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This Drone Photography Checklist will Ensure You Never Miss Your Shots

11 Jul

The post This Drone Photography Checklist will Ensure You Never Miss Your Shots appeared first on Digital Photography School. It was authored by Matt Murray.

drone photography checklist feature

Capturing stunning images with your drone is incredibly exciting. But with so many things to think about before you take off, there can also be some nervousness wrapped up with that excitement. The first few times I flew my drone, I struggled to remember everything. Did I put a memory card in the drone? How strong would the wind be? Did I charge all the batteries? Did I need permission to launch my drone at the beach?  Trying to keep track of all these issues was exhausting, but the one thing that made my life much easier was keeping a drone photography checklist with my backpack.

Drone photography by Matt Murray
A drone photography checklist can help you get the most out of every flight.

The process of checking through this list the day before a planned flight – as well as just before I left home – helped me to be calmer and better prepared.

Below is my drone photography checklist to ensure that you don’t forget anything and are flying as safe as possible.

1. Before you leave the house

Planning for your flight should start before you leave the house, preferably the day before the flight. There are three things I typically check: air space, location and the weather conditions.

Drone photography by Matt Murray
Make sure you have permission from the landowner to launch your drone.

a. Airspace

This is quite possibly the most important check you’ll need to do: are you legally allowed to fly your drone in the airspace above your launch location? And if so, to what height can you ascend to? Do national limits apply or is there a local restriction?

Making sure you understand the laws that govern airspace where you fly your drone is incredibly important and can potentially save you a lot of trouble.

Drone photography guide
Even if you are allowed to legally fly in the airspace, it’s important that you keep watch for other aircraft.

If you are able to fly in that airspace, you also need to check who else could be flying there too. Take a look at your proposed launch location using Google Maps – are there any helicopter pads, airports or airfields in the vicinity? Are there any model aircraft clubs or paragliding locations nearby? Is it a popular place that other drone enthusiasts might use? You need to take all these issues into consideration when planning your flight.

b. Location

As well as considering the airspace where you plan to fly, you also need to take into account what local laws govern the flying of drones in the city, state, or region you’re in. Even if you can technically fly in the airspace, local laws or rules may ban drones flying at those locations. For example, many national parks in Australia do not allow drones.

Another factor to consider is if you need the landowner’s permission to take off at your proposed launch location. Many local councils publish information on their websites regarding places you can and can’t launch your drone from. It’s always best to check beforehand well ahead of time, especially if you need to apply or seek permission before your flight.

c. Weather conditions  

It’s always a good idea to check the forecasted weather conditions ahead of time. Many weather websites predict wind speeds for the next few days – this is invaluable for drone owners. If the predicted wind speeds are too high, it may be necessary to delay your flight.

Drone photography checklist
Weather websites can predict wind conditions for the next few days, which invaluable for drone owners.

Also, keep an eye on other weather conditions. For example, is there any rain on the radar map? Are thunderstorms predicted? For morning flights, what are the chances of fog limiting visibility?

Also, think about the possibility of bright sunshine impairing your ability to see your drone in the sky or view the device that controls your aircraft.

2. Equipment

A drone photography checklist is also very handy for keeping track of your equipment. A checklist can help you to remember to pack everything you’ll need, as well as making sure your equipment is ready for your flight.

Drone photography checklist
Your drone photography checklist can also include a list of accessories you need to take with you such as launch pads and neutral density filters.

First of all, check that all of your batteries are fully charged the day before the flight. This can take some time, so doing it half an hour before you plan to leave the house is not a good idea.

Next, check your drone over to make sure that it’s in perfect working condition. This includes making sure the propellers are not damaged or have nicks in them.

Next, check that you have all of your accessories packed and ready to go. The accessories I pack include a set of neutral density filters, a launchpad, and, of course, at least one memory card.

Make sure your memory cards have enough space on them to record multiple videos and images during your flight. Also, check that you’ve copied the contents of the memory card to your hard drive if you decide to format it beforehand.

