Das Bild des Tages von: Michael Färber
Im Ausblick: Schwangerschaftsbilder, Instagrambilder sichern und eine Fotogeschichte.
kwerfeldein – Fotografie Magazin | Fotocommunity
Das Bild des Tages von: Michael Färber
Im Ausblick: Schwangerschaftsbilder, Instagrambilder sichern und eine Fotogeschichte.
kwerfeldein – Fotografie Magazin | Fotocommunity
[ By WebUrbanist in Design & Fixtures & Interiors. ]
In a world of increasing automation but decreasing resources, these kitchen concepts include interactive surfaces, flexible storage for on-demand food and responsive innovations to teach people how best to cook, prepare and store meals either made at home or delivered by drone.
Each premise of IKEA’s Concept Kitchen 2025 seems like a sound extrapolation of current trends: easy-to-order ingredients and automated meals mean less need for conventional storage space and greater attention to rising demand for modular storage, water use and recycling.
Fast (sharing economy or drone) delivery of food and automated repurchasing means pantries can be slimmer, reducing spatial as well as energy needs. At the core of the design is a multi-functional kitchen surface that includes an induction cooking element and other fancy features: “as the world changes, so will our needs. That means that the table of the future will be designed to do so much more: it’s our preparation surface, hob, dining table, work bench and children’s play area.”
It is not too much of a stretch to imagine a Kinect-like device hovering over your kitchen island, sensing and responding to your movements below, whether you are in the process of cooking, working or playing with your kids.
It also seems like a logical extension of current conditions and technology to assume kitchens will be better equipped to sort out our recycling and help save water through graywater systems and other measures.
Presented in Milan for Design Week in collaboration with IDEO and dozens of industrial design students, this IKEA “exhibition is just one part of an ongoing investigation by IKEA into how people’s relationship to food is changing. It serves to tangibly show what we might be doing in 2025: how we’ll be growing our food, storing it; how we’ll be cooking, eating, living and working in the kitchen.”
[ By WebUrbanist in Design & Fixtures & Interiors. ]
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I stopped using the camera strap that comes with the camera (DSLR) quite awhile ago now. My fundamental gripes were as follows:
I like to switch from handheld to mounting the camera on a tripod when I shoot. I do however, like the security of a strap when holding my camera. Some years back, I found a useful DIY tutorial online, outlining how to make a camera wrist strap using paracord. Take a piece about 27 inches long and make a loop about 7-7.5 inches long by tying both ends together into knot. I used a simple overhand knot but you could use a more sophisticated knot such as a Lanyard knot. You will need to burn the ends of the cord, after the knot, to stop it from fraying.
This paracord is strong and really inexpensive to purchase. It comes in a variety of colors. There are a multitude of uses for this cord, it’s a dream for most DIY enthusiasts. However, this configuration of strap isn’t a fail safe option should you let your camera fall out of your hand.
Joby have a corded strap, specifically for DSLRs that is designed to automatically tighten around the wrist if the camera is dropped. Out of curiosity, I purchased one to try it out. It’s not expensive and does tighten around the wrist if the camera falls or drops out of your hand. It is very comfortable and I love the green color.
However, for you DIY hackers out there, you can fashion a similar wrist strap with a built-in wrist tightener from paracord using a slip-knot. Just do a google search to get a tutorial online.
I used to own a Nikon 18-200mm VR lens. It was a great versatile lens. But after some time, when I would take macro or overhead shots, where the camera is at 45 angle or more, I’d notice the lens would creep (move slightly due to gravity). I found this neat solution online to put a wrist rubber band around the zoom ring and the barrel of the lens. It worked and was a perfect solution to prevent the lens from creeping.
This rubber band can also act to secure the Ziploc bag around the lens if safeguarding against the rain. See tip below.
Sandbag(s) are great for adding stability to your lightstand or tripod. But they are not practical to bring with you on vacation or on a day trip. This is where having a couple of Ziploc baggies with you in your camera bag are ideal.
If you are away on vacation, purchase a bag of dried beans, rice, or soup mix. Make a small hole near the top of the bag, place a cable tie through the hole and create a plastic ring. Depending on the type of tripod that you have, place this on the hook or use another cable tie to create second ring that will secure the bag to the centre column of the tripod.
A Ziploc bag filled with dried beans etc., can be also used as an alternative bean bag tripod. If you are out and about shooting on a day trip, and there are no convenience stores nearby – use soil or sand to fill the Ziploc bags.
A large Ziploc bag can even be a turned into a quick rain guard. Make a hole for the lens and use the rubber wrist band to secure the bag around the lens.
This small tin of petroleum jelly is small to put in your camera bag and weighs practically nothing. If you are shooting portrait shots and your subject or model forgets to bring their lipstick, the vaseline gives sparkle to lips and helps catch some specular highlights.
You can get creative by applying some vaseline to an old UV filter, rather than on the lens itself, to create a dreamy retro look. It’s a bit messy, so use a Ziploc bag to put the UV filter in when you’re done and clean it when you get home.
If you are a landscape or street photographer, the elements can play havoc with your lips. Nothing worse than chapped lips. Apply some vaseline to protect them.
I could have smeared more Vaseline to allow for a smaller opening, which would have created an even more dreamy effect. That is the beauty of this technique, just experiment.
This inexpensive pen should be an automatic addition to your camera bag. After all, you never know when your smartphone or tablet might lose power and you will need to write down some specifics. A pen and paper always comes in handy. Wrap some gaffer or duct tape around the middle of the pen rather than carry a big roll of it around. You never know when you may need a bit of tape.
