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Posts Tagged ‘Thing’

3 Legged Thing launches low-cost, lightweight universal L-Bracket

14 Jul

UK tripod manufacturer 3 Legged Thing has introduced a new, lightweight universal L-Bracket that offers full cable port access for a range of Canon and Nikon cameras, and which has a thread on its upright so users can attach accessories such as mics or flash brackets.

The QR11-L is designed to make switching from landscape orientation to portrait quick and easy when using a tripod. It is made from magnesium alloy, to be lightweight while still protecting the camera, and features a large cut-out area that offers varying degrees of access to microphone, headphone and USB/HDMI ports located on the camera’s end panel depending on the brand and model of camera. (We’ve included a compatibility list is below).

Each axis has a strap lug and the base rail is shaped to be clamped into Arca Swiss style heads. For storage, the two plates come apart using a supplied tool and the whole kit fits into a drawstring bag for transportation.

The 3 Legged Thing QR11-L comes in a choice of Copper or Slate colors and will cost £49.99/$ 49.99 when shipping begins on August 1st. For more information see the 3 Legged Thing website.

Manufacturer information

A GUIDE TO COMPATIBILITY

One of the most common questions we receive is about compatibility with cameras. This guide is designed to show you what you should expect. The QR11 fits most modern cameras, but may require some adjustment or compromise.

Full compatibility.

The following cameras support the QR11, and enable full access to battery and cable doors.

  • CANON – 760D, 80D
  • NIKON – D3300, D3400, D5300, D5500, D5600, D500, D610, D700, D7000, D7100, D800, D810

Very compatible.

The following cameras support the QR11, and with a small adjustment, enable access to battery, cable door, or both.

  • CANON – 5D II, 5D III, 5D IV, 6D, 7D, 7D II, 700D, 750D
  • NIKON – D750

Partial compatibility.

The following cameras support the QR11, but access to the cable and battery doors is impeded.

  • CANON – 100D, 1300D, M3, M5
  • NIKON – 1V3, 1J5
  • SONY – A68, A77, A99, A99ii, A5000, A6000, A6300, A6500, A7, A7ii, A7r, A7s
  • FUJI – X100/S/T, X-E2/S, XT1, XT2, XT10
  • OLYMPUS – E-M1, E-M1 II, E-M10 II, E-M5 II, E-PL7, E-PL8, PEN-F
  • PENTAX – K-1, K-3 II, K-50, K-70, K-S2

3 Legged Thing QR11-L Universal L-Bracket

The new QR11-LG Quick Release Plate comes with a 110mm base, side bracket with cable access and 1/4”-20 accessory mount, compatible with standard Arca Swiss® clamps and heads. Designed to make the switch from landscape to portrait quick and easy, and with a side mount for optional accessories, the QR11-LG takes L Bracket functionality into the 21st century.

SO, WHAT’S IN THE KIT?

  • QR11-LG Quick Release L Bracket
  • Stagsden Stainless Steel camera screw
  • Retaining bolts (2.5mm hex) for horizontal axis security
  • Toolz – Multi Tool, hex key, coin key, key ring, carabiner and bottle opener
  • Tough drawstring bag
  • Elevated Street Credibility (not guaranteed)

FEATURES

  • Two piece L Bracket, that can be disassembled for when stowage space is limited
  • 1/4″-20 side mount, for adding accessories (monitors, microphones etc)
  • Precision engineed plate profiles for secure connection to your tripod head
  • Base slot for strap attachment or Peak Design® Anchor connection

Articles: Digital Photography Review (dpreview.com)

 
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These Brutalist Sand Castles Might Be Cooler Than the Real Thing

28 Mar

[ By SA Rogers in Art & Sculpture & Craft. ]

modernist sand castles 11

Brutalist architecture is often criticized for seeming cold, impersonal and out of human scale, but the same can’t be said for these structures when they’re miniaturized and ephemeral, destroyed in seconds by the sea. In fact, when they’re crafted out of sand on a beach, outside their usual context, we can appreciate the beauty of their geometry more than ever. Calvin Siebert’s modernist sand castles might just be better than the real thing.

