Category: Photography

  • dPS is Going into Holiday Mode

    Wbeem

    By wbeem

    If you are like many of us on the dPS team you may be traveling somewhere for either Christmas or New Year’s or both. I am personally heading up north a bit to a small town called Jiquilillo here in Nicaragua. It’s a fishing village and we expect to see lots of fireworks on the beach and drink a few beverages.

    Travel safe if you are taking a journey. Or if you’re sitting at home wondering what to do with your time, we’ll be taking a bit of a break or our regular article schedule. It will go like this:

    From now until New Years – the best of dPS 2014

    I’ll be digging through the year’s worth of articles and finding the best of the best for you. Starting off tomorrow with the hottest landscape articles of 2014 (which ones you guys liked the most) I’ll have a new topic each day with several articles for you to read or review.

    Starting off 2015 – getting back into the groove slowly

    After the fireworks have long since subsided we’ll get back to our regular schedule of two articles a day on January 3rd (Australia time). For the first couple days you’ll see the wrap-up of the best of series and just one post per day.

    Relax, reflect and recharge

    Take some time off to do the three R’s: relax, reflect on the past year, and recharge your batteries ready to the next one. It’s going to be a good one so let’s make sure we’re ready for it and firing on all cylinders. See you on the flip side (dare I date myself)!

    Paul Mullett

    By Paul Mullett

    Sonny Abesamis

    By Sonny Abesamis

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    The post dPS is Going into Holiday Mode by Darlene Hildebrandt appeared first on Digital Photography School.


    Digital Photography School

  • Don’t Miss Out: These 12 Photography Deals Will Disappear With 2014

    Over the last 12 days we’ve presented you with some amazing daily deals on photography training resources in our 5th annual 12 days of Christmas.

    Screen Shot 2014-12-25 at 8.32.04 pm

    The savings this year were our biggest yet and we had a lot of really positive feedback from readers who picked up some fantastic deals.

    As in previous years we did get a few sad messages from readers who missed deals along the way asking if there was any way to get them.

    As a result – today we’re opening all 12 deals back up again for one last chance.

    So if there’s a deal you regret missing or you might have missed one of our emails – you’re in luck. Here they are!

    • Deal 1: Over 50% off Ed Verosky’s Introduction to Close Up & Macro Photography (or bundle all Ed’s books and save 78%)
    • Deal 2: 65% off David J. Nightingale’s Essential Guide to Black & White Photography (newly published in 2014)
    • Deal 3: $ 40 off post-production Lightroom video tutorials with Gavin Gough (or bundle it for more savings)
    • Deal 4: dPS Portraits titles $ 7 each… (or all 4 for an amazing $ 21!)
    • Deal 5: Save 65% on Natural Light by Mitchell Kanashkevich (one of our most popular eBooks ever)
    • Deal 6: $ 60 off KelbyOne online photography training (a year’s training for a few cents per day)
    • Deal 7: Going Pro dPS eBook kit – 60% off (always a top seller)
    • Deal 8: 70% off Photoshop Artistry: Fine Art Grunge Composition course (the was the most popular deal of the 12 days)
    • Deal 9: 100 professional Lightroom presets – over 88% off! (our biggest discount of the lot and a big seller this year)
    • Deal 10: 50% off Portrait Lighting on Location course (created by our own Managing Editor)
    • Deal 11: $ 10 Landscape photography ebooks – Save 66% (newly published in 2014)
    • Deal 12: All dPS eBooks $ 10! (these sold like hotcakes yesterday)

    All these will be available until midnight US Eastern time on 31st of December, after that they will be gone for ever – so get to it and grab yours today!

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    The post Don’t Miss Out: These 12 Photography Deals Will Disappear With 2014 by Darren Rowse appeared first on Digital Photography School.


    Digital Photography School

  • Happy Holidays 2014 from dPS!

    Well it is that time of year again and it is Christmas Day in Melbourne, Australia where most of the dPS team is based.

    holidays-2014

    Image by  Stefan Insam

    Best Wishes from everyone at dPS!

    This year I’m celebrating the holidays a little differently than usual. I’m miles away from my family, here in Granada, Nicaragua. My family here (house mates and husband) are having dinner and a small cocktail party for others like us who are away from their loves ones back home.

