Category: Photography

  • Affinity Photo vs Photoshop: Which Photo Editor Is Best in 2021?

    The post Affinity Photo vs Photoshop: Which Photo Editor Is Best in 2021? appeared first on Digital Photography School. It was authored by Simon Ringsmuth.

    affinity photo vs photoshop: which photo editor is best

    Which is the better photo editor, Affinity Photo vs Photoshop CC?

    Adobe Photoshop was released in 1988 and has become the most widely used digital image editing tool in the world. The program is so popular that its name has become a verb – and Photoshop is now the de facto standard for industry-leading professionals and amateurs alike.

    Photoshop has also spawned a host of competitors, including Affinity Photo, a worthy alternative for anyone who wants a full-featured image editor without the expense of Photoshop. But is Affinity Photo now the superior choice? Or are you better off sticking with Adobe’s classic program?

    In this article, I’m going to compare Photoshop and Affinity Photo. I’m going to give you the benefits and drawbacks of each program – and you’ll leave knowing which program is right for you.

    Affinity Photo vs. Photoshop: overview

    When considering Affinity Photo and Photoshop, it’s important to remember that there is no one single correct program for everyone. Both are highly capable photo editors, and either one will serve the needs of most photographers. They each have advantages and drawbacks, as well as very different pricing models, and both work well for many photographers.

    So try not to think of this as a binary choice or even a competition. It’s not about which program is better, but which program suits your needs.

    Before getting into the weeds of how these programs are different, it’s a good idea to take a look at how they are alike. This helps establish a sense of common ground, or perhaps a starting point, that will make the differences stand out.

    Both Affinity Photo and Photoshop offer a layer-based workflow, meaning all edits are non-destructive and can be combined with other edits. Both include RAW converters, which allow you to open and manipulate the lossless file formats used by amateur and professional photographers around the world.

    Affinity Photo editing interface
    Affinity Photo opens RAW files and lets you manipulate the same properties and parameters as Adobe Camera RAW, the RAW editor used by Photoshop.

    Affinity Photo and Photoshop both feature a dizzying array of tools to let you edit images any way you want. You can create detailed selections, use complex layer masking, warp and transform parts of your images, use dozens of filters and adjustments, go back to earlier edits with a history panel, insert and manipulate text…the list goes on.

    Comparing the two programs, then, becomes less about looking at a bulleted list of features and more about value. Affinity is significantly cheaper with a one-time price of $ 50 USD. Adobe Photoshop is much more expensive and is available only as part of a Creative Cloud subscription, the cheapest of which is about $ 120/year. And while you certainly get a lot for that yearly fee, Affinity Photo is no slouch.

    Affinity Photo vs Photoshop Pricing
    Photoshop is available as part of the Adobe CC Photography plan or for a standalone subscription. You can also find it bundled with other, more expensive plans, as well.

    Affinity Photo doesn’t have the sheer quantity of features that Photoshop offers, but many of the tools in Photoshop aren’t used by a lot of amateur and semi-professional photographers, so it might not matter to you. For instance, Photoshop has tools for manipulating 3D objects and video, but if you just want to edit static 2D images, that probably isn’t important. Photoshop is also updated more frequently and has some interesting AI-based tools to alter faces and other image elements, but for some people, these aren’t worth the yearly fee.

    User interface

    Both programs follow a similar design language: tools on the left, options for customizing the selected tool on top, editing panels on the right, and a huge space in the middle of the screen for working on an image. Their tools share many core functions, as well. Both have tools for cropping, brushing, making selections, fixing blemishes, working with text and objects, and more.

    Photoshop editing interface
    The editing interface in Photoshop (shown here) is similar to the interface in Affinity Photo. They’re not identical, but they’re similar enough that if you’re familiar with one program, you can probably use the other.

    The interface is not altogether dissimilar from Lightroom, Luminar, and other photography software. If you are new to Affinity Photo or Adobe Photoshop, it won’t take you long to figure out how to edit and where to find the tools and adjustments you need.

    Adobe has a key advantage in terms of user interface design because it has built up so many tools and options over the years. But this is also its Achilles’ Heel and can be seen as a disadvantage, as well. Photoshop’s ever-expanding repertoire has resulted in a program with a staggering learning curve, and even simple options like changing the white balance on an image or refining a selection can lead to inordinate amounts of head-scratching and online searching.

    Affinity Photo vs Photoshop Tooltips
    Photoshop contains visual tooltips to help new users acclimate themselves to the buttons and options.

    This has put Adobe in a bit of a tough spot – one that makes Affinity Photo seem quite attractive by comparison. Adobe must walk a fine line between catering to its professional customers, many of whom have been using Photoshop for years, and catering to new customers who find the growing feature set to be complicated and frustrating. Welcome screens, popups, tooltips, and other helpful hints stem the tide of confusion – but while these do help, it can still be difficult to locate the options you need to get your work done.

    By contrast, the simplified nature of Affinity Photo seems downright pedestrian but remains quite powerful. Tools on the left are bright and colorful, and the adjustment panels on the right are a bit more streamlined for common use-case scenarios.

    For example, adjusting the white balance is as simple as clicking the White Balance option and adjusting some sliders. In Photoshop there isn’t a White Balance option; you have to apply a Curves adjustment layer or use a filter to achieve the same effect.

    white balance in Affinity Photo
    Affinity Photo includes familiar adjustments like White Balance that are more complicated to implement in Photoshop.

    This theme is prevalent throughout any comparison of Affinity Photo vs. Adobe Photoshop. Affinity Photo has a fresh, modern take on the interface elements that Photoshop invented. If you prefer a cleaner, simpler layout, then Affinity Photo might be the best option for you, but if you crave raw power and a slew of options, you might be better off with Photoshop.