modernist sand castles 10

modernist sand castles 9

While staying on Rockaway Beach in Queens during the summer, the professional sculptor and self-described ‘box builder’ crafts amazingly complex architectural structures that remain in place just long enough to photograph them, inevitably washing away. You might say that nature is… brutal.

modernist sand castles 12

modernist sand castle 1

While it’s not hard to imagine seeing some of these designs in the hills of Los Angeles, using sand as a medium enables Siebert to get more creative than the average architect in envisioning fantasy structures that could translate to concrete.

modernist sand castile 2

modernist sand castle 2

He doesn’t start with sketches, plans or even anything particular in mind, preferring to work intuitively, allowing the forms to take shape. He’s been creating these temporary works of art for the past six years, and has thousands of photos documenting them on his Flickr.

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“Building ‘sandcastles’ is a bit of a test,” he says. “Nature will always be against you and time is always running out. Having to think fast and bring it all together in the end is what I like about it… once I begin building and forms take shape I can start to see where things are going and either follow that road or attempt to contradict it with something unexpected.”

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“In my mind they are always mash-ups of influences and ideas. I see a castle, a fishing village, a modernist sculpture, a stage set for the oscars all at once. When they are successful they don’t feel contained or finished. They become organic machines that might grow and expand. I am always adding just one more bit and if time allowed I wouldn’t stop.”

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[ By SA Rogers in Art & Sculpture & Craft. ]

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Posted in Creativity

 

Lighting 102: One More Thing

01 Aug

In Lighting 102, we have learned some of the basic physical controls that we can apply to light: angle, distance, size, restriction.

We've also learned how to identify and control the zones of light that fall onto our subjects: diffused highlight, specular highlight, diffused shadow, diffused highlight to shadow transfer.

But there is another control lever that is more complex, more powerful and more evocative than all of the ones listed above. Read more »
Strobist

 
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The new Canon 35L II will be a thing of beauty

28 Aug

Canon recently announced an update to the wildly popular 35mm F1.4L lens, originally released in 1998 and undoubtedly designed back in the day for film. The original was always a favorite of our technical editor Rishi Sanyal, so join him as he takes a stroll down memory lane and recounts his favorite aspects of that lens, and what he looks forward to in the update. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Mophie… the Best thing to happen to the iPhone since the iPhone

29 Nov

Mophie... the Best thing to happen to the iPhone since the iPhone

I’m a huge fan of Mophie. I started using the juice pack plus about a year and a half ago and since using it have never once ran out of battery power on my iPhone 5s. Even using it during a long day out shooting, somehow the I always end up making it through an entire day of heavy use. The great thing about the juice pack plus is that it is also a case for your iPhone. I’ve dropped my iPhone a few times and was happy that I had my juice pack plus on it to help protect it.

Last week Mophie sent me one of their new powerstation plus charging units. You connect this device up to any USB port and it holds up to 2 full charges for your iPhone. It’s super small and lightweight and is another perfect complement to my iPhone. Even though I’m not worried about running out of power with my juice pack plus case on, it will be convenient to have this unit around in case my friends (right Mr. Mingus?) run out of juice on their phone while hanging out with them.

It will also be a convenient thing to have around if I’m too lazy to go plug my phone into the regular wall charger. I will keep this new Mophie powerstation plus in my photo backpack and take it with me everywhere I go.

Like a lot of places, Mophie is having a black Friday 40% off sale today. Use the code POWER. If you’ve been waiting to pick up a Mophie, today’s the day. :)

Thanks Mophie, you guys rock!


Thomas Hawk Digital Connection

 
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Quick Review: That Steady Thing

10 Jul

The simple idea that tripods are inconvenient to carry for extended periods has given birth to a host of attempts to find an easier way to steady a camera during a long exposure. A new device that joins this list is That Steady Thing – a metal boss that sits between a monopod’s leg and its head, into which a pair of steadying legs screw. See if it lives up to its name. Read more

Articles: Digital Photography Review (dpreview.com)

 
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5 June, 2014 – The Next Big Thing

05 Jun

Every now and then one gets to observe, and if you’re lucky even participate in something that has the potential to be a game changer. This was the case in late May when I went to visit Mylo Development LLC, a Seattle-base software start-up. 