Drone photography checklist
Keep your drone software up-to-date: check for any updates 24 hours before your planned flight.

Finally, check that the device you use to control your drone (smartphone or tablet) is fully charged and that you have the latest drone software updated on it, ready to go.

3. At your launch location

When you arrive at your launch location, it’s important to have a good look around and assess the area where you’ll fly. Even after you’ve done your homework about the airspace, the location and the weather, there still can be significant risks.

Take a look around when you arrive at the location: what risks are present? Are there any power poles? Are there groups of children playing nearby? Check if there are any dogs off leash in the vicinity. Here in Australia, we also have the possibility of birds swooping you or your drone.

Drone photography checklist
Make sure you keep watch around you while flying for other distractions such as children and animals.

If you have a launch pad, set it up somewhere flat away from other people. Some people also carry bright cones to mark out a small area to warn other people that a drone will be taking off and landing in the vicinity.

Start your device and your drone. Make sure you calibrate your compass before the flight and that the drone records the home point at your launch location.

Double-check your memory card is inside the drone – there is nothing more annoying than going to take a photo or a video before realizing it’s in your bag on the ground. Take a look at the lighting conditions: do you need to use an ND (neutral density) filter? If so, which one is best suited to the light today?

Before you take off, also make sure your smartphone or device is set to “do not disturb’ mode.

Drone photography by Matt Murray
Take into account that bright sunshine during your flight can impair your ability to see your device effectively.

As you fly your drone, keep an eye out for other aircraft in the airspace, the weather conditions, and people or animals on the ground near your location. If it’s safe to do so, try to take a range of different shots with your drone. If you need ideas, check out my article, 7 shots to incorporate for better drone photography.

4. Post-flight

After your flight is completed, ensure everything is turned off correctly in the right order. Inspect your aircraft and propellers for damage.

Have a checklist of the items you brought with you and tick them off as you pack everything away. Drone ND filters are very small – you don’t want to leave one behind at your launch location.

When you get home, have a regular routine of how you pack your kit away. If you plan on flying again soon, put your batteries on charge again.

Copy your images and videos from your micro SD card ready for your next flight. If you have two or three verified copies of the images, at that point, you may wish to format your memory card, ready for your next flight.

Drone photography checklist
Have a shot list of images you’d like to capture during your flight.

Conclusion

A drone photography checklist is a great idea to keep you prepared and to ensure you are taking reasonable steps to fly safely and legally. Instead of worrying that I have forgotten to do something while driving to my location, I now head out confident that I have taken steps to prepare for the flight.

I start working through the checklist 24 hours before any planned drone activities. This gives me plenty of time to get things sorted, as well as providing me with some reassurance that I am a responsible drone flyer. My checklist is also a big help when packing my gear before the flight, and when packing up afterward.

I’d encourage you to create your own list to print out and keep with your drone backpack, ready to check before you take to the skies. What else would you add to your drone photography checklist? Tell us in the comments below.

Drone Photography Preflight Checklist Feature Image

Drone checklist summary

You can download the PDF drone photography checklist here to keep and print out. That way, you will never miss getting your shots. Alternatively, you can just refer to the list below.

Airspace

  • Am I legally allowed to fly my drone in the airspace above this location?
  • What is the maximum height I can fly my drone at this location?
  • Will other aircraft be in the vicinity? (planes, helicopters, hot air balloons, drones, model aircraft, paragliders).

Location

  • Do I need the landowner’s permission to launch my drone at this location?
  • Will there be a lot of people at this location? How will I keep my drone away from other people? Will there be distractions such as dogs, children or birds?

Equipment

  • Are all of my drone batteries charged?
  • Does my memory card have enough space for images and videos for my next flight?
  • Is my smartphone or device fully charged? Does it have the latest version of the drone operating software on?
  • Is my drone in perfect working order? Are the propellers clean with no issues?
  • Do I have all the accessories I need? E.g. Cables, launch pad, ND filters.

Weather

  • What is the estimated wind speed for the time of my flight? Will I need to take any extra precautions due to the wind speed?
  • Are any storms or extreme weather events expected? Will bright conditions make it difficult to view my device?