    It is worth noting that Affinity Photo also has a few tricks up its sleeve that Photoshop can’t yet match. Namely, speed: Adobe Photoshop is built on decades-old legacy code that makes some simple operations confoundingly slow. Tools like Liquify and even simple transformations are much snappier in Affinity Photo, and while Photoshop has made some great strides in recent years, there’s no denying that aspects of the program still feel slow and outdated.

    Workflow tools

    While both Affinity Photo and Adobe Photoshop have a huge number of editing tools, each program is at its best when you learn to use those tools to accomplish your work with minimal effort. Photoshop has a bit of an edge here if you want to make complicated, in-depth edits, but Affinity Photo is no slouch either.

    For example, most of the items in Photoshop’s toolbar have sub-options with different variations on the same tool. There are three selection tools: Marquee, Lasso, and the Magic Wand. And each of those has its own subset of tools.

    Selection Tool comparison
    The tools in Photoshop are more comprehensive and contain a greater number of options and customizations compared to Affinity Photo.

    From a workflow perspective, this bevy of options can be invaluable. You can get in, make your selections, and get on with your editing. And in that regard, Photoshop gets the nod over Affinity Photo. Once you learn all the options at your disposal and get familiar with the myriad keyboard shortcuts, Photoshop can dramatically cut your editing time. But getting to that point can take a lot of learning and a lot of patience, so some might prefer the relative simplicity – and fewer options – of Affinity Photo.

    Both programs have all the standard adjustments you would expect: Brightness/Contrast, Exposure, Invert, and many others. These are applied using layers, and the layers can be blended using virtually the same sets of blend modes, including Darken, Multiply, Color Burn, Difference, Exclusion, Subtract, and so on. Layers can be moved up and down and combined in both programs, and both give you access to dozens of effects that can be applied, as well.

    Photoshop layer effects
    The Layer Effects panel in Photoshop contains many options for enhancing and editing your images, and it lets you customize the blend modes, as well.
    Affinity Photo layer effects
    The Layer Effects panel in Affinity Photo is similar but lacks the depth that Photoshop offers. Still, it should suffice for most people.

    If you are thinking of transitioning away from Photoshop, there is one important thing to note:

    While Affinity Photo does replicate many of the common keystrokes and shortcuts used in Photoshop, they’re not 1:1. You might find yourself pressing familiar keys and using shortcut commands out of habit only to realize that nothing happens, or worse, something happens that you didn’t intend. It can make the transition a bit rocky but might be worth it if it saves you time or money in the long run.

    Compatibility

    When you work with image editors, compatibility can be an issue. Photoshop’s PSD file format is the gold standard – but not necessarily because it’s the best, and certainly not because it’s the most efficient in terms of file size. Rather, after more than 30 years in this business, Photoshop’s PSDs have simply become the most widely used. PSD files are nondestructive, meaning they contain all the layers, history steps, adjustments, effects, and other elements of an image as it’s being edited.

    Affinity Photo has a similar non-destructive file format, AFPHOTO. But as you might expect, it is not well known; it’s simply too new compared to the PSD format. While Affinity Photo can open PSD files and also export its own files in PSD format, Adobe Photoshop can’t do anything with AFPHOTO files. This can end up becoming a time-consuming hassle if you use Affinity Photo but find yourself collaborating or sharing files with Adobe Photoshop users (or vice versa).

    Affinity Photo vs Photoshop Export
    Affinity Photo can export images in AFPHOTO (as well as nearly a dozen other formats). But Photoshop won’t open Affinity Photo documents and likely never will. Adobe has almost no incentive to do so.

    It’s currently Adobe’s playground, and we have to play by their rules for the time being. Adobe doesn’t need to spend time and money making Photoshop compatible with Affinity Photo files, but Affinity needs to work with PSD files if it is to be relevant in the image-editing space. The old saying, “If you can’t beat ’em, join ’em” comes to mind.

    So if you go with Affinity Photo because you like the price or appreciate its tools and features, just know your documents won’t always play nice with Photoshop.

    Support

    Learning any new tool takes time and effort, and this is doubly true for image editors. There are so many options and features in both Affinity Photo and Photoshop; it’s enough to make you want to give up and go with the one-click simplicity of a program like Luminar. Especially if you’re new to digital photography.

    Photoshop brush options
    Just imagine trying to explain these Photoshop brush options to someone who has never used the program before.

    When considering Affinity Photo vs. Photoshop, it’s important to take this into account and make sure you have access to the knowledge and training you need to get your editing done. While Photoshop has too many features to count, it also has over three decades of support behind it. The internet is jam-packed with every kind of Photoshop tutorial you can imagine: websites, forums, social media groups, YouTube tutorials, podcasts, classes, lectures, and Adobe’s own help files and rich knowledge base.

    What’s more, since so many people use Photoshop, it’s not hard to find someone who can help you. Most friends, coworkers, and even casual acquaintances who use Photoshop will be happy to show you a few tricks or help you learn how to use the program.

    Affinity Photo vs Photoshop Image Border
    I knew Photoshop could do a simple border with rounded corners, but I didn’t know the exact steps. A quick video call with my cousin, who uses Photoshop professionally, got me all the information I needed.

    This is hardly the case with Affinity Photo. Affinity has its own set of video tutorials, as well as sample images you can import and experiment with to learn the basics. But while these are a good place to start, they’re just not at the same level as what you’ll find in Photoshop.

    Tutorials will improve as more people use Affinity. But until then, you might find yourself frustrated when you can’t figure out more advanced features and aren’t able to find the help you need.