    If you take photos at your family events or other things over the holidays and want a little reading here are a few dPS articles that might help you out:

    • 25 Mouthwatering Holiday Food Photos to Wet Your Appetite
    • 4 Tips for Taking Better Holiday Photos
    • Finding the Balance: Capturing Memories Versus Making Memories
    • 16 Digital Photography Tips for Christmas
    • How to Create a Unique Bokeh Portrait for Under $ 10

    And don’t forget to check out the deals at our 12 Days of Christmas sale!

    Photograph When You Wish Upon a Star by Magdalena Ginalska on 500px

    When You Wish Upon a Star by Magdalena Ginalska on 500px

    Have a great holiday, however you celebrate!

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    The post Happy Holidays 2014 from dPS! by Darlene Hildebrandt appeared first on Digital Photography School.


    Digital Photography School

  • Home for the Holidays: Christmas Photography Tips

    Ahhh, the Holidays. Millions of normally civilized people overextending their budgets and sometimes their left hooks in the pursuit of the perfect gift, stretching their culinary skills (and their smoke alarms) to their furthest heights, and begging and cajoling their extended families into family pictures, lots of them, so that they can forget the stressful, over-emotional, exhausting, sleep deprived knock Continue Reading

    The post Home for the Holidays: Christmas Photography Tips appeared first on Photodoto.


    Photodoto

  • Deal 10: 50% Off the Portrait Lighting On Location Course

    Today is day 10 in our 12 days of Christmas and we’ve got a deal that is really special to us because it is from our very own Managing Editor – Darlene Hildebrandt.

    It’s 50% off her Portrait Lighting on Location Course! (Note: you need to use the coupon code of 12days2014 during the checkout to get the 50% off).

    Portrait lighting on location course

    Darlene started writing for us as a regular contributor several years ago and to this day some of her posts are among our all time most popular ones.

    We liked her so much that we made her the editor!

    While working with us Darlene has also been working with pro photographer Bruce Clarke to develop this brand new Portrait Lighting Course which has had some great reviews already from around the web.

    You can get a full rundown of what is covered in the course here (don’t forget the 12days2014 coupon code) but in short it is all about giving you the confidence, techniques and tools around lighting your subjects – to be able to take better portraits using natural light and off camera flash.

    It is perfect for beginners to intermediate photographers and gives you:

    • over 6 ours of video instruction over 25 lessons
    • over 240 pages of course notes to support the videos
    • quizzes after each lesson to help you cement what you’ve learned
    • printable cheat sheets and diagrams
    • lifetime access and updates
    • ongoing support through regular live webinars

    This course can be taken at your own pace – so whip through it in an intense weekend of study or spread it out over the first weeks and months of 2015!

    As with all the products in our 12 days of Christmas promotion – this comes with a 60 day money back guarantee. So you can sign up today and get the 50% discount but if you are not satisfied can ask for your money back for a full refund.

    Get full details of the course and sign up at 50% off with the coupon code 12days2014 here

    But don’t delay – this deal ends in 24 hours from the time this post goes live.

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    The post Deal 10: 50% Off the Portrait Lighting On Location Course by Darren Rowse appeared first on Digital Photography School.


    Digital Photography School

  • Deal 11: $10 Landscape Photography eBooks (Save 66%)

    Today is day 11 in our 12 days of Christmas and we’ve saved one of our best deals til 2nd last!

    Today you can pick up either of our Landscape Photography eBooks for just $ 10 (they are normally $ 29.99 each).

    These two landscape photography eBooks were written in the last 18 months by the talented New Zealand photographers Todd and Sarah Sisson.

    Together they make one of the most comprehensive and practical guides to creating beautiful landscape images we’ve come across.

    Living Landscapes: A Guide to Stunning Landscape Photography

    living_landscapes3-363x448

    The first of the two eBooks is all about taking landscape images that help you to capture and share the beauty of the world around you.

    It received many great reviews from around the web and is one of the most beautifully written and illustrated eBooks we’ve ever published.

    Normally $ 29.99, today it’s yours for $ 10.

    Loving Landscapes: A Guide to Landscape Photography Workflow and Post-Processing

    LovingLandscapesCover-363x448

    If you’ve ever been frustrated that the landscape photos from your camera don’t portray the magical scenes you witnessed, then this is eBook will open up a new world of creative possibilities and teach you how to transform your dull RAW files into breaking images.