Heading up Mylo is David Vaskevitch, who was the number three man at Microsoft and their Chief Technology Officer. His founding partner is Moshen Agsen, previously a Microsoft Engineering Fellow. 

This ten minute-long video is an interview with David and Mohsen about what it’s like to create a software start-up. It also has some hints as to what Mylo’s product will be.


The Luminous Landscape – What’s New

 
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NX big thing: Samsung’s flagship NX30 reviewed and rated

22 May

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The NX30 uses the same 20MP, Samsung-designed CMOS sensor and Hybrid AF system as the more compact NX300, but puts it into an SLR-style body with a pull-out, tilting electronic viewfinder and generous hand grip. Add in Wi-Fi and NFC connectivity options, a 3″ AMOLED display and 1080/60p video, and the NX30 is arguably Samsung’s most enthusiast-oriented camera yet. But does it offer anything to standout from other high-performing cameras in its class? Find out in our review

News: Digital Photography Review (dpreview.com)

 
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It’s Not Travel Photography, But Photographing Travelers May Be Photography’s Next Big Thing

26 Apr

fly1
Photography: Paola Colleoni

On a trip to Paris with her best friend two years ago, Nicole Smith did what everyone does on vacation. As she and her friend stood at tourist sites, she would take out her phone, hold it at arm’s length and snap a few selfies. Sometimes the pair would buttonhole a passing stranger, hand over a camera and ask the passer-by to shoot a picture of them together. Not surprisingly, the results were, she says, always “meh.” Things changed though, when a friend in the city offered to photograph them in the style of a photojournalist as they wandered through the streets. The result wasn’t just a set of images that captured the spirit of her afternoon in a way that she could never have done alone, she says, but the beginning of a whole new business idea.

Two years later Flytographer now has professional photographers available to capture shots of vacationers as they tour the sites and sip cappuccinos in romantic cafes in 70 cities around the world.
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Photography: Cadence Feeley

Customers can choose from three different kinds of shoots: thirty minutes in one location produces fifteen photos and costs $ 250; an hour in one or two locations generates 30 photos and costs $ 350; and two hours in multiple locations produce 60 photos for $ 600. The commission  earned by the photographer varies with the package but on average photographers can expect to receive 60 percent of the purchase price.

“It’s a fun, fast shoot.”

The photographers, though, only have to do the shooting. Flytographer will arrange the date, time and route of the booking, discuss the customer’s objectives and prepare a brief with all the details.

“It’s a fun, fast shoot and we usually capture the couple/family as they stroll around in a more candid, editorial-style,” says Nicole. “The photographer connects with the customer like a local friend.”

The question is how much demand there is for the attention of a professional photographer at a time when professional quality DSLRs are affordable to anyone who takes foreign travel, and when everyone is packing a camera in their pocket, complete with filters to turn even the worst of snaps into atmospheric mementos.

According to Nicole, Flytographer delivers a couple of important benefits that vacationers and travelers can’t produce alone.

The first is that everyone can be in the picture together, looking relaxed and at their best, (rather than at the end of an arm or having just rushed back into the frame.) The images are also more varied. Ask a local to shoot a picture and at best you’ll get a standard direct shot of you and you a friend standing in front of a building. At worst, you’ll get to watch a stranger running off with your iPhone or your Nikon. Flytographer’s photographers are expected to use different angles and vantage points to produce images that only a dedicated photographer can create. They’ll also be using their own equipment.