Pre-flight

  • Risk assessment at the location.
  • Calibrate compass and record home point.
  • Check memory card is in the drone.
  • Check shot list.

During flight

  • Continually monitor conditions (weather, airspace, ground issues).

Post-flight

  • Examine equipment for any issues or faults.
  • Ensure all items (drone, ND filters, propellers) are accounted for.

The post This Drone Photography Checklist will Ensure You Never Miss Your Shots appeared first on Digital Photography School. It was authored by Matt Murray.


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Landscape photography: Don’t miss the moment for the photo

07 Feb

In the pursuit of timeless landscape photography, it’s easy to miss the forest for the trees. That is, to miss the moment for the photo.

Too often, photographers—myself included—focus on tiny imperfections in their images, yet miss the grandeur of the scene before their eyes. We can scrutinize over every pixel, while neglecting the people who are there with us sharing in nature’s spectacle. We search and yearn for perfect sunsets, only to set ourselves up to feel dejected when our idealized expectations fail to meet ‘mediocre’ realities.

Yet, over time, we begin to discover that the endearing value of landscape photography lays not in the final image itself, but in everything behind it and beyond it. In the effort—the literal blood, sweat, and tears—we exert to capture the image. In the memories forged along the way; the memories preserved decades later through the photo. The lasting value lies in the process itself.

In landscape photography, the means do not merely justify the end. The means are a worthwhile end in and of themselves.

Natural beauty, appreciated

The pursuit of capturing stunning landscapes exposes photographers to moments of wonder the majority of the population will rarely if ever have the privilege of experiencing. It grants us opportunities to witness scenes ignorant observers may dismiss as being ‘photoshopped’. Little do they know, these views do exist beyond the wallpapers of their desktop computers—should they have the curiosity and desire to look for them.

Once bitten by the landscape bug—and for those of you who have been, you know what I mean—the unscratchable itch encourages us to get out there as often as possible. To see the sun rising over Sydney Harbour while the city sleeps. To brave freezing winter nights and gaze up at the tapestry of stars in the Milky Way. To hike through forests, in the rain, in order to experience the torrential fury of waterfalls at full flow.

It encourages us to see the artistic potential in scenes taken for granted by untrained eyes. To look for alluring elements in seemingly mundane scenes—a fallen tree trunk acting as a leading line or a coastal rock channel aligned to catch the rising sun for a few fleeting weeks each year. To truly appreciate when the sky explodes in color on sunset, knowing all too well the countless times it doesn’t.

It’s these moments that open our eyes to the wealth of beauty that our natural world has to offer. Moments that leave those who witness them all the richer for it.

Explore with wonder

Not only does the pursuit grant us picturesque scenes to reflect fondly upon, it also exposes us to an emotion not often felt since childhood: a daring sense of wonder.

When viewing the work of my peers, I’m regularly exposed to fantastical scenes so different from what I know. It leaves me inspired to wander through these foreign lands and see how I might put my own unique spin on capturing them. From the scarred canyons of Iceland to the sandstone monuments carved into the American West.

Yet this act of discovery needn’t—and shouldn’t—only apply to grand overseas adventures. It can be found just as easily closer to home.

There’s a sense of wonder in humbly exploring your local countryside in search for the perfect skeleton of a tree. In researching familiar locations on Google Earth and then driving down ungraded side-roads not knowing what the next bend holds. Or in hiking out under the light of the crescent moon on way to an astrophotography shoot.

Express yourself

Life is full of customs to limit how you behave, to restrict what you can and can’t do. And for good reason. There’d be utter chaos should we wake up wanting to drive on the wrong side of the road…

But in our approach to photography, and the work we create, we can be our true selves. We can pursue the facets we like best while leaving behind those we don’t.

Two photographers can look at the exact same scene, yet walk away with starkly different images. One may focus on the weathered bark of an old tree and produce an elegant black and white, while another captures the entire grand scene, opting for an an ethereal Orton Effect in post-processing. Neither method is wrong. Nor is either more correct. Both are merely personal interpretations by the artist.

