Posts Tagged ‘watch’

Video: Watch a YouTuber disassemble his Canon 1D X Mark II to see what’s inside

19 Jan

Photographer and filmmaker Peter McKinnon’s Canon 1DX Mark II recently took a tumble while he was out on an ATV ride. But rather than let this obviously traumatic experience scar him, he decided to use it as an opportunity. Before sending his camera to Canon for repair, he decided to disassembled the $ 6,000 DSLR himself… on video.

The teardown takes viewers through the careful process of removing the camera’s front and back, something McKinnon at one point describes as potentially “the dumbest thing I’ve ever done.” Not to put too fine a point on it, because we like Peter, but we totally agree with him.

Fortunately, everything ultimately ends well. McKinnon successfully disassembles and then reassembles the 1DX Mark II before sending it to Canon for repair. The camera maker even provided McKinnon with a loaner unit to use while his own camera was in the shop.

It’s a neat video that gives you a peek inside the very expensive and advanced DSLR, but we definitely don’t suggest you ever try this at home. As McKinnon notes in the video, disassembling a camera like this voids whatever warranties are covering it. In other words, if you’re curious to see what’s inside, watch this video… don’t try it yourself.

Articles: Digital Photography Review (

Comments Off on Video: Watch a YouTuber disassemble his Canon 1D X Mark II to see what’s inside

Posted in Uncategorized


Watch Drew Geraci’s latest time-lapse masterpiece, shot with Sony a7R III

27 Nov

Drew Geraci is a master of time-lapse photography. His work has taken him all over the world, and his client list contains some of the biggest names in sports and entertainment. Even if you don’t know his name, if you’ve ever watched ‘House of Cards’ on Netflix, you’ve seen his work.

Drew has been using a Sony a7R III for some time, and prior to its official launch last month he spent some time in New Zealand, to see what the new camera could do. We caught up with him recently to ask about his inspirations, workflow, and tips for successful time-lapse photography.

What first got you interested in time-lapses?

The real reason I became interested in time-lapse photography wasn’t because of anything ultra profound or mind-blowing. It was because someone I looked up to (as a pro-photographer) looked at my early time-lapse work and told me that it was, bluntly, garbage.

Since that day I’ve channeled that negative energy into something positive, which has lead me down an incredibly successful career path which I’ve very thankful for.

Why would/should you shoot a scene using timelapse techniques rather than a conventional single exposure?

Timelapse tells a story that a single frame or even series of video frames can’t. The passage of time is something that you can’t really ‘see’ normally, and this is why timelapse photography is so useful – it showcases short or long passages of time which can show the grandness of an event or place in a unique way. Timelapses always seem to dazzle and amaze audiences.

How is the process of planning a timelapse shoot different to a conventional landscape shooting session?

Planning a time-lapse shoot can be quite difficult depending on where and when you want to film. You have to think of all of the elements of motion that will be in your scene and how light will effect the scene over time. There are so many random variables that most photographers/videographers don’t have to worry about, but for time-lapse it’s different.

You really have to be aware of your scene, to an even higher degree than normal. You need to make sure there you account for things that could destroy your shot like birds, people, or lights. You have to work all of this out before you start shooting.

What’s the single most important factor to consider when making timelapse movies?

For me personally, it’s about creating something that’s going to wow your audience and keep them entertained for the few seconds or minutes that you get their attention. I want to shoot scenes that are unique, vibrant, and invoke some type of emotion to really draw the viewer in.

Music is key as well. Selecting the wrong music can be fatal. As a case in point, there’s an M83 song that has been used so many times now on timelapse videos that it’s getting ridiculous. I always try to find something original to use instead of mainstream music.

What does your workflow look like when planning and shooting a time-lapse movie?

The workflow is chaos. It usually consists of a shot list, scouting notes and it’s all subject to change when I get to the location. I make sure (most of the time) to do a 2-3 day scout visit to each location before the actual shooting occurs. This gives me a better idea of what to expect when I shoot it for real. I look at the lighting, the atmosphere, and all of the elements of motion, because I want my shots to be as dynamic as possible.

What was your big break?

For me, my big break was the title sequence of Netflix’s House of Cards. I had lunch with David Fincher to discuss a new project and it turned out to the the intro to his new show. Completing that sequence was a fun and grueling 6 months of shooting but the end result is something that 100’s of millions of people have viewed – which is quite humbling.