    Editing and the cloud

    As photo editing moves away from the desktop and into the cloud, it’s important that your tools can keep up with your workflow (and that you can adapt them as needed). Many photographers today want to edit images on tablets or even phones and have their pictures available whenever and wherever they want.

    Thankfully, both Affinity Photo and Adobe Photoshop are up to the task, but they approach it in different ways.

    Affinity Photo has an iPad app, available for a very reasonable fee, that mimics most of the functionality of the desktop version. It can’t do things like batch export, but it reads AFPHOTO files, and edits on the iPad are also available on the desktop version.

    However, Affinity does not have a cloud-based infrastructure to support file syncing and storage. This means you have to transfer your images manually or sync them to a service like iCloud – then you must make sure all your files are properly synced again after you edit, lest you lose some of your changes.

    Photoshop handles this differently, and it’s all due to the subscription fee you pay to use the program. Since every Photoshop plan comes with some degree of cloud storage from Adobe, it’s possible to have a cloud-based workflow where everything is stored remotely. This means you can load all your PSD files and other assets into your Adobe Creative Cloud storage, edit your images on desktop or mobile, and everything is automatically synced in real time.

    Adobe cloud storage
    Adobe gives you the option of storing files in the cloud; this is part of your Photoshop subscription.

    Neither one of these approaches is necessarily better, but it’s important to determine which you prefer. Affinity Photo’s one-time pricing structure means it can’t support the ongoing costs of cloud servers for its customers. But if you already pay for cloud storage through another platform, then you might prefer Affinity’s approach.

    On the other hand, Photoshop’s method is great for a lot of people, especially those who want a cloud-based workflow.

    Affinity vs Photoshop: Which editing program is right for you?

    At some point, you have to stop reading and just make a decision. There are definitely some good reasons to go with Affinity Photo, and there are some advantages to Photoshop. Here’s my advice if you’re on the fence and not sure which one is right for you:

    Get Affinity Photo if you want an inexpensive, full-featured photo-editing program. While it doesn’t have decades of history in the photography community, it has an extensive list of features and workflow tools to suit the needs of almost anyone. Certainly, it’ll handle everything a casual or hobbyist photographer requires, and if you aren’t actively earning money with your images, then a one-time fee of $ 50 makes Affinity the better choice.

    example of Affinity Photo artwork
    You can create some amazing artwork in Affinity Photo. And if you need inspiration, you can download sample images like this one (which are designed to help you learn the program).

    Subscribe to Photoshop if you want a mile-wide set of features developed over several decades, as well as an endless supply of websites, articles, videos, books, and entire courses to help you learn how to use them. There are also many plugins you can get to extend the functionality of the core application; that way, you can tailor Photoshop’s capabilities to your needs. In terms of sheer product ecosystem, Photoshop is the clear winner.

    While some have accused Adobe of resting on their laurels now that they have a steady stream of subscription income, that’s not really a fair criticism when it comes to their flagship product, Photoshop. Photoshop continues to add new options for demanding professionals while making the onboarding process easier for beginners. Adobe has also been incorporating artificial intelligence tricks such as allowing you to age (or de-age) human faces, alter smiles, and even change the direction that people are looking.

    Neural filter
    Adobe’s AI-based Neural Filters let you apply all sorts of strange, interesting adjustments such as changing expressions, smoothing skin, and aging (or de-aging) people.

    The heart of the Affinity vs. Photoshop debate comes down to a simple question: What do you want to do to your photos? By identifying your needs first and then looking for a solution, you can be sure that the program you choose will more closely align with your requirements. It might be Affinity, it might be Photoshop, or it could even be something else.

    Both Affinity Photo and Adobe Photoshop have free trials, and I recommend going that route before spending any money or getting too invested in one particular application. Download both products, try them, and see what you think. Then you can decide the Affinity Photo vs. Photoshop question for yourself.

    Now over to you:

    Have you used Affinity Photo and Photoshop? Which program did you prefer? Share your thoughts in the comments below!

    The post Affinity Photo vs Photoshop: Which Photo Editor Is Best in 2021? appeared first on Digital Photography School. It was authored by Simon Ringsmuth.


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  • How to Become a Real Estate Photographer + is it Worth it?

    Real estate photography is often the underdog of the photography world, living under the shadow of the more glamorous photography niches like headshots, portraiture, or landscape. Real estate photography can be not only fun, but also profitable. In this article, we’ll discuss how you can become a real estate photographer and also if it is worth it for you. How Continue Reading
    Photodoto

  • Triangle Composition in Photography: A Quick Guide (Plus Tips)

    The post Triangle Composition in Photography: A Quick Guide (Plus Tips) appeared first on Digital Photography School. It was authored by Megan Kennedy.

    triangle composition in photography a quick guide

    Speaking about triangle composition, artist Wassily Kandinsky once said, “The impact of the acute angle of a triangle on a circle produces an effect no less powerful than the finger of God touching the finger of Adam in Michelangelo.”

    Recognizing the momentum within a triangular shape, painters have regularly capitalized on the visual drama of triangular structures. But painters aren’t the only ones to utilize triangles; photographers have also made extensive use of the shape to add impact, lead the eye, and emphasize spirited angles unfolding within the photographic frame.

    In this article, we’ll take a look at the dynamics of triangles in photographic composition.

    What is triangle composition in photography?

    Triangle composition relies on the use of triangular shapes or concepts to create a better image.

    Triangles can be found everywhere. Signs, architecture, geography, sailboats, food, arrows, aviation, wallpaper, optical illusions (see the Penrose triangle); the list goes on!

    Why are triangles useful?

    Triangles are useful in composition for many reasons. Perhaps one of the most obvious selling points of triangles is their striking versatility.

