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Posts Tagged ‘Organic’

Panasonic announces first 8K camera with its organic image sensor inside

30 Oct

Panasonic has announced its first camera to use the organic film sensor it announced in February. This comes five years after announcing a collaboration with Fujifilm and seven years after the technology was patented. The AK-SHB810 uses the technology to offer 8K resolution at 60p and ‘global’ shutter.

The camera comes in the form of a ‘head unit’ that attaches via fiber-optical cable to an offboard processing unit. It should be available in 2019 with the Japanese press release talking about providing an 8K broadcast system in time for 2020, when Tokyo will host the Olympic Games. Panasonic also mentions feature film production, which explains the use of the industry-standard ‘PL’ mount.

In a conventional CMOS sensor, the silicon acts as the light-sensitive medium, charge storage and readout circuitry: reading out the pixel ends the exposure, so the shutter behavior is determined by the readout rate. In the organic film/CMOS chip, the two processes are independent, so the exposure can be stopped for the whole sensor to give a global shutter, with readout occuring in the background.

As well as avoiding any ‘rolling shutter’ skewing effect, Panasonic highlights that a global shutter means that flashguns fired while recording won’t cause partial bright bands across the image (something that could be distracting in broadcasts of indoor sporting events).

In addition, the sensor design allows the sensitivity of the capture medium to be varied to give a continuously variable virtual ‘ND Filter’ effect. The company also promises wide dynamic range capture, though puts no figures on this.

This figure shows the stepless, electronically-controlled ‘ND filter’ effect of the Panasonic sensor.

All these features stem from a fundamental aspect of the new sensor: the separation of the light gathering function of the sensor from the readout process and its circuitry.

The global shutter can be achieved because the light sensitive layer can be turned on and off (or its sensitivity varied) by varying the charge applied to it. This means that the whole film layer can capture a frame and then be made inactive while the CMOS circuitry underneath reads-out. In turn, this means the capture pattern doesn’t have to be defined by the sensor’s readout rate: progressively working down the frame.

The ability to vary the sensitivity of the organic film layer by adjusting the charge applied to it provides the virtual ‘ND filter’ affect, which can mimic ‘whole stop’ NDs or be continuously variable.

Pricing is not mentioned in the press release.

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic unveils ‘industry-first’ 8K organic image sensor with global shutter

22 Feb

Panasonic has developed an 8K image sensor capable of shooting 60p video, with wide dynamic range and global shutter. The latter removes the ‘rolling shutter’ effect from stills and video. The sensor combines an organic photosensitive film that sits atop CMOS circuitry, circumventing one of the biggest problems with traditional global shutter CMOS chips: co-located photosensitive and charge storage areas that compete with one another for space within the surface area of each pixel. This allows Panasonic’s chip to comparatively achieve far greater photosensitive area (better low light performance) and expansive charge capacity (wide dynamic range), and perform some other unique tricks.

Comparing typical BSI CMOS image sensor design (left), Panasonic’s new OPF/CMOS image sensor (right). Note how thin the OPF layer is compared to a traditional silicon photodiode. This allows a large area to be devoted to circuitry, and also means each pixel can accept a wider cone of incident light. This increases the CRA (chief ray angle) from the traditional 30-40º to 60º.

In June of 2013, Fujifilm and Panasonic announced a collaboration that got a lot of photography nerds talking: together, the two companies had developed an ‘industry-leading’ organic / CMOS sensor technology that replaces the silicon photodiode in a conventional CMOS chip with a much thinner, high absorption coefficient organic photoelectric conversion (OPC) layer. A transparent electrode sits on top of this organic photoconductive film (OPF) and modulates its photosensitivity when a voltage is applied. This approach brings a number of advantages, like the ability to accept more oblique light rays, higher pixel capacities and global shutter.

Advantages include the ability to accept more oblique light rays, higher pixel capacities and global shutter

It’s been many years since we first heard about the collaboration, but it now appears to be at the heart of Panasonic’s latest announcement: the news that it has developed an ‘industry-first’ 8K global shutter sensor that uses OPF/CMOS tech to perform all of its tricks. Panasonic claims its new sensor can capture 8K images and 60fps video while offering incredible dynamic range, global shutter, and a built-in electronically-controlled variable ND filter function.