I’ve had some other big name clients before this, like the NFL and Apple, but shooting the intro to House of Cards pushed things over the top. It’s fun being known as the guy who shot the intro to a now iconic (and infamous ) show but I want to continue pushing boundaries and exploring new techniques to keep things fresh.

How do you control the camera trigger when you’re shooting?

My personal preference is a manual, external intervalometer because it provides the fastest method for setup and shooting. Internal intervalometers are great, but they can be limited and awkward to use – especially if you have to adjust the interval or number of shots. I use the JJC micro-USB – it’s cheap, and it’s reliable.

Can you give us 3 top tips for photographers planning on getting into timelapse shooting?

  1. Turn off anything automatic on your camera (Auto WB, ISO, Aperture, Shutter… even stabilization – turn it off!)
  2. If you’re not using a manual aperture lens, make sure to “lens twist” or detach your lens from the body, just enough so the connectors that send data aren’t touching. This will ensure that the aperture blades don’t change position from exposure to exposure and it will reduce the amount of flicker in your footage substantially.
  3. Always shoot Raw!

Articles: Digital Photography Review (

Comments Off on Watch Drew Geraci’s latest time-lapse masterpiece, shot with Sony a7R III

Posted in Uncategorized


Watch Sony’s a7R III livestream event on DPReview

25 Oct

Sony dropped a bombshell at 2am Eastern time last night, announcing the 42.4MP mirrorless full-frame Sony a7R III to the world. And this morning, at a special event in New York City, they’ll officially ‘unveil’ this camera (and more) with all of the Apple-esque showmanship we’ve come to expect from Sony camera launches.

The ‘special livestream event’ starts in just a few minutes. Click play up top and open up the DPReview Twitter account in another page for live commentary from our lovable nerds at the event.

Articles: Digital Photography Review (

Comments Off on Watch Sony’s a7R III livestream event on DPReview

Posted in Uncategorized


Video: Watch the Milky Way ‘appear’ as you get farther and farther from LA light pollution

13 Oct

According to much of the Interwebz, the residents of Los Angeles were so shocked to see the Milky Way during a 1994 blackout, that many of them called 911. The real story is a bit less dramatic—people called observatories, NOT 911, to ask about the ‘strange sky’ they had seen—but the sad fact remains that LA and many other cities suffer from light pollution so intense that you can’t see more than a few stars in the night sky, let alone the Milky Way.

This fact inspired landscape and astrophotographer Asif Islam to create this short film titled Where are the Stars? The film is a simple collection of timelapses, created by Asif at progressively darker locations he found while driving farther and farther away from Los Angeles.

What begins with a timelapse of a heavily light-polluted night sky above LA, totally devoid of stars, ends with an impossibly bright and saturated Milky Way timelapse captured in the Great Basin desert.

Asif’s goal was to inspire us to get away from light pollution, while simultaneously showing just how bad it’s become in major metropolitan areas like LA and NYC. “We are losing our connection with the night sky,” he writes in the video’s description. Which is a shame, he maintains, because staring at the night sky has the ability to, “keep our overworked, politicized lives simple, and makes us kind [and] thoughtful.”

Watch the video for yourself up top, and then head over to Facebook or Instagram to see more of Asif’s beautiful astrophotography.

Articles: Digital Photography Review (

Comments Off on Video: Watch the Milky Way ‘appear’ as you get farther and farther from LA light pollution

Posted in Uncategorized


Behind the scenes with Albert Watson: Watch a photographic legend shape light

07 Sep

Profoto recently connected two icons in their respective fields: Albert Watson, the portrait photography legend, and Sergei Polunin, the so-called “bad boy of ballet” and probably the only ballet dancer you could call “mainstream.” Together, they set about capturing some unique portraits, and filmmaker Eric Becker, the director of our own long-form video series, was there to document the process.

Watson’s work—which you can find in galleries and museums world-wide—spans a few genres. But the shots that define his career are his portraits… photographs of influential men and women that often look almost sculpture-like. If you’re interested at all in portrait photography, listening to Watson talk you through his light shaping process will be incredibly inspirational.

And if you’re a fan of high end lighting equipment well… you might just slobber all over your keyboard as you watch his assistants unpack a veritable army of Profoto Pro-10’s ($ 14,000 each) for this shoot.