    In this eBook Todd and Sarah demystify the landscape photography workflow and share how they create the beautiful images that they do.

    It’s 200+ pages of practical information that has helped many of our readers improve what they do. You also get a set of 10 Lightroom presets with this eBook to help you on your way (these require you to have Lightroom software to use them).

    Normally $ 29.99, today it’s yours for $ 10.

    Want them Both? Get This Bonus!

    For those of you who want to pick up both of Todd and Sarah’s eBooks – there’s a bonus for you.

    These eBooks are normally $ 69.98 but today they’re yours for $ 19 – plus we’ll throw in a specially developed set of 51 Lightroom Presets that have never been released before (worth $ 19.99).

    Note: these bonus 51 presets require you to have Lightroom software to use them.

    This bundle is worth $ 79.97 but today is yours for $ 19 (a saving of 76%).

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    The post Deal 11: $ 10 Landscape Photography eBooks (Save 66%) by Darren Rowse appeared first on Digital Photography School.


    Digital Photography School

  • 10 Last-Minute Gift Ideas For Photographers

    Photographers have a deep passion for their gear – which can often making choosing a gift for them, rather, well, challenging. You may wait for inspiration to strike, but sometimes that means time is running out, and you’re still out of ideas. Still stuck on what to buy the photographer in your life? Here’s a few ideas that are easy to find on a short time-frame, even if you don’t have a dedicated camera store in your area.

    A?

    By A?

    Fingerless Gloves

    Snow makes for some great shots – unfortunately, it’s pretty hard to manage a camera in bulky gloves. Enter fingerless gloves, an excellent gift for any photographer that works outdoors on occasion. Hands stay warm, yet fingers are free to access all the camera’s controls. I’d call that a win-win.

    Photo Enlargements

    Photographers have huge digital stores of images, while only a few make it into prints. Order a large print or canvas of one of their recent shots – if you can scrounge up the original file (Facebook and website uploads will be lower quality). Some photo ordering platforms allow you to print Instagram images. If that’s not possible, pick up a gift card for a print from their favorite shop.

    Photography Books

    If you’re shopping for a budding new photographer, a how-to book makes a great gift. For more seasoned shooters, memoirs and photo collections are great additions to their bookshelves.

    Rob Holland

    By Rob Holland

    Photography Magazine Subscription

    While you won’t have anything to wrap this way, a subscription to a popular photography magazine is a gift that’ll keep arriving throughout the year. They’re filled with how-tos, tips and inspiration for all skill levels.

    Digital Picture Frame

    It’s hard for many photographers to keep up with keeping their print displays recent – eliminate the cost and hassle of printing with a digital frame. These frames will flip through a variety of different images, so they can have a variety of their best shots on display.

    Lens Cleaning Kit

    Lens cleaning kits are inexpensive, yet essential for any photographer. Many of them can be found at stores that sell any sort of camera, even if it’s just small cameras and not enthusiast versions. LensPen and the Giottos Air Blower are good options, though there are many other solid choices too.

    John Flinchbaugh

    By John Flinchbaugh

    Memory Card

    It’s good to have more than one memory card and they make great stocking stuffers. Look for one that has a high speed rating, it will say Class 10 or Ultra High Speed on the packaging. Most cameras take SD type of cards but confirm before you buy based on the camera model.

    Memory Card Wallet

    Speaking of having multiple memory cards, why not pick up something to organize them with? Memory card wallets keep cards for getting lost or damaged, plus they help keep gear bags tidy.

    Camera Bag

    Gear needs to stay protected, but also easy to tote around. Small bags are great for traveling light with just the basics, while hard cases offer more protection than the typical bag and are great for airline travel.

    Office Gear

    Photography enthusiasts and especially professionals spend quite a bit of time editing their images, which means extended time at the computer. Office gear that makes computer work more comfortable, or more enjoyable, makes a great gift, and these items are often easy to find. Think headphones for listening to music while they work, wall art for the office, an ergonomic chair, an external hard drive for storing all those digital images – there are plenty of easy to find possibilities here.

