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Great Eight: Panasonic Lumix DMC-GX8 review

10 Mar

Key Features

  • 20MP Four Thirds MOS sensor
  • Dual IS capability
  • Depth from Defocus AF system
  • 2.36M-dot tilting OLED EVF
  • 1.04M-dot, vari-angle OLED touchscreen display
  • 4K video / photo
  • Weatherproof magnesium alloy body
  • Wi-Fi with NFC

The Panasonic Lumix DMC-GX8 is the company’s flagship Micro Four Thirds interchangeable lens camera, and the followup to the popular GX7. While sharing some similarities with its predecessor, such as a tilting electronic viewfinder and rangefinder-styled body, the majority of the specs and features are dramatically improved.

The GX8 was the first Micro Four Thirds camera to leave the world of 16 Megapixel sensors behind, moving to 20MP. This increase in resolution allows the GX8 to appear to be closer in spec to other ILCs, many of which have 24MP sensors. When combined with Panasonic’s latest Venus Engine processor, the GX8 is capable of 4K video capture, 10 fps burst shooting (8 with the mechanical shutter), and a top ISO of 51200. 

The camera has also received a big upgrade in the autofocus department. While we’ll explain how Panasonic’s Depth from Defocus technology works later, it impressed us with its speed and subject tracking abilities when we reviewed the DMC-G7.

Another very useful new feature on the GX8 is ‘Dual IS’. The camera already has built-in sensor-shift IS and, when selected stabilized lenses are attached, can combine the two systems for even better shake reduction. Panasonic claims a 3.5x improvement at wide-angle and 1.5x at telephoto compared to the GX7 (which relied solely on its less advanced in-body IS system). 

The GX8 has also gained 4K (UHD) video capture support that surpasses the DMC-G7 in terms of features, though it’s not as robust as the GH4. 4K support also extends to stills, via the camera’s 4K Photo mode, a tool which helps capture moments that you might otherwise miss.

One last thing to mention in this introduction is the design of the DMC-GX8. The camera is considerably bulkier than its predecessor, closer in size and weight to Fujifilm’s X-Pro2. That’s good, though, as build quality has increased and the camera is now splash and dust resistant. The tilting EVF remains but now it’s larger and uses OLED rather than LCD technology. The tilting rear LCD on the GX7 has made way for a fully articulating OLED screen on the GX8. A few dials have moved around as well, and there’s now direct control for exposure compensation on the camera’s top plate.

The Lumix GX8’s feature set comparable to both mirrorless cameras like the Olympus PEN-F and Fujifilm X-Pro2, but also DSLRs such as the Canon 80D and Nikon D7200. As you’ll see throughout the review, the GX8 offers some features that none of those cameras can compete with.

Spec comparison

   Panasonic GX7  Panasonic GX8  Olympus PEN-F
 Sensor  16.0MP MOS   20.3MP MOS  20.3MP MOS 
 Image stabilization  Sensor-shift (2-axis)  Sensor (4-axis) + lens shift*  Sensor-shift (5-axis)
 AF system  23-pt CDAF  49-pt CDAF  81-pt CDAF
 Max shutter speed  1/8000 (mechanical)  1/8000 (mechanical)
 1/16000 (electronic) 
1/8000 sec
1/16000 sec
 Flash x-sync  1/320 sec  1/250 sec 1/250 sec
 Burst rate
 (mech./elect.)
 5 / 40 fps  8 / 10 fps 10 / 20 fps 
 EVF resolution  2.8M-dot equiv.  2.36M-dot 2.36M-dot
 EVF type/mag  Tilting LCD / 0.7x  Tilting OLED / 0.77x  Fixed OLED / 0.62x
 LCD type/res  3″ tilting touch
 1.04M-dot LCD
 3″ vari-angle touch
 1.04M-dot OLED
3″ vari-angle touch
1.04M-dot LCD
 Built-in flash  Yes (GN 7 @ ISO 200) No No**
 Video  1080/60p @ 28MBps 2160/30p @ 100MBps 1080/60p @ 77Mbps 
 Mic/headphone sockets  No / No Yes / No No / No
 Wi-Fi  Yes, with NFC Yes, with NFC Yes
 Weather-sealing  No Yes No 
 Battery life   320 shots*** 330 shots*** 330 shots
 Dimensions  123 x 71 x 55mm 133 x 78 x 63mm 125 x 72 x 37mm
 Weight (CIPA)  402 g  487 g 427 g 
* When using lenses with built-in image stabilization
** External flash included
*** With 14-42mm kit zoom

As you can see, the GX8 is a pretty big leap forward from its predecessor. It is very close in spec to the Olympus PEN-F, though it’s weather-sealed, supports 4K video, and has a considerably larger EVF. One could argue that the GX8 is targeted more toward the video crowd, while the PEN-F is for those looking for a classic ‘camera-loving’ audience.