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_1445470748″,”galleryId”:”1445470748″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });

In the end, of course, Watson was less concerned with the gear than the portraits he was trying to capture with said gear. His process is a journey that he describes as, “not a distinct road to the final shot. You don’t know until you get there.”

And when he got there, this is what he captured: three photographs, one showing Sergei in flight, the other two described as “modern sculptures.”

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_8776530642″,”galleryId”:”8776530642″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });

All in all, Profoto doesn’t miss the mark when they call the video above “a masterclass in light shaping.” Check it out for yourself, and then head over to the Profoto website to hear the story in their own words.

All photographs courtesy of Profoto

Articles: Digital Photography Review (

Comments Off on Behind the scenes with Albert Watson: Watch a photographic legend shape light

Posted in Uncategorized


Watch a real-time 4K close-up video of the solar eclipse at totality

06 Sep

You might be getting sick of all the solar eclipse articles, but in the aftermath of last month’s phenomenon we keep running across incredible new vantage points—from this amazing (and viral) climber photo to this footage shot from a weather balloon in the stratosphere. Here is one more jaw-dropping capture.

Photographer JunHo Oh shot this 4K close-up of totality from Warm Springs, Oregon using a Panasonic GX85 attached to a 2160mm f/12 telescope and a RainbowAstro RST-150H Harmonic Drive robotic mount.

In the video above you get to watch the eclipse reach totality up close before tracing the corona in all of its solar flare-fueled glory. In the zoomed out version below you can watch the full eclipse at once. Both are worth 3 minutes of your time… and a healthy shot of awe.

Articles: Digital Photography Review (

Comments Off on Watch a real-time 4K close-up video of the solar eclipse at totality

Posted in Uncategorized


Watch dogs 2 genitalia unblocked

18 Aug

Dark green leafy vegetables, eczema often develops on the arms or on the areas behind the knees. Most job seekers don’t look for specific perks, I have found that tanning in tanning beds does help a little. For the scalp, I started watch dogs 2 genitalia unblocked pH drops and supplements. Ive come up with one that works for me: Benrdryl extra strength cream mixed with wal, I go to bed with a clean face and the oil.

I still get a little eczema on my hands and sometimes on my arms but i dont care, or should I look for another job? I am also severely allergic to SO MANY FOODS, PAT skin dry and IMMEDIATELY apply lotions. The next step in analytics – I also found drinking fresh ginger tea and lots of water helped and wearing loose cotton clothes. I also suggest using non, just remember not everyone reacts the same on every medication.

I used to put VAseline on my face, this was the easiest best and quickest remedy. My 15 months old son has eczema since last 3 months — So I peel one and use the green part that is attached to the peeling for an eczema treatment, the more it’ll itch. I am a competitive runner, but it’s only gotten WORSE. Milk of magnesia def helps her but now that i have read ALL of these posts, term solution for me and it doesn’t come back with a vengance.

Sun tanning on occassion 5, also keep area as dry as possible. When the body is deficient in this protein — you should prepare gotu kola tea and apply a soft cloth soaked in this tea to the affected areas of your skin. then I found a place that sells sea salt scrubs and bath salts. But for those of you who may have no other choice but to use the creams at time, I also use goldbond healing lotion everyday.


Comments Off on Watch dogs 2 genitalia unblocked

Posted in Equipment


Watch a mirror, LED, razor and a camera make the invisible visible

16 Jun

If you have a camera and a long lens, then you’re halfway toward a Schlieren photography setup. YouTube channel Veritasium demonstrates the effect in the video above, essentially revealing gasses and airflow normally invisible to the human eye. All it takes is an optical-grade concave mirror, an LED, a camera on a tripod with a telephoto lens and a razor blade.

What the camera sees with everything aligned is actually the slight differences in the refractive index of whatever’s in front of the mirror. If you light a match in front of the mirror, light from the LED will change direction slightly differently as it passes through the warmer and cooler air around the flame.

We don’t normally perceive those differences, but this setup reveals them as lighter and darker spots to the camera. The same thing happens with, for example, butane escaping from a lighter. Light passes through it at a slightly different angle than the air around it, and the Schlieren rig captures those slight differences.

Suddenly, it’s possible to see the heat displaced when you rub your hands together, or worse, the stuff that flies everywhere when you sneeze. It’s pretty darn cool, especially when played in slow motion as in the video above.