    Photographers can be tough to buy for, but there are a few things nearly any photographer would enjoy, and you don’t have to know what kind of camera they have to pick up one of these gifts. Gifts for photographers shouldn’t be limited to just camera gear — anything that makes shooting more comfortable, or editing more enjoyable, are also great gift ideas.

    Still stuck? Let us know who you’re shopping for in the comments section and we’ll help!

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    The post 10 Last-Minute Gift Ideas For Photographers by Hillary Grigonis appeared first on Digital Photography School.


    Digital Photography School

  • How to Create a 2015 Calendar in the Lightroom Print Module

    Create a calendar in the Lightroom Print module

    The Lightroom Print module is a great tool for creating print layouts, but one thing it is not designed to do is make calendars (hopefully Adobe will introduce this feature in future versions of Lightroom). Luckily, in spite of that it is not too difficult to create a calendar once you know how, and you are prepared to put the work in to create the month and day parts of the calendar.

    Or – you can let someone else do all the hard work. That somebody is photographer Ed Weaver, who has created some Print module calendar templates that anybody can download from his website for free.

    Ed updates the templates every year, and has recently added templates for 2015. There are two versions, one with the week starting on Sunday, and the other with it starting on Monday. Just select the one that is appropriate for your part of the world (the links are at the bottom of the web page) and download the files.

    The download includes a set of calendar graphics and Lightroom Print Templates, along with instructions. All you have to do is import the calendar images into the Lightroom Catalog and add the Print Templates to the Print module. It only takes a few minutes and you’re ready to go.

    Creating a calendar

    Follow these instructions to make your first calendar using Ed’s templates.

    1. Open the folder containing the templates you want to use. Import the JPEGs into Lightroom. There are two JPEGs for every month in 2015, one with large numbers, the other with small numbers (see below), giving 24 in total.

    Create a calendar in the Lightroom Print module

    2. Go to the Library module and create a Collection for the calendar. Add both the calendar JPEGs you just imported plus any photos you may wish to use in the calendar.

    Create a calendar in the Lightroom Print module

    3. Go to Lightroom’s Print module, then select Print > New Template Folder from the menu. Give the folder an appropriate name (i.e. 2015 Calendar). Right-click on the folder name and select Import. Navigate to the folder where Ed’s calendar templates are stored, select them all and click the Import button.

    Create a calendar in the Lightroom Print module

    4. Open the Template Folder you just created. There are ten templates to choose from. When you click on a template, Lightroom displays it in the Content window (see below). The templates use the Custom Package layout style, which means that Lightroom doesn’t add photos to the layout automatically. Instead, you have to do it yourself by dragging the photos from the Filmstrip.

    Create a calendar in the Lightroom Print module

    5. Drag photos and calendar templates as needed from the Filmstrip to create your calendar. With this template, you need just one of each.

    Create a calendar in the Lightroom Print module

    6. Click the Create Saved Print button in the top right corner of the Content window (see below). Give the print a name in the Create Print window and click the Create button. Lightroom creates a Print Collection (marked by a printer icon in the Collections panel) containing only the images used in the print. Now you can leave the Print module and return to your print at any time without losing any changes.

    Create a calendar in the Lightroom Print module

    7. Repeat for the rest of the months in the year, and you have a complete calendar.

    Here are some examples using some of the other templates:

    Create a calendar in the Lightroom Print module

     

    Create a calendar in the Lightroom Print module

     

    Create a calendar in the Lightroom Print module

    Modifying template files

    Ed’s templates are great, but there is no easy way to change the colours, fonts, or any other aspect of the design of the JPEG files, at least not in Lightroom. If you want to change the style, you should open the files in Photoshop or Photoshop Elements. Using layers, it is relatively straightforward to replace the font Ed used with that of your own choice, or change the colours. Of course, you could also start completely from scratch and create your calendar files to use with Ed’s templates.

    Changing background colour

    Create a calendar in the Lightroom Print module

    You can change the background colour of the calendar from its default white by going to the Page panel and ticking the Page Background Color box. Click the swatch on the right to choose a colour. Just bear in mind that adding a background colour uses more ink if you print the calendar on an inkjet printer.