At face value, this sensor seems to offer quite a bit more than the backlit CMOS sensor with global shutter announced by Sony last week. Furthermore, Sony has only so far managed to build a 1.46-megapixel sensor using its pixel-parallel ADCs, while Panasonic seems to have an 8K organic/CMOS sensor already operational. Ostensibly, Panasonic’s technology shouldn’t place any particular restrictions on pixel size – which likely explains how it was able to achieve high resolution via small pixels – while Sony’s approach of an ADC for every pixel presumably places some size constraints on the design.

This Figure shows the dynamic range capabilities of the sensor’s ‘high saturation’ mode (left) and the advantages of its global shutter functionality (right)

Technical Details

Organic/CMOS sensors are able to offer these capabilities by separating the photosensitive area (the organic light-sensitive material) from the signal processing area (all the circuitry), and by then modulating the organic photoconductive film to turn its photosensitivity on or off (or tune it). A transparent electrode sits on top of the OPF – which spans the entire sensor – and the application of increasing voltage to the electrode makes the OPF more photosensitive. This allows for fine tuning of the photosensitivity of the sensor, and the ability to turn all pixels on or off simultaneously.

The organic film layer allows all pixels to be turned on or off simultaneously

The separation of the photoelectric conversion part from the circuitry allows each to be optimized independently, rather than the optimization of one placing constraints on the other. This, combined with how thin the OPF layer is compared to a traditional silicon photodiode, has allowed Panasonic to dedicate a large area to circuitry, separating the (traditionally somewhat co-located) photoelectric conversion and charge storage parts. The result? Large capacitors that allow for enormous full-well capacity: Panasonic claims its sensor can collect up to 450,000 photoelectrons per pixel, which is insane and means this sensor is likely to have a very wide dynamic range. By comparison, we’re more used to seeing an order of magnitude less full-well capacity: ~45,000 photoelectrons per pixel in full frame cameras.

‘In-pixel gain switching technology’ also allows the Panasonic sensor to switch to a high efficiency mode, though in this mode the pixels saturate at 4,500 photoelectrons – yielding far less dynamic range but enhanced low light ability.

Panasonic shows off the incredible dynamic range of this new organic sensor.

In this latest design, these benefits have been combined with a new “in-pixel capacitive coupled noise cancellation technique” which can suppress pixel reset noise very quickly, even when you’re shooting at really high resolution… say, 8K.

The organic layer is also the source of the electronically-controlled ND function. By changing how much voltage you apply to the organic layer, you can change its sensitivity and therefore have it capture more or less light per unit time. You can see the relationship between applied voltage and signal, with higher voltages making the OPF more light sensitive (increasing photoconductivity), and lower voltages making the sensor less sensitive. VH (high voltage) is the default voltage applied to make the OPF maximally sensitive, while VL (low voltage) simulates the effect of a 5 stop ND filter.

This would, ostensibly, save photographers and videographers from needing to carry around a set of ND filters, allowing you to adjust to challenging lighting situations in-camera.

This figure shows the stepless, electronically-controlled ND filter functionality of the Panasonic sensor.

Finally, the organic layer is also the source of the global shutter function. Global shutter involves capturing/reading all of the pixels on a sensor at once. Most CMOS sensors read the image row-by-row, leading to ‘rolling shutter’ distortion where fast moving objects look warped because the bottom part of the object was actually captured a split second later than its top.

This is what Sony addressed with its new BSI CMOS sensor announced last week. That sensor achieves global shutter by adding an ADC to every single pixel rather than every column of pixels. Unfortunately, this approach is currently difficult to scale—which is why Sony has only managed to put it into a 1.46MP sensor with fairly large pixels thus far.

Panasonic’s design achieves this same trick by taking advantage of the ability to turn the entire organic layer on or off simultaneously. At the end of an exposure, the voltage applied to the transparent electrode is simply switched off, effectively turning off the photosensitivity of all pixels simultaneously. This decouples the end of an exposure from read-out, which can still be done sequentially, line-by-line. Impressively, Panasonic’s sensor can operate in this manner “even driving a large number of pixels like the 8K sensor”.

The sensor’s global shutter functionality eliminates rolling shutter distortion caused by reading the sensor row-by-row, rather than all at once.

What’s Next?

