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Photographing a ‘First Look’: The Pros and Cons for Wedding Photographers

18 Oct

The wedding timeline can be different for every couple. That’s why you need to learn to ask important questions, such as whether they’ve considered a ‘First Look’ or would rather keep it traditional. This simple decision can change the entire course of the day in terms of taking portraits.

Let’s dive in and look at the pros and cons of having the couple see each other before the wedding ceremony.

What is a ‘First Look’?

Traditionally, the bride and groom don’t see each other until the bride walks down the aisle. It’s thought to be good luck, and keeps in line with centuries of tradition.

A ‘First Look’ is where a couple decides to see each other either before the wedding ceremony or before the important events  begin. This new concept is growing in popularity, with many couples opting to go for the first look rather than keeping the ceremony traditional.

Sometimes, as is normal with weddings, other factors will determine whether keeping it traditional or doing a first look is best in terms of both the photography and the day’s timeline.

The pros of having a first look

One pro of having a first look is when the wedding day timeline calls for it due to a schedule that might interfere with the bride and groom portraits. For example, if there isn’t enough time to take portraits after the ceremony because the couple would rather attend their cocktail hour, doing a first look earlier in the day will give you enough time to capture the couple. (Click here for other tips on overcoming common wedding day setbacks).

Another example is if the sun sets early on the wedding day and you’re not sure you’ll have enough light to take the couple’s portraits. This is where a first look can let you choose the best time during the day for the portraits.

Another pro of the first look is that when a couple sees each other before the ceremony it can calm their nerves and help them relax for the portraits. A first look can also act as a seamless transition into the bridal portraits without anyone else being present or having to wait for guests to move to the next event.

The first look will usually give you more time for bridal portraits. After the ceremony, many of the guests will want to congratulate the couple, which can eat up your precious time. They may also want photos taken of them with the couple, cutting further into your bridal portrait time.

A first look can make the transition to the couple’s portraits smoother on a wedding day.

I tell couples that the first look is usually the only time during the entire day they’ll be completely alone. This helps them savor each moment and really lean into each other during the photos. Since the first look typically lasts about ten minutes, it’s easy to transition into portraits of the couple. This works in your favor, as you get to spend more time with the bride and groom capturing real emotions before you seamlessly transition into the couple’s portraits.

A first look can bring out a lot of those nervous emotions and relax the couple before the day unfolds.

The cons of having a first look

One major con of doing a first look is it usually happens in the hottest part of the day or when the sun is at its brightest. First looks are typically done between 11am and 3pm. Photographing in the midday sun has its challenges, and the harsh direct light can sometimes mean changing locations for the bride and groom portraits.

Try to find a covered walkway, or somewhere that keeps the couple out of the sun. Look for large trees with lots of shade, but be aware of spotted light. In direct sunlight it may be easier to find big natural reflectors that bounce light back onto your subject. You can also help fill the shadows with flash or a photo reflector.

Another con to the first look can be the couple needing to get ready much earlier than anticipated just to fit it into the day’s schedule. Be sure to communicate with the couple so everyone knows the best time to photograph the first look and how long it will take.

How to photograph a first look

You can set up the first look in many different ways. A common way is to place the groom in a position where the bride comes come from behind and taps the groom on the shoulder. The groom then turns around and faces the bride. This is where emotions run high, and you can photograph from all angles so they can enjoy the moment.

The best angle is to photograph the groom facing away from the bride as she comes behind him. Then switch to the other side to get the groom’s reaction of seeing his soon-to-be bride in her dress. If you have an assistant photographer, place them at the opposite end of where you are so you can cover it from all angles.

Give the couple time to take in the moment and simply enjoy it.

Another way to do the first look is to have the groom facing the same direction the bride will be walking from. This will give you an instant reaction to them seeing the bride in her dress, so be ready to photograph all of those real emotions.

When you place the groom, take some solid portraits of him to help him relax before the bride walks into the scene. Talk to him, making sure your tone is soft, positive and excited. 

Tell the couple that it’s their time, you don’t exist, and that they should just enjoy the moment. Let them know that kissing, hugging and looking into each other’s eyes is what the first look is all about. 

Once the couple has relaxed and finished with the first look, move right into the portraits by taking them to the location you’ve scouted (if it’s different from the first look location). 

In conclusion

A first look helps you get the most out of your wedding timeline for bride and groom portraits. It also helps the couple relax and feel even more excited about walking down the aisle. Having this beautiful and emotive experience will create more authentic photos, and give you more time to create them.

Ask your next client if they’d like a first look, and refer to these tips when answering their questions. You may be able to help make their special day even more special.

Have you ever photographed a first look? Let us know in the comments.

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12 Tips for Overcoming Common Wedding Day Setbacks

23 Sep

Weddings are filled with love, laughter, and a lot of pressure. Brides and grooms put a lot of thought into every detail of their day and even the most perfectly planned wedding can encounter problems that can affect you, the photographer. There are no two weddings alike, however, there are common setbacks that can happen at any wedding or event that you may be photographing.

wedding portrait couple on by the ocean

1. Running short on time

The photography timeline is set out so that everyone involved can stick to a schedule. That allows all of the important details and people to be photographed. Unfortunately, running late or short on time because of any reason can be a cause of stress to everyone involved. 

wedding day photography - groom getting ready

If you are caught with less time, the first thing you should do is to assure your client that everything is okay and these setbacks are really common on the wedding day. Make sure that you mention you can make up time later and offer suggestions to the problem.

For example, if the bride has taken a little longer than was originally planned to get ready and now you only have 10 minutes for family photos, suggest to the bride that you can snap a few in that 10-minute window and also after the ceremony.

wedding day photography - 2 bride photos

If you are waiting for someone to arrive for photos, make use of the time and photograph details, other people with the bride and groom, individual photos, or more photojournalistic photos. It’s important to keep taking photos no matter the setback, this will keep the bride and groom calm knowing that you aren’t missing any detail and it can distract from the problem.

Usually, you can make up the time later and get the photos you need either during cocktail hour or during the reception. You can photograph details, portraits, and even get some interesting lighting using flash during the reception.

bridal party - wedding day photography

Photos of the bridal party during the reception because we ran out of time beforehand. You can always try and take photos later in the day if the time runs short.

2. Having too much downtime

It is rare to have downtime when photographing a wedding but it can happen. Having downtime usually occurs during the getting ready phase, waiting for the bridal party, or reception parts of the day. It’s okay to have downtime, however, there is nothing worse than seeing vendors, especially photographers, sitting down and waiting it out during these times.

Sure, it’s perfectly fine to use this time to go to the bathroom or take a snack break. Your break just shouldn’t be more than 10 minutes.

wedding dress hanging up - wedding day photography

Make sure to use the downtime wisely. Prep for the next round of photos, check batteries or set up off-camera lighting. You can also do test shot in the next location where you’ll be photographing.

Even though you’re waiting for the next event to come, never stop photographing any and all of the little details. In short: there is always something to photograph and do while you’re waiting.