    For instance, triangles can represent direction and orientation; they can signal stasis or momentum. A triangle that recedes into the horizon creates the impression of perspective and depth. Off-kilter triangles paired with vivid colors create impactful shapes that express energy and dynamism. And depending on whether a triangle is facing left or right, it can represent progress, forward motion, or backtracking (just think of the symbols on a TV remote!).

    Triangles in composition can also create order in chaos. That’s why triangles can be helpful in planning a photograph or figuring out why an image works the way it does.

    Over time, artists have developed different compositional concepts to help create appealing imagery. The golden triangle is a visualization that divides the frame into four triangles, like this:

    A diagram of the golden triangle composition rule

    The golden triangle suggests one of three approaches:

    1. Fill one of the triangles with a main subject.
    2. Align some diagonal subject matter with at least one of the diagonal golden triangle lines.
    3. Line up a significant point in the composition with a point of intersection.
    A web with the golden triangle composition rule overlay
    Canon 5D Mark IV | Canon EF 50mm f/1.8 II with extension tubes | f/2.5 | 1/50s | ISO 100

    Triangles found in both the natural and modern landscape can visually unite or disrupt a photograph.

    And by incorporating triangles or the golden triangle overlay into a photographic composition, you can control the energy and focus of an image.

    Common triangle types

    There are several types of triangles you should know:

    Self-contained triangles can be found throughout the natural and urban environment. These distinct shapes can command attention and often serve as a key component or structural element within a photograph.

    (Interestingly, some triangles do extend beyond the frame, thus becoming more indirect triangular compositions.)

    Other triangular formats include triangles with rounded edges, which deliver a softened visual effect.

    Triangle composition leaves in the rain
    Triangular patterns found in nature.
    Canon 5D Mark IV | Canon EF 24-105mm f/4L IS USM | f/5 | 1/160s | ISO 100

    Implied triangles are more subtle arrangements of subject matter that can generate the impression of a triangle composition. Implied triangles aren’t a single specific triangular subject. Instead, they borrow from different elements in an image to form a triangle-like arrangement.

    Out of focus lights arranged in triangle patterns
    Implied triangles formed from points of light.
    Canon 5D Mark IV | Canon EF 24-105mm f/4L IS USM | f/4 | 1/100s | ISO 250

    The type and behavior of triangles can significantly impact a photograph.

    To create stability or instability within an image, triangles can teeter on a point or rest firmly on a vertical line. Symmetrical triangles can signal equilibrium whereas asymmetrical triangles can represent an object to overcome or act as a symbol of intensification.

    A triangle pointing at the sky can represent the peak of a goal or journey toward success. A triangle pointing at the ground can represent direction, a downfall, or a lessening of intensity.

    Other triangles can point to specific subjects or even represent the main subject.

    Tips for working with triangles

    Triangles are intriguing shapes, and working with them doesn’t have to be hard.

    Here are a few tips for creating beautiful triangle compositions in photography:

    1. Use variety

    Triangles come in many shapes and forms. To add variety to your photos, include different triangle sizes, types, and orientations (this will also help you develop an eye for the shape).

    triangles on a sidewalk
    Triangles can disrupt patterns and direct the viewer.
    Canon 5D Mark II | Canon EF 24-105mm f/4L IS USM | f/8 | 1/125s | ISO 100

    2. Try the golden triangle rule

    As I explained earlier, the golden triangle is a visual device used to help create harmonious compositions.

    While the golden triangle takes practice to visualize (see the overlay displayed above), it encourages you to make the most of the available subject matter. The rule also draws attention to areas in a composition that might otherwise be ignored.

    3. Rules can be broken

    Although triangle composition is an engaging approach to photography, compositional rules can be bent and broken.

    The golden triangle serves as a guide or exercise rather than a definitive rule – and can therefore be manipulated or ignored.

    And using triangular subject matter in a composition is pretty flexible. For example, rounded points or points that extend off the edge of the photograph can still suggest engaging and cohesive triangle-based compositions.

    Triangle composition in photography: final thoughts

    Over the centuries, triangles and triangle composition have come to represent strength, vitality, energy, and momentum.

    By incorporating triangles (and the golden triangle rule) into your compositions, you can create dynamic, eye-catching photos.

    So the next time you’re out with your camera, look for triangles – and create some powerful compositions!

    A utility pole with triangle composition
    Canon 5D Mark IV | Canon EF 24-105mm f/4L IS USM | f/9 | 1/250s | ISO 100

    Triangle composition FAQ

    What is triangle composition?

    Triangle composition is either the incorporation of triangular shapes into photographic work or adherence to the golden triangle compositional rule.

    What is the golden triangle?

    The golden triangle is a compositional device. By mentally dividing an image into triangular sections, you can arrange elements to create beautiful compositions.

    Where can I photograph triangles?

    Triangles make up our world in many ways. Triangles can be found in the urban landscape as well as the natural environment. Once you start looking, you’ll find plenty of opportunities to photograph triangles.

    How can I use triangle composition?

    There are several ways to incorporate triangular compositions into a photograph. The most obvious ways involve photographing triangular shapes themselves and using the golden triangle rule to guide your compositions. You can also use implied triangles to loosely organize subjects in a triangular format.

    The post Triangle Composition in Photography: A Quick Guide (Plus Tips) appeared first on Digital Photography School. It was authored by Megan Kennedy.


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  • Canon to Unveil 3 RF Lenses, but Discontinues 9 EF Lenses

    The post Canon to Unveil 3 RF Lenses, but Discontinues 9 EF Lenses appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

    Canon to unveil 3 RF lenses, but discontinues 9 EF lenses

    This past week brought both good news and bad news for Canon fans. 