    Create a calendar in the Lightroom Print module

     


    Mastering Lightroom: Book Five – The Other Modules ebook coverMastering Lightroom: Book Five – The Other Modules

    My new ebook Mastering Lightroom: Book Five – The Other Modules shows you how to use Lightroom’s powerful features to create fun and interesting projects using the Map, Book, Slide show, Print and Web modules. Whether it’s geotagging, putting together a photo book, printing your best photos or creating web galleries all the information (and inspiration) you require is right here.

     

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    The post How to Create a 2015 Calendar in the Lightroom Print Module by Andrew S. Gibson appeared first on Digital Photography School.


    Digital Photography School

  • How to Learn Your Camera’s Light Meter and Master Manual Mode

    Most cameras have a few different shooting modes such as Automatic, Aperture Priority (A or Av), Shutter Priority (S or Tv), and Program. It’s not uncommon for people to take a majority of their photos in Automatic mode since it generally does a good job of getting decent results, though more advanced photographers will often use Aperture or Shutter Priority. Shooting in Manual, however, might seem intimidating and highly complex but once you understand a few basics it starts to make a lot more sense. Certainly you should have a working understanding of the three components of the exposure triangle: shutter, aperture, and ISO.

    But in order to get the most out of your camera you will need to know how to use a simple, but incredibly powerful, tool that functions as the glue that binds everything together: the light meter.

    purple-flowers

    Nestled quietly at the bottom of your camera’s viewfinder or Live View display is a small block of lines or bullets accompanied by a few numbers. You might also have noticed a little triangle moving back and forth, or some vertical hash marks appearing and disappearing from time to time, in a fashion that seems nonsensical or completely random. If these numbers and symbols make no sense at all, don’t worry, you are not alone. It can be a bit confusing to understand the light meter at first. But once you get the fundamentals you will probably find yourself growing much more confident in understanding how photography works. Maybe you’ll even venture out of Automatic and into Manual for the sheer amount of control you are able to have over your photos.

    Before I get into the nitty gritty of the light meter itself, I want you to take a look at it in relation to the other data shown in your camera’s viewfinder. Note that this diagram is highly simplified and your viewfinder might look slightly different, or include other information, but all cameras (except some point-and-shoots) include the elements shown here.

    light-meter-master

    In this example the camera’s shutter is set at 1/90 of a second, the lens aperture is f/4.8, and the ISO is 400. The light meter is a readout that shows whether these values are going to result in a photo that is properly exposed – that is, a photo that is neither too light or too dark. The small triangle hovering over the zero in the light meter shows that the exposure is correct, and when the shutter button is pressed the picture will look fine.  But, I’ll show you a few pictures to see what happens as the camera’s exposure settings are changed. If you want to try this yourself you will need to have your camera in Manual mode, and I would recommend reading the rest of this article with your camera at your side so you can do a bit of experimenting on your own.

    For my first shot, I’ll show you a photo that is underexposed and then illustrate how the camera settings can be adjusted to get the proper exposure. The values shown on these images are exactly what I used in my camera to get these shots, and nothing has been edited or retouched in Photoshop.

    landscape-under

    Here you can see that the shutter speed is 1/1000 of a second, the aperture of the lens is f/4, and the ISO is 200. The camera’s viewfinder displays this information along with the light meter, and note how the triangle has moved all the way over to -3 EV. (EV stands for Exposure Value, and technically this image is underexposed by three stops. Don’t worry about the technical jargon though! For now just follow along with the examples to see what happens when the exposure values are altered.

    To get a properly exposed photo you are essentially trying to re-create what your eye already sees, but right now the light meter tells us that the photo will be way too dark. And indeed, the resulting photo turned out just how the light meter predicted: it’s so dark it looks like it was taken at night instead of mid-afternoon.

    So what can be done to fix this? By adjusting the aperture, shutter, or ISO you can change the exposure settings with the goal of getting that little triangle to hover above the zero. Watch what happens when I change the shutter speed but I leave the aperture and ISO fixed at their present values:

    landscape-over

    By altering the shutter speed from 1/1000 of a second to 1/15 of a second, the photo is now too bright – exactly as the light meter said it would. It is overexposed by three stops, and the image is virtually unusable. Because the viewfinder itself does not change as the aperture, shutter, and ISO are adjusted, you have to rely on your light meter to tell you how bright or dark the image will be. And sure enough, the triangle is hovering above the +3, which tells us the photo will be too bright. Here is what a properly exposed photo looks like.

    landscape-correct

    Finally, a good picture! By adjusting the shutter speed to 1/125 of a second, I was able to get the triangle to hover above the zero, which means the photo would be properly exposed. Note that there is no one correct way to do this, and a proper exposure could have also been obtained by changing the aperture or ISO instead of the shutter speed, or a combination of all three. For instance, I could have left the shutter at 1/1000 and increased the ISO to get the same result.

