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Posts Tagged ‘LIVE’

Join us and the Nikon D7500 for a Facebook Live chat Friday, June 9th, 1pm EST

11 Jun

DPReview editor and music photographer Dan Bracaglia took the Nikon D7500 along with his D750 to shoot the Big Bldg Bash music festival in Seattle.

On Friday, June 9th at 1pm EST, he’ll join fellow editor Carey Rose on Facebook Live to talk candidly about how it fared as well as his thoughts on how it fits into Nikon’s current lineup. We’ll also be fielding your questions live – join us!

Articles: Digital Photography Review (dpreview.com)

 
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Out of Gas: Abandoned Station Will Live its Golden Years as a Venue

06 Jun

[ By SA Rogers in Architecture & Offices & Commercial. ]

A formerly abandoned gas station in London’s White City district may have outlived its usefulness in its original purpose, but it’s got a new, more relaxing job to do in the ‘hereafter.’ If all those pastel colors didn’t tip you off, the station is in retirement, and it will live out its golden years acting as a colorful venue for pop-up events in the midst of a decade-long urban regeneration effort aiming to create a “thriving, creative neighborhood.”

The station, located on Wood Lane, sits between the BBC’s former headquarters at the Television Centre and White City Place, the former BBC Media Village, both of which will reopen this year after redevelopment. Designer duo Craig & Karl, aka Craig Redman and Karl Maier, took inspiraiton from the bright colors of a television test card for the station’s cheerful new palette and decorated it in their signature graphic style.

“We view this project as the petrol station’s second life, or ‘wonder years,’ which led us to use the words ‘here after’ as a reference to heaven or utopia,” say the designers. “Now that the petrol station has fulfilled its duty, so to speak, it’s free to enjoy itself.”

In a jam-packed, space-challenged city where so few people even own vehicles, this is an especially fitting and fun revitalization of a disused urban space. Doesn’t it make you wish all gas stations were treated as art objects?

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[ By SA Rogers in Architecture & Offices & Commercial. ]

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Posted in Creativity

 

Top 5 Essential Photography Tips I Can’t Live Without

29 May

These are my big five photography tips which I would take with me to a desert island, the ones I can’t live without. For those who have not had the pleasure, that is a reference to the BBC Radio Four program, Desert Island Discs, which has been running for more than 70 years. The simple premise of the program is that guests choose just eight pieces of music they’d want if they were going to be marooned on a desert island.

Desert island

I think that these lists are much easier to complete if given criteria. This is my Desert Island Big Five. They are chosen on the basis that if you could only apply five ideas to your photography for the rest of your shutter button pushing days, perhaps on a desert island, these would be the ones which I would recommend.

#1 – Follow guidelines not rules

Did you ever see the first Pirates of the Caribbean movie? Captain Barbossa (played with menace by Geoffrey Rush) chastised the main character Jack Sparrow (Johnny Depp), that he could not do something, because “It is not in the Pirate Rule Book”. With great, exaggerated, cheeky charm, and great comic timing, Jack Sparrow replied “I do not think of it as a RULE book … more as GUIDELINES …”

It is my strong belief that all articles and photography tips, such as this one, should be considered in the same way. The first rule is that there are NO rules, there are only guidelines. You should do just as you like. If you enjoy taking the photographs, processing them, and then you enjoy looking at the results, that is enough. Pleasing yourself and no one else is absolutely enough.

If you want to take photographs of people’s feet, go ahead! If you want to take a photograph of … well, what exactly do you think this might be (below)?

What is it? It is actually the bottom of a curtain, with the morning light streaming in. Not a common photographic topic, but it is an image of reasonable interest.

There are no rules, only guidelines, Do what you like! Do whatever turns you on! I could live with that suggestion alone on my desert island.

This next photograph follows the suggestion of having no rules. I think it is unlikely that any rule is going to tell you to photograph the bottom half of someone’s face, right? This photograph also leads on to the next guideline.

#2 – Fill the frame

A good photography tip and guideline to live by is that the subject of the photograph should not be in doubt, it should fill the frame.

This is an unusual school building in Al Ain, in the UAE.

The photograph above shows the scene well enough. However what is interesting in the scene? The subject of the photograph is really the arches. If they are allowed to fill the frame, don’t you think that it becomes a much better photograph (as below)?

Then, I think the framing of the following photograph is quite interesting. There is no need to include the entire opening of the front of the shop, nor much beyond the stretched out arm of the potential customer. The subject of the photograph is the colored lamps and they fill the frame here nicely.

