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Posts Tagged ‘Mark’

Olympus OM-D E-M10 Mark IV initial review

04 Aug

Introduction

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Product photos by Dan Bracaglia

The Olympus OM-D E-M10 Mark IV is the entry-level model in the company’s DSLR-style lineup of Micro Four Thirds cameras (the PEN models, such as the E-PL10, are rangefinder-style). It’s a step up from the beginner-focused E-PL series, offering more controls, better build quality and a broader feature set. It sports a 20MP Four Thirds sensor, in-body image stabilization, flip-down touchscreen with a simple interface and 4K video capture.

Key specifications

  • 20 Megapixel Live MOS sensor (Four Thirds)
  • TruePic VIII processor
  • 5-axis in-body image stabilization (up to 4.5 stops)
  • 121-point contrast-detect AF system
  • Flip-down touchscreen display
  • Electronic viewfinder
  • 4.5 fps burst shooting w/AF
  • USB charging
  • Wi-Fi + Bluetooth
  • 360 shots per charge (with LCD)

The E-M10 IV will be available in two kits in your choice of silver or black: body only for $ 699 and with the very compact 14-42mm F3.5-5.6 EZ lens for $ 799.

In the US and Canada, Olympus is throwing in a camera bag, extra battery and a 32GB memory card through November 1st.


What’s new and how it compares

The updates on the E-M10 IV are fairly minor, with changes that make selfie-shooting easier being the focus.

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Body, controls and handling

The biggest change on the E-M10 IV is its flip-down LCD, but everything else remains about the same. And that’s not a bad thing.

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First impressions

The E-M10 IV is a lovely camera, though it doesn’t break any ground in its segment.

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Sample gallery

See how the E-M10 IV’s photo quality stacks up in our extensive sample gallery.

View gallery

Articles: Digital Photography Review (dpreview.com)

 
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Olympus OM-D E-M1 Mark III review

27 Jul

Introduction

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Silver Award

83%
Overall score

The Olympus OM-D E-M1 Mark III is the third iteration of the company’s sports and action-oriented Micro Four Thirds model. It uses a 20MP Four Thirds sensor and inherits many of the capabilities of the larger E-M1X, including its multi-shot handheld High Res mode.

Olympus says the Mark III is designed with portability and agile shooting prioritized over the better handling and operability of the larger ‘X’ model. And, while it doesn’t offer the E-M1X’s plane / train / motor vehicle-recognition AF modes, the E-M1 III has the latest TruePic IX processor, which brings a couple of features of its own.

Key Specifications

  • 20MP Four Thirds sensor
  • 121-point autofocus system with deep learning-based subject recognition
  • Handheld high-res shot mode
  • Up to 60 fps Raw + JPEG capture (up to 18 fps with autofocus)
  • Pro Capture mode records frames before you hit the shutter
  • Image stabilization rated at 7.0 (CIPA standard), up to 7.5EV with ‘Sync IS’ lenses
  • ‘Live ND’ multi-shot mode simulates ND filters
  • Large 2.36M-dot LCD viewfinder able to work at up to 120 fps
  • 420 shots per charge (CIPA) battery life rating
  • Dual SD card slots (1x UHS-I, 1x UHS-II)
  • Extensive direct control, AF joystick, articulating touchscreen
  • UHD 4K/30p video and DCI 24p at up to 237Mbps
  • Extensive, IPX1-rated weather sealing
  • USB charging (using USB PD standard)

The Olympus OM-D E-M1 Mark III is available now for a body-only MSRP of $ 1800 ($ 2400 CAD). It’s also sold with the 12-40mm F2.8 Pro lens for $ 2500 ($ 3300 CAD) or the 12-100mm F4.0 IS Pro for $ 2900 ($ 3800 CAD).


What’s new and how it compares

The E-M1 Mark III gains a series of features from the E-M1X as well as improved eye-detection AF. We look at what’s been updated.

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Body and controls

There’s an AF joystick and some interface updates on the Mark III, but we were most stuck by the flexible way the camera’s Custom modes now work.

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Initial impressions

The E-M1 Mark III sits more comfortably alongside the E-M5 III than its predecessor did. And we think the balance of features and capabilities remains competitive.

