert waren standardmäßig bei 1/160 und 200. Nach einigen Lichttests waren die Fotos dann auch schnell im Kasten und die Party nahm ihren Lauf.

    Am nächsten Morgen – nun 26 Jahre alt – war ich hochmotiviert, mich direkt an die Bearbeitung der einzelnen Fotos zu machen, jedoch zwangen mich die Nachwirkungen des Geburtstagspunsches dazu, dieses Vorhaben auf den (sehr) späten Nachmittag zu verlegen.

    Beim Durchgucken der Fotos ist mir aufgefallen, dass alle Modelle sehr farbenfrohe Kleidung getragen haben. So lag es nahe, die Hintergründe dementsprechend anzupassen. Ich musste allerdings das eine oder andere Kleidungsstück umfärben, da mir die Farbe nicht gefallen hat.

    Ich habe viel an den Kontrasten gearbeitet, um diese besonders herauszuarbeiten. Hierbei kamen einige Plugins und Dodge&Burn zum Einsatz.

    Alle Bilder waren nun fertig bearbeitet, jedoch war ich unzufrieden, da ich eigentlich eine Collage daraus machen wollte. Problematisch daran war jedoch die ungünstige Anzahl von elf Fotos. Ich stand also vor dem Problem, wie ich eine prime Anzahl für die Collage verwenden könnte.

    Praktisch orientiert wie ich bin, habe ich mich einfach dazu entschlossen, die Anzahl der Bilder auf zwölf aufzustocken. Ich habe fix meinen Papa angerufen und ihm von der Idee erzählt. Zwei Tage später war also auch das letzte Bild im Kasten und ich konnte die Collage abschließen.

    Es fehlte nur noch ein Name, der jedoch schnell gefunden war: True Mates!

    Ich habe bisher durchweg positives Feedback und Anerkennung für die Serie erhalten. Doch das, was mich wirklich stolz macht, ist, dass nun alle meine Freunde schön gerahmt bei mir im Wohnzimmer hängen.


    kwerfeldein – Fotografie Magazin

  • Zaid Hamid:BrassTacks-Yeh Ghazi Episode6; Amr Ibn Al-‘As (RA) Part2

    BrassTacks program Yeh Ghazi on Timeline of the Muslim History. In this episode Zaid Hamid discusses the background & the events of the conquest of Egypt under the command of Amr Ibn Al-‘As (Radi Allah Ta’ala Anhu). One of the greatest early Musli statesmen & generals, he was appointed by the Prophet (SAW) as the governor of Oman. His political & military acumen was second to none. He was given the leadership of Muslim force in Palestine by Syedna Abu Bakr (RA) & he played a vital role in the battles of Ajnadin & Yarmouk.Under his inspirational leadership Muslims conquered Al-Quds (Jerusalem). He urged Syedna Umer(RA) to permit him to lead a campaign to Egypt. Eventually he acquired the permission & consequently conquered Egypt. May Allah be pleased with Him. Yeh Ghazi Yeh Teray Pur Asrar Banday Jinhain Tunay Bakhsha hai Zauq-e-Khudai Do Neem Un ki Thokar say Sahra o Darya Simat kar Pahaar In ki Haybat say Rayi Do Aalam say Karti hai Baygaana Dil ko Ajab cheez hai Lazzat-e-Aashnayi Shahadat hai Matloob o Maqsood-e-Momin Na Maal-e-Ghaneemat na Kishwar Kushayi Dilay Mard-e-Momin main phir zinda kar day Woh Bijli thi keh Na’ara-e-La Tadar main Azayim ko seenom main baydaar kar day Nigha-e-Muslim ko Talwar kar day (Iqbal)
    Video Rating: 4 / 5

  • Nice Visual Art photos

    Check out these visual art images:

    Fixing up hazy days & correcting wide lens distortion…
    visual art
    Image by williamcho
    In the near future City Hall Singapore will be transformed into Home of Visual Arts. The National Art Gallery of Singapore. Expect a major facelift when it re-open in 2015… It would be nice if the field in front of City Hall be converted to a large pool with fountains creating a dynamic reflection of the classic architecture.

    pp: Just an old archive shot treated with Topazlab Adjust. I hardly use HDR these days as Topazlab gets me there with a fraction of the time in comparison. Applying "Warping" and "Distortion" tools to straighten buildings.