All of these items are so small and compact that you won’t know that they are in your camera bag. Sometimes it is the small things that can make a BIG difference!
Do you have any hacks or tips that you would like to share?
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The post 5 DIY Hacks to Have in Your Camera Bag by Sarah Hipwell appeared first on Digital Photography School.
American photographer John Moore has won the L’Iris d’Or Photographer of the Year prize in the World Photography Organization’s annual competition. The Getty Images photographer submitted a dramatic and emotional series of pictures telling the story of the Ebola crisis in Liberia’s capital Monrovia – a series that was credited with being the first to expose the scale of the problem that country faced and the severity of the epidemic. Read more
Articles: Digital Photography Review (dpreview.com)
Ah, depth of field. As photo history geeks, we feel certain in our knowledge that every photographer everywhere has asked the pivotal question: “Hold up, what the deuce is depth of field and why is it important?” Yes, the age-old question.
Simply put, depth of field (DoF) is the area of your photograph that is sharp and clear. While your camera can only focus in on a single point, your final image will have an area around that single point that appears to be in focus as well – that is the DoF of that image. DoF is important because it quickly defines your subject.
A narrow DoF eliminates distractions from your subject and typically used in portrait, wildlife and sports photography. While a wide DoF ensures clarity through the entire image, usually best for landscape, cityscapes and big ol’ group shots.
Depth of field is controlled through focus and aperture settings (the f-stops.) So, if your camera has manual controls, making the aperture number smaller (toward f/1.4) gives you shallower DoF, and raising it up (toward f/22) makes everything in your photo tack sharp.
Check out this extremely detailed lesson from Digital Photography School for everything you ever wanted to know about DoF and how to use it to best capture your subjects.
Then, if you’re already picking up what we’re putting down take your DoF play further, by faking extremely deep or super shallow DoF (no expensive lenses required.)
So how deep does the rabbit hole go? Depends on your DoF!
DoF: Make it and Fake it
Photo by Bruce Wunderlich
© Erin for Photojojo, 2015. |
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[ By WebUrbanist in Drawing & Digital. ]
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[ By WebUrbanist in Drawing & Digital. ]
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[ By Steph in Art & Installation & Sound. ]
Eighty-two feet under the surface of the earth, hidden within the cellars of the Maison Ackerman winery in Saumur, France, an eerie blue-violet wonderland blooms in carefully constructed arrangements of UV-coated string. Artist Julien Salaud wound 28 miles of cotton thread around 65,000 nails for his installation Fleuve Céleste, which explores themes of nature, mysticism and shamanism against the natural rock walls of the space.
At first glance, the images seem as if they were created on a computer. But anyone who takes a tour of the winery can walk within tunnels of the glowing string, illuminated by a projected ultraviolet light.
According to Salaud, the work offers “a different viewpoint of what an animal can be: that of the Cartesian or the geneticist, of the predator or the prey, of the sorcerer or the mystic.” Conceived specifically for this unusual space, the work will be on display for three years and is the first exhibition originating from the Ackerman + Fontrevaud La Scéne residency.
[ By Steph in Art & Installation & Sound. ]
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[ By Steph in Architecture & Cities & Urbanism. ]
From Canal Street in New Orleans to a nature preserve in Latvia, these diverse observation towers look out over everything from bird sanctuaries to Formula One race tracks. With designs that stand out for both their brilliance and quirks, these 12 viewing decks in the sky provide unparalleled views of both urban and rural settings.
Arizona’s capital city will soon get a 70,000-square-foot addition to its skyline, a spiraling walkway stretching toward the clouds. Three glass elevators lead to the helical apex, with retail, exhibition and recreation spaces at the base. BIG Architects envision it as a pin on the map, which “becomes a point of reference and a mechanism to set the landscape in motion through the movement of the spectator.”
A floating ring slides up and down two supporting towers right over New York City’s Grand Central Terminal in this design by SOM. The moving deck preserves the original 100-year-old station while rethinking the available space around the building, turning it into a landmark with 360-degree views of the city.
There’s only one angle from which Ateliereen Architecten’s observation tower in Belgium looks like it’s standing up straight. Everywhere else, the 30-meter steel and timber tower draped with ribbons of rope appears to be leaning. The ropes reference the nearby sand dunes in the nature preserve in which the tower is set.
Observation decks jut out from this lookout tower in Jurmala, Latvia like balconies from a skyscraper, providing a variety of vantage points from which to enjoy Dzintaru Park. Consisting of an open-air cage, the structure reaches to 124.6 feet at its pinnacle.
[ By Steph in Architecture & Cities & Urbanism. ]
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DxOMark has just released its test results for the Galaxy Note 4, putting it just behind Samsung’s Galaxy S6 but above Apple’s flagship iPhone 6 Plus. Our comprehensive review of the Note 4 and its 16MP BSI CMOS sensor, F2.2 lens and optical image stabilization has been updated with DxOMark’s findings. See how it stacks up against the competition. Read more
Articles: Digital Photography Review (dpreview.com)
DxOMark has just released test results for Samsung’s latest flagship smartphones, the Galaxy S6 Edge and, by extension, the Galaxy S6. Both phones share the same hardware and specifications, including a 16MP BSI CMOS sensor, F1.9 lens and optical image stabilization. The S6 Edge’s camera performance puts it at the top of DxOMark’s mobile rankings – find out why. Read more
Articles: Digital Photography Review (dpreview.com)
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