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Image quality

The E-M1 III’s 20MP sensor is familiar from previous models. Expect lovely JPEG colors and and good dynamic range considering its format. Also check out the 80MP High-res mode!

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Autofocus

Autofocus performance is good when used in a traditional manner, but subject tracking lags behind the competition. Still, face and eye-detect work well.

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Video

The EM1 III is capable of good-looking 4K footage and offers some of the best in-body video stabilization you’ll find anywhere.

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Conclusion

This is a well-rounded camera and easily our favorite Micro Four Thirds body for stills-oriented shooters. Still, there are more capable cameras for the cash.

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Sample gallery

The DPR editorial staff and the DPRTV team have been shooting with the E-M1 III for a while and we’ve created a gallery that gives you a taste of what it can do.

View the gallery

Articles: Digital Photography Review (dpreview.com)

 
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Canon EOS-1D X Mark III review

08 Jul

Introduction

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Gold Award

92%
Overall score

The EOS-1D X Mark III is the latest high-end, ultra-tough, hyper-fast DSLR from Canon. From the outside, it looks about the same as previous EOS-1D bodies dating back two decades. But on the inside, there are radical updates. And even though this is a big, double-grip DSLR, it functions as a highly capable mirrorless camera in Live View mode provided you’ve got the muscle to hold it out in front of you for extended periods of time.

This is also a camera that can take you beyond 8-bit JPEG shooting as your ‘finished image’, includes AF subject recognition based on machine learning in both OVF and live view shooting, and has some impressive video capabilities (including internal Raw video).

There’s a lot to cover on the EOS-1D X Mark III, so let’s get started with a rather lengthy list of key specifications before diving into just what this all means on the following pages.

Key specifications:

  • Updated 20.1MP CMOS sensor with Dual Pixel AF
  • Digic X processor
  • HEIF 10-bit recording (supports HDR display at smaller-than-JPEG sizes)
  • 16fps bursts (viewfinder), 20fps bursts (Live View) with autofocus
  • All-new mirror mechanism to reduce vibration and blackout
  • 191-pt viewfinder AF system with new ‘square pixel’ design, 155 cross-type points, Face + head detection, sensitivity to -4 EV, all points support F8 shooting
  • Live View AF system is now 90% horiz / 100% vertical coverage with enhanced eye detection, sensitivity down to -6 EV, supports F11 shooting
  • New AF ‘Smart Controller’ built into the AF-ON buttons
  • 5.5K/60p 12-bit Raw video recording, 4K/60p 4:2:2 10-bit H.265/HEVC recording
  • Dual CFExpress card slots for virtually unlimited buffer in most situations
  • CIPA rated to 2850 shots with the viewfinder, 610 with Live View using LP-E19 battery
  • Shutter rated to 500k shots
  • Weighs 1440g

And those are just the key specifications.

The EOS-1D X Mark III is likely to find its way into the hands of sports, wedding and event photographers, and remain there for years of use and hundreds of thousands of images. Out-of-camera JPEG.
EF 85mm F1.4L IS | ISO 3200 | 1/1000 sec | F1.4

Excepting landscape and studio specialists that need massive amounts of megapixels, the EOS-1D X Mark III is the most well-rounded, well-specced camera currently on the market for both stills and video shooters that have the requisite funds. It’s clear that Canon is aiming for the 1D X III to be relevant for professional users for years to come, despite the ever-increasing pace of innovation and ever-decreasing length of product cycles in the industry.

The EOS-1D X Mark III is scheduled to be available in mid-February 2020 for an estimated retail price of $ 6499 USD, body-only.


What’s new and how it compares

Find out what’s new under the hood of the EOS-1D X Mark III.

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What’s new: Autofocus

There have been so many updates to the 1D X III’s autofocus system that they get their own page.

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First impressions

From portraits to pounding white-hot metal, we’ve taken a look at how our pre-production EOS-1D X Mark III stacks up.

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Body, controls and handling

A mix of the new and the familiar will satisfy existing 1D-series users while offering some significant improvements.

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Image quality

The EOS-1D X Mark III shoots Canon’s best-ever JPEGs, and Raw performance is up there with the best.

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Dynamic range

The 1D X III has impressive dynamic range among its class of sports-shooting flagships.