    Why bother with all this?

    At this point you might be wondering why you would want to go to all this trouble when you can put your camera in Automatic mode and it will just take care of everything. The answer lies in the fact that you, not your camera, know exactly what kind of photo you want to take. Your camera does not know whether you are shooting landscapes, portraits, sports, starry nights, kids, pets, or anything else. All it sees is how much light is coming in, and it tries to adjust the shutter, aperture, and ISO to get that triangle to hover above the zero. But if you know how to control those values yourself, you can open up vast new areas of photographic creativity that Automatic mode can never do for you.

    As another example, here is a picture of some berries, but again notice how it is underexposed by three stops.

    berries-underesposed

    There are several settings I could adjust in order to fix this, or I could just put the camera in Automatic mode. The problem with Automatic in this case is the camera does not know that I am looking at berries. It just sees light, and would attempt to adjust the shutter, aperture, and ISO to get a proper exposure even though it might not end up with the exact type of picture I want to take.

    Because I shot in manual using the light meter as my guide I was able to get precisely the shot I was looking for. I knew that I wanted a shallow depth of field, which meant I should use a large aperture of f/2.8. I knew that an aperture of f/1.8 would be too wide for my taste, and a smaller value like f/4 or f/8 would not give me the nice blurry background I was hoping for. By leaving the aperture at f/2.8 and changing the shutter speed I got a properly exposed photo with a nice smooth background as you can see here:

    berries-correct

    But what if I had changed the other values instead? Look what happened when I left the aperture and shutter at their original values from the underexposed photo (f/2.8 and 1/1000), and raised the ISO instead:

    berries-correct-high-ISO

    The end result is almost the same: a properly exposed photo (just like our light meter told us it would be, with the triangle hovering above the zero), but this image has much more noise and grain than the previous one. Notice how the tree in the background just behind the berries looks speckled and grainy instead of silky smooth, which is what usually happens at high ISO values. Thus, raising the ISO might not be the best way to get the image I want even though the photo itself is properly exposed.

    So what about changing the aperture instead?

    berries-correct-small-aperture

    Once again the result is a photo that is properly exposed, but the depth of field is much wider – see how the background is not quite as smooth and blurry as before? Also, because the aperture was smaller I had to leave the shutter open longer at 1/90 of a second and even raise the ISO a bit in order to maintain a proper exposure.

    Get the exact shot you envision

    Shooting in manual and using the light meter as your guide is a good way to ensure that the image you see in your mind is exactly what you end up with when you click the shutter. If you are shooting fast-moving subjects like cars or sports, you would want to start with a fast shutter speed and adjust the other settings until you get that little triangle to hover above the zero. If you are taking portraits and want a shallow depth of field with nice blurry backgrounds, keep the aperture wide and change the shutter and ISO until the exposure is correct. It’s all about giving control back to you, the photographer, instead of letting your camera make the creative decisions for you.

    construction-lights

    Shooting in manual was the only way to capture this photo. By reading the light meter while carefully adjusting my exposure settings I got precisely the shot I was aiming for. Camera settings: f/16, 1/3 second, ISO 800

    Understanding the basics of the light meter is really just scratching the surface, though. Additional settings like your camera’s metering mode and the Exposure Lock function are even more tools you can use to take control over your photography and unlock your true artistic potential. Using manual mode and reading the light meter might seem like a complicated way to take photos, but remember that you know better than your camera what kind of picture you want to take. Once you know how to read your light meter and adjust your camera’s settings accordingly, you can open up a whole new world of creativity that has been right in front of you just waiting to be discovered.