Dedication to the ongoing pursuit—the capturing, processing and sharing of work—allows us to experiment with new approaches, gear and techniques. It’s a humble process of trial and error to see what works for us and what doesn’t. Ultimately, through this continual refinement of our craft, we establish a look and feel to our images that becomes uniquely our own.

Personal achievement

Succeeding in landscape photography requires a healthy amount of discipline. Discipline to wake at 4am. To drive for an hour out to location. To battle the elements as we set up our gear. To wait and watch the sunrise fizzle out. And to then return home without taking a single decent image.

All to do it again next week, and the week after that.

It takes grit to push through the disappointment in failing to capture the ideal image you had envisioned. Grit to push on through the lows, so that when you reach the highs of a great image—and you will—you have the perspective to truly appreciate what you have created.

As landscape photographers, we must push ourselves. To reach beyond the known, safe certainties of our comfort zones. Be it leaving the warmth of our bed on a dark winter’s morning or embarking on an overnight hike through the bush. The pursuit allows us to challenge and exceed what we think we can achieve. We persevere with our craft and come through the other side the better for it.

Not just a solo pursuit

Who said landscape photography was a lonely pursuit?

Social media has changed the game for photographers. Instagram in particular has become the default portfolio of work for many. The platform allows us to not only draw inspiration from the works of others, but to directly engage and communicate with them. To discover new locations and new ways of viewing tried and true ones.

This works both ways, too. When you share your unique take on a location, no doubt it encourages like-minded photographers to get out and discover those locations for themselves. While it’s tempting to view their work as piggybacking off your hard work, it needn’t be a zero sum game. Through open sharing, we can teach and inspire one another to work harder, to create more. And as a profession, we are the better for it.

If you’ve ever struggled with the discipline aspect to landscape photography (I know I have) try to arrange meet-ups on location with like-minded peers in the field. Not only will their attendance commit you to venturing out, but it then becomes a shared learning opportunity for you both. Local Instameets and Facebook groups are great opportunities to better know the photographic community in your area.

But the social component isn’t limited to just other photographers. Consider inviting those closest to you on the next location scout. Or offer to act as tour guide for a friend, introducing them to new locations they never knew existed.

Case in point

Consider this photo above. On a recent trip across The Ditch, we were staying on New Zealand’s east coast. I knew I wanted to capture the famed Wanaka Tree under the light of dawn, but we were at the end of our travels and the tree was far away on the other side of the island. So, like all mad photographers, I decided to drive four hours through the night to get there in time.

Beside me on the road trip was my 75-year-old grandma, a former Kiwi-turned Aussie. The drive through the night proved to be a great opportunity to bond with her—a rarer opportunity with each passing year. As we drove through the towns of her childhood, she told stories of her past growing up in NZ. And likewise, I had time to share with her my current creative pursuits.

However, once we arrived in Wanaka, the clouds had rolled in to block out the rising sun. And so too our chance of capturing the image we had sought.

And in the car we waited, laughing to each other after coming all this way to be met by less than ideal conditions. Yet, after some time, a fleeting gap in the clouds lit up the fresh new growth on the foreshore and on the tree itself. Together, we hurried down to the lake and both snapped a handful of shots before the clouds returned again.

We couldn’t stop pinching ourselves on the drive back for having been so fortunate to have those brief few moments to take the shot, but upon reflection, it wasn’t getting the shot that made it worth it. Rather, it was the time spent bonding, and the moment shared. While it turned out to be a pretty picture, for me it was an even more memorable moment.

Take a moment for the moment

The classic adage states that it’s the journey, not the destination, that’s of greater importance. And that’s an apt mantra to keep in mind when we go about our landscape photography—both literally and figuratively.

Landscape photography demands much from the photographers who pursue it. It demands we invest our time and our effort into the craft. That we invest without guarantee we’ll walk away with the stunning award-winning image we so dreamed of.