3. The bride is full of emotions

I will not use the term “bridezilla” because I don’t believe it’s fair to the bride. Wedding days are high pressured days and brides are usually nervous and full of emotions before walking down the aisle.

It doesn’t matter if the couple is doing a first look or are getting ready in the same room, some brides are more nervous than others.

bride and her girls having fun - wedding day photography

If this is the case, don’t mention anything! Even if the bride is nervous, anxious, or even angry, just redirect the focus on something else like her dress or that she looks beautiful. Reassure her that everything will be okay and tell her to just enjoy the moment now.

As the photographer, it’s your responsibility to help the bride relax and feel very natural as the day unfolds. Always keep a positive attitude and try to transmit that same vibe to the bride and groom. If they feel like you are there for them, it will make all the difference in the photos. If you’re excited about the wedding, then they’ll be excited.

4. Family telling you how to do your job

Unfortunately, it doesn’t matter how long you’ve been photographing weddings, you will encounter a family member or friend who wants to tell you how to do your job at least once.

wedding couple in the grass - wedding day photography

When you encounter this type of setback, don’t make any negative or sarcastic remarks. Thank them for the idea they offered and move on. You can also comment that you’ve been photographing weddings for X number of years and are experienced in taking photos. Better yet, just go along with what they are saying and don’t say anything in return.

If they are asking for a particular photo, take the photo. If you already have, kindly let them know that you got the shot earlier in the day. This will keep them at bay knowing that you are taking all of the most meaningful photos.

wedding rings and hands - wedding day photography

At the end of the day, the guests will remember you more than you realize and if you make snarky or sarcastic remarks it may result in a negative view of your professionalism. You are there to photograph your bride’s day and that also means tending to the requests of her guests (they’re well-meaning).

5. When there is no planner or coordinator

If the couple has opted to not have a planner or coordinator, it is up to you to make sure to assist the couple during the wedding day.

Technically it isn’t your responsibility, however, helping with putting on boutonnieres, adjusting centerpieces, and placing the veil will always help you to capture the best photos possible.

girls wedding party - wedding day photography

Work with your couple before the wedding to make a schedule of the most important parts of the day that you’ll be covering. This way, everyone knows what time the family photos are happening, what time the dance starts, and what time you’ll be photographing the dress. Knowing when and where all the events will take place will give your couples peace of mind.

Having a schedule, or itinerary, will also help to move things around. For example, if the bride is late for her bridal party photos, you can take photos of the people who are there so switch to the groom’s family photos.

wedding couple leaving the church - wedding day photography

Photography is service based and as such, you should always strive to give your clients the best service possible. If that means acting as coordinator for the day to capture the best photographs possible, by all means, do it.

You can also have a family member or member of the bridal party to help to coordinate and fix any problems that may come up during the day.

6. Vendor Meals

There is nothing worse than working a wedding and having to eat a vendor meal during dinner. Everyone works differently, yet vendor meals can be a huge setback, especially if it consists of a sandwich and an apple. 

You can prepare for this by taking snacks or even a full meal. Pack an icebox or lunch bag with your favorite snacks and perhaps a little something more just in case you will be having a vendor meal.

wedding day photography - wedding cake

Try asking the couple if they are okay with you taking an empty seat during the reception or getting in line for the buffet at their event. Most guests won’t mind because, by that time, they will have seen how hard you’ve been working all day. Luckily, most couples now invite their vendors to eat dinner or make sure that they’ve had something substantial.

In any case, take your snacks and water because you’ll need them throughout the day, whether you get a vendor meal or real dinner.

7. Little time with bride and groom

Sometimes, wedding day timelines can get a little compressed leaving less time for the most important photos (next to the ceremony). However, you can create stunning photos of the bride and groom all in one spot without having to move them to different locations.

To achieve this, download 10 of your favorite poses for couples onto your phone and photograph each one from different angles. Take individual photos of the bride and groom, including details of their wardrobe.

6 wedding couple poses - wedding day photography

Without moving the couple very much, you can get many different poses and photos in a short amount of time.

When you take advantage of posing in one spot, you can get lots of different photos from different angles in less time. Subtle changes to posing like facing the bride toward the groom and then facing the bride away from the groom can offer more variety.

Using one location can maximize the time you have for photos because moving from one location to another can often waste time. This way you can focus on them and getting great expressions.

wedding couple - wedding day photography

For example, pose the couple in front of a plain wall, facing each other, hands around the bouquet. Take one photo of them in this pose full length. Take another mid-shot asking the groom to kiss the bride on the cheek while the bride smiles and looks down at her bouquet; that’s two photos.

In this same pose, get close and take a photo of the kiss. Next, go behind the couple and photograph mid-shot. Still in the same pose, get a close-up of the groom’s hand around the bride’s waist from behind the couple; the makes five photos without moving the couple.

After you have worked through one pose, choose another and work through it until you have all possible photos. This technique will ensure you get the most photos out of each pose in little time, without moving the couple.

8. Rain

Depending on where you live, what time of the year you’re photographing, and weather conditions, it could be that you get hit with rain on the day of the event. If this does happen, maintain a positive outlook and always try to help find solutions to work around the rain.

wedding day photography - b/w bride

When rain strikes, switch to an indoor location or a location with covered walkways.

Change locations for photos. If you were going to do the family photos outside of the church, try moving the family inside the church or better yet, to the reception location. Look for options where you have awnings, covered walkways/breezeways, and inside a home or venue. 

two wedding photos - wedding day photography

Sometimes, the weather clears and you’re able to go outside for the remaining portraits.

You can also take advantage and get creative with the wedding photos. Ask the couple if they are willing to pose in the rain under an umbrella. You might be surprised how many are willing to get something a little different!

9. Drunken guests

It’s not uncommon for wedding guests to want to start the party early. Work with the coordinator or the bride and assign a family member to take care of the drunken guest. If they are part of the family, try and keep them away until it’s time for them to be in photos.

shot of alcohol - wedding day photography

Try as best as you can to be nice and not comment on their state of being. Drawing attention to their behavior can upset the couple more and ruin the time you have for photos. Be really direct in posing and communication and always stay positive.

10.  Clashing with the wedding coordinator/planner

Although it is rare when vendors don’t see eye-to-eye during an event, it is really important to stay close to the couple. If you need something particular make sure to run it by the couple first. They have the final say on everything that goes on during the day.

couple poses - wedding day photography

Always maintain a high level of professionalism and make sure that you aren’t seen being rude or speaking rudely to the other vendors. If the clash worsens, tell the bride that you and the coordinator/planner have differences and suggest options to help maintain order.

Communication is key and it’s always best to go to the couple if you experience backlash or trouble with another vendor.

11. Other photographers/weddings at the same portrait location

This is probably the most common setback in the wedding industry. Many couples tend to choose the same locations for the portrait session.