    Practice time

    So now it’s your turn: grab your camera, put it in Manual mode, and hold the viewfinder up to your eye. Now start changing the aperture, shutter, and ISO values and watch what happens to the light meter. Is your image going to be overexposed? Lower the ISO, raise your shutter, tighten the aperture, or try a combination of all three. Is your image going to be underexposed? Do the exact opposite. The more practice you get, the easier it will be and soon you will feel much more comfortable shooting in a mode that might have seemed hopelessly confusing before.

    Do you shoot in manual? If so, how did you get yourself off Automatic mode? Or do you actually prefer Automatic? Share your thoughts and experiences in the comments below.

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    The post How to Learn Your Camera’s Light Meter and Master Manual Mode by Simon Ringsmuth appeared first on Digital Photography School.


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  • Using Graduated Neutral Density filters for Landscape Photography

    You can see the effect an ND Grad has on the scene

    You can see the effect a graduated neutral density filter has on the scene

    One of the biggest challenges in photography is managing the light in your scene. It is for this reason that many landscape photographers love to be out shooting during the golden hours or blue hour when the light is beautiful and the contrast is manageable. Contrast is tough to manage on bright days and in certain scenes, but there are a few ways to work around this. In this article we are going to look at the usefulness of using neutral density gradient filters (aka ND grads). These filters have been around for a long time, most landscape photographers will have a set of them in their camera bag.

    Filters or Photoshop?

    In recent years, there has been an ongoing debate around whether it is better to use filters or to bracket the images and blend them in Photoshop afterwards or even use HDR to capture all the different tonality and light in a scene. In many cases this is a personal preference, and I switch between the two depending on the scene or the vision I have of the image I want to make.

    If I am shooting during golden hour I will most often use an ND grad filter. If I am doing a starscape, I will take two images and blend them, one for the sky and one for the foreground. The reason is this. At golden hour, I can expose for the ambient light and use a filter to keep the detail in the sky. If I want a starscape (not a star trail) I need to push my ISO up really high and if there is something in the foreground of the scene that is a little too bright, it will overexpose. My first shot will be an image that will expose the the scene properly. For my second shot, I will expose the sky to capture a starscape shot. Afterwards, I will blend them in Photoshop, which really works well.

    In some cases, there is no substitute for an ND grad. If you want the waves in a seascape scene to become silky smooth or a river to look soft and white, then you will need to use ND grads. This effect cannot be made in Photoshop (not yet anyway). The best part about using ND grads is the surprise you get when you see the image on the screen. You will be amazed at the effect of capturing the blurred movement of different elements in your image.

    What is a graduated neutral density filter (ND Grad)?

    Essentially it is a rectangular, optically correct piece of resin or glass with a gradient from dark to light. It is called “neutral” because the dark part of the filter should not make any colour differences, or add a colour cast to the scene. This is not always true of cheaper filters, but the well established filter brands (Lee, Singh-Ray) leave very little colour cast on the final image. The reason behind using an ND filter is to hold light back so that the part of the scene that is brightest (usually the sky) does not overexpose. This effect creates a pleasing image. The sky is well exposed and the foreground is correctly exposed as well.

    If you were to expose the scene without using an ND grad filter, very often, the foreground would be well exposed while the sky may simply be overexposed or, if you were to expose for the sky, the foreground would be very dark. As I said earlier, you can do blending in Photoshop, but sometimes, you may not capture all the detail in the sky and using a filter to capture the scene may be useful. Also, you will be able to spend more time shooting and less time editing afterwards!

    A set of ND grads in varius strengths

    A set of ND grads in varius strengths

    When should you use an ND grad filter?

    Most landscape photographers will use them at sunrise or sunset, during the golden hour. You can also use them during the day to slow the shutter speed to make water smooth and silky. Blurring moving objects such as people, cars, buses or even trees blowing in the wind is also an option. What you will get is a well exposed, daylight scene with some blurred movement. This can look really interesting and dynamic in your image.

    The reason you will want to use an ND grad filter is that there can be a substantial difference, light wise, between the sky and your foreground. If you have more than a two stop difference, you will probably need an ND grad filter to correct that and get a good, well balanced exposure. This not a rule, but if you try and average the exposure and you are finding that your foreground looks too dark and your sky is too bright, maybe it is time to use the filter.