So, are we going to see this in any upcoming Panasonic video cameras? Will the Panasonic GH6 or its best high-end Varicam shoot 8K/60p with insane dynamic range, global shutter, and built-in electronic ND filter? We’d sure like to hope so, but probably not.

Remember, this organic/CMOS sensor technology was first introduced as a major breakthrough in 2013. To the best of our knowledge, not a single camera has used that technology in the intervening 5 years. Apple recently acquired InVisage QuantumFilm technology, which uses a film layer to to roll-off highlights for 2-3 stops of additional dynamic range. All this makes us wonder if the tech is really ready for prime time.

Not that we shouldn’t be excited about this breakthough—those are some really incredible specs. We’re just tempering our excitement with a little bit of experience… and maybe a touch of patience and skepticism.


Panasonic Develops Industry’s-First 8K High-Resolution, High-Performance Global Shutter Technology using Organic-Photoconductive-Film CMOS Image Sensor

The new technology enables 8K high resolution and high picture quality imaging without motion distortion, even in extremely bright scenes.

Osaka Japan, – Panasonic Corporation today announced that it has developed a new technology which realizes 8K high-resolution (36M pixels), 60fps framerate, 450k high-saturation electrons and global shutter [1] imaging with sensitivity modulation function simultaneously, using a CMOS image sensor with an organic photoconductive film (OPF). In this OPF CMOS image sensor, the photoelectric-conversion part and the circuit part are independent. By utilizing this OPF CMOS image sensor’s unique structure, we have been able to newly develop and incorporate high-speed noise cancellation technology and high saturation technology in the circuit part. And, by using this OPF CMOS image sensor’s unique sensitivity control function to vary the voltage applied to the OPF, we realize global shutter function. The technology that simultaneously achieves these performances is the industry’s first*1.

With the technology, it is possible to capture images at 8K resolution, even in high contrast scenes, such as a field under strong sunlight and shaded spectator seats under a stadium roof. Moreover, by utilizing the global shutter function that enables simultaneous image capture by all pixels, it is expected to be able to capture moving objects instantaneously without distortion, be utilized for multi viewpoint cameras (performing multi-view synchronized imaging using plural cameras) and used in fields requiring high-speed and high-resolution, such as machine vision and ITS monitoring. In addition, conventionally, even in scenes where it was necessary to utilize different ND filters [2] according to capturing conditions, the technology realizes a new electronically-controlled variable ND filter function which enables stepless adjustment of the OPF sensitivity [3] merely by controlling the voltage applied to the OPF.

The new technology has the following advantages.

  1. 8K resolution, 60fps framerate, 450k saturation electrons and global shutter function are realized simultaneously.
  2. Switching between high sensitivity mode and high saturation mode is possible using gain switching function.
  3. The ND filter function can be realized steplessly by controlling the voltage applied to the OPF.

This Development is based on the following technologies.

  1. “OPF CMOS image sensor design technology”, in that, the photoelectric-conversion part and the circuit part can be designed independently.
  2. “In-pixel capacitive coupled noise cancellation technique” which can suppress pixel reset noise at high speed even at high resolution
  3. “In-pixel gain switching technology” that can achieve high saturation characteristics
  4. “Voltage controlled sensitivity modulation technology” that can adjust the sensitivity by changing the voltage applied to the OPF.

Panasonic holds 135 Japanese patents and 83 overseas patents (including pending) related to this technology.

Panasonic will present some of these technologies at the international academic conference: ISSCC (International Solid-State Circuit Conference) 2018 which will be held in San Francisco on February 11 – 15, 2018.

Notes:

*1: As of February 14, 2018, according to Panasonic data.

More on the Technology

1. “OPF CMOS image sensor design technology”, in that, the photoelectric-conversion part and the circuit part can be designed independently.

The OPF CMOS image sensor has a unique structure, in which, the OPF performs a photoelectric conversion and the circuit area performs charge storage and signal readout functions completely independently. Using this OPF CMOS image sensor structure, we developed high-speed noise cancellation technology and high saturation technology in the circuit area which has a large available space. As a result, it is possible to realize simultaneously 8K resolution, 60fps framerate readout, wide dynamic range [4] (by achieving a high saturation level) and global shutter function, which are normally traded off.