With that in mind, the next time you find yourself on a beach on sunrise or on a hike through the bush… stop. Stop to appreciate the effort you’ve put into preparing for the photo. Stop to take solace in knowing that you’re in the thick of life, immortalizing the scene in front of you through your art. Stop and take a moment, to appreciate the moment.

And then take the shot.


Mitch Green is a Melbourne based Travel and Landscape photographer. He can be found via his website, through Instagram, or down by the beach at 5am waiting for sunrise.

Articles: Digital Photography Review (dpreview.com)

 
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Don’t Miss Out: These 12 Photography Deals Will Disappear With 2016

28 Dec

Over the last 12 days we’ve presented you with some amazing daily deals on photography training resources in our 7th annual 12 days of Christmas.

12 days

The savings this year were our biggest yet and we had a lot of really positive feedback from readers who picked up some fantastic deals.

As in previous years we did get a few sad messages from readers who missed deals along the way asking if there was any way to get them.

As a result – today we’re opening all 12 deals back up again for one last chance. You can find them all here or listed below.

So if there’s a deal you regret missing or you might have missed one of our emails – you’re in luck. Here they are!

  • Deal 1: Save 50% on this Trade Photography Guide (it’s just $ 5)
  • Deal 2: Save 76% on this Mega Portrait Photography Bundle (course, eBooks and more)
  • Deal 3: Save 70% on our Lightroom Mastery Course (hottest deal of the 12 days)
  • Deal 4: Save 67% on our Lightroom Presets (transform your images in a click)
  • Deal 5: Save 60% on these Professional Photoshop Actions and Lightroom Presets
  • Deal 6: Save 60% on these Landscape Photography Courses (from two of our favorite photographers)
  • Deal 7: Save 85% on this Drag and Drop Lightroom Collage Tool (includes bonus)
  • Deal 8: Save 65% on this Camera Skills and Light Skills Training (satisfaction guaranteed)
  • Deal 9: Save 77% on this Portrait Photography Training (includes 4 exclusive bonuses)
  • Deal 10: Save 85% on our Our Photo Nuts Courses (PERFECT for beginners)
  • Deal 11: Save 60% on Black and White Photo Artistry Course (this was very popular)
  • Deal 12: All dPS eBooks – just $ 9 (there’s 23 to choose from)

All these will be available until midnight US Eastern time on 31st of December, after that they will be gone for ever (just like 2016) – so get to it and grab yours today!

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In Europe? You Don’t Want to Miss Pop_UP Berlin in Three Weeks

11 Oct

At the end of the month, GPP PopUp is coming to Berlin. If you are in Northern Europe, this city is within reach for you. And for a variety of reasons, it’s almost certainly the last time Pop_UP will be held in Europe.

Here’s why you shouldn’t miss it.

A Compact, Info-Filled Weekend

This will be my third time teaching at Pop_UP. Over the course of one weekend—two days—the instructors there work hard to bring you a learning experience that centers on photography, but hits it from four unique and different perspectives.

That’s important, because no two photographers’ environments are the same. And learning from people who have successfully navigated various waters in different ways can be very valuable.

The sessions are all pretty fast paced. We each have a lot to cover and only a few hours to do it. For that reason, we each tend to step back from the daily cacophony and concentrate on things that might spark you to think about your own situation in a different way.

I wouldn’t expect to learn 500 things. If past Pop_UPs are a guide, I think the more likely experience is that you’ll get a deeper look into a couple dozen new concepts—many of which will be things that you have never really considered before.

People don’t learn sequentially. Accumluated knowledge kind of builds up, then something causes that dam to burst and important concepts come together in a very concentrated way. Which is why there are times when you suddenly realize multiple things at once.

Creating those intersections is the main goal of my session at Pop_UP. But more on that in a minute.

Greg Heisler is a One-Off

Consider Greg Heisler. And yes, I realize there is a Joe and a Zack involved. But they each have their own online venues to talk about their approach to Pop_UP. But Greg really doesn’t.

So let’s talk about him for a minute.