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Autofocus performance

Autofocus has been extensively tweaked on the 1D X III – check out how it performs both in our more controlled testing and with team sports.

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Video

Raw and log recording, detailed footage and reliable autofocus make the 1D X III the best DSLR for video to date.

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Conclusion

The EOS-1D X Mark III gets high marks from us for being reliable, capable, future-proof. It’s also a joy to photograph with.

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Sample galleries

The EOS-1D X Mark III is capable of some seriously good image quality – take a look.

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Articles: Digital Photography Review (dpreview.com)

 
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Sony Xperia 1 Mark II sample gallery updated

02 Jun

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While many other manufacturers are going all-in on computational tricks and tons of megapixels with their flagship smartphones, Sony is betting on a more ‘back-to-basics’ approach with its Xperia 1 Mark II. Each of its three cameras comes with just 12MP, but they’re pretty big pixels, as a result – especially on the 1/1.7″-sized main sensor. We took the Xperia to a few of our favorite locales (while maintaining social distancing, of course) to get an idea of what you can expect in terms of image quality from those jumbo pixels.

Articles: Digital Photography Review (dpreview.com)

 
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Sony Xperia 1 Mark II sample gallery

25 May

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We got our hands on Sony’s new Xperia 1 Mark II smartphone, which features super-fast burst shooting and subject recognition with Eye AF. A triple camera design offers 16mm, 24mm and 70mm equivalent focal lengths, and a new Photography Pro photo app provides full manual control and a user interface that will be familiar to Sony shooters.

See our Sony Xperia 1 Mark II gallery

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Panasonic G9 vs. Olympus E-M1 Mark III – who’s the king of Micro Four Thirds?

23 May

Title fight! In one corner we have the new Olympus E-M1 Mark III. In the other is the Panasonic G9 – two years old, but sporting an impressive mid-life firmware update. Find out who wins the battle for Micro Four Thirds supremacy!

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • Handling
  • Displays
  • Stabilization
  • Intermission: bunny rabbits
  • Video features
  • Image quality
  • Autofocus and burst shooting
  • Bells and whistles
  • Which one is right for you?

Articles: Digital Photography Review (dpreview.com)

 
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Canon announces the EOS C300 Mark III with 4K/120p dual gain output sensor, modular design

21 Apr

As part of today’s ‘Imaging Unleashed’ virtual press conference, Canon has announced the Canon C300 Mark III, its latest Super 35mm cinema camera with a new Dual Gain Output (DGO) sensor and a modular design based on the same frame as Canon’s C500 Mark II.

If the outside of the Canon C300 Mark III looks both different and familiar, there’s a reason why: it uses the exact same body as Canon’s C500 Mark II camera. This design not only allows for more modularity within the C300 line but also means all accessories designed for the C500 Mark II will also work with the new C300 Mark III. Canon has also added anamorphic desqueeze support for 2x and 1.3x lenses, as well as a user-swappable lens mount accessory that makes it easy to swap out lens mounts without the need to take it to a service center (it comes with an EF mount, but can also use EF cinema lock and PL mount lenses with the optional kits).

An illustration from Canon’s virtual press conference that shows how each pixel on the sensor is split into two different diodes.

At the heart of the C300 Mark III is a new 4K Super 35mm DGO sensor powered by Canon’s new DIGIC DV7 video imaging processor. The new DGO system allows the sensor to capture up to 16 stops of dynamic range by splitting each pixel into two diodes that simultaneously capture two images at different gain levels. Helpfully, this is a completely different ‘dual gain’ concept to the one used by most other camera makers, in which all the sensor’s pixels use one of two gain modes.

These two diodes within each pixel are also used to power the phase-detection of Canon’s Dual Pixel CMOS AF, which will now work at up to 120 frames per second (fps) with the new C300 Mark III.

Also new is support for Canon’s Cinema RAW Light format, which Canon first announced alongside the EOS C200. The Cinema RAW Light format is a more lightweight version of its Cinema RAW format that captures Raw video data in files as little as 1/5th the size of a standard Cinema RAW file. Canon Europe has a great breakdown of its Cinema RAW Light capture format.