I think I will take this one. The brightly colored lamps are the subject here and there is no need to include any more of the scene to tell the story.

Put another way, look at whatever you are photographing, get close, then get closer yet again.

New Delhi train station.

This very handsome man sitting on the platform of the train station in Delhi caught my eye. It is an okay scene and tells a bit of the story of India. But he is really the subject, so get closer.

Closer

Then get closer again.

Is a star born? Fill the frame with the subject. This potential Bollywood star is the subject, so he should fill the frame.

As I have already mentioned, advice such as this is best taken as a guideline, not a rule. To prove that point, I agree with most people who seem to prefer the middle shot, the second one, in the above series.

You might say there are two photography tips in one here. First, fill the frame; secondly, get closer. However, both usually result in the same thing. There are other considerations, however, such as the engagement with a portrait subject, or the choice of focal length.

You can fill the frame or get closer according to whatever works for you. For Mr. Bollywood, my memory is of zooming in and moving closer to the subject.

#3 – Ignore the subject

So now you have decided on your subject and gotten closer. It may then seem a little contradictory to tell you to ignore the subject for this next tip. But your photograph will be better if you do so.

You have already decided that the subject is interesting. The decision has already been made that the face, that flower, or the landscape is worth photographing. The face, the flower, or the lake are not going to change much, right? So really, you do not have to keep staring at it, you can now let your eye wander away.

I suggest that it is a really good idea to let your eye take at least a quick look around the edge of the frame. As a general guideline, it is best to have tidy edges in your frame.  That means there is nothing sticking in and distracting from the subject.

Distracting things on the edge of the frame take away from the subject, the blue smiley face.

Examples

Here is an example. A small girl in Cebu, in The Philippines.

I am not saying that it becomes a much better photograph once edited. However, with a slightly tighter crop, and a bit of Photoshop to dull of the distraction in the top left corner, the photograph is more concentrated on the subject, and it is a better image.

 

Please note that recognizable shapes, the triangle over the girl’s left shoulder, and bright colors, as in the top left, tend to be especially distracting.

The image below was taken for a client in Qatar when Doha’s new airport was being built.

Is it just me, or is that portion of a circle at the bottom, in the front of the frame really distracting? It is very much just a small detail, but it is surely attention to such details that is going to move your photography forward. Next time, when you take a similar shot, you might frame a little bit more precisely. I would like to think that I would. I certainly do not like fixing things in Photoshop, but this is better, isn’t it?

Again, you might say that this is two rules, sorry guidelines, in one. However, I think that it is a natural consequence of looking around the edges of the frame that you will also check the background. This is one I did not get quite right. These people are not flattered by the pole growing out of his head.

The well-known bird photographer Scott Bourne once said that he looked around for a good background then waited for a bird to fly past. You would have to ask him, but I do not think he was joking.

For showing off a cheeky little face, plain white works well. I wanted to photograph a number of the children who lived in a house and just plonked them in front of a plain wall. I found a good background, and waited for the children to fly past!

Cheeky!

But that does not mean that you must have a plain background. It is a question of checking out the edges and being aware of the background. Sometimes the background can even become an important part of the photograph.

Stairway from heaven?

Here is a contrasting background using complementary colors.

#4 – Atomic powered

You may well have heard that you should work the scene. I was only ever half sure what that meant. It might help you, as it helped me when I heard the simple advice, “move your feet”.

Then I later heard that idea expanded upon, and an image from my high school science class was revived. The image is of an atom, with the nucleus and electrons (have I got that right?).

By SVG by Indolences.Recoloring and ironing out some glitches done by Rainer Klute. – based off of Image:Stylised Lithium Atom.png by Halfdan., CC BY-SA 3.0, Link

 

The nucleus, the red and black middle, is the subject. You, the photographer, are the electrons, the blue dots. You are moving over, under, and around the subject. Standing tall, crouching low, walking left, walking right, and working that subject. Looking for the best way to show what you want to show, to tell the story you want to tell.

Created by working the scene and trying different camera angles.

It is not normal to take a photograph of the top of someone’s head. But I hope you agree that this makes an interesting image (above).

Nor is it normal to angle your camera at 45 degrees, tilted over from the horizontal, then point the camera up at an even steeper angle. But this image below seems to tell some of the stories of Singapore’s Clark Quay and the Central Business District. The situation has been worked by moving the camera out of its traditional position in the horizontal and vertical axes.

You must take the shot above, it is mandatory, but it has been taken quite enough times, hasn’t it?

Then, by walking round this very famous building, you can see it in a different way, one that tells a bit more of its glorious tale. The side of the Taj Mahal, as shown below, has its own beauty.