    The good news: Later this month, Canon will unveil three new RF lenses, including two pro-level super-telephotos.

    The bad news: Canon has discontinued nine EF lenses, with plans to drop at least four more lenses before 2021 is out. 

    Let’s take a closer look.

    Canon unveils new RF lenses

    According to Canon Rumors, Canon will likely be announcing three RF-mount lenses before April is out:

    • Canon RF 100mm f/2.8L IS USM Macro
    • Canon RF 400mm f/2.8L IS USM
    • Canon RF 600mm f/4L IS USM

    The 400mm f/2.8L and the 600mm f/4L will go a long way toward making Canon’s full-frame mirrorless lineup appealing to professional sports and wildlife shooters, who frequently work with snappy f/2.8 and f/4 super-telephotos. While Canon currently offers a handful of long RF lenses (including the well-reviewed RF 100-500mm f/4.5-7.1L IS USM), the narrow maximum apertures are a dealbreaker for serious action and low-light photography. 

    The Canon RF 100mm f/2.8L Macro will debut as a mirrorless successor to the popular Canon EF 100mm f/2.8L Macro, an ultra-sharp, close-focusing lens used by macro enthusiasts and professionals alike, plus product photographers and event photographers for key detail shots. Of course, the price remains to be seen (currently, the Canon EF 100mm f/2.8L goes for around $ 1300 USD, though when I bought mine – around five years ago – the price was a more tolerable $ 750 USD). But close-up photographers will undoubtedly appreciate the addition of another powerful lens to the list of macro options. 

    So if you do wildlife photography, sports photography, or macro photography, keep an eye out for Canon’s announcement later this month.

    Canon discontinues a long list of EF lenses

    While Canon’s dedication to the new RF lineup is praised by many (myself included), it’s sad to see the flip side: the wasting away of the EF/EF-S lineup. 

    Here’s the list of EF and EF-S lenses Canon has discontinued in the last month, as tracked by Canon Rumors:

    • Canon EF 14mm f/2.8L II USM
    • Canon EF-S 35mm f/2.8 Macro IS STM
    • Canon EF 135mm f/2L USM
    • Canon EF 180mm f/3.5L Macro USM
    • Canon EF-S 10-22mm f/3.5-f/4.5 USM
    • Canon EF-S 15-85mm f/3.5-5.6 IS USM
    • Canon EF 24-70mm f/4L IS USM
    • Canon EF-S 55-250mm f/4-5.6 IS STM
    • Canon EF 70-300mm f/4-5.6L IS USM

    And according to Canon Rumors, these lenses will also be discontinued in 2021:

    • Canon EF 35mm f/2 IS USM
    • Canon EF 300mm f/2.8L IS II USM
    • Canon EF 400mm f/4 DO IS II USM
    • Canon EF 500mm f/4L IS II USM

    While some of these discontinued lenses undoubtedly have RF replacements on the way, others will be forgotten, at least for the foreseeable future. So if any of the above glass interests you, I’d highly recommend you buy while products remain available. 

    Now over to you:

    How do you feel about Canon’s decision to discontinue these lenses? Did you expect such a fast break with the EF lineup? Share your thoughts in the comments below!

    The post Canon to Unveil 3 RF Lenses, but Discontinues 9 EF Lenses appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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  • Does Your Photo-Editing Program Really Matter? [Video]

    The post Does Your Photo-Editing Program Really Matter? [Video] appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

    If you’ve ever spent time agonizing over different post-processing programs, trying to determine the perfect software to edit your photos, then this is the video for you.

    Expert photographer Mark Denney edits a single image using three different editing programs – Photoshop, Capture One, and Lightroom.

    Then he shows you the three results, side by side, for comparison.

    Are there differences between the final edits? And which program (if any) does the best job?

    Watch and find out. And then, when you’re finished, leave a comment below this article telling us what you thought about the different editors!

    The post Does Your Photo-Editing Program Really Matter? [Video] appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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  • 11 Tips for Posing People With Confidence (+ Examples)

    The post 11 Tips for Posing People With Confidence (+ Examples) appeared first on Digital Photography School. It was authored by Andrew S. Gibson.

    11 tips for posing people with confidence

    How can you pose people in photography with amazing results?

    In this article, you’ll discover 11 simple tips to start people posing like a pro (plus plenty of example images).

    So if you’re ready to take your portrait photography to the next level, then let’s get started!

    (Also, if you’re looking for posing inspiration, check out our handy Portrait Posing Guide, which offers a whopping 67 sample portrait poses.)

    Before the shoot

    Here are some points to think about before you even pick up your camera:

    1. What kind of shoot is it?

    The posing requirements for a family portrait shoot are very different than the requirements for a fashion shoot.

    So don’t think about posing until you’ve determined the type of shoot you’re doing!

    people posing photography

    2. Look for inspiration online

    Chances are that you have a few photographers you follow on websites like Flickr and 500px. You’ll find some good poses in their portfolios.

    So download your favorite poses to your smartphone (or use Pinterest to create a mood board; I cover this in more detail in my article, How to Plan the Perfect Portrait Shoot). That way, you have something you can show to your model.

    Don’t try and commit the poses to memory – you will forget them under pressure!

    man in chair pose

    3. Match the pose to your model

    This is important.

    You’ll see some wonderful poses in fashion magazines. But many of them need a professional model to pull them off.

    And your model may not be able to do those – so tailor the pose to your model (not the other way around!).

    people posing photography woman on stairs

    4. Buy the Posing App

    The Posing App gives you over 300 poses that you can access on your smartphone.

    people posing the posing app
    Screenshots from the Posing App. The line drawings are easy to understand and follow.