If there are other photographers at the location before you arrive, simply introduce yourself and let them know that you’ll also be photographing a wedding. Ask them if they plan on using another location for photos and if they’d be willing to switch it up after a certain amount of time.

wedding Pasadena - wedding day photography

This location in Pasadena, California is really popular for bridal portraits. There were at least 3 other photographers there at this time.

If there are a lot of photographers and events, simply choose a spot at the location that is free of people. Staying clear of other photographers’ background and watching out for people walking into your frame will keep the portraits clean.

12. Guests taking photos during the ceremony

Keep in mind that the wedding guests are an important detail in the couple’s day. Each was given an invitation to share and be a part of the wedding.

Having said that, some guests will take it upon themselves to take photos of the most important parts of the day, namely, the ceremony.

lady taking a photo at a wedding ceremony - wedding day photography

When this does happen, gently tap the guest on the shoulder, with a smile and motion to them that you need the spot in order to take a great photo of the couple. Most guests will move out of the way and not be bothered by this gesture.

This also asserts that you are the main photographer while staying positive and professional with guests. This non-verbal gesture also works with other vendors like videographers.

bride's maid and bride selfie - wedding day photography

It’s also a good idea to let the guests take their photos first and then position yourself to take the profession photos afterward. This way, you’re letting guests take and share their own shots but also letting them know that you need to take these important photos as well.

couple kissing - wedding day photography

The more photos the couple has of their day, be it from your camera or from their guests, the better. They’ll appreciate you for letting guests enjoy themselves by taking their own photographs.

In Conclusion

couple dancing - wedding day photography

Wedding photography is the most important take away from a couple’s wedding. However, it is not free from mishaps during the day of the event.

Each wedding can have one or more setback, it’s up to you the photographer to work around them and find solutions quickly. Maintain a positive attitude and always reassure the client that everything is photographing beautiful.

Have you experienced any of these or other setbacks at a wedding you photographed?

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How to Photograph a Wedding – A Guide to Equipment, Shooting, Editing and More

07 Sep
  • Have you ever entertained the thought of being a wedding photographer?
  • Or have you ever been asked by a friend to photograph their wedding?
  • Or have you already taken the leap into wedding photography and it’s not quite going the way you hoped?

If you you answer yes to any of these questions – our brand new Wedding Photography ebook is for you!

Best of all – if you grab it this week it’s 50% off the normal retail price – so it’s your for just $ 9USD!

This beautifully designed eBook was written by Lily Sawyer who many of you will know as a regular writer for dPS.

Lily is also a professional photographer and draws on her experience of photographing more than 500 weddings, events and portrait sessions to share some practical advice for anyone hoping to embark on a similar journey into wedding photography.

7 Chapters of Practical Wedding Photography Advice

Included in this eBook are 7 chapters covering:

  • How to be a good wedding photographer
  • Equipment for wedding photography
  • A step-by-step guide to photographing a wedding day
  • Editing and batch processing
  • Products you can offer your clients
  • Pricing and how to find your happy place
  • Marketing your business

Click through for more details and to preview sample pages and to grab your copy of the eBook.

We think this is one of the best risk-free instantly downloadable resource you can buy to help you on your journey as a wedding photographer – no hype, no over-promising or relentless hustle speak – just realistic advice and practical tips.


Download it Now $ 9USD

P.S. As with all our books and courses, we offer a 60-day money back guarantee, so you can buy it confidently today, risk-free.

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Mirrorless Cameras and Wedding Photography – A Match Made in Heaven?

26 Aug

Can you use mirrorless cameras for wedding photography? My answer is yes you can, absolutely. Why not?

That doesn’t mean mirrorless is for every photographer. I will preface this discussion by saying that your camera is a tool, and it’s all personal taste. No camera is perfect, neither is any photographer. It’s about using what fits.

mirrorless cameras and weddings - two kids at a wedding

I can promise you that many professional wedding photographers will shun the idea of trusting a mirrorless camera for the job of photographing weddings. Some of the best in the world will say that. In turn, some of the best wedding photographers in the world use mirrorless cameras. Some of the naysayers’ concerns are valid, some are ignorant.

Switching over to mirrorless

I will share my experiences and you can use that to help you make an informed decision. I’ve used Fuji mirrorless cameras as my exclusive platform since July of 2014. It started with me needing to upgrade my 7 and 9-year-old Canon 1D series SLRs and being rather unexcited with my upgrade options.

mirrorless cameras - black and white wedding candid photo

My friend at my local camera shop had recently switched from Nikon to Fuji mirrorless and let me play with his camera. It was a rangefinder design and had a lot of resemblance to retro film cameras. It was fun to use and due to its smaller size, it wasn’t a daunting task to take it everywhere. So I picked up a Fuji XT-1 of my own.

This was 2014 when mirrorless technology was still in its infancy and didn’t have the capabilities it does today. It was a rocky 3-4 month learning curve, and some of it was frustrating, especially as I tried to incorporate the Fuji into my professional work.

mirrorless cameras wedding candid photo

Something was different about my work so I stuck with it. When getting used to a different platform, logic should prevail that you have to learn that system, not expect it to work as you think it should. That principle is a hard one to swallow for many. It requires you to think differently, it requires you to change. Sometimes that can do wonders for your inspiration and overall work.

What is different?

When I was getting used to the Fuji system, it seemed that few photographers really understood the system, and we would just learn it together. The image goes straight from the lens to the sensor, there is no mirror inside the camera body. It also uses a contrast phase detection autofocus.

Mirrorless Cameras and Wedding Photography - bride in black and white

In the early days before improved sensors, firmware updates, and faster lenses, the camera hunting for focus was a huge issue. Particularly in low light and in points of lower contrast.

Today, the technology is greatly improved, but there are still advantages an SLR has over mirrorless, particularly for sports and rapid-fire shooters. But anyone who loves the mirrorless system can use it for any kind of professional work. If you learn the system.

What really changed?

Mirrorless Cameras and Wedding Photography - couple getting married

For me, getting used to the mirrorless system changed how I worked and shifted many things about my whole approach. The biggest was using all prime lenses, where before I was using all zoom lenses.

The primes are faster to focus and have better depth of field control from the available Fuji lens lineup. That made me move my feet and become more strategic with my composition. It’s been easier to rely on fewer focal lengths and pick my most versatile lenses.

Mirrorless Cameras and Wedding Photography - couple toasting

I’ve worked closely with the subjects and have become more deliberate with my work. More negative space in my composition and more watching and waiting for the shot, less rapid fire. The tack sharp glass and amazing Fuji color, the electronic viewfinder, and compact size made the system a joy to use.

The things that at first seem to be shortcomings can actually help us become stronger artists through patience and adaptability. My whole point of discussing these past issues is it emphasizes the transition that was required then, and many didn’t make it through. Which is neither right or wrong. The point is that anyone who wants to learn the system has better tools to do so in the present day.

Why or why not to use mirrorless cameras for wedding photography

Mirrorless Cameras and Wedding Photography - first dance b/w

No one can address the future of photography as far as SLR, mirrorless, etc. Nor should that matter. Here are some key facts that may help offer an inside perspective.