So, the fourth guideline is that you should move around your subject like electrons move around the nucleus of an atom.

There is a bonus to this guideline as well. There is a clear implication that if you have decided that a subject is worth taking one photograph of, you should take ten! If you ever shot with film, you’ll understand that the incremental cost was quite high. When David Bailey shot six rolls of Kodachrome, it probably cost $ 200. Now, in the digital age, the incremental cost is negligible. So do not be shy about taking more photographs.

#5 – Guideline of Thirds

This is the famous, Guideline of Thirds.

Have you heard of it before? Perhaps not, but you may well have heard of the Rule of Thirds. Like many other clichés, it has attained that status because it works! It is so well known but, even then, I have heard people get it wrong. Still, though, I think it is better thought of as the Guideline of Thirds in my opinion.

In your mind, divide the frame by drawing two equally spaced vertical lines, and similar horizontal lines. The image below tells the story easily. This guideline works well with a square frame too, and we would then be able to describe it and use it as a tic-tac-toe board.

You now have a frame divided into nine equal pieces. Three equal horizontal sections, three equal vertical sections, hence the name thirds.

Place your subject on those lines, and the most significant items on the intersections of those lines. Got a tree? Position it on one of the horizontal and vertical lines (where they intersect as seen below).

A river might be placed along one of the horizontal lines.

Place the most significant items, the sun, the human eye, or a cat walking across a street, on the intersections, where the vertical and horizontal lines cross. These are called the power points.

Combining all three, you will have this as your composition.

Very simply, the accepted wisdom is that this arrangement below.

Looks more interesting, more dynamic, than this.

Of course, you cannot move trees and rivers and other stationary objects. However, you can move around and practice the fourth guideline. Often you can find a position where the major elements of the shot are aligned with the thirds, or somewhere close.

If you consciously practice using the rule of thirds it will be a good step in the right direction to creating more interesting photos. Stick with it, practice, and you will soon find that you do not have to really think about it. It soon becomes instinctive. Later you might move on to other guidelines for composition. There are many others, but if I could choose only one to take and use on my desert island this would be it.

I can tell you that this was taken with no conscious application of the Rule of Thirds. I would suggest it has at least some interest. And, lo and behold.

Here is another example.

I know with absolute certainty that The Rule of Thirds was not in consideration when I took this street shot in Jakarta, Indonesia. I wanted one of the drawings to be fully in the frame and as he is the artist, I wanted his hands in the frame too. Again, I am not claiming that this is a great work of art, but I think I can claim that it has some harmony and cohesion. Throw the grid at it and we see . . .

His hands and face, sit pretty much on the intersections of the lines.

A modest realization along the way, with this aspect of my photographic journey, was in respect to the horizontal lines and the placement of the horizon. Still not a rule, only guideline, but it seemed to me that if the sky was interesting, and it was the major subject of the photograph, then you might want to put the horizon on the lower third line. That simply gives more of the frame over to that stormy, wispy cloud-filled, or deep sunset filled sky. Simply, it is consistent with the guideline of fill the frame with the subject.

Boracay sunset, Philippines.

If it is the land which offers the subject for a photo, it usually works if you place the horizon along the upper third.

Beautiful Philippines golf course.

As I have already suggested, there are other compositional guidelines, which you might move on to using at a later date. But the Rule of Thirds, or as you might be better thinking of it, Guidelines of Thirds, is a very good place to start.

In summary

Looking at and understanding light, using a frame, empty space, leading lines, symmetry, contrast, and so on – there are many good guidelines. But these are the five essential photography tips which I would choose to use if I could select no others.

  1. Follow guidelines not rules
  2. Fill the frame with the subject
  3. Check your frame edges and the background
  4. Move yourself
  5. Guideline of Thirds

I would recommend that you could survive very well with the above big five on a metaphorical or, indeed, literal desert island.

The post Top 5 Essential Photography Tips I Can’t Live Without by Richard Messsenger appeared first on Digital Photography School.


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Facebook Live: Sony a9 impressions so far

25 May

The new Sony a9 landed in our office a few days ago, and we’ve been using it non-stop. Editors Rishi Sanyal and Carey Rose hosted a Facebook Live discussion to share their early impressions about the camera so far, as well as to answer live questions from our audience.

We apologize in advance for some audio difficulties. We’ll fix it for next time!

Articles: Digital Photography Review (dpreview.com)

 
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Join us on Facebook Live to talk about the Sony a9

24 May

Join us on Facebook Live for a first look at the new Sony a9!