    The best way to use the app is to select five to ten poses and add them to your favorites. Then you can show them to your model so they know what you want them to do.

    (In fact, the author of the app has written several articles about posing for Digital Photography School you will find useful!)

    During the shoot

    No matter how experienced or inexperienced your model is, here are some tips to help you capture the perfect pose during the shoot:

    5. Build rapport

    This is essential. If your model likes you and sees what you are trying to achieve, they will work harder.

    Talk to your model about things they like; this will help produce more life in their eyes and get better expressions, including natural smiles. And they’ll be more relaxed.

    But if your model is tense, you are going to struggle to get natural-looking portraits. In that case, take the pressure off the model and bring it back on yourself. Assure them that if the photos don’t work out, it’s your fault, not theirs. Build their confidence.

    6. Look for natural expressions

    As you talk to your model, you will notice natural expressions and mannerisms that you can capture.

    Don’t be afraid to say “Hold that pose!” or “Do that again.”

    people posing photography
    I noticed that this model had an interesting mannerism, so I asked her to repeat the gesture. The result turned out to be one of her favorites!

    7. Adapt poses

    When you suggest a pose to your model – such as a pose used in another photo or a pose from the Posing App – treat it as a starting point. Then adapt it to suit the model.

    In other words: If your model looks unnatural in a certain pose, then change it! Adjust each pose to suit your model’s body and clothes.

    woman posing against a wall
    The pose on the left is one I found in the Posing App. For the second portrait, I asked my model to drop her left arm so I couldn’t see it. Don’t be afraid to tweak poses; sometimes a small change makes a big difference.

    8. Simplify

    Keep everything as simple as possible. This applies to composition, as well as the clothes and jewelry your model is wearing.

    If your model has too much jewelry, ask them to remove some. It’ll improve the composition.

    If you’re struggling to find a good full-length pose, move in closer and shoot from the waist up, or do a head-and-shoulders portrait. The background will go more out of focus, and there will be less of the model in the photo (i.e., the shot will be simplified!).

    woman posing simply
    Simplification in action. The closer you crop, the easier it is to pose your model. This is a good technique to use if you are struggling to make a certain pose work.

    9. Pay attention to detail

    Pay special attention to hands, which often look better turned sideways. Look at photos where the model’s hands look elegant or are nicely posed, and ask your model to do the same.

    people posing photography man against wall

    Check your model’s hair to make sure stray strands aren’t blowing across their face or eyes. Look at their clothes to make sure they aren’t wrinkled or creased in a strange way.

    10. Find something for your model to lean on

    This makes it much easier to create a natural-looking pose.

    two woman posing with walls
    Two different ways to use a wall to give a model something to do. The Posing App has lots of poses for leaning.

    11. Use props

    If the model has a prop to hold or otherwise interact with, it gives them something to do.

    model with a hoop
    The model in this photo was into hooping. Using the hoop as a prop gave her something to hold and added interest to the portrait.

    And if they’re having fun with the props, you’re more likely to get a great expression!

    woman with a horse people posing
    I suggested the model bring her horses along to the shoot. The horses are a natural prop, and her interaction with them led to photos like this one.

    Posing people with confidence: conclusion

    There you have it:

    11 easy tips for posing people!

    So the next time you’re photographing a person, make sure to try some of these tips out!

    Now over to you:

    Do you have any tips for our readers about people posing? What has worked for you? Share your experiences, tips, and images in the comments below.

    The post 11 Tips for Posing People With Confidence (+ Examples) appeared first on Digital Photography School. It was authored by Andrew S. Gibson.


    Digital Photography School

  • Weekly Photo Challenge – Fruit

    The post Weekly Photo Challenge – Fruit appeared first on Digital Photography School. It was authored by Sime.

    Last week, shadows, went well! Some great photos came of it (have a look in the comments here) well done! We’re going with another easy theme this week, and a little bit of a social experiment (kinda) ‘Fruit’ is this weeks theme, and ideally we’d love to see your local fruit, if there’s a local specialty or just a fruit you really like. My photos this week are pretty ordinary as I don’t have a camera-camera with me, so please excuse the mess haha… I had an apple and found an old hessian bag to add some texture.

    When you post your photograph on social media, make sure you use the hashtag #dPSFruit #dPSWeeklyChallenge so we can find and enjoy your photographs! (what are hashtags, Simon?)

    An apple on a hessian bag

    Missed a Challenge? Don’t sweat it, find all of our previous challenges here!

    Fruit comes in many shapes and sizes, and you can either photograph a field full or focus on one tiny detail, as ever, the challenge is simple, but designed to make you think “How do I photograph fruit so that it’s interesting” (Yeah yeah… just do the opposite of what I’ve done above and below… ha.. ha.. ha.. ) lighting, texture, squashed… You choose, just have a little think about it before you make your photo.

    Yes, it’s another apple photo, but I tried adding interest with a little bit of reflection (car window, sun going down)

    Boring Apple Photo

    Share on Instagram or Twitter and use the hashtag #dPSFruit so we can see them!

    How do I upload my photo to the comments?

    Simply upload your shot into the comments field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see. Or, if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them.

    Weekly Photography Challenge – Looking Up

    The post Weekly Photo Challenge – Fruit appeared first on Digital Photography School. It was authored by Sime.


    Digital Photography School

  • See the Stunning Bird Photographer of the Year 2021 Finalists

    The post See the Stunning Bird Photographer of the Year 2021 Finalists appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

    Bird Photographer of the Year finalist

    Bird Photographer of the Year, “the world’s most prestigious bird photography competition,” has announced a handful of 2021 finalists. 