Articles: Digital Photography Review (

Comments Off on Watch a mirror, LED, razor and a camera make the invisible visible

Posted in Uncategorized


Trends to watch at NAB 2017

21 Apr

Trends to watch at NAB 2017

Next week is the annual National Association of Broadcasters show, or NAB, in Las Vegas, Nevada. NAB is primarily an industry conference, and isn’t generally focused on consumer products, but we go to NAB because it often gives us a window into the future. Tools and technologies created for Hollywood or the broadcast industry have a funny way of tricking down to everyman products over the next few years, and that’s usually a good thing (3D television being a notable exception, in my opinion).

So, let’s take a look at a few of the product categories we’ll be watching at NAB next week that have the potential to impact us not-named-Spielberg types in the coming years.

Tools for Emerging Filmmakers

The filmmaking industry has changed a lot in the past few years: technology has become better, costs have come down, and tools suitable for serious content creation are now accessible to anyone with a dream of producing films and the passion to make it happen. This transformation has ushered in an explosion of what are often referred to as ’emerging filmmakers.’

These are people who often started making films with DSLRs or mirrorless cameras, but have grown their skills or businesses to the point where they need better, dedicated tools. They include independent filmmakers, small businesses working for commercial clients, or any number of other filmmaking roles. Some things they have in common are that they care about creating high quality content, have high expectations for production value, and they don’t have upwards of $ 20,000 to buy a single cinema lens.

This category has grown large enough that we’re seeing more companies which have historically catered to the high end cinema market now looking to meet emerging filmmakers’ needs. Whether it’s to drive revenue or create brand loyalists, we’re seeing more tools designed and priced for these users. By way of example, in the past year we’ve seen cinema lenses such as Cookes and Fujinons with sub-$ 5,000 price points. We expect to see even more products aimed at emerging filmmakers at NAB. 

Virtual Reality (VR)

Virtual reality is a technology that everyone, from manufacturers to content creators, seems to want to succeed, but which hasn’t quite managed to do so. There’s clearly a lot of unrealized promise, and even Hollywood executives will tell you they’re spending a lot of money trying to figure out how to make it work. Will this be the year VR makes the leap?

NAB will once again feature a dedicated Virtual and Augmented Reality Pavillion where the VR community can show off its latest technology. And there are clearly a lot of businesses betting big money on it, ranging from consumer-focused companies like Yi Technologies, which plans to announce VR capture devices at the show, to the likes of 360 Designs, whose Flying EYE drone system will livestream 360º 6K content from miles away for a cool $ 75,000. 

The big question is whether any of the VR products or technologies we see at NAB this year will be enough to get significant traction in the market, or collectively move the needle toward wider adoption of VR by consumers, but the industry isn’t giving up on this one yet.

8K Technology

We actually saw 8K display technology for the first time at NAB a couple years ago. And yes, it’s good bleeping amazing. Last year, Canon had an 8K reference display in its booth with a magnifying glass next to it, teasing you to try to see the pixels. After all, with 8K you’re collecting about the same number of pixels as a Nikon D810. In bursts of 24 or 30 frames. Every second. Think of the memory cards you’re going to need… but I digress…

What does 8K mean for photographers, videographers, and emerging filmmakers? Right now, not a lot. In fact, it’s unlikely we’ll even see 8K TVs being widely marketed to consumers for a number of years. But on the content creation side, there’s a lot to be said for 8K. With 4K quickly moving in the direction of becoming a standard for viewing content, 8K will give content creators the same advantages that 4K acquisition has for creating 1080p content. Right now we’re still talking about very expensive, high end pro cinema and broadcast equipment, but what we see at NAB is often a preview to what we’ll see in less expensive gear a few years down the road.

And 8K technology may come faster than we expect. We’ve seen 4K gain fairly wide adoption very quickly, and most of the industry seems hell-bent on a collision course between full 8K broadcast and the 2020 Tokyo Olympics (having already demonstrated it at London 2012 and run test broadcasts from Rio 2016). Some of this 8K goodness (or massive data storage overhead, if you’re the glass-half-empty type) may start filtering its way into our cameras in the next few years.