2. “In-pixel capacitive coupled noise cancellation technique” which can suppress pixel reset noise at high speed even at high resolution

Because the OPF CMOS image sensor has a structure in which the OPF and the charge storage part are connected by metal plugs, accumulated charges cannot be completely read out. Therefore, there is a problem that it is affected by reset noise at the time of resetting the pixel (signal charge storage node). And, in a high-resolution sensor, such as an 8K sensor, it is necessary to drive large loads exceeding 4000 pixels aligned in the vertical direction at the same time as the time of noise cancellation, and therefore, the long time it takes to suppress noise is a problem. So, we developed a new structure that cancels pixel reset noise at high speed, even when high resolution pixels have to be driven, by using Panasonic’s original semiconductor device technology and the newly developed “in-pixel capacitive coupled noise canceller”. In this structure, the reset noise is suppressed at high speed by using the negative feedback loop provided for each pixel.

3. “In-pixel gain switching technology” that can achieve high saturation characteristics

In the OPF CMOS image sensor, by incorporating a large capacitor in the circuit part with a large available area, it is possible to realize both high sensitivity mode and high saturation mode with the same pixel structure merely by switching modes from the camera system. In the high sensitivity mode, it is possible to capture data up to a light intensity of 4.5k electrons with high sensitivity. Furthermore, by switching to the high saturation mode, it is possible to capture data up to a light intensity of 450k electrons. In this way, since the high saturation mode can capture up to 10 times the high sensitivity mode, it is possible to clearly display the fine winding structure of the lamp filaments, in which bright part gradation cannot be expressed, because it becomes overexposure in high sensitivity mode, as shown in Fig. 3 (a). Even in a scene with high contrast, such as shown in Fig. 5, from the facial expression of the person in the shadow of the stadium roof to the blue sky and clouds during a mid-summer day, and such as shown in Fig. 6, from the dimly lit room to the sunny garden, it will be possible to capture brilliant images without overexposure or underexposure.

4. “Voltage controlled sensitivity modulation technology” that can adjust the sensitivity by changing the voltage applied to the OPF.

The OPF CMOS image sensor can change the sensitivity of the OPF simply by controlling the voltage applied to the OPF. By utilizing this function, we can realize the following functions which could not be realized with conventional silicon image sensors.

Sensitivity Modulation Example 1: Global shutter function which can capture all pixels simultaneously at 8K resolution

By controlling ON / OFF of the voltage applied to the OPF and controlling the sensitivity of the OPF, we realize the “global shutter function” capable of imaging all pixels at the same time, even driving a large number of pixels like the 8K sensor. By capturing with the global shutter function, as shown in Fig. 3 (b), the letters on the rotating body are read sharply without distortion. In addition, as shown in Fig. 7, even at the time of high speed moving object capturing, such as when driving on a highway or at industrial inspection, capturing without distortion becomes possible.

In the conventional global shutter type silicon image sensor, it is necessary to add new elements such as transfer circuits and charge storage capacitors in order to accumulate charges simultaneously in all pixels. As a result, the area of the photodiode and that of the additional circuits must compete for space, there is a problem that the pixel size cannot be reduced and the amount of saturation electrons cannot be increased. On the other hand, in the OPF CMOS image sensor, since there is no need for additional elements, it is possible to realize small cell, high resolution sensors, and by incorporating large capacitors in the circuit part with a large available area, accurate imaging with no distortion from dark scenes to extremely bright scenes is possible. For example, as shown in Fig. 9, with the OPF CMOS image sensor, when buildings are photographed while panning [5] at high speed, even in scenes with high contrast like a bright sky and dark windows, it is possible to acquire image data maintaining all gradations of the whole area without distortion.

Sensitivity Modulation Example 2: “Electrical ND Filter Technology” which can change sensitivity continuously and steplessly

Conventionally it has been necessary to provide a plurality of ND filters according to photographing conditions and change them many times. On the other hand, in the OPF CMOS image sensor, merely by controlling the voltage applied to the OPF (VITO in Fig. 8) and changing the sensitivity of the OPF to the desired value, it is possible to electrically implement the ND filter function. By using this function, it becomes possible to simplify the photographic equipment and continuously, steplessly control the sensitivity which could not be realized with a conventional silicon sensor. Therefore, the possibility of capturing according to the scene is expanded.