    BPOTY 2021 features stunning bird photography from entrants around the world; this year, the contest received 22,000 submissions spanning 73 countries, all competing for a £5,000 grand prize plus category prizes from sponsors such as Swarovski Optik and F-Stop Gear.

    Bird Photographer of the Year finalist
    © Mario Suarez Porra / Bird Photographer of the Year

    While the contest winners won’t be revealed until September 1st, the released images represent some of Bird Photographer of the Year’s best submissions, though not all finalists have been announced. According to BPOTY, these images are simply a “sneak preview of what is still to come.”

    Bird Photographer of the Year finalist
    © Mark Williams / Bird Photographer of the Year

    The BPOTY Director, Will Nicholls, notes, “The standard of photography was incredibly high, and the diversity in different species was great to see. Now the judges are going to have a tough time deciding the winner of the competition!”

    For those interested in entering: While the 2021 contest is closed to submissions, the 2022 competition will open before the year is out. 

    Bird Photographer of the Year finalist
    © Gábor Li / Bird Photographer of the Year

    To learn more about the current and future competition and to view past winners, head over to the Bird Photographer of the Year website.

    Now, without further ado, let’s take a look at a collection of stunning BPOTY 2021 finalists. And when you’re done, leave a comment letting us know which image was your favorite!

    Bird Photographer of the Year finalist
    © Thomas Vijayan / Bird Photographer of the Year
    Bird Photographer of the Year finalist
    © Taku Ono / Bird Photographer of the Year
    Bird Photographer of the Year finalist
    © Anupam Chakraborty / Bird Photographer of the Year
    Bird Photographer of the Year finalist
    © Daphne Wong / Bird Photographer of the Year
    Bird Photographer of the Year finalist
    © Tzahi Finkelstein / Bird Photographer of the Year
    Bird Photographer of the Year finalist
    © Aguti Antonio / Bird Photographer of the Year
    Bird Photographer of the Year finalist
    © David White / Bird Photographer of the Year
    Bird Photographer of the Year finalist
    © James Wilcox / Bird Photographer of the Year
    Bird Photographer of the Year finalist
    © Zdenek Jakl / Bird Photographer of the Year
    Bird Photographer of the Year finalist
    © Andy Parkinson / Bird Photographer of the Year
    Bird Photographer of the Year finalist
    © Amanda Cook / Bird Photographer of the Year
    Bird Photographer of the Year finalist
    © Brad James / Bird Photographer of the Year
    Bird Photographer of the Year finalist
    © Raymond Hennessy / Bird Photographer of the Year
    Bird Photographer of the Year finalist
    © Irma Szabo / Bird Photographer of the Year
    Bird Photographer of the Year finalist
    © Fahad Alenezi / Bird Photographer of the Year
    Bird Photographer of the Year finalist
    © Irene Waring / Bird Photographer of the Year
    Bird Photographer of the Year finalist
    © Scott Suriano / Bird Photographer of the Year
    Bird Photographer of the Year finalist
    © Diana Schmies / Bird Photographer of the Year
    Bird Photographer of the Year finalist
    © Mark Sisson / Bird Photographer of the Year
    Bird Photographer of the Year finalist
    © Tom Schandy / Bird Photographer of the Year
    Bird Photographer of the Year finalist
    © Gail Bisson / Bird Photographer of the Year
    Bird Photographer of the Year finalist
    © Daniela Anger / Bird Photographer of the Year
    Bird Photographer of the Year finalist
    © Terry Whittaker / Bird Photographer of the Year
    Bird Photographer of the Year finalist
    © Øyvind Pedersen / Bird Photographer of the Year
    Bird Photographer of the Year finalist
    © Li Ying Lou / Bird Photographer of the Year
    Bird Photographer of the Year finalist
    © Daniel Zhang / Bird Photographer of the Year
    Bird Photographer of the Year finalist
    © Brian Matthews / Bird Photographer of the Year
    Bird Photographer of the Year finalist
    © Eirik Grønningsæter / Bird Photographer of the Year

    The post See the Stunning Bird Photographer of the Year 2021 Finalists appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


    Digital Photography School

  • Aesthetic Photography: Tips, Ideas and Examples

    These days we are bombarded by visual content. We see images everywhere from giant billboards on the side of the road to handy little Instagram-sized squares in the palms of our hands. Chances are, every once in a while you see a photo that stops your mindless scrolling in its tracks. You are captivated by what you see and feel Continue Reading
    Photodoto

  • 11 Cat Photography Ideas (For Stunning Photos of Your Furry Friend)

    The post 11 Cat Photography Ideas (For Stunning Photos of Your Furry Friend) appeared first on Digital Photography School. It was authored by Ana Mireles.

    11 cat photography ideas for stunning results

    If you’re looking for cat photography ideas, you’re in the right place.

    Cats can be cute and challenging at the same time; this is what makes them such fascinating subjects! Whether you’re a cat lover looking to capture photos of your pet, or you want to become a professional pet photographer, these ideas will help you out.

    1. Improve your compositions

    cat with rule of thirds overlay

    A good composition is key in any type of photography, including cat photography. The way you frame your picture and how you position the cat (and other elements) can completely change the photo.

    Using composition, you’re telling the viewer what’s most important in the picture. Also, careful use of composition is a good way to develop a personal style.

    There are many rules that serve as guidelines for composition. For instance, if you like the idea of dividing your image into segments, you can follow the rule of thirds or the golden grid.

    Otherwise, you can use shapes, such as the golden triangle, to arrange elements in your cat photos. Color and texture will help you maintain balance.

    Learn the most important rules to improve your cat photography, but don’t be afraid to break them every once in a while.