First, Greg is one of the world’s pre-eminent portraitists. You’ve grown up seeing his work. And you think there is this gap, for lack of a better word, that separates his work from yours. And in some ways you are right. The technical gaps are there, because he has a mastery of photography and lighting and color that few can match.

But what I have learned, watching him teach in his very open way, is that the camera-related gaps only partly explain the difference between his work as compared to that of the average “good” photographer.

I have learned that there are other gaps. Important gaps. Probably more important than the photography-related gaps that we can easily identify.

His work ethic, his thought ethic, his approach to dealing with the people in front of his camera, his respect for (and knowledge of) the history that came before us as photographers—all of that is at least as important as his mastery of photography or lighting.

Probably more important, actually.

Spending a half a day seeing that is something that is hard to put a value on. You go in expecting F/stops and you coming out realizing the important stuff had nothing to do with F/stops. If you have read 50 Portraits, you already have some idea of what I am talking about.

(And if you own his book, bring it. Get him to sign it. In 100 years, no one is going to remember me. But Greg Heisler will still be alive and well in the lexicon of photographers.)

Yes, he will almost certainly be shooting at Pop_UP. And it will be a learning experience to watch him work. He might use a Profoto light, or he might use a cheap fluorescent tube from a local hardware store. To Greg, it’s all just light. His versatility and unflappability is a lesson in itself.

Lastly, back to the idea of this being a one-time opportunity. Because for the most part, Greg has been taken off of the market.

Syracuse University in upstate New York has very wisely snapped him up to keep largely for themselves. He loves it there. It’s a wonderful college town with a steady stream of curious (and lucky) young minds for him to mold.

Which means he almost never teaches externally these days. And because of his academic schedule, when he does teach it is generally close to home.

If you are in Europe, this might well be the only chance you have to learn from him.

And I Have to Follow That

I have taught in a lot of places—many cities, many countries. And suffice to say that following Greg Heisler in any kind of teaching environment is its own little nightmare. Not unlike the one where you show up at school without pants.

It stems from a deep-seeded fear of relative inadequacy, something I readily confess as a “lighting guy” in the context of Greg. So you can damn-well be sure I won’t be talking about lighting.

“What an amazing cooking presentation by Julia Child! Please stick around for David Hobby, who is next and will show you how to make toast…”

No.

So my class on Sunday afternoon will be more about the things that surround photography:

• How do you find the areas in photography where you are particularly well-suited?

• How do you identify—and create—areas of extreme competitive advantage?

• How do you create the ecosystems that, in turn, create the positive feedback loops you need?

• Which “outputs” from those systems do you optimize for? (Not just money.)

• Is it a good idea to optimize for money? (Not usually.)

• What balance do you need to create to foster sustainability?

• Where do your best ideas come from?

• Is it possible to engineer a stream of strong incoming ideas? (Yes, definitely.)

I have watched for ten years as my particular field—editorial/photojournalism—has largely collapsed. Many assignment fees today don’t even cover the cost of periodic gear replacement. It’s crazy.

So my last ten years have been spent studying and practicing new ways to approach the “new” world of photo and its related professions. To learn to adapt to a world that has completely shifted under my feet, and to anticipate those changes still yet to come.

This is not something I write about on this site, simply because it is way out of the lighting niche. But it is something that I feel is existentially important for photographers to understand.

That’s the deep dive we’ll be taking on Sunday afternoon.

So That’s One Day

Like I said, I’ll let Joe and Zack speak for themselves. Feel free to ping them on Twitter if you have any Q’s. But for those of you joining us in Berlin, this is what’s on tap for your Sunday.

Pop_UP is not a forever thing. We have been to UK, Asia, US—and this month, EU. If it continues, it would almost certainly be in South America or Africa.

If you are in Europe, and you want to attend one, this is your chance. Come join us.

And if you have photo friends in Europe, please help to spread the word. None of us live there, so we would very much appreciate your help in that way.