Battery life isn’t as long as SLR cameras so spares are needed. You can disable the live electronic viewfinder and switch to optical which helps.

Most mirrorless wedding photographers use two active bodies. You can use a harness or wear one around your neck with your most used lens, and have another camera at your hip with a side holster – just as an example. There’s something more deliberate about primes, and less of a clinical look.

Mirrorless Cameras and Wedding Photography - dance and kiss

There are limitations with TTL flash and mirrorless cameras. The options are to work with that and use manual, which I always have anyway, or not use flash. Which is not always an option.

Pixel peeping and stressing over crop sensor (APS-C)

NOTE: Sony does make full-frame mirrorless bodies if it bothers you that much, or you can stick with your DSLR.

Those people stressing over the smaller sensor make no sense to me. Only other photographers notice noise or will pick an image apart for technical imperfections.

Mirrorless Cameras and Wedding Photography

What about capturing a decisive moment full of emotion? If the images well-composed and exposed, no client will notice or care about things pixel peepers do. Most who insist they need full frame can’t give a proper explanation why. “Oh, the pictures are better.” Pffft.

Use the tool you feel comfortable with. If the good outweighs the quirks you’ve gotten used to, it’s a win. There are many large prints out there shot on crop sensors and mirrorless cameras.

Clients might think you look unprofessional with a mirrorless camera

Two guys walk into a bar, flex their muscles back and forth, and the only lady in the place starts talking to a simple businessman minding his own business.

Mirrorless Cameras and Wedding Photography

If it takes the biggest, loudest, or camera with a specific image to command respect as a photographer, they’re lacking something. Never once has a wedding guest or couple cared about my gear. It’s all about what you can do with it. This would be a ridiculous reason not to go mirrorless. Be secure in who you are as a pro.

You can be less intrusive or conspicuous

Being less intrusive – that has value for me. You can blend in with guests and not be a spectacle.

With a documentary approach, that helps me maintain a low profile, and I’m seldom noticed. Being able to work closer gives you an advantage in that regard. With the smaller camera, it feels less clumsy and doesn’t stand out as much to guests and the couple.

Mirrorless Cameras and Wedding Photography

When you work closer to the subjects, you feel in your soul what is going on at that moment, and it’s less likely that you’ll have your shot blocked. Again, it is less a clinical feeling.

It’s also easier on the body, particularly the shoulders or neck, your back, etc. When you hear about other wedding photographers being sore the day after a wedding, and all you can do is shrug your shoulders, you might be a mirrorless shooter.

Getting used to the mirrorless platform before using it for a wedding

It’s only responsible to be well versed with your equipment, and know its strengths and weaknesses in different areas before using it for a no do-over occasional like a wedding.

Mirrorless Cameras and Wedding Photography

The best way to get used to a new platform, body, or lens is to do some street photography. It’s a very psychological thing to have confidence in your equipment and know its operation well enough to fully trust it. Not doing so sets you up for failure and the clients stand to suffer.

Weddings are demanding and fast-paced, full of decisive moments, and you have to deal with constant lighting and setting changes. It pays to think and act swiftly and keep calm. Street photography is great field training as it is also decisive and fast-paced, and you have to look for the mood or setting you want within time constraints.

Mirrorless Cameras and Wedding Photography

Mirrorless Cameras and Wedding Photography

Plus, you’re also dealing with textures, colors, depth, dimensions, all the things that help make a great photo. Street photography is a great way for you to become one with your gear.

Conclusion

Whether or not mirrorless cameras are for you is a personal choice. But, don’t let anyone tell you that you can’t use them for weddings, or worry about the wrong things.

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Wedding Photography Tip – 3 Ways to Tame a Bridezilla

13 Aug

One of the most terrifying things in wedding photography is a bridezilla. You’ve likely read the stories of photographer’s careers being ruined by an impossible to please bride. Of course, this is a worst case scenario and fears become heightened by the bridezillas you see on TV.

“I think of photography like therapy.” – Harry Gruyaert

But it’s normal for photographers to encounter some level of bridezilla behavior. The question is how to deal with it.

I’ve learned from photographers like Joe McNally, Zack Arias, and Jasmine Star that it’s our job as photographers to make great photos – no matter what.

So if you’re faced with a bridezilla (or any overwhelming person) at any point in your career you simply need to know how to handle them. Here are 3 ways you can do that.

bride in a pond - Wedding Photography Tip - 3 Ways to Tame a Bridezilla

This was one of the most laid back and down to earth brides I’ve photographed. Hard-working, yet easy going and ready to have fun every step of the way. Unlike some brides, she learned to handle the stress of a wedding very well.

1. Understand

“You don’t make a photograph just with a camera. You bring to the act of photography all the pictures you have seen, the books you have read, the music you have heard, the people you have loved.” – Ansel Adams

Even the most difficult situations become easier to deal with when you understand what’s going on.

The truth is, most bridezillas never actually wanted to become bridezillas. So why do some brides act like that? Major changes in your life come with stress. Marriage comes with one of the highest levels of stress. In addition to the stress, there is also decision fatigue, personal baggage, and pre-wedding depression.

Maybe the question should be why there aren’t more bridezillas!

portrait of a couple on a truck - Wedding Photography Tip - 3 Ways to Tame a Bridezilla

This photo was taken at golden hour. The unique shape of the sun flare was caused by moisture on the camera lens. There was a mist in the air that led to the surprising effect.

They don’t start out as Bridezillas. Not long ago she was living a normal life as somebody’s girlfriend. Then in the blink of an eye, her entire life changed as she became engaged.

When you put a person in a dramatic situation, you find out how much they can take before they crumble under the pressure. Planning a wedding provides more than enough stress and drama to make a person blow up.

Everybody reaches a threshold of how much stress they can handle. And for a variety of personal reasons some brides reach that threshold on or before their wedding day.

Bridezillas are people like you and me who have discovered what it takes to make them break.

couple seen under a tunnel - Wedding Photography Tip - 3 Ways to Tame a Bridezilla

This photo was taken from in the water. The couple was sitting on an abandoned train bridge. I thought the tunnel would make a good frame for the photo, so into the water I went.

2. Anticipate

“When there are other limitations, I don’t let myself be a limitation.” – Fer Juaristi

There is more than enough time leading up to the wedding day to anticipate who might become a bridezilla.

You can almost guarantee that if a bride comes from a happy family and she handles stress well then she isn’t going to become a bridezilla. But if her life is filled with stress and chaos and she doesn’t handle it well, there is going to be trouble on her wedding day!

couple on the back of a truck - Wedding Photography Tip - 3 Ways to Tame a Bridezilla

Engagement sessions are a perfect chance to get to know the bride and groom. Take time to see how they are handling the stress and find out if there are ways you can help.

When I meet with a couple who is interested in having me as their wedding photographer, I ask questions that let me know what sort of temperament the couple has.