    2. Use different focal lengths

    tight photo of cat looking away

    Beginners often wonder about the best gear to do pet photography, and cat photography is no exception; in particular, beginner photographers are always looking for the best lenses.

    However, there isn’t one best lens that suits all situations and cats. For example, some cats allow you in their safe space very quickly, so with them, you can use a short wide-angle lens or a standard lens.

    Other cats are more skittish and will run every time you get close. Unfortunately, if you’re photographing a cat as part of a pet photography business, you can’t spend much time getting the cat to trust you. In such a case, you might want to use longer focal lengths.

    Even when you’re working with your own cat, you’ll want to have some variety in your pictures. Sometimes it’s good to have the cat close to you (you’ll need to use a short focal length). Other times, you might want to let a cat be a cat, so stay out of the way and snap your photos with a telephoto lens.

    3. Be patient

    cat on the ground cat photography ideas

    When you’re working with cats, keep in mind that they’re not paid models. Cats are animals – domestic ones, yes, but animals nonetheless.

    Cats don’t care about your hourly fee or your photographic expectations. You have to be flexible and adapt to their personality and schedule.

    So don’t think that you can go in, take the photos, and leave. First, you have to spend some time connecting with the cat. Animals can be very anxious when a new person comes into their territory or wants to interact with them.

    Take some time before the photoshoot to let the cat calm down and get used to you. I understand that you can’t spend too long on this, but factor in extra time when you’re planning and doing the budget so you don’t get stressed.

    Another thing about patience is that it soothes the cat. If you try to rush things or you feel agitated, you’ll pass on those feelings to the cat and things will get even more difficult.

    4. Make a shot list

    One of the best cat photography ideas is to create a shot list. This will serve as a guideline when structuring your session.

    You can also use a shot list to determine the materials you need before heading out to your cat photoshoot.

    I recommend you include a close-up portrait on your list because it’s one of the classic shots that you can’t miss. When the cat’s face fills the frame, it becomes the most important element – no distractions. Like this:

    cat licking face

    If it’s a frontal portrait, you’ll emphasize the eyes. Here, making eye contact with the cat is key to a successful photo.

    (You can also try a close-up in profile or capture a specific expression.)

    5. Use burst mode

    When you’re dealing with moving cats, you might want to turn on your camera’s burst mode to capture action shots.

    I’m not saying that you should use burst mode for the entire session; this will result in an enormous amount of pictures to cull and edit.

    However, there are certain situations when it’s useful. For example, if you bring a toy and you want to capture some fun playtime shots, like this:

    cat jumping up cat photography ideas

    6. Don’t forget about the details

    Our adorable furry friends have adorable furry parts. Most of us cat lovers can’t get enough of their paws, ears, or noses.

    So if they’re so cute, why not photograph them? It’s also a good way to give the cat a break from the photoshoot. While the cat is off resting or has some water, you can take detail photos since you don’t need the cat’s undivided attention.

    cat paws cat photography ideas

    7. Follow your cat

    Unless you’re doing a studio portrait session, it’s important to let the cat be a cat. In other words, let the cat run to chase a shadow, let it get bored and want to change settings, etc.

    cat walking through brush outside

    Don’t try to impose your own schedule for the entire photoshoot. Instead, follow the cat’s lead for a while.

    A lot of great pictures can happen when cats are minding their own business, so just have your camera ready for some amazing candid photos!

    8. Play peekaboo

    cat peering through items

    Cats are curious and playful by nature, so use your creativity to make the most out of these personality traits.

    I’ve found that playing peekaboo with a cat leads to great photo opportunities. This is because when the cat is hiding behind something, you can introduce a foreground element to make a creative composition.

    (This effect is known as a frame within a frame.)

    9. Try black and white photography

    black and white cat on ground

    Going black and white allows the viewer to see things differently from everyday life. That way you can give your photo a creative atmosphere.

    Many people do associate black and white with fine art photography – but most clients will appreciate having a few shots in grayscale, regardless.

    10. Photograph the cat from above

    They say that the eyes are the window to the soul, and this is true for cats as well as people! When you photograph a cat from above, you can catch them looking up at you (which emphasizes their eyes).

    cats looking up

    You can also use this type of shot to show much of a cat’s personality and mood. Look at the examples above. On the left side, I took a snapshot of the cat that was living at a holiday rental house I visited with my husband (the cat didn’t know us, and we were in his territory).

    On the right side is Bianca, a sweet cat that I’d been photographing for over an hour. That was her look when we took a coffee break.

    (As you can see, the two cats’ expressions are quite different!)

    11. Use hard light to add drama

    In photography, there are two different types of light: soft and hard.

    Soft light evenly illuminates the scene. If it creates shadows, they are not defined or intense. (Soft light is very flattering for portraits.)

    Hard light, on the other hand, creates high-contrast scenes with strong shadows. This type of light adds drama to an image, which is what I recommend you try!

    cat in hard light cat photography ideas

    Note that hard light can be created naturally or artificially. For instance, when you’re working outdoors in bright sunlight, you’ll naturally get hard light. You can also create hard light in a studio by using a speedlight or a strobe without modifiers.

    11 cat photography ideas: final words

    You’ll notice most of these cat photography ideas have to do with the photoshoot itself and not your gear. That’s because you can start improving your cat photos today – with whatever equipment you have, even your smartphone.

    Of course, if you can afford to purchase a camera with interchangeable lenses, it’s a good idea. You can also benefit from Animal Eye AF to ensure sharp images every time.

    Either way, I hope these cat photography ideas are helpful the next time you want to capture your furry friend!

    The post 11 Cat Photography Ideas (For Stunning Photos of Your Furry Friend) appeared first on Digital Photography School. It was authored by Ana Mireles.


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