Thanks—and see you there,
David

:: GPP Pop_UP Berlin, Oct 29-30 ::
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Never miss a video: Subscribe to DPReview on YouTube

30 May

We’ve been producing more video content than ever before, including tons of content from our last year’s PIX show, our ongoing series of long-form Field Tests, overviews of the latest cameras and lenses, as well beginners’ technique guides and interviews. We post videos right here on our homepage when they’re first uploaded, but the best way of not missing anything is to subscribe to DPReview’s channel on YouTube.

We’ve organized our content into playlists, so you can head straight for the stuff that most interests you, whether that’s long-form gear reviews or interviews, short overviews of the latest cameras and lenses, or beginners’ technique guides. 

Articles: Digital Photography Review (dpreview.com)

 
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40+ Free & Premium Lightroom Presets You Shouldn’t Miss

11 Feb

Presets can be a Lightroom user’s best friend. When you are editing hundreds or thousands of photos any time you can save in post processing is extremely valuable. Making use of presets is one of the best ways to streamline your workflow and save time in the editing process. You can either create your own presets, download free presets, or Continue Reading

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Don’t Miss Out: These 12 Photography Deals Will Disappear With 2015

25 Dec

Over the last 12 days we’ve presented you with some amazing daily deals on photography training resources in our 6th annual 12 days of Christmas.

photography deals

The savings this year were our biggest yet and we had a lot of really positive feedback from readers who picked up some fantastic deals.

As in previous years we did get a few sad messages from readers who missed deals along the way asking if there was any way to get them.

As a result – today we’re opening all 12 deals back up again for one last chance.

So if there’s a deal you regret missing or you might have missed one of our emails – you’re in luck. Here they are!

  • Deal 1: Natural Light ebook bargains!
  • Deal 2: 85% OFF Cole’s Classroom Lightroom Course
  • Deal 3: 101 dPS Lightroom presets for ONLY $ 10!
  • Deal 4: The Ultimate Landscapes Bundle!
  • Deal 5: 54% OFF Phil Steele’s Event Photography Course
  • Deal 6: Photography Concentrate Composition & Light guides
  • Deal 7: 104 NEW Hacking Photography Lightroom Presets for $ 10
  • Deal 8: $ 5 Snapn Motion mini-guide
  • Deal 9: dPS Portraits ebooks by Gina Milicia $ 7 each… or 4 for $ 21!
  • Deal 10: dPS Photo Nuts Courses – 2 for $ 30!
  • Deal 11: All dPS ebooks $ 10!
  • Deal 12: Black & White Photo Artistry Course – 60% OFF!a

All these will be available until midnight US Eastern time on 31st of December, after that they will be gone for ever (just like 2015) – so get to it and grab yours today!

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Never miss a video: Subscribe to DPReview on YouTube

24 Nov

We’ve been producing more video content than ever before, including tons of content from our recent PIX show, our ongoing series of long-form Field Tests, overviews of the latest cameras and lenses, as well beginners’ technique guides and interviews. We post videos right here on our homepage when they’re first uploaded, but the best way of not missing anything is to subscribe to DPReview’s channel on YouTube. Read more

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Don’t Miss Out: Soon These 12 Photography Training Deals Will Be Gone Forever

31 Dec

As 2014 races to an end – so too are our amazing 12 photography deals of Christmas.

Screen Shot 2014 12 30 at 8 26 05 pm

In just on 48 hours (as the calendar ticks over into 2015 US Eastern Time) these fantastic deals will close forever.

Among them are some great savings to be had – up to 88% off resources that will help you make 2015 the year of great photos!

The Most Popular Deals of 2014

Each year we get readers ask for our recommendation on the best deals to pick up so as this all comes to an end we like to reveal the best selling deals so you can see what is hot!

Of course the best deal is what is right for you. All these deals come with 60 day money back guarantees so if you’re not quite sure if a deal is for you you can pick it up and then get your money back if you find it doesn’t meet your expectations.

It’s also worth saying that while the first 4 in the list stood out from the rest of the pack considerably – there wasn’t a great deal between the other 8 in the list!