The sensor is capable of recording 4K DCI/UHD video at up to 120fps, as well as 2K at up to 180fps with 4:2:2 10-bit XF-AVC recording. Canon has also included Canon Log 2 and Log 3 support, 12G-SDI output over a single BNC cable, timecode I/O, genlock input BNCs as well as User LUT support for applying custom LUTS in-camera and two CFexpress card slots.

Without the included grip, the modular frame measures in at 183mm (7.2”) for both width and height and 149mm (5.9”) deep with a weight of roughly 1750g (3.9lbs).

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Canon says the camera will be ‘available later in 2020’ with an estimated retail price of $ 10.999. The camera will come with 13 accessories, including a 4.3” LCD monitor, the GR-V1 grip, a BP-A60 battery, a battery charger and more. It is currently available to pre-order on Adorama and B&H.

Articles: Digital Photography Review (dpreview.com)

 
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‘Accurate autofocus on any subject in any environment’: Olympus engineer talks OM-D E-M1 Mark III AF

14 Apr
Olympus’ newly-announced OM-D E-M1 Mark III (left) alongside the OM-D E-M1X.

The recently-launched Olympus OM-D E-M1 Mark III features an advanced 121-point all cross-type autofocus system, and many other capabilities inherited from the flagship OM-D E-M1X including Live ND mode and various multi-shot features.

Modern mirrorless interchangeable lens cameras use one, or a combination of two main types of autofocus: contrast-detection and phase-detection. Contrast-detection autofocus works by driving focus until the contrast of a sampled area on the sensor is at its maximum – the presumed point of sharp focus. Contrast-detection is highly accurate, but can be slow, and relies on a certain amount of ‘trial and error’.

Phase-detection works more like human vision, using dedicated pixels to compare light coming from your subject from two slightly different perspectives at the same time. This allows the camera to judge depth, allowing for faster focus acquisition, without the ‘hunting’ characteristic of many purely contrast-detection autofocus systems.

Traditional phase-detection autofocus systems rely on pixels that are sensitive to vertical lines in a scene. Some, more sophisticated systems use a ‘cross-type’ pixel arrangement, which can detect horizontal or vertical detail, meaning that accurate focus can be achieved even with complex, non-linear subjects.

The 121-point autofocus system in the Olympus OM-D E-M1 Mark III and the E-M1X uses a combination of cross-type phase and contrast-detection, to ensure fast and accurate focus in a range of challenging environments.

In this interview, Tetsuo Kikuchi, manager of Imaging System Development at Olympus Corp explains how the E-M1 Mark III’s autofocus system was developed, and what it means to design a camera for demanding professionals.


What are the user requirements for professional-grade autofocus systems?

The most common requests we receive from professionals are that the camera must focus on their desired subject as quickly and accurately as possible, and it must continue to focus on that subject in any situation.

Professionals often stress the importance of operability, too. Their work requires the ability to quickly and easily adjust autofocus settings as shooting situations and subjects change. We believe that in order to satisfy professionals, we have to be able to meet all of those requirements.

What was the main customer feedback about autofocus in previous models?

After releasing the OM-D E-M1, which was Olympus’ first on-chip PDAF mirrorless camera, we received many requests for more AF points. These requests came from professional photographers and ‘prothusiasts’, especially in the genres of sports, bird, wildlife, and aviation.

We collated performance feedback and took special note of comments regarding focus drift to the background. Then, we set out to develop the 121-point all-cross-type PDAF system to eradicate this issue, delivering highly accurate focusing with all AF points, enabling photographers to keep their subject in focus.

Olympus’ 121-point all-cross-type PDAF system covers the majority of the frame.

What was the main priority when developing autofocus for the E-M1X and E-M1 Mark III?

There were two main goals, actually: ‘Quick focusing on targeted subjects after engaging autofocus’ and ‘stable and highly accurate continuous focusing on targeted subjects in any environment’.

What was the concept behind the 121-point all-cross-type On-chip Phase Detection AF point array?

We developed our on-chip PDAF system to achieve our goal of accurate and continuous autofocus on any subject in any environment.