    An ND Grad was used in this image to expose the sky and clouds correctly

    An ND grad was used in this image to expose the sky and clouds correctly

    Types of ND grad filters

    ND grad filters have a few variables. The first is whether the filter has a hard or soft edge. There is a reason for this and both types are useful. The hard edge filter has a very definite transition between the dark gradient part of the filter and the part that is clear. The soft edge filter gently blends the gradient across the filter, so the line is less obvious. Each one of these filters are used on different scenes. For example, the hard edge filter is really useful if you have a very definite horizon line (i.e. a seascape or a landscape scene where the horizon is pretty flat and straight). The soft edge filter is used for scenes where there is no clear horizon (i.e. a forest or street scene). Learning when to use which type of filter takes some practice, but once you can visualise what the result will look like, it is pretty easy.

    Hard Edge and Soft Edge ND Grads

    Hard Edge and Soft Edge ND Grads

    ND grads come in different strengths

    The filters are made in different strengths to compensate for different lighting conditions. Depending on the dynamic range (the difference between highlights and shadows) in your scene you can choose an ND grad filter that will be darker or lighter. Darker filters hold back more light and lighter filters, hold back less light. ND Grads are made in the following strengths 0.3 or one f-stop of light, 0.45 or 1.5 f-stops, 0.6 or two f-stops, 0.75 or 2.5 f-stops, 0.9 or three f-stops. The important calculation to remember is to try and keep your sky and your foreground within one stop of one another. Also, ND grads can be stacked if the light is really bright, so you can make the sky even darker, depending on the effect you want.

    How do I use an ND grad filter?

    It is easier than you might think. There are some technical details to think of, but once you have used grads a few times, it is really quite simple. Here is a process that works pretty well in most lighting conditions:

    1. Set up your camera on a tripod and take a light meter reading of the foreground. Making sure that your camera is on Manual, point it down and fill the viewfinder with the foreground to take the reading.
    2. Take a light meter reading in the same way as above, of the sky.
    3. Work out the difference between the two exposures and use an ND Grad to get your scene to within one stop of light difference. As an example, if the sky is three stops brighter than the foreground, you can use an ND Grad that blocks two f-stops of light or a 0.6 ND Grad.
    4. Slide the ND grad filter into place in front of the lens and determine the best position for the gradient to be in your image. If it is a hard horizon (i.e. a seascape scene) use a hard edge grad, if it is a forest scene, use a soft edge grad.
    5. Expose for your foreground and make the shot.
    6. Check the result on your LCD screen, zoom in on the image to make sure everything is properly exposed. Make any adjustments and shoot another image if necessary.

    That’s it, simple really. Of course, as I said earlier, it takes a fair amount of practice to become adept at using these filters, but the results are worth it.

    In this scene, the ND grad allowed the sky to be exposed properly and slowed the shutter speed won enough to blur the water

    In this scene, the ND grad allowed the sky to be exposed properly and slowed the shutter speed down enough to blur the water.

    Image editing

    Once you have captured your well exposed scene, you will want to take it into Lightroom or Photoshop to put the finishing touches to the image. There are many different ways to enhance the image and make it really pop. I am not going to go into all the different adjustments you could make to the image except for one piece of advice. I will generally select the sky and the foreground separately and make a layer for each of them, then make separate adjustments to each. You may want to make the sky even more foreboding if it was a cloudy day, or perhaps brighten up the foreground a little more to show the detail. By doing this you will get the most out of the the light in the scene. Many photographers will convert their ND grad images into black and white because the movement and softness of the water in the scene can look very compelling in monochrome. The choice is yours.

    What’s next?

    To do this kind of photography, you will need to buy an ND grad or two. Some of the cheaper ND grads are a good place to start, brands like Cokin are good, and they are not especially pricey. The more expensive brands offer top quality, and in some cases the filters are hand made. If you find that you really love the effect these filters give, then you may want to invest in some Lee filters or Singh-Ray. These are top filter brands and the results from these products are amazing.

    The most important thing to remember is to invest the time in getting the technique right and knowing how to use the equipment. Photography is all about practice and getting the technique right. Yes, good equipment helps, but the most important thing is practice. Once you have mastered the technique with a cheaper filter, then consider making the investment in the more expensive ones.

    A final image after being processed in Photoshop

    A final image after being processed in Photoshop

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    The post Using Graduated Neutral Density filters for Landscape Photography by Barry J Brady appeared first on Digital Photography School.


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