HD? jp.youtube.com 3D stereocopic movie ANAGLYPH , &fmt=22 HD
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HD? jp.youtube.com 3D stereocopic movie ANAGLYPH , &fmt=22 HD
Test footage from the new Nikon D90 with the 24fps, 720p movie mode built in. Not trying to be good or artistic…yet. Just enjoy it for what it is, test footage. 😀 Vimeo HD: vimeo.com
Video Rating: 4 / 5
Alon Boroda and Ron Nadel’s final project during their animation studies in Bezalel academy for arts and design, Jerusalem. Music by Yoav Efron.
Hey everyone, as the description says this is the unboxing of my new Nikon D60 hope you enjoy!! www.nikonusa.com
Video Rating: 4 / 5
Just a example of Nvidia`s 3D Software Stereoscopic … You need Red/Cyan glasses for this.
Video Rating: 5 / 5
See how the Caped Crusador looks in stereoscopic 3D! These results were made with iZ3D 1.10 drivers and the new FRAPS 3.0. However, similar results are possible from DDD and NVIDIA GeForce 3D Vision drivers. Read the S-3D game review at mtbs3D.com.
Video Rating: 5 / 5
Dave Cross takes a quick look at using the Live View feature of the Nikon D300
Video Rating: 5 / 5
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Nikon D3000
Video Rating: 4 / 5
Find 32 more videos at www.AssignmentConstruct.com .Transcript of this video Hi, I’m John Harrington and we’re going to break out and break down the wide variety of equipment we use to deliver images to our clients. Next we are going to show you one of the equipment kits we use when we are traveling on assignment. Each kit is different and has a very specific purpose. So lets take a look. This kit is our Nikon kit. It houses our D3, a D2X; a primary and a backup. We use a 12-24 DX lens, 70-200 2.8, 24-70 2.8, 17-55 DX 2.8, 2X teleconverter. We’ve got a Speedlight SB-800; it’s got the tungsten gel on the front. The reason we use the tungsten gel or a fluorescent gel is to mask the color temperature in the room we’re working in. These are obviously interchangeable, so we can use them depending on the situation we’re in. We use a tungsten or a fluorescent gel. We have extra double A batteries. We have three think tank cardholders. We really like these cardholders because we can hold a large number of cards; and we can put our unused cards at the top and our used cards reversed on the bottom. What we do with our cards when we’re done shooting them is instead of having them in upwards; we have them in upside down. That’s an indicator to us that we’ve shot on the card and this card needs to be downloaded. Underneath, we have 17-35 2.8, and we have a 300 2.8. In addition on the 300 2.8, we have a 1.4 teleconverter as well. So between the 2X teleconverter and the 1.4X …
Information I missed or didn’t cover well enough in my menu walk through. Contents: Eye peice cap for timed release, Notes: Light does not enter the final picture, it just screws with the meter reading causing an under-exposed photo. To test if this is an issue just watch to see if the shutter speed changes if you cover the eye-peice. Programable Buttons (static functions) Preview, exposure locks, flash off, bracketing burst, metering override.
Video Rating: 4 / 5
Frazer Harrison is a Getty Images photographer who primarily works the entertainment world. We were lucky to get a look inside his camera bag, right after he spent the weekend shooting the OScars and the Independent Spirit Awards. This is a working photographer with over 20 years experience who’ll show you the gear it takes to do the job right.Go to photoinduced.com for more photo news.