In the future, we will utilize this OPF CMOS image sensor technology in various applications such as broadcasting cameras, surveillance cameras, industrial inspection cameras, automotive cameras, etc., and will contribute to realize high resolution, high speed and high precision imaging and sensing functions.

Technical Terms:

[1] Global shutter:
Shutter operation which can captures the image at the same time with all pixels. Organic CMOS image sensors operate in rolling shutter mode in which exposure and shutter operation is executed row by row.
[2] ND filter
Abbreviated name of neutral density filter.
A filter that functions to evenly absorb light in the visible range and reduce only the light intensity without affecting color.
[3] Sensitivity modulation
The photoelectric conversion efficiency is changed according to the control. In the OPF CMOS image sensor, the photoelectric conversion efficiency can be changed by controlling the voltage applied to the OPF.
[4] Dynamic Range
Range of brightness that can be imaged.
(Ratio between the largest and the smallest values of brightness.)
[5] Panning
A technique for capturing wide scenes by moving the framing in the horizontal direction with a fixed camera, which is a common video capturing technique.

Articles: Digital Photography Review (dpreview.com)

 
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Zero-Carbon, All Bamboo Sports Hall Features Organic 50-Foot Trusses

19 Sep

[ By WebUrbanist in Architecture & Public & Institutional. ]

A new sports hall in Thailand highlights the aesthetic power and physical strength of bamboo, a flexible and fast-growing natural material. In total, more carbon is captured in the bamboo than was used to treat, transport and use it for construction, rendering its carbon footprint neutral.

Located at the Panyaden International School in the Chiang Mai province, the new building was designed by Chiangmai Life Architects, a firm specializing in natural materials like bamboo and rammed earth.

The symbolic design was inspired by the lotus, an important Buddhist and Thai symbol. Its natural materials tie it to scenic surroundings while open sides allow for passive ventilation for cooling purposes.

Despite its organic appearance, the structure is engineered to resist earthquakes, high-speed winds and other forces of nature.

The complex is able to accommodate 300 students, spanning over 8,000 square feet, and is used to host games of basketball and futsal, a variation on soccer that takes place in a court. It can also be used for student gatherings and visiting speakers.

Like wood, bamboo is becoming an increasingly appealing material for architectural construction thanks to its rapid growth rate and ability to sequester carbon — the natural look and feel are a nice touch, too.

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Bold Bamboo: 8 Dramatic Organic Structures by Chiangmai Life Architects

14 Aug

[ By SA Rogers in Architecture & Public & Institutional. ]

With the completion of their latest project, a spectacular sports hall made of prefabricated bamboo trusses, Thai firm Chiangmai Life Construction (CLC) shows off the stunning architectural possibilities of this natural, inexpensive and sustainable material. But it’s far from the only incredible bamboo structure they’ve designed and built, and they’re here to prove that bamboo blends beautifully with modern technology and lifestyles. Each of their projects centers on the concept of ‘life construction,’ in which the design of a building is carefully customized to its environment, including weather, to control how bamboo interacts with the elements.

Bamboo Sports Hall for Panyaden International School

Each of the prefabricated bamboo trusses used to build this sports hall for a school in Thailand spans more than 55 feet without steel reinforcements or connectors, lifted into position on-site with help from a crane. The structure is designed to withstand earthquakes, torrential rain and high velocity winds, and to host basketball, futsal (a variation of football played on a small hard court), volleyball and badminton. The building shape is based on that of a lotus flower, and like all of CLC’s projects, this one is open to the air to encourage ventilation for cooling in Thailand’s temperate climate, where cold weather is not a problem. The space can host 300 students at a time and includes a storage area behind the stage.

Erber Research Center

At Kasetsart University, Thailand’s largest agricultural learning institution, CLC created a facility that allows students and visitors to study chicken rearing through the windows of an adjacent pre-existing broiler hall (where the chickens are raised) as well as offering space for lectures. Based on the layout of a traditional farmhouse with a square courtyard, the facility includes a covered observation platform with windows spray-painted to look like the eyes of a chicken, with a meeting room, office, lecture hall, kitchen and bathrooms nearby. Says CLC, “This design brings traditional architecture to today’s students who grow up in concrete bunkers.”