Ask about their vision for the wedding. Then ask what would ruin the wedding for them. I had great fun with a couple who insisted that even if a tornado came along and they had to move the wedding to a basement shelter, they still wouldn’t care because their family is what means everything to them. The dress, flowers, and the decor were all secondary.

Ask other questions like, “What simply must be perfect?” or “What is your biggest fear for the day?” and “What would totally ruin your wedding day?”

Ask how quickly her emotions change to the negative and what cheers her up most in life.

couple on a bridge with a river flowing - Wedding Photography Tip - 3 Ways to Tame a Bridezilla

This photo was created using a slow shutter speed (about 2 seconds).

If a bride tells me that the most important thing to her is that she has a perfect Pinterest wedding, I know there could be trouble.

There are enough problems with the dress, flowers, and decor to drive anybody crazy. If the bride is anxious and disagreeable, to begin with, planing her perfect Pinterest wedding will drive her nuts. She’s a perfect candidate to become a bridezilla.

bride in funky socks - Wedding Photography Tip - 3 Ways to Tame a Bridezilla

When the bride is wearing fun socks and cowboy boots, you know she’s not overly stressed about the details.

Being a wedding photographer means knowing how to work with people. So if you can’t handle the stress of working with a bridezilla, you should politely decline weddings when you think there is a good chance she’ll become one. Let her know you don’t think you’re the best photographer to help her have a perfect wedding.

3. Encourage

“It is more important to click with people than to click the shutter.” – Alfred Eisenstaedt

If you understand the things that lead to bridezilla behavior, and you’re happy with the challenge of working with one then good for you! You could actually help her get through her wedding day without baring her teeth and lower her stress level.

The truth is, most bridezillas don’t enjoy being bridezillas. You can’t help the ones who enjoy it. But you can help the ones who are afraid of becoming a bridezilla.

bride spinning on the dance floor - Wedding Photography Tip - 3 Ways to Tame a Bridezilla

Weddings can be an exhausting journey, not just for the photographer who works all day, but for the family who has worked for months or years to get to this day.

If she’s open to having help, you can assist her in setting goals, seeing the big picture and embracing what is truly important about her wedding day.

Find out what’s bugging her the most and share stories about other couples who have dealt successfully with these things. That way you’re not just pushing your opinion on her, but sharing stories of real people who found a way not to crumble under pressure. You can even publish these stories on your wedding photography blog.

Help her see her goal and what is truly important to her. Help her pivot around obstacles, and there will be less of a chance of her crumbling under the pressure of her wedding day.

No matter what you do, be the one who helps, not somebody who makes it worse.

wedding couple kissing - Wedding Photography Tip - 3 Ways to Tame a Bridezilla

When a wedding is done right, the bride and groom are still excited and energized at the end of the day.

Happily Ever After

“If a photographer cares about the people before the lens and is compassionate, much is given. It is the photographer, not the camera, that is the instrument.” – Eve Arnold

No photographer wants to photograph a bridezilla. No bride wants to be a bridezilla.

You can surpass a bride’s expectations of you as a photographer by understanding her situation and being the most flexible, helpful, encouraging person on her wedding day.

All it takes is one good friend to be a calming presence amidst stress and anxiety to help a bride not turn into a bridezilla. This person could be you.

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Taking your drone to a wedding? Read this first

20 Apr

Best practices for flying your drone at weddings

It’s spring, and that means wedding season is upon us!* If you’re one of the many photographers planning wedding shoots this year, it’s also a great time to think about including aerial photography in your plans.

A drone is a great way to capture unique shots that can help tell the story of a memorable day, and in my experience more couples are requesting drone photos than ever before. I expect that trend to continue. On the following pages, I’ll share some of my best practices for flying drones at weddings, and give you some hints about things to pay attention to.

* Apologies to those in the Southern Hemisphere. We haven’t forgotten about you.

Get certified or licensed to operate commercially

In the US, pilots who fly drones for commercial purposes are required to pass the FAA Part 107 exam. Passing this exam is beneficial beyond just getting a certificate: in the process of studying, drone operators will learn important rules, regulations, and best practices for flying responsibly, all of which will make you a more knowledgable, safer pilot.

You can self study for the FAA exam using the study materials provided by the FAA, or by taking one of the numerous available online test prep courses like this one from Drone Pilot Ground School.

Outside the US, many countries have similar regulations, so make sure you know what the rules are where you’re operating and ensure that you have obtained any necessary permits, certificates, or licenses.

Register your drone with the FAA

After you successfully pass the Part 107 exam, you’ll need to register your drone’s serial number with the FAA. This registration is necessary if you’re flying your drone for commercial purposes, and costs $ 5. The registration number must be clearly marked on your drone so it can be identified if there are any issues or potential accidents.

It should be noted that this registration process is also required for recreational drones, and pilots who intend to fly their drones as a hobby. The FAA had previously removed the registration requirement for recreational drone use, but has recently reinstated it.

Get a good UAV liability insurance policy

Get a liability insurance policy that covers your drone activities. It’s not just a good idea – it will may in fact be required by certain venues before you’re allowed to fly. Venues (and commercial clients) might dictate how much liability coverage you need, or even ask to be listed on a rider, demonstrating that they are protected from any liability during your flights.

Having no liability protection during a wedding flight could be disastrous; despite careful planning and preparation for your flight, unpredictable things can happen. Having UAV (unmanned aerial vehicle) liability coverage will ensure that you’re protected against the potentially large financial burden that could occur if an unforeseen situation arises.

Get a good UAV liability insurance policy

A common question I get is where to buy UAV insurance. Liability policies are offered through special aviation insurance companies, and traditional agencies will typically offer annual coverage based on the policy amount and number of drones covered. You can also purchase UAV insurance on a daily basis, for very specific places and time periods, and even specify the amount of coverage required.

If you intend to fly commercially on a frequent basis, it’s best to buy an annual policy since they tend to be a better value for long term use. However, if you will only be flying the odd commercial gig once in a while, then getting coverage for the day may be the smarter option. I’ve had an annual policy from Costello Insurance for the past two years, and they’ve been great to work with, but if you’d like to look at an on-demand provider, then you might want to take a look at Verifly, which has iOS & Android apps that can be used to book coverage straight from your mobile device.

Update your drone to the latest firmware

Verify that you’re using the latest software and firmware on all of your devices and drones. This includes updating to your drone’s latest mobile app on your phone or tablet, as well as updating the firmware on your controller, drone, and maybe even your batteries. All of these components operate in synergy, so if one part is out of sync you could be exposing yourself to unnecessary risk.

I always go through my checklist several days before a flight, ensuring that I check for updates on all of my devices, and making sure everything is properly charged and calibrated.

