When I shot for The Sun I was assigned to do lots of small product illustrations, AKA table-top shots. And when possible, I would gang them up and shoot them at home rather than in the paper's pro studio.
Shooting at home gave me a variety of locations, a houseful of props, more time with my kids and something the big studio did not have — a plain white ceiling. The latter being one of the more useful light mods in my kit. Read more »
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