Trika Villa

Trika Villa is a residence aiming to illustrate CLC’s core goal of bringing natural materials into the 21st century, maintaining a balance of beauty, affordability and quality. The luxury residence includes 5 bedrooms, 5 bathrooms and a spacious living and dining room arranged around a swimming pool in the courtyard. The adobe walls don’t quite meet the curving, overhanging roof, allowing heat to escape and breezes to penetrate the structure.

Bamboo Reception Hall

Welcoming parents and visitors at the entrance of Panyaprateep School in Thailand is this bamboo reception hall with a rolling bamboo roof inspired by snakeskin. Half open and half closed, the structure offers earthen and stone benches for sitting together in small groups as well as an area full of shelves for the display of items made by the students.

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Bold Bamboo 8 Dramatic Organic Structures By Chiangmai Life Architects

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Bamboo Architecture: 14 Sustainable and Spectacular Organic Structures

25 May

[ By SA Rogers in Architecture & Public & Institutional. ]

Extraordinarily flexible yet strong, the fast-growing grass known as bamboo serves as a versatile medium for architectural projects with sculptural flair, especially when it’s bent or woven. These examples of artistic bamboo structures show off the material’s potential and hint at how it could play a role in futuristic yet sustainable architecture and infrastructure in the years to come.

5 Incredible Structures at the Bamboo Architecture Biennale

At the first annual Bamboo Architecture Biennale in 2016, which was held in the village of Baoxi, China, 12 architects demonstrated different methods of bamboo construction, including Kengo Kuma, Simon Velez, Anna Heringer and Vo Trong Nghia. Each of the pavilions serves a certain purpose, like Kuma’s ceramics museum and Heringer’s youth hostel. The bamboo bridge (pictured top) by Ge Quantao is especially impressive.

Wuxi Harbor Bridge by Mimesis Architecture Studio

Mimesis Architecture Studio shows how beautifully bamboo can augment structures made from other materials via the Wuxi Harbor Bridge, using it as formwork for the handrails of the deck and to create carbonized bamboo nets along the top of the bridge. These nets are weatherized and strong, not to mention easy and cheap to replace.

Green Ladder: Temporary Pavilion by Vo Trong Nghia

Bamboo poles create a grid-like network supporting planter pots to bring nature back to the city in this pavilion by Vo Trong Nghia. The project aims to raise awareness about the importance of access to nature in cities, especially in vietnam, where green spaces are increasingly rare.

Reconstruction of the Universe: Pavilion by Sun Xun

Bamboo curls up and over an outdoor space to act as a shade-providing roof in this project by Chinese artist Sun Xun and Swiss watchmaker Audemars Piguet for Art Basel. It’s made of 1300 madame timber bamboo poles, facing the ocean.

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Bamboo Architecture 14 Sustainable And Spectacular Organic Structures

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Panasonic’s new organic CMOS sensor won’t be in your next camera but it’s cool anyway

10 Feb
Organic chips, but not the kind with sea salt. On the left the sensor is used in plain old visible light mode. By changing the electric charge applied to the chip, visible and near-infrared light are captured simultaneously, shown on the right.

Panasonic has been developing organic sensors for a while now and has just announced a new breakthrough: an organic CMOS chip that can capture visible and near-infrared (NIR) light simultaneously without sacrificing resolution.

There are sensors available now that can image both near-infrared and visible light, but they sacrifice one out of every four pixels to NIR capture. As a result, resolution of the final image suffers. Panasonic’s new chip makes use of two organic layers: the top layer is sensitive to visible light and the bottom layer is sensitive to near-infrared light. By changing the voltage applied to the layers, it’s possible to choose whether the lower layer is active or not. This means it can switch between visible and visible+NIR imaging frame by frame, which is useful in machine vision applications where subjects may be moving quickly.

The image on the left is recorded with color imaging mode, the right shows the scene in NIR imaging mode. The new sensor could be used for night vision and surveillance.

Alternatively, it allows for the creation of security cameras that capture visible light during the day then switch to visible+NIR for a full-resolution ‘night vision’ mode after dark.

It’s great news too if your job relies on checking things that aren’t visible to the human eye, like checking things on an assembly line that are out of sight, but this sensor is unlikely to ever be used in a consumer digital camera. Still, it’s promising to see that Panasonic’s experiments in creating chips made of something besides silicon are paying off.