Calibrate your IMU and compass before your flight

This is something that I used to take for granted, until I had a very scary close call while trying to capture a beautiful sunset. I decided to pull over by a beach, and proceeded to send my DJI Phantom 3 Advanced up for a quick flight. The drone jumped up and immediately lost it’s GPS and compass heading, putting it into an uncontrolled frenzy in ATTI mode. I struggled through almost the entire battery charge to get it under control, and experienced the highest degree of stress I’ve ever experienced when flying a drone. I was lucky to get it back on the ground without damaging anything.

Looking back, if I had taken a few minutes to calibrate the compass and IMU, I would have a beautiful sunset to look back on instead of the stressful memory of that dreaded flight. Don’t let this happen to you, especially at a wedding. I now always calibrate my compass and IMU before each flight.

Monitor wind conditions

Knowing the wind speed and direction is a critical skill for any drone pilot. When flying downwind it can seem like wind isn’t an issue, but you don’t want to discover that it is when flying back upwind with a low battery. Pay attention to the wind and know both where it’s coming from and at what speed. I use an iOS app called Windseeker to help keep tabs on the wind conditions. It has geolocation abilities, and can even give you an augmented reality overlay of the wind direction for easier planning.

Wind can always be a factor when flying a drone, though to what degree may depend on which model you’re flying. I’ve found that the DJI Phantom series are pretty resilient, and can typically fly in moderate to strong winds. Smaller drones like the DJI Spark and Mavic Pro may not be able to fly in strong winds as adeptly as bigger drones. No matter what drone you’re flying, always use your judgment. If it’s too windy to fly, stay on the ground.

Use a visual observer

Having a visual observer is a requirement for any FAA Part 107 pilot flying for commercial purposes. It serves to cover the line of sight requirement during commercial operations, and is generally a good idea for any flight in my opinion. It’s very difficult to pay close attention to your controller and maintain line of sight to your drone at the same time.

Creating cinematic shots often requires close attention to your display, the controls, and your technique, and breaking that focus to maintain your eyes on the drone in the air will pretty much undermine all of those things. Play it safe and make sure you always have a visual observer to handle this task so you can focus on nailing that epic shot.

Keep a respectful distance

Flying with tact and consideration is a must in my opinion; when planning your shots, do so in a way that doesn’t intrude on the ceremony. I never try anything too fancy without discussing it with the bride and groom. If I need to shoot something that requires me to get relatively close to the ceremony, I always make sure it’s OK with them, and that everyone is aware of the audible noise that my propellers will cause.

Also, consider what type of drone is best for any given situation. If maximum image quality is needed I may use a DJI Phantom 4 Pro, but if image quality takes a backseat to noise, then I can often get more subtle shots with a less intrusive DJI Spark. My advice is to always balance respect for the wedding with the need to get the perfect shot, and discuss this with your clients. They’ll appreciate your need to get the best shots without causing a huge distraction that potentially overpowers their special moment.

Best practices for flying your drone at weddings

These best practices should allow you to get great drone photos or video at a wedding, while also ensuring that you’re operating safely, legally, and respectfully.

I’m interested to hear about other best practices you may have developed over time. Please share them in the comments below! We can all continue to learn and benefit by implementing them into our workflows.

Articles: Digital Photography Review (dpreview.com)

 
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What to Bring to Photograph a Wedding Besides Your Photo Gear

12 Mar

Our main job as wedding photographers is to create beautiful images for our clients. But our job is also to provide a phenomenal customer service experience from beginning to end. Throughout the last decade as a wedding photographer, I’ve developed this list of non-gear related items to bring along when you photograph a wedding.

What to Bring to Photograph a Wedding Besides Your Photo Gear

Wedding Day Essentials

The Wedding Timeline

Six weeks before the wedding, send the bride and groom a questionnaire requesting details about the timeline, addresses, wedding party, their families and vendors. Not only will this help the bride and groom think through any details they may have overlooked in their busyness, but their answers will help you foresee any timeline delays or issues.

Some important questions to ask:

  • At what address will the bride be getting ready?
  • At what address is the groom getting ready?
  • Ceremony start time and address.
  • Reception start time and address.
  • When would you like photo coverage to begin?
  • Based on the number of hours purchased, what time would you like photography coverage to end?
  • Will you be having a First Look?
  • Please provide the timeline for your wedding day, so far.
  • Are there any specific locations you have in mind for your wedding day portraits?
  • Will you be exchanging gifts with your spouse or family members?
  • What mailing address should I use for you after the wedding?
  • How many bridesmaids do you have and what are their names?
  • How many groomsmen do you have and what are their names?

What to Bring to Photograph a Wedding Besides Your Photo Gear

Family Photo List

Under no circumstance should you show up to a wedding without a list of family photos, created and approved in advance by the bride and groom. Attempting to focus the bride and groom minutes after they’ve been pronounced husband and wife, in front of a room full of family and friends eager to talk to them, is a recipe for disaster!

Having a list you can work from, and check off each grouping with a pen, will save valuable time.

What to Bring to Photograph a Wedding Besides Your Photo Gear

On the wedding questionnaire, request the following information about family:

  • Please list immediate family of the bride
  • Please list immediate family of the groom
  • Please provide a list of family photos you’d like and please note the names of each person in the grouping.
  • Are there any divorces/deaths I should be aware of so as to not embarrass anyone on either side of the family?

Review and take charge of the list

Review the information received about each immediate family before the wedding. Throughout the hours you’re photographing, you’ll meet at least 40 people by name! Don’t rely on your own memory. By having everything written down, you can check your timeline and remember the bride has two brothers named Matt and Joseph. Now, all you need to do is figure out which brother you met was Matt and which was Joseph. Magic!

Usually, the family photo list that the couple returns is perfect. I may re-arrange groupings for ease of the photo time (starting with the largest groupings first and peeling people away as needed) but very minimal change is usually required.

What to Bring to Wedding Days 7

However, sometimes the list may include large group after large group of extended family. When this situation happens, send the couple a warm and polite email confirming the list. Review the timeline and see how much time is needed capture the family photos requested.

Let the couple know you are happy to capture whatever images they would like, but you may have to steal 30 minutes from another portion of the day. When you present the options this way, many couples will choose to forego large groupings for family photos and enjoy their cocktail hour instead.

Verify Addresses and Phone Numbers

You can never be too careful when it comes to details, so leave no stone unturned. Even if the couple provided the name of the venue, request the specific address to eliminate all room for error. It’s important to have addresses for the bride’s house, groom’s house, photo locations and the reception.

Basically, anywhere you need to visit on the wedding day, have an exact location and meeting spot if the location is a park, for example.

What to Bring to Photograph a Wedding Besides Your Photo Gear

Phone numbers are a key piece of wedding day communication. Have the bride and groom’s phone numbers on file, but also request the phone numbers of the Maid of Honour and the Best Man and confirm they will have their phones with them. It’s quite common for a bride and a groom to not have their personal phones on them, and rightly so.

Have the wedding coordinator’s name and phone number printed on your timeline for easy access. It is also not a bad idea to have phone numbers of a few other key vendors. Always be more prepared than necessary.