The new Sony a9 landed in our office a few days ago, and we’ve been using it non-stop. Join editors Rishi Sanyal and Carey Rose on Facebook Live to see what they think of it so far, as well as to ask them any questions you might have. 

Date: Wednesday, May 23

Time: 9:30 AM Pacific (12:30 PM Eastern, 16:30 UTC, 17:30 BST, 18:30 CEST)

Visit our Facebook page to watch live or ask questions about the a9

Articles: Digital Photography Review (dpreview.com)

 
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YI Technology announces consumer-level 360 live VR camera

25 Apr

YI Technology today announced the YI 360 VR consumer-level live VR camera. The new model is capable of capturing 360-degree spheric video footage at 5.7K resolution and 30 frames per second. It also offers 4K instant in-device stitching and 2.5K live-streaming.

The camera weighs only six ounces and can be controlled via basic on-device controls or a mobile app. It uses a pair of 220-degree lenses and 12MP Sony IMX377 CMOS sensors to record video footage or 5.7K 360-degree still images.

“Virtual reality is exciting. It promises a whole new range of opportunities for creating and sharing truly immersive experiences,” said Sean Da, CEO of YI Technology, “but it can also be really intimidating. For VR to truly take off it has to be easy and fun. At YI Technology, we challenge ourselves to bring the most innovative technologies together in a way that is simple, enjoyable and useful for anyone, from kids to professionals. VR is no exception. Too many of today’s solutions are exciting in theory but really complicated in practice. That is why we worked so hard to perfect YI 360 VR. Using the best components, rigorous industrial design and many years of testing, we eliminated the cables, confusing interfaces and bulky components and added 5.7K fidelity, 4K in-device stitching and 2.5K live-streaming, all in a handy, affordable package so everyone can share exciting moments live, from any angle.”

The camera is available for pre-order from today at $ 399. Delivery is scheduled for June 2017. The Yi 360 VR will also be on display at this week’s NAB 2017 show in Las Vegas.

Press Release:

YI Technology Announces YI 360 VR™, First High-end, Live VR Camera for Any Consumer

Newest pocket-sized, camera combining 360-Degree 5.7K VR capture, 4K instant in-device stitching, and 2.5K live-streaming debuts at NAB 2017 today and releases in June

LAS VEGAS–(BUSINESS WIRE)–NAB Show – YI Technology, the leading, international provider of advanced, intelligent imaging technologies, today announced the new YI 360 VR™, a major step in making truly high-end virtual reality video easy and accessible to anyone who wants to create and share content. Scheduled to be released in June 2017, the YI 360 VR™ is available for early ordering now and will be on display at this week’s National Association of Broadcasters (NAB) show in Las Vegas, NV.

With a simple, handheld and mountable camera design, the YI 360 VR™ is the first VR camera to combine high-fidelity, 360-degree video capture, mobile application for easy use along with 4K instant, in-device stitching and 2.5K live-streaming to any sharing channel. With these innovations, the YI 360 VR™ provides a complete solution for anyone to create immersive, 360-degree video experiences easily, quickly and anywhere.

“Virtual reality is exciting. It promises a whole new range of opportunities for creating and sharing truly immersive experiences,” said Sean Da, CEO of YI Technology, “but it can also be really intimidating. For VR to truly take off it has to be easy and fun. At YI Technology, we challenge ourselves to bring the most innovative technologies together in a way that is simple, enjoyable and useful for anyone, from kids to professionals. VR is no exception. Too many of today’s solutions are exciting in theory but really complicated in practice. That is why we worked so hard to perfect YI 360 VR. Using the best components, rigorous industrial design and many years of testing, we eliminated the cables, confusing interfaces and bulky components and added 5.7K fidelity, 4K in-device stitching and 2.5K live-streaming, all in a handy, affordable package so everyone can share exciting moments live, from any angle.”

YI 360 VR™ CAMERA HIGHLIGHTS:

VIVID: The camera delivers stunning video and images – in 360. YI 360 VR™ features professional-grade video quality at up to 5.7K/30fps in 360 degrees for post-production work, thanks to Ambarella’s virtual reality SOC H2V95 chip and a pair of sharp 220-degree lenses mated to a pair of 12MP SONY IMX377 CMOS sensors. It also captures 5.7K 360-degree still photos. Most other multi-lens VR cameras give you clunky, choppy video images and require streams to be stitched together on a computer. The YI 360 VR™ offers seamless in-device stitching without added software so anyone can make high-quality 4K, 360-degree VR videos instantly.