If nothing else, separating the capture medium from the readout mechanism makes it easier to implement a global shutter design, since the light-sensitive layer can be switched on and off independently, rather than being constrained by the (sequential) read-out process.

Articles: Digital Photography Review (dpreview.com)

 
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Parasitic Art: 11 Installations Taking Over Buildings Like Organic Growths

26 Oct

[ By SA Rogers in Art & Installation & Sound. ]

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Some art just can’t be contained, even by the buildings that house it, expanding beyond these constrictions like alien appendages to burst through windows, wrap around columns and slink onto the sidewalks below. Inorganic materials take on the qualities of living things, manifesting as artificial parasitic growths as they cling to the facades of buildings in architectural installations that take on lives of their own.

Hyperbolic Installation by Crystal Wagner, Poland

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An alien-like growth wraps itself around the corner facade of a historic building in Lodz, Poland, stretching tentacle-like appendages in shades of vivid pink, blue and purple. The site-specific work by Crystal Wagner is made from woven strips of plastic.

Wood Tentacles by Henrique Oliveira

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Wooden forms expand to fill entire interior spaces, taking over light root systems to push through windows and doorways and into the streets, or in one case, to act as a secret system of interior tunnels. Artist Henrique Oliveira of Brazil typically installs his organic sculptures in gallery spaces, but one particular work has it bursting out of the confines of Casa dos Leoes in Porto Alegre.

10,000 Bats on the Nature Concert Hall

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Thousands of bats stream straight out of the front door of the Nature Concert Hall at Zalenieki Manor in Latvia, forming a surreal cloud on its lawn. Architecture firm DJA took inspiration from the unpredictable formations found in nature when assembling the congregation of 10,000 paper bats, which create a tunnel effect when viewed from below.

Vortex by 1024 Architecture, Bordeaux, France

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Strips of wood have taken it upon themselves to escape one building and grip the exterior of another, streaming toward it in a manner suggestive of autonomy. ‘Vortex’ is a generative light sculpture by 1024 Architecture almost completely made of scaffolding, installed on the Darwin Ecosystem Project’s green building in Bordeaux, France. “Merging organic materials with new technologies, this hybrid architectural artwork wraps around and embraces the footbridge between the complex’s two buildings, revealing and enhancing the venue’s dynamic energy while working as a live visualizer of energy consumption.”

Biografias by Alicia Martin, Madrid

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An ornate second-floor window seems to vomit thousands of books onto the sidewalk below in this installation by artist Alicia Martin, as if they, too, are hoping to escape the building. The effect is enhanced by the movement of the pages as they’re blown by the wind. Martin has created similar site-specific installations in buildings all over her home country of Spain.

Glowing Star in an Unfinished Building by Jun Ong

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Like some kind of alien life form that started out tiny and suddenly expanded, impaling an entire building upon itself, this five-story star made of light by Jun Ong suggests rapid growth that could not be contained. The artist envisions the LED sculpture as a physical manifestation of a glitch.

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Parasitic Art 11 Installations Taking Over Buildings Like Organic Growths

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Life After Death: Organic Burial Pods Turn Human Bodies into Living Trees

12 Oct

[ By WebUrbanist in Culture & History & Travel. ]

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Amidst a huge array of natural burial initiatives and urban cemetery alternatives, the Capsula Mundi stands out as a sustainable solution that serves wishes of the deceased as well as the land of the living.

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Italian designers Anna Citelli and Raoul Bretzel developed this solution in part to challenge constrictive existing laws surrounding burials in their home country.