Step up Your Experience with These Items

What to Bring to Wedding Days 8

If you only remember half of this article, stop reading now and remember the first part. But if you want to step up your “photography game” and look like a wedding day hero, keep reading. Make gathering the following items a goal for your next wedding season.

Parking Payment

Depending on your city’s parking meter structure, a credit card may be all you need — but some cities require coins. Stock your wallet with five dollars worth of coins for parking in a time crunch. Additionally, research if your city has an iPhone app for easy parking with your credit card.

Set of Umbrellas

Purchase a set of matching umbrellas in either a solid black or a clear color so they match any wedding party — your brides will be thankful. Keep the umbrellas in the trunk of your car at all times so you’re never left out in the rain.

What to Bring to Photograph a Wedding Besides Your Photo Gear

Extra Clothing

Wedding days can be long and weather can be inconsistent. Prepare for everything with a rain jacket or parka (depending on the season), sweater or cardigan for the reception (if the AC starts up) and my favorite – a change of shoes for tired feet halfway through the day.

Business Cards

Don’t be caught repeating your name to a potential customer over and over again so they can memorize it and find you on Instagram. Have business cards in your bag at all times.

Laptop and Card Reader

For slower receptions, you could download your memory cards to a laptop for immediate back-up. Also handy for downloading your second shooter’s images before driving separate ways at the end of the workday.

Water, Snacks, and Gum

Working on an empty stomach isn’t fun. Pack more snacks than you think you’ll need — you can keep some in your camera bag and the rest in the car for an emergency. Having gum or breath mints nearby is a bonus while talking with guests and, of course, a water bottle and staying hydrated is a must.

Wooden Hanger for Dress

What to Bring to Photograph a Wedding Besides Your Photo Gear

I have yet to add a wooden hanger to my wedding day list, but it’s a good idea. You’ll save 3-5 minutes at the bride’s house looking for a wooden hanger to replace the flimsy clear plastic one.

Emergency Kit

Photographer to the rescue! Pack a small bag with bobby pins, band-aids, tide-to-go, Tylenol, a sewing kit, a lint brush packs of Kleenex and anything else you think a bride or bridesmaid or family member may want at some point in the day. You’ll be the hero when the bride stains her dress and you whip out the tide-to-go or hand the mother of the bride some Tylenol.

If you photograph weddings, what else do you take along besides your photo gear? Please share in the comments below.

The post What to Bring to Photograph a Wedding Besides Your Photo Gear by Jamie Delaine Watson appeared first on Digital Photography School.


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International Wedding Photographer of the Year 2017 winners announced

06 Mar

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The International Wedding Photographer of the Year (IWPotY) competition has announced it’s 2017 winners, and there is plenty of wedding photography inspiration to go around. Entries were submitted into one of nine categories, and submitted photos had to be taken on the day of the wedding to quality.

© Erika Mann

This year’s Wedding Photographer of the Year grand prize went to Two Mann Studios’ Erika Mann for her portrait of a bride with a double rainbow in the background. The image was taken near Cougar Creek in Canmore, Alberta, Canada, according to the photographer, who explained that an “unpredictable storm” had provided them with the spectacular backdrop.

Talking about the shot, Mann said:

Paige and Daniel had a super low key wedding, with the reception taking place in their parent’s backyard, with about 25 guests. Thankfully their parents have one of the most beautiful backyards in the planet, along the banks of Cougar Creek in Canmore, Alberta. After a short, and unpredictable storm, we were treated to the most amazing double rainbow. Lanny and I got low into the creek bed so we could remove the houses, and simplify the frame to the rainbow, mountain and Paige, with her dress billowing in the wind.

As the grand prize winner, Mann will receive $ 3,000 USD, as well as a Nikon D850 and other items totaling $ 9,125 in value.

© Paul Woo

The contest’s Runner Up is Paul Woo of Wandering Woo, who claimed the spot with a touching image of a bride’s son becoming emotional during the wedding ceremony. The Runner Up prize includes $ 1,000 USD, a Think Tank Signature 13, Photo Mechanic user license, and Hold Fast Skinny Money Maker camera strap.

Top scoring images have also been selected across various categories, including Black & White, Bridal Party, Couple Portrait, Dance Floor, Epic Location, and more. Scroll through the gallery at the top to see all of the category winners, and if you’d like to see the top 10 from all of the categories, you can find the full albums here.

Articles: Digital Photography Review (dpreview.com)

 
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How to do Wedding Day Portraits of the Bride and Groom in Under 20 Minutes

01 Mar

Wedding days are super hectic, there’s no doubt about it. My couples and I agree on a wedding day photography timeline so we know exactly what is expected at every hour of the wedding day. Yes, we are flexible but having the order of the day written down is a must for things to go smoothly. This timeline is discussed well before the day and all the key people in the bridal party and key suppliers are made aware of the plan so we are all on the same page.

How to do Wedding Day Portraits of the Bride and Groom in Under 20 Minutes

Plan it out

When I sit down with the couple to plan the day, I paint a picture of what a “normal” wedding day looks like and the expected timings allocated to each portion of the day. But I always explain to the couple that it is their wedding day and ultimately, they can do what they want and decide on the duration of each part.

This includes the portrait session of just the bride and groom, nobody else, which usually happens after all the other formals are done. Ideally, the portraits are done somewhere away from the guests so the couple doesn’t get distracted or pulled in different directions which only delays or extends the portrait session. Some couples opt for a “first look” which happens before the ceremony.

How to do Wedding Day Portraits of the Bride and Groom in Under 20 Minutes

How much time will the couple allow for portraits?

From experience, depending on their priorities, the time couples allow for their own portraits vary widely, some allow for an hour and a half, but many slot in only 15-20 minutes. A reason for the latter is usually because they wish to spend time saying hello to friends and family especially those who have come a long way to be at their wedding. This is completely understandable and even expected.

I do, however, encourage my couples to always spare some time for bride and groom portraits no matter how little. That is the only time during the day they can be alone and have photos done of just the two of them without anyone else in the vicinity, or worse, in the background.

This doesn’t have to be done at a grand venue or separate location. This could be anywhere that is private, semi-private, quiet, or at the very least away from the guests. It can even be done at the very same location as everyone else, you just need to separate them from the crowd for a few minutes.

Work efficiently by having a plan

On average, my couples allow 15-20 minutes for this portrait session so over the years, I have learned how to get things done very quickly. In this article, I will share with you my secret – have a formula.

Having a formula is not a bad thing. If you worry that all your weddings might end up looking exactly the same, don’t! Each couple is unique and their wedding is unique to them. Besides, if they have booked you after having looked at your portfolio, that probably means they like your style and your work and they expect their photos to have the same look and feel as your other weddings.

Here is my 5 step formula for wedding day portraits

#1 – The couple together

How to do Wedding Day Portraits of the Bride and Groom in Under 20 Minutes

I usually start the portrait session by taking photos of the couple together either holding hands, embracing, posed together for a natural look, or posed for a formal portrait. Being photographed with someone else is less daunting than solo and they have each other to hold on to or lean against in case they feel awkward especially at the start.