And those pictures will be high quality. They won’t be quick snaps but valued treasures that record a memorable experience.

fly3

Photography: Lauren Colchamiro

“People like ‘experiences’ vs more stuff and we are often told by our customers that their Flytographer photos were the ‘Best souvenir they’ve ever purchased,” says Nicole. “Too many people spend thousands of dollars planning a special trip only to return home in none of the photos, or if they are, someone else important is missing, or they are blurry etc. They also like that they can focus on soaking up the moment and being really present vs distracted trying to capture the moment through a camera.”

Photograph Honeymooners And Reunions

Customers tend to be couples and families but are often people making special, once-in-a-lifetime trips such as honeymooners or newly engaged couples, all-guy or all-girl vacations and multigenerational reunions. For the photographer, the shoot may sometimes have the same feel, and demand some of the same skills, as shooting a small event.

Altogether, in the year or so since the company’s launch, Flytographer has completed around 200 shoots across five continents. And the company is looking to expand, particularly in Hawaii, Orlando, Sandestin, Palm Desert, Scottsdale, Tremblant, Hong Kong and in the Caribbean, although it accepts applications from anywhere. Photographers in places with large numbers of tourists and small numbers of rival shooters will be in with a good shout of landing some useful extra work, and even photographers who travel a lot can find themselves shooting in different locations.

But you will need to impress. All of the company’s photographers are professionals with backgrounds that range from newspapers and magazines to corporate and fashion photography. Some are wedding and family photographers. Flytographer has also managed to land some adventure ski photographers who can capture shots of snowboarding clients as they fly down the slopes.

Nicole speaks with each of the photographers themselves, checks their background and makes sure that they have both solid technical skills and the ability to tell a compelling story through their shots. She also looks for people who have run their own business and understand the importance of delivering impeccable service. Applicants can apply at www.flytographer.com/join.

That Flytographer appears so far to have had little trouble either recruiting photographers or finding clients is pretty revealing. That there is plenty of demand among photographers to shoot quick, documentary-style images for fees that may work out, after travel and processing, to around $ 100 an hour, is hardly surprising. But the fact that so many people recognize that there’s a limit to what they can do with their iPhones and even their DSLRs is highly encouraging. People may think that they’re photographers but they are recognizing that quick snaps taken on phones tend to stay forever unseen on the hard drives while professionally taken images are viewed and treasured.

It’s also revealing, though, that while Nicole Smith has used professional photographers, she’s not a trained photographer herself. This was a business idea that came from a client of professional photographers. If clients can spot opportunities for photographers, why aren’t more photographers doing the same for themselves?

 


Photopreneur – Make Money Selling Your Photos

 
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I’d Plus One That! Why I Think Google’s Shared Endorsements Are a Good Thing for Social Media, Influencers and Consumers

12 Oct

Are You On Google+ Yet?  If You're Not You Should Be

There’s been a lot of talk today online about the upcoming change in Google’s TOS that will allow them to begin selling ads with your endorsement of various products and services on the web. I’ve seen different reactions from some people who dislike this idea and others who are largely apathetic about it.

Because Google gives everyone an opportunity to opt out of shared endorsements, it’s easy to dismiss a lot of the criticism by simply pointing folks to how easy opting out is. Some people are very anti-advertising though and certainly this new advertising channel will naturally be met by some with healthy skepticism. It’s also worth noting that these ads are not going to appear on Google+. Google+ will remain ad free. The new ads simply will use Google+ data to advertise in places where Google is already advertising, like search.

Personally speaking, for myself, I embrace change. In general I’d rather see more change, than less. I think change represents innovation (usually) and I probably tend to look for the positive in change rather than the negative. I’m a glass half full sort of guy when it comes to change.

I think most of us see how today’s announced change in the TOS is good for businesses who advertise. Personal endorsements by our friends are incredibly powerful motivators. Ads which feature personal endorsements by people we know, trust and respect, will be far more effective than other ads that an advertiser might come up with.

I think we can also see where this new product would be good for Google. Google gets paid by the click. If they can run ads that produce way more clicks and are more effective, it would seem to stand that they can make more money selling ads. The more clickable an ad the more revenue per page view it represents.

The last part of this equation though is the user, and I think a lot of people are trying to figure out if this is a good, bad, or indifferent thing for the user.