The AF sensor array layout on the image sensor – which is unique to Olympus – is designed to detect any vertical, horizontal, or diagonal line patterns on subjects, and to find a defocused subject in the foreground. Thanks to our AF sensor layout design, our on-chip PDAF can deliver the high-speed focusing of phase detection and the accurate subject detection of cross-type sensors that DSLR cameras have previously achieved with a dedicated AF sensor. Our system has the added advantage of wider autofocus area coverage.

What makes Olympus autofocus technologies different to or better than competitors?

Our PDAF system can detect vertical and horizontal line patterns equally, allowing the camera to detect and focus on subjects in the foreground. This is a merit of Olympus. Because the PDAF sensors are arrayed not in one high density line but discretely over the entire area of the image sensor, any potential negative effect on image quality is also reduced.

Olympus’ most recent firmware delivers accurate autofocus without the risk of ‘focus drift’ to the background.

OM-D E-M1 Mark III, M.Zuiko Digital ED 300mm F4 IS PRO. F4, 1/250sec, ISO 3200

How difficult is it to implement cross-type on-chip phase-detection autofocus technology?

The most difficult challenge we faced when developing our all cross-type on-chip PDAF system was in determining the optimal layout of the PDAF sensors: one that would achieve the highest level of focusing accuracy with horizontally-arrayed and vertically-arrayed AF sensors simultaneously. In principle, utilizing phase detection AF can cause measurement errors; minimizing such errors is required for highly accurate focusing.

Could you elaborate on the sources of these measurement errors?

The measurement errors are attributed to a combination of factors, but the degree of measurement error is specific to the PDAF sensor layout. Therefore, we needed to build a proprietary in-house method to evaluate the reliability of measured distance data. This was important when we commenced development of the OM-D E-M1 Mark II, which was our first camera model equipped with all cross-type PDAF sensors.

Using pre-production cameras, our R&D members worked closely with professional photographers

Using pre-production cameras, our R&D members worked closely with professional photographers to conduct shooting tests, and these tests were repeated many times to refine our method. As a result, we are able to accurately evaluate our PDAF reliability and deliver exceptional performance.

Measurement errors can also come from the lens. However, our cameras can automatically correct for such errors according to the lens’ known characteristics, thus eliminating any effect.

Concept rendering, showing how cross-type phase-detection autofocus pixels are arrayed on the sensor of Olympus’ OM-D E-M1 Mark III and E-M1X.

Is there an autofocus advantage to a smaller sensor compared to APS-C or full-frame?

In principle, there is no correlation between PDAF performance and sensor size. However, our on-chip PDAF strongly complements our compact system size (which is ideal for photography genres such as bird and wildlife) because this autofocus method allows for a small camera body and fast focusing on moving subjects.

Lens resolution can affect autofocus accuracy though, because high resolution lenses make it possible to more precisely detect focus position.

The OM-D E-M1X is one of Olympus’ OM-D models that utilizes its contrast-detection plus all-cross-type phase-detection AF system.

How will the computational and machine learning based approaches we’ve seen in Olympus cameras evolve?

To ensure our products deliver the highest levels of performance, continuous device evolution must be paired with ever-evolving computational photography technologies. We have been heavily investing our resources to meet this challenge. For example, the E-M1 Mark III boasts our Handheld High Res Shot Mode, a technology that can produce high resolution low noise images, similar to those of full frame cameras, but with a system that’s significantly smaller in size.

We will develop new technologies to enable photographers to capture challenging images which are only possible using an Olympus camera and lens

We have also achieved advanced subject detection AF with AI-based deep learning technology. Features such as these will be continuously improved. Looking to the future, we will develop new technologies to enable photographers to capture challenging images which are only possible using an Olympus camera and lens, negating the need for extra equipment, special shooting skills, or additional post-processing.

The OM-D E-M1X has 121-point contrast-detection plus all-cross-type phase-detection AF. It features Olympus’ Subject Detection AF with AI-based deep learning technology.

OM-D E-M1 Mark III, M.Zuiko Digital ED 300mm F4 IS PRO. F5.6, 1/1600sec, ISO 400

Smartphone cameras today perform dynamic and local adjustments to automatically create a pleasing image. Do you see Olympus cameras also adopting this ‘auto’ approach in the future?