This part doesn’t have to be all posed either. It’s better if you can do some laughing and fun shots; just give them clear instructions or make them laugh if you are able.

#2 Just the bride

How to do Wedding Day Portraits of the Bride and Groom in Under 20 Minutes

How to do Wedding Day Portraits of the Bride and Groom in Under 20 Minutes

I then separate them and do portraits of just the bride. Usually, I ask the groom to help throw the veil or stand next to me so he can help make the bride laugh, have a natural smile, or look in his direction instead of straight at the camera.

Make sure you get close-ups of the bride as well as wide-angle shots showing the context or location (and her whole dress!) and a variety of angles if possible.

#3 Artistic shots

How to do Wedding Day Portraits of the Bride and Groom in Under 20 Minutes

Use the opportunity of having the bride in front of you to take artistic shots like close-ups of the bouquet or veil, shoes, details, or some creative compositions. I try to minimize moving the couple from place to place too much. Instead, I do the moving myself and walk around them, finding various angles from which to shoot and adjusting to the light that is available.

# Just the groom

How to do Wedding Day Portraits of the Bride and Groom in Under 20 Minutes

Now it’s the groom’s turn and this is simply a case of replicating what you have just done with the bride. Grooms are usually so much quicker to photograph and do not require a lot of posing. Just get them to stand naturally, lean on something, look at the bride, look at the camera, laugh, look sideways… done.

I find grooms tend to follow instructions quickly without worrying about how they look as they generally just want to get the portraits over and done with. Don’t forget to give them some indicators of time, letting them know you are nearly finished so they don’t worry about longer than they have allowed. This is important and reduces any worries about the timing of the day.

#5 Walking or do some action shots

I end the session with some walking or action photos. Be aware of your background for this as walking photos usually require being slightly further away. Be on the lookout for some nice light in the background and a suitable path they could walk on.

Ask them to walk slowly hand in hand for these photos. Position yourself behind them so you are photographing their backs. Then ask them both to stop in their tracks and look back at you, then again with just the bride looking, and finally just the groom looking.

How to do Wedding Day Portraits of the Bride and Groom in Under 20 Minutes

Ask them to turn around in the same spot so they are now looking at you and walking towards you. Always instruct them to walk slowly. Again ask them to stop in their tracks and hold hands but stand further apart. Then say to take a step closer to each other until they are holding each other close or kissing if they wish. Depending on the background, this is when I try to do a silhouette, especially if there is sky or an open expanse in the background.

Sometimes, I ask them to practice their first dance a bit or pull each other in for a quick kiss for some movement and natural laughter.

Conclusion

On a small patch of ground, you will be able to cover several poses, include a variety of angles, do some formal portraits, some casual looks, and lastly some walking and action shots. And that is it! Wedding day portraits done in 15-20 minutes!

How to do Wedding Day Portraits of the Bride and Groom in Under 20 Minutes

Don’t forget, just get on with it. Don’t stop to check your LCD for long or fuss about too many imperfections. You are under time pressure so have a formula and stick to it while allowing yourself wiggle room for some creative opportunities that may arise – as long as you are within the agreed upon timeframe.

As a side note, I always find that couples who have had an engagement shoot with me beforehand end up having a much easier and breezier portrait session. They know what to expect and what to do that they just do it without the need for a warm-up. They are quick to relax and be at ease in front of the camera and the best bit, they genuinely enjoy it!

The post How to do Wedding Day Portraits of the Bride and Groom in Under 20 Minutes by Lily Sawyer appeared first on Digital Photography School.


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Behind the scenes: The story behind this volcanic eruption wedding photo

02 Feb
Photograph by Jack Kurtz/ZUMA Press

Photojournalist Jack Kurtz was in the Philippines covering the eruption of the Mayon volcano for ZUMA Press this past month, but the photo that’s gotten him the most attention wasn’t one of his press shots. Instead, it’s this serendipitous wedding photo that has spread across the Web like wildfire—a once- or twice-in-a-lifetime kind of photograph that captures the power of nature as a backdrop to the human experience.

The story behind this shot is simply about being in the right place, at the right time, with the right attitude.

Kurtz tells DPReview he arrived in the Philippines on Saturday, January 20th and proceeded to spend most of the week capturing photos for his agency—mostly “photographing people in evacuation centers and the volcano when it was erupting.” But after five intense days of photography, he needed a break, so he took Thursday as a “personal day.”

“I needed to run some errands and since the volcano was quiet it seemed a good day to do that,” says Kurtz. “I finished my errands about 4:30 in the afternoon and decided to go to a church a few kilometers away to try to make a sunset photo of the volcano erupting.”

The volcano had been quiet all day that Thursday, so it was a risk, but as Kurtz told us: “nothing ventured nothing gained, and off to the church I went.”

When he got to the church, there was no sign of an eruption and clouds were obscuring the cone, but he decided to wait and was rewarded for his patience. In his own words:

As it got later, the clouds drifted off and smoke started to puff its way out of the cone, signaling a likely eruption. All good signs. I set up my small table top tripod on a flat rock, made a couple of test pictures with my Pen F and iPhone controlling the camera with the Olympus OI Share app. Everything was working so I sat down and waited.

While I was sitting there, a couple who had just been married in the church came out to a restaurant next to the parking lot to make their wedding photos. Just as they got to the overlook, the volcano started its eruption. I grabbed my gear and ran over to the restaurant to photograph them.

Before I started photographing, I introduced myself to their wedding photographer and asked if I could make some pictures (I think it would have been rude of me to butt in on his job) and he said okay. I started photographing the couple. During a break, I talked to the couple. I told them who I was and asked if I could put the photos on the wire. They said it was fine. Then I went back to photographing.

A few minutes later, they finished up, everybody thanked everyone else, and Kurtz went back to his spot in the parking lot to set up the exposure that would yield the photograph below.

Photo by Jack Kurtz/ZUMA Press

Speaking with DPReview about the technical details behind the photographs, he says the wedding photo was made with his Olympus Pen F and 17mm F1.8 lens at ISO 400, F4, and 1/30. Color balance was set to daylight, and the photo was later edited in Lightroom 6 to straighten the horizon and adjust the color balance (“Because of the time of day and light, the skintones were a little warm, so I knocked the color temp down a little.”)

The eruption photo above was also shot on the Pen F, this time with a 25mm F1.8 lens at ISO 200, F4.5, and 85 seconds. The camera was set on a small tabletop tripod and controlled by the OI Share app on Kurtz’ iPhone. It, too, was edited in Lightroom 6.

A big thank you to Mr. Kurtz for sharing his photographs and the story/technical details behind them with us at DPReview. To see more of his work, be sure to visit his website or give him a follow on Instagram.


Photography by Jack Kurtz/ZUMA Press, used with permission.

Articles: Digital Photography Review (dpreview.com)

 
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