  1. 70% off the Photoshop Artistry Course – this was our biggest deal over on SnapnDeals when we ran it earlier in the year and again was clearly the hottest deal of the 12 days. Pick it up while you can at this never before seen price.
  2. 88% off Hacking Photography’s Lightroom Presets Bundle – our biggest discount of the year and a no brainer if you’re a Lightroom user as it gets you 100 professionally designed Lightroom presets for just $ 10.
  3. Landscape Photography eBooks for $ 10 – our best selling Landscape Photography eBooks normally retail for $ 30… in this deal they are yours for $ 10 or both for $ 19 with a bonus.
  4. Portrait eBooks for $ 7! – this deal gets you any of our 4 Portraits eBooks for $ 7 or you can pick them all up with a bonus for $ 21
  5. $ 10 eBook Day – no surprises here, we put 10 great dPS eBooks up for just $ 10 each. Also hot in this day was our Photo Nuts bundle (4 great eBooks for $ 25).
  6. Ed Verosky’s Macro eBook for $ 7 (or his library at 78% off) – Ed’s eBooks are always very popular – this year was no different to previous times we’ve featured them.
  7. Natural Light for $ 7 – this best selling eBook is gorgeous and sold like crazy when we set it live on day 5!
  8. Essential Guide to Black and White Photography – one of our newest eBooks at a price never before seen.
  9. 60% off our Going Pro eBook – if you’ve ever dreamt of making money from your photography this one is for you.
  10. Save $ 40 on Gavin Gough’s Post Lightroom Tutorials – perfect if you want to brush up on your Lightroom post processing skills.
  11. Save $ 60 on KelbyOne 12 month Membership – get 365 days of amazing photography training for just 55 cents per day.
  12. Save 50% on Lighting on Location Course – while it is at the bottom of the list this course is one of our favorites. Written by our own editor and PACKED with some of the most practical and actionable information on Lighting Portraits – a bargain at this price.

These deals all end at midnight US Eastern time 31 December (as we see in 2015) so act now to pick up yours!

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Don’t Miss Out: These 12 Photography Deals Will Disappear With 2014

25 Dec

Over the last 12 days we’ve presented you with some amazing daily deals on photography training resources in our 5th annual 12 days of Christmas.

Screen Shot 2014-12-25 at 8.32.04 pm

The savings this year were our biggest yet and we had a lot of really positive feedback from readers who picked up some fantastic deals.

As in previous years we did get a few sad messages from readers who missed deals along the way asking if there was any way to get them.

As a result – today we’re opening all 12 deals back up again for one last chance.

So if there’s a deal you regret missing or you might have missed one of our emails – you’re in luck. Here they are!

  • Deal 1: Over 50% off Ed Verosky’s Introduction to Close Up & Macro Photography (or bundle all Ed’s books and save 78%)
  • Deal 2: 65% off David J. Nightingale’s Essential Guide to Black & White Photography (newly published in 2014)
  • Deal 3: $ 40 off post-production Lightroom video tutorials with Gavin Gough (or bundle it for more savings)
  • Deal 4: dPS Portraits titles $ 7 each… (or all 4 for an amazing $ 21!)
  • Deal 5: Save 65% on Natural Light by Mitchell Kanashkevich (one of our most popular eBooks ever)
  • Deal 6: $ 60 off KelbyOne online photography training (a year’s training for a few cents per day)
  • Deal 7: Going Pro dPS eBook kit – 60% off (always a top seller)
  • Deal 8: 70% off Photoshop Artistry: Fine Art Grunge Composition course (the was the most popular deal of the 12 days)
  • Deal 9: 100 professional Lightroom presets – over 88% off! (our biggest discount of the lot and a big seller this year)
  • Deal 10: 50% off Portrait Lighting on Location course (created by our own Managing Editor)
  • Deal 11: $ 10 Landscape photography ebooks – Save 66% (newly published in 2014)
  • Deal 12: All dPS eBooks $ 10! (these sold like hotcakes yesterday)

All these will be available until midnight US Eastern time on 31st of December, after that they will be gone for ever – so get to it and grab yours today!

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