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Posts Tagged ‘Steady’

June 2021 CIPA data: Steady shipments despite chip shortages and COVID-19 resurgences

04 Aug

The Camera & Imaging Products Association (CIPA) has released the production and shipment data of digital cameras and lenses for June 2021.

So far, in 2021, global camera shipments peaked in March, with 830,006 units. Since then, it’s been a steady decline, with June continuing that trend. That said, global camera shipments are still higher than last year for both volume and value. In June 2021 676,803 units valued at 39 billion yen shipped compared to 511,517 units worth 24.5 billion yen in June 2020, increases of 32.3 percent and 60.1 percent, respectively.

If we ignore compact camera sales and look only at interchangeable lens cameras, the numbers are fairly similar. June 2021 saw 442,679 units worth 33 billion yen shipped in June 2021 compared to 326,094 units worth 19.3 billion yen in June 2020, increases of 35.8 percent and 71.2 percent, respectively.

This chart from CIPA shows total digital stills camera shipments in 2019 (purple, circles), 2020 (black, triangles) and 2021 (orange, squares). These numbers include compact cameras with built-in lenses, DSLR cameras and mirrorless cameras. Click to enlarge.

This data continues the trend we’ve seen over the past year or two wherein fewer units are being shipped (and eventually sold) than previous years, but the value of those units is higher, meaning the loss in volume for camera manufacturers is at least somewhat being made up for with an increase in revenue per unit. This trend is even more noticeable in the interchangeable lens camera market, where mirrorless cameras showed a 104 percent YoY increase in the value of units shipped in June 2021, despite volume only increasing 58 percent.

This chart from CIPA shows total shipments for cameras with interchangeable lenses in 2019 (purple, circles), 2020 (black, triangles) and 2021 (orange, squares). Click to enlarge.

For comparison, June 2021 saw 191,560 DSLR units worth 7.1 billion yen shipped. Those are YoY increases of 14.6 percent and 7.8 percent respectively. What this shows is that despite more DSLR camera units being shipped globally, the value of those units is steadily decreasing. There could be a few reasons for this discrepancy, but the two most obvious ones are that camera companies are discounting their more expensive DSLR cameras to get rid of inventory ahead of the ongoing transition to mirrorless; the second is that those still buying DSLR cameras are more consumer-oriented customers who are getting entry-level DSLR cameras that retail for much less than prosumer and pro-grade DSLR cameras.

Another facet to take into account is the ongoing chip shortage. Camera and lens manufacturers have come out time and time again to announce delays due to the inability to source the required components, but it’s difficult to judge just how much this is affecting the production and shipment data at this time.

CIPA’s complete June 2021 breakdown, which shows production and shipment data from January, February, March, April, May and June 2021 by camera type and region. Click to enlarge.

As for regional data, it’s a little more difficult to judge how shipment and production data is affecting the industry as a whole. There are geographical areas where COVID-19 and its variants are causing increases in cases and travel restrictions, while other areas have seen life more or less return to ‘normal,’ as obscure as that definition may be.

Whatever the case is, June 2021 continues the trends we’ve seen as of late and once again backs up the statements we’ve seen from various camera and lens manufacturers who’ve state that 2021 will be a year of equilibrium that will very much shape the state of the industry going forward.

You can find a full list of companies participating in CIPA’s data and view all historical data on CIPA’s website. You can find the full June 2021 dataset here.

Articles: Digital Photography Review (dpreview.com)

 
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LumaPod is an ultra-compact tripod that uses tension to keep your shots steady

13 Sep

Tripods are one of the few pieces of camera equipment that haven’t seen a lot of innovation over the years. LumaPod is hoping to change that though, with its all new tripod that’s currently available to back on Kickstarter.

Deemed the ‘world’s fastest tripod,’ the LumaPod is a compact tripod that uses patented tension technology to stabilize your shots without weighing a ton. It comes in two models — the Go85 and Go120 — for varying camera sizes and can also be used as a monopod and selfie stick.

Unlike traditional tripods, which rely on three legs attached to a centralized column and mounting point, the LumaPod is essentially two tripods in one that folds down into a single tube that looks something like the handle of a lightsaber. The base of the LumaPod is similar to a standard tripod in that it uses three rigid aluminum legs to keep the thing upright and steady. These low-profile legs serve as the attachment point for a telescoping column and three kevlar cables that hold the central column in place using tension.

The Go85 LumaPod weighs just 400g/0.88lbs, measures in at 85cm/33.5in and can hold 1kg/2.2lbs of camera equipment. The larger Go120 weighs 690g/1.65lbs, measures in at 120cm/47.3in when closed, and can hold 2kg/4.4lbs of camera equipment.

The Go85 includes a collection of accessories designed to make the most of shooting with smartphones and GoPro cameras, while the Go120 includes a compact Z-plate for more versatile mounting of mirrorless and DSLR cameras. Other accessories are available as add-ons through the Kickstarter. These include a Bluetooth remote, quick release plate, travel sling, compact ball head, and more.