Our goals do not include the development of technology that significantly limits users in their individual creativity and expression. Instead, we develop cameras that facilitate the creative process, helping photographers bring their image concepts to life. While it is important that we enable photographers to utilize their skills and knowledge, we also see value to improving camera features for shooting assistance.

Thus, we will strive to uphold a balance between expression and automation with new technology that can benefit photographers of all skill levels and genres.


Tetsuo Kikuchi is manager of Imaging System Development at Olympus Corp, in Tokyo.

This is sponsored content, created with the support of Olympus. What does this mean?

Articles: Digital Photography Review (dpreview.com)

 
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Canon releases 1D X Mark III firmware update to fix lock-up issue, add 23.98p video capture

08 Apr

As it had promised a few weeks back, Canon has released a firmware update (version 1.1.0) for its 1D X Mark III DSLR camera that addresses the lock-up issue we first reported on in early March. In addition to the lock-up issue, the update addresses a few other ‘enhancements and fixes.’

First and foremost, firmware version 1.1.0 corrects a problem that would cause the camera to lock up when the electronic level is set to ‘Show’ in the viewfinder display and the shutter or AF-ON button is pressed. Below is a video from DPReview reader Hamilton Pytluk, who shared the lock-up issue in action:

The update, which was released on March 31 and only recently brought to our attention, also fixes an issue where the ‘Custom Shooting Mode’ settings could change when the shooting mode is switched and adds the option for a 23.98p frame rate option. Canon has also improved the communication speed when connected via wired LAN, added a ‘Browser Remote’ function and added the ability to transfer only images that are protected.

You can find the firmware update, available to download on both macOS and Windows computers, on Canon Europe’s 1D X Mark III support page.

Articles: Digital Photography Review (dpreview.com)

 
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Canon’s EOS M6 Mark II finally gets a 24p video mode via new firmware update

01 Apr

As it had assured consumers back in October 2019, Canon has released a firmware update for its EOS M6 Mark II camera that adds a 24p (23.98fps) mode that was inexplicably missing from the camera until now.

Canon has already released firmware for the other camera systems it promised 24p modes for, including the EOS 90D and EOS RP, so the new 1.1.0 update for the EOS M6 Mark II wraps up its response to customer feedback regarding the lack of a 24p mode when shooting video.

In addition to adding the 24p mode, the update also fixes an issue wherein the focus position of the lens returns to the home position if the camera powers off while in ‘Auto Power Off’ is turned on during ‘Interval Timing’ shooting as well as an issue that, ‘in rare cases’ would cause the camera to not focus at the edges of the image area.

The 1.1.0 firmware update is currently available to download (40MB) for both macOS and Windows computers on Canon’s EOS M6 Mark II product page.

Changelog:

Firmware Version 1.1.0 incorporates the following enhancement and fixes:

  1. The option to capture movies in the frame rate of 23.98p has been added.
  2. Fixes the phenomenon where the focus position of the lens returns to the home position if the camera powers off due to the “Auto Power Off” setting during Interval Timing shooting.
  3. Fixes the phenomenon in which, in rare cases, the camera may not autofocus at the edges of the image area.

Firmware Version 1.1.0 is for cameras with firmware up to Version 1.0.1. If the camera’s firmware is already Version 1.1.0, it is not necessary to update the firmware.

When updating the firmware of the camera, please review the instructions thoroughly before you download the firmware.

Notes: You can download the latest version of the instruction manual from our Web site.

Q&A: Preparations for a firmware update: After the downloaded compressed file (.dmg file) is extracted, a firmware folder is created.

*Extracting the downloaded file: The downloaded folder is automatically extracted, and a firmware folder is created. If the download folder cannot be automatically extracted, double-click the folder.

The extracted folder contains the firmware (File name: M6200110.FIR, File size: 37,013,792 bytes) and instructions on the firmware update procedures (a PDF file in five languages: Japanese, English, French, Spanish, and Simplified Chinese).

Before starting the firmware update operations, please confirm the contents of the download, and carefully read through the firmware update procedures.

(The following is the history of past firmware updates) Changes in Version 1.0.1:

  1. Corrects a PTP communications vulnerability.
  2. Corrects a vulnerability related to firmware update.

Articles: Digital Photography Review (dpreview.com)

 
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