My opinion is that this is a good thing for the user and here’s why.

1. I believe that this change will push brands, products, services, businesses, etc. to allocate more of their marketing budgets towards social media and social media influencers than in the past. It’s ridiculous to me how much money companies like Canon and Nikon and other old brands, that just don’t get it, spend on things like tired old photography magazines and traditional print media vs. social media.

Social media is the future. By increasing the value of our possible endorsements through advertising buys, companies will spend more time, effort and money to court social influencers.

My favorite lens is the Canon 135 f/2. I love that lens so much. By allowing Canon the opportunity to buy that love in the form of a Google ad and promote it, that gives Canon a more powerful incentive to work with me to be more public about my love for this lens. I love lots of other things too. I’m not shy about telling folks when I like something. I had dinner last night at A 16 in Oakland, and it rocked. I like to spread the good word.

I predict that individuals with large followings on G+ will increasingly be seen as potential partners for brands whose products they use. If you consider yourself a social media type, this will be one more important reason why you’ll want to devote time to building out your presence on G+.

There will be a risk of course that some influencers will be bought off by brands for positive endorsements, but I think most of the time this stuff is pretty easy to sniff out. It’s the true, authentic, natural posts (available for purchase after the fact as ads) that will be most valuable. I bet brands spend more time showing us their cool new tech and products as the value of these ads become apparent and more of their budgets are spent on promoting products to G+ users.

2. When a company buys an ad with your endorsement, this is one more place that your social media footprint is shared on the web. I’m not sure if the endorsements will actually link back to your profile or the actual product review itself, but as I’ve seen it, it will at least include your name and your avatar.

One of the reasons why I never change my avatar is that I believe having a strong avatar that is consistent over the years with your brand helps you build recognition. When I see Robert Scoble’s avatar, I immediately know that it is him — I’m biased of course because I took the photo Robert uses for his avatar. :)

Even faster than I can read Robert’s name, I know it’s him.

When Facebook first started showing brands that your friends liked, Robert jumped right on that bandwagon. For about 2 months every time I logged into Facebook, I was seeing another brand that Robert liked. Were the brands paying Facebook for that? Probably. But it also constantly reminded me of a good friend and also linked back to him in the like. I have to admit that I ended up liking a lot of the same brands Robert did, when it was something I really liked.

3. Knowing that one of my friend’s has endorsed a product helps *me* make buying decisions. Let’s say I’m in the market to buy a new filter for my camera. Wouldn’t it be a positive for me to know that another photographer I respect (like Joe Azure) seems to like his Lee Big Stop Filter? Isn’t that a lot better than just a generic ad? Especially if I see a lot of my friends endorsing one product, this may be a good signal to me that this product is worth checking out more than others.

I saw a report earlier today that said that by 2014 10-15% of online reviews will be fakes. With all the fake reviews and astroturfing out there, I’m more inclined to trust the word of a friend on a product or service, than a stranger.

This is why I don’t really use yelp anymore. Every time I go to yelp I wonder if the review I’m reading is legit or whether or not someone from India or China has been paid to write it up and give it a five star rating. When I was recently in New York City, rather than rely on a service like Yelp to figure out where to eat, I instead relied on my good friend Daniel Krieger, whose opinion I respect and know I can trust. Would a five star dinner recommendation for a new restaurant in the form of a Daniel Krieger advert get my attention? You bet it would. As a consumer, this is a win for me.

Certainly there may be things that go wrong with the implementation of all of this. What if I’m not really endorsing something but my endorsement is slapped on it? Some of this will likely have to be worked though. As far as the general idea of shared endorsement goes though, I think I like it.

Oh, and by the way, if you were wondering whether or not those sea salt and vinegar chips in the dark blue bag by Kettle Chips were the BEST CHIPS IN THE ENTIRE WORLD? Yep, they pretty much are — and if Kettle Chips wants to send a few bags of those over to our place, my daughters and I would totally be down with that. ;)


Thomas Hawk Digital Connection

 
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