The lower legs of both LumaPods are modular and adaptable to fit your shooting needs. They can be hot swapped with rubber feet, terrain levelers, dolly wheels, and other accessories by simply swapping them out. LumaPod claims it takes just four seconds to set up the tripod.

It remains to be seen just how stable this setup is, but it’s an interesting design that may very well work for smaller camera setups.

The Go85 starts for a pledge of €69 (approximately $ 80), while the Go120 starts at €85 (approximately $ 99). Both models are expected to ship in May 2019. To find out more and secure your pledge, head on over to the Kickstarter campaign.

Articles: Digital Photography Review (dpreview.com)

 
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Fast and steady: Tamron 85mm F1.8 Di VC USD real-world samples

19 May

The Tamron 85mm F1.8 claims the title of the world’s first fast-aperture 85mm lens with stabilization. The focal length will certainly appeal to portrait photographers, and the combination of Tamron’s vibration compensation with an F1.8 aperture might just give it an edge in low light situations. We’ve been shooting with it over the past couple of weeks, both on full-frame and crop sensor bodies, to get an idea of its performance.

Articles: Digital Photography Review (dpreview.com)

 
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Interchangeable lens camera sales steady as Canon profits plunge

27 Apr
Canon calls out the EOS 80D as a driver for strong unit sales in the interchangeable lens camera market.

Canon Japan reported flat ILC unit sales as one of the bright points in first quarter reports that saw a 17.5% fall in net income. A strengthening Yen, poor performance in the laser printer business and continued decline in compact camera sales combined to give the company a tough quarter.

Overall, digital camera sales are down 12%, due in large part to a 22% decline in the dying compact camera market, though Canon cites its G-series as a bright spot. Interchangeable lens camera sales were flat compared to Q1 2015, propped-up by strong sales of the EOS 80D and gains for the M3 and M10 mirrorless cameras in Asia. Interchangeable lens cameras account now account for 49% of total unit sales and 84% of the company’s revenue.

While delivering ‘flat’ numbers might not sound very positive, figures provided by the Camera & Imaging Product Association show a nearly 10% year-on-year industry-wide decline in ILC unit shipments, as well as 17% YoY reduction in SLR shipments. In other words, Canon isn’t doing quite as poorly as it may sound just looking at the numbers.

Looking ahead to 2016 as a whole, Canon expects compact camera sales to drop 24%, though more expensive models like the G-series will help protect margins. The company states that it hopes to increase profitability of this line ‘through the standardization of parts and other measures.’ It also says it expects unit sales of ILCs to fall by 7% across the year. But, while it has slightly lowered its projections for income from its imaging business for 2016, nearly all of the reduction comes from the expectation that the Yen will stay strong, lowering the value of overseas sales.

For more details, have a look at Canon’s Q1 2016 financial statement.

Articles: Digital Photography Review (dpreview.com)

 
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Ready, steady: Sony Alpha 7 II Review

31 Mar

The Sony Alpha 7 II provides a number of features and ergonomic enhancements over its predecessor, but its standout feature is the 5-axis image stabilization system surrounding its 24.3MP full-frame CMOS sensor. Sony also claims improvements to the camera’s hybrid AF system, and it also sports a redesigned grip. Find out all about the a7 II’s added features and see what difference they make. Read review

Articles: Digital Photography Review (dpreview.com)

 
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Rock steady: Olympus OM-D E-M5 II reviewed

19 Mar

The Olympus OM-D E-M5 II follows-up on the groundbreaking original E-M5 and brings extra control points (a lot of them) a 40MP high-res mode, better video, improved image stabilization and a host of other refinements, large and small. We’ve been shooting a lot with the E-M5 II over the past few weeks, and that work has culminated in a full review, with our usual combination of studio and real-world tests. Click through to see what we think

Articles: Digital Photography Review (dpreview.com)

 
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Quick Review: That Steady Thing

10 Jul

The simple idea that tripods are inconvenient to carry for extended periods has given birth to a host of attempts to find an easier way to steady a camera during a long exposure. A new device that joins this list is That Steady Thing – a metal boss that sits between a monopod’s leg and its head, into which a pair of steadying legs screw. See if it lives up to its name. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Steady on! Casio Exilim EX-ZR800 18x zoom gains five-axis stabilization

08 Aug

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Casio Europe has announced the Exilim EX-ZR800 – a Raw-shooting compact with five-axis image stabilization. The 16MP BSI-CMOS camera shares many features with the existing EX-ZR700, including the 18x, 25-400mm equivalent lens and ability to capture DNG files. The ZR800 gains the ability to shoot time-lapse sequences, along with a stabilization system that can be used for both stills and movies, on top of the usual multi-shot and high speed modes that Casio has developed over recent years.

News: Digital Photography Review (dpreview.com)

 
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6 Tricks for Shooting Steady Shots Without a Tripod

22 Dec

Once upon a time, every photographer needed a tripod. Early cameras were too bulky and heavy to hold by hand. Later, it was absolutely essential to have a tripod in order to get a steady shot. Indeed, tripods can help achieve sharp, crisp shots with your DSLR camera. However, tripods aren’t without fault. They can be expensive. Tripods can also Continue Reading

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