HDR Video

HDR video is pretty much what it sounds like: high dynamic range video that lets us see brighter brights, darker darks, and more shades in between. It’s like HDR photos, but with motion, and done well it can look pretty amazing. From a consumer perspective, most talk about HDR video these days relates to TVs, but the market is still sorting itself out. As the old adage goes, ‘The great thing about standards is that we have so many to choose from.’ Between HDR10, Dolby Vision, and Hybrid Log-Gamma, there’s plenty of room for the marketers to fight it out and educate consumers on the jargon.

But what we’re most interested in is content creation, or HDR video capture. Admittedly, there’s not a lot here for the enthusiast or prosumer at the moment. But… (and you know there’s always a ‘but’) Panasonic has already told us to expect Hybrid Log-Gamma to be included in the mother of all firmware updates – or, as we affectionately know it, MOAFU (really rolls off your tongue, doesn’t it) – that’s coming for the Panasonic GH5 in summer 2017. We look forward to testing it. Once we figure out how to test it.


Love ’em or hate ’em, people are going to use drones for all kinds of things. (At least until Skynet, and we all know how that ends.) Of course, what we care about at DPReview is aerial imaging, whether it’s still photography or video. The drone industry has exploded in the past few years, with tools ranging from octocopters that nonchalantly ferry around RED and Arri cameras to consumer products you can buy off the shelf and use to make your own movies.

As with other video categories, what started out as technology available only to well-funded production studios has quickly started to filter down to the emerging filmmaker or prosumer level. In fact, less than six months ago DJI introduced the Inspire 2 drone and Zenmuse X5S camera. That combo uses a Micro Four Thirds camera to shoot 5.2K CinemaDNG Raw video with a bit rate of 4.2Gbps. All for the price of a Canon 1D X II. This is Hollywood-level stuff. They even got cinematographer Claudio Miranda, ASC (Life of Pi) to make a film with it, though he had to carry it around in his hands for some shots.

Why do I bring up a product that was announced a few months ago? First, because it’s an indication of where the technology is going, and competitors will need to find a way to respond. We’ll be watching to see if that happens at NAB. And second, because for the love of God, DJI, can you please put this combination of tech into a regular camera? I don’t care if it’s a Micro Four Thirds camera the size of a Canon 1D X II, I will write you a check tomorrow.

Such is my plea.

Live Streaming

It used to be that we recorded home movies which we then forced our friends and family to watch over Thanksgiving. Later came the internet, so we could just send aunt Mabel a Vimeo link, or start a YouTube channel about cats with millions of followers.

Today that’s no longer adequate. Things must be on the internet, and they must be on now! Whether it’s Vloggers broadcasting live from a tradeshow floor using their iPhones, or sites like DPReview doing live webcasts from a studio, live streaming has gained a lot of momentum, and viewers are demanding higher quality live streams as time goes on.

We’ve already seen products to meet this need at a consumer level, whether it’s a DJI Osmo that uses your phone to broadcast on Facebook Live, or the Blackmagic Web Presenter, which allows you to turn virtually any high quality camera into a streaming broadcast camera. We’ll be on the watch for other products and technologies that will fuel our live streaming future. Though we can’t promise to stream them to you live.

Articles: Digital Photography Review (

Comments Off on Trends to watch at NAB 2017

Posted in Uncategorized


Timelapse Tour: Watch How Cities Grow Between 1984 to 2016

07 Jan

[ By SA Rogers in Culture & History & Travel. ]


Human civilization has grown and expanded at an amazing rate – or alarming, depending on who you ask – and you can watch the last 32 years of it unfold via satellite imagery thanks to Google’s Timelapse feature. Originally released in 2013, Timelapse has been updated to add four more years of data and tons of new imagery data from two new satellites, offering clearer views with more detail than ever before. Choose any location in the world to see how it has changed – from cities to the shrinking ice caps.



Some of the most dramatic changes have occurred in Las Vegas, Los Angeles, Dubai and Chongqing, China, but you can also watch the Aral Sea dry up and the Shirase Glacier of Antarctica melt into the sea.

Aral Sea

Miami, Florida

Beijing, China

Las Vegas, Nevada

Shirase Glacier

Hangzhou, China

Look for the location of your choice and create your own annual time lapse at Google’s Time Engine Tour Editor.

Share on Facebook

[ By SA Rogers in Culture & History & Travel. ]

[ WebUrbanist | Archives | Galleries | Privacy | TOS ]


Comments Off on Timelapse Tour: Watch How Cities Grow Between 1984 to 2016

Posted in Creativity