Pricing

The DMC-GX8 is sold in a body-only configuration for $ 1199 / £919 / €1099. The camera may be bundled with a lens in certain regions.

If you're new to digital photography you may wish to read the Digital Photography Glossary before diving into this article (it may help you understand some of the terms used).

Conclusion / Recommendation / Ratings are based on the opinion of the reviewer, you should read the ENTIRE review before coming to your own conclusions.

We recommend to make the most of this review you should be able to see the difference (at least) between X, Y, and Z and ideally A, B, and C.

This article is Copyright 1998 – 2016 and may NOT in part or in whole be reproduced in any electronic or printed medium without prior permission from the author.

Articles: Digital Photography Review (dpreview.com)

 
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Wonder of nature: Eight winning photos from the 9th International Garden Photographer of the Year competition

22 Feb

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A photographer from the UK has collected £7500 along with the title International Garden Photographer of the Year as the results of the ninth competition have been announced. Richard Bloom took the first prize with a picture of a field of lupins he came across while in the South Island of New Zealand in the summer of 2015. Bloom commented ‘The landscape was already amazing, scattered with drifts of naturalised lupins, which gave it an almost psychedelic, wonderland feel.’

The competition has eight main categories along with additional prizes for portfolios, projects and photographers under the age of 16. The competition culminates in an exhibition at the Royal Botanic Gardens, in Kew, London, and a book is produced of the winning entries and those commended. On request judges also offer feedback on entries once the winners are announced.

The 2016 competition is already open for entries, and is open to photographers around the globe, with a deadline of October 31st. Entry costs from £10 for adults.

To see more of the winning entries visit the International Garden Photographer of the Year website.

Articles: Digital Photography Review (dpreview.com)

 
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Alligator steals DSLR, kindly returns it eight months later

25 Aug

photo-2-1024x755.jpg

During a holiday party at the Everglades Alligator Farm last year, employee and budding wildlife photographer Mario Aldecoa was setting up his camera to capture the glowing eyes of the local residents. It wasn’t long after he mounted his Canon DSLR to a tripod when, in a flash, one of the gators grabbed the whole thing as if it was lunch. After a fruitless search the next morning, Aldecoa had all but given up on finding his camera. Eight months later, he was in for a surprise.

News: Digital Photography Review (dpreview.com)

 
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fifty two heartbeats [verse eight]

07 Apr

A few nice visual art images I found:

fifty two heartbeats [verse eight]
visual art
Image by the|G|™
fifty two heartbeats [a requiem for 2009]

the entire 8 here:
www.flickr.com/photos/the-g-uk/sets/72157622990446749/

a new decade. new directions. new connections.

this is a beat poem for the eyes in eight parts.

some sections have been considered, some are purely accidental.

fifty two pieces. diverse. from landscape to dada to abstract to portrait. and beyond.

the people, the artists, have made my year better. their gift to me.

this is a visual echo to them. to you.

a new decade.

may it treat you well.

the|G|™

[NB]

this work is in not in ‘absolute’ order of preference.

though of course, from the beginning, i thought about those who have a deep connection for me, so there is a modicum of ‘hierarchy’.

however, i suddenly remembered people who are dear to me toward the end of the process!! you cannot read too much into your ‘placing’ in the mosaics, and that is as it should be.

if you are not in the mix, i can only apologise. it was quite a lengthy process 😮
i will certainly have forgotten people [i can think of several now] who should have been a part of this process, but a year only contains a finite number of weeks.

you are not forgotten.

the best to all my contacts.

should you be interested in the fundamental reasons for many of my contacts being held in high esteem and great regard, please feel free to cast an eye over my new year video. it explains much with regard to how i view my contacts:

www.flickr.com/photos/the-g-uk/4232387716/

once again.

thank you all, for being who you are.

the|G|™

1. Single Tear, 2. 111109_62, 3. The Damn Devil, 4. Untitled, 5. the road is life, 6. Run, Forrest… Run!, 7. Behind the Net, 8. Untitled

 
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28 August, 2010 – Eight New Lightroom 3 Tutorial Modules Just Published

28 Aug

We have just made available seven new videos to our new Lightroom 3 Video Tutorial videos 30 through 37, within Zip files 23-26.

These include…

– Print 1: Page Setup, Settings & Resolution
– Print 2: Print Sharpening & Color Management
– Print 3: Page Panel, Print to JPEG, Picture Packages
– Identity Plate
– Lightroom 3 & CS4 – a gotcha!
– Roundtrip to Photoshop (Soft Proof)
– Merge to Panorama with Photoshop
– Sync Develop Settings

If you’ve already purchased our LR3 tutorial, just log onto your account on the LuLa Store and download them.

BUT FIRST – Please Read the New Table of Contents PDF.

___________________

"These tutorials have made my understanding of much of the digital world so much easier.
It is far easier to watch these two experts and learn than trying to understand from some of the ‘encyclopedias’ that are on the market, and at a price that is excellent value for money."


The Luminous Landscape – What’s New

 
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