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Essentially, a body is interred in an organic and biodegradable burial capsule situated beneath the seedling of a chosen tree. Instead of filling graveyards with caskets and stone monuments to the deceased, this system would populate parks with living memorials – trees over tombstones. In turn, family and descendants can come to visit and care for the plants in honor of their loved ones.

pod-concept

Many other “green” burial solutions are generally not as ecological as they would first appear. Cremations, for instance, generate huge amounts of carbon dioxide in the burning process. And, of course, traditional burials are not very sustainable – chemicals, caskets, concrete, stone and space are all wasted in an effort to preserve something that will inevitably return to nature, one way or another.

tree-of-death

More from the project website: “Capsula Mundi is a cultural and broad-based project, which envisions a different approach to the way we think about death. It’s an egg-shaped pod, an ancient and perfect form, made of biodegradable material, where our departed loved ones are placed for burial. Ashes will be held in small Capsulas while bodies will be laid down in a fetal position in larger pods. The pod will then be buried as a seed in the earth.

pod-reality

“A tree, chosen in life by the deceased, will be planted on top of it and serve as a memorial for the departed and as a legacy for posterity and the future of our planet. Family and friends will continue to care for the tree as it grows. Cemeteries will acquire a new look and, instead of the cold grey landscape we see today, they will grow into vibrant woodlands. The project is still in a start-up phase, but encouraged by worldwide enthusiasm for our concept, we are working to make it become a reality.”

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Cities of Bone: Organic Future Skyscrapers Free of Concrete & Steel

06 Jul

[ By WebUrbanist in Architecture & Cities & Urbanism. ]

building of bone

Our cities have grown up thanks to concrete and steel, but these materials are far from sustainable, leading architects and researchers to explore new (and old) materials, from wood to eggshell and even bone.

Steel and concrete account for 10% of global carbon emissions, polluting close to as much as the entire transportation industry. Bioengineer Doctor Michelle Oyen of Cambridge’s Department of Engineering builds structures in her lab from artificial bone and eggshell. These can be used for medical implants, but could also scaled up to create low-carbon building materials.

ossuary

Funded in part by the US Army Corps of Engineers, Oyen’s creations are composites of proteins and minerals, the former providing toughness and fracture resistance and the latter lending stiffness and hardness to the mix. These currently come from natural (animal) sources, but she is investigating whether a “non-animal-derived or even synthetic protein or polymer could be used instead of natural collagen.”

0758-11

In theory, her biomimetic creations could even become self-healing, in the same vein as concrete designed to repair itself. For the construction industry to adopt such radical new technologies at scale remains one of the biggest challenges for future organic and semi-organic materials – for decades, building codes have been framed around the use of concrete and steel.

Cities and skyscrapers of today already represent a good first step to long-term sustainability, packing lots of people into dense areas and vertical structures requiring less land. Still, a shift to renewable, organic and reusable materials would make them more future-proof and environmentally friendly.

wood skyscrapers

Wood is another natural building material gaining increased attention from the built environment community, a renewable resource that is strong, durable and recyclable. “Future cities may not look a whole lot different – you may not know immediately if you are in a timber, steel or concrete building,” says Doctor Michael Ramage from the Cambridge Department of Architecture.

wood skyscraper design

And “cities might be a whole lot quieter, as most timber buildings are built off site, and then just assembled on site, and use roughly a fifth as much truck traffic as equivalent concrete buildings. In other words, what needs to be delivered in five trucks for a concrete building can be delivered in one truck for a timber building. That’s an incredible advantage, for cost, for environment, for traffic and for cyclists” (Bone Church image by Davis Staedtler and Ossuary by jockrutherford).

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Tree Church: Organic Arbortecture Grown from Living Branches

19 Jul

[ By WebUrbanist in Architecture & Public & Institutional. ]

tree church and grounds

‘Built’ may not be the right word for this compelling hybrid of architectural and arborsculptural design (or: arbortecture), featuring a complete chapel with landscaped fences and carefully cultivated gardens on all sides, the primary structure at its heart made from five species of tree.

tree church

Begun by Barry Cox on his New Zealand property just four years ago, the project originated as a private retreat but as word spread he decided to open it up to guest events as well starting this fall – the structure seats 100 people.

tree church interior view

Leptospernum (Copper Sheen) grows up to create the walls while Alnus Imperialis (Cut Leaf Alder) completes the roof, forming a complete canopy above. amelia Black Tie, Acer Globosum, and Thuja Pyramidalis were also employed in the construction process.

tree church entry walkway

Within the main building, a slim steel frame underlies the living components, serving as latticework around which the supporting trunks and branches were able to grow.

tree church gardens

On the grounds around the central structure are a number of other intriguing and interactive elements, including a labyrinth and extensive additional gardens for walking and exploring. The entire site is carefully sculpted and maintained, featuring traditional as well as more novel landscapes.

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