EASY: YI 360 VR™ is lightweight and compact. At only six ounces and easily mountable wherever you put an action camera, it can go anywhere you go. Simple controls are on the device or the companion YI 360 VR™ mobile app allows you to control the camera, preview, playback, edit and share 360-degree videos from any smartphone. Record for over an hour on one battery charge (AC power also included) the YI 360 VR™ connects with WiFi so you can view, edit and share instantly and continuously right in the app.

LIVE: YI 360 VR™ features up to 100Mbps high-speed WiFi (Dual-band Wi-Fi 2.4GHz & 5GHz) to enable users to live-stream 2.5K/30fps 360-degree videos or download photos and videos from camera to smartphone. Connect with a WiFi network and you can start live-streaming everything around you to Facebook, YouTube, and more at 2.5K in 360 Degrees. The high-speed WiFi makes photo auto-sync possible and video download extremely fast. Photos taken by the camera can be automatically synchronized to any smartphone instantly so manual download is no longer needed. Use the app to easily post photos or videos with one click to all your favorite social networks.

Pricing & Availability

At $ 399 MSRP, YI 360 VR™ will be available for early ordering beginning today, with scheduled delivery for limited release in June 2017. https://yitechnology.com/yi-360-vr-camera

YI 360 VR™ is only one of YI Technology’s advanced 360-degree video solutions unveiled today at NAB 2017. The company also announced today the YI HALO™, the newest professional-grade 360-degree, stereoscopic camera for the Jump platform from Google.

See and experience YI Technology’s two new products, YI 360 VR™ and YI HALO™, at NAB 2017 in the Virtual & Augmented Reality Pavilion, Booth N1121VR. Visit www.yitechnology.com for more information.

Note, the company will also present its products at the Sixteenth Annual Las Vegas SuperMeet on Tuesday, April 25, 2017 from 7:00 pm – 11:00 pm in the Brasila Ballroom at the Rio Hotel.

Articles: Digital Photography Review (dpreview.com)

 
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Apple is releasing its Live Photos API, which means more moving photos in more places

21 Apr

Apple has revealed the API for its Live Photos feature, meaning more app and web developers will be able to support the company’s short 1.5 second video ‘moving photo’ video clips. Apps like Facebook are already able to display Live Photos for users running iOS 9, but making the API available will allow any developer who wants to put a Live Photos viewer on their website or in their iOS app to do so.

Live Photos debuted in 2015 with the iPhone 6S. Owners of recent iPhones including the 7 and 7 Plus can capture the moving images in the stock camera app, and anyone running iOS 9 or later can play the video clip by pressing and holding the image.

Articles: Digital Photography Review (dpreview.com)

 
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StyleShoots Live robotic photography studio uses AI to shoot and process photos

24 Feb

A new robotic ‘smart studio’ device aims to increase brands’ photography efficiency and productivity by replacing, to a certain degree, professional human photographers with artificial intelligence and a robotic camera/lighting system. Called StyleShoots Live, this smart studio is equipped with robotic lighting, a Canon 1DX Mark II camera, and machine intelligence for shooting, processing and exporting photos and video automatically.

StyleShoots, the Dutch company behind the smart studio, unveiled the product on Wednesday, saying it is ‘designed to create instantly edited video and stills for fashion lifestyle and eCommerce shoots in minutes.’ This is made possible via a large steel enclosure in which a model is posed. A variety of technologies then make technical decisions, adjusting lighting and camera settings as necessary to shoot content that matches brand-specified customized styles.

The resulting content is automatically processed, including things like cropping images to certain aspect ratios or stitching together multiple videos. The final content can then be reviewed by the human in charge and, if approved, exported for various platforms. A human is given control over the entire process via a built-in iPad Pro with a Live View mode of the model.

Speaking about the smart studio, StyleShoots’ Head of Product Anders Jorgensen said:

‘Fashion brands need to keep their customers engaged with fresh content every day – and video shared on social media is the most powerful form of storytelling. To keep up with the continuous demand, StyleShoots Live creates stills and video ready for publishing on Instagram, Facebook, Snapchat, and websites within minutes – without any manual editing or post production.’

Of course, such a studio raises concerns about technology and its potential ability to replace human photographers with machines. In response to that concern, StyleShoots explained in a long FAQ sheet that it didn’t design its smart studio to be a replacement for humans. ‘To run a fashion shoot,’ the company explained, ‘you need a creative eye to compose the shot, pose the model and style the clothes — a robot can’t do that (yet).’

Source: StyleShoots

Articles: Digital Photography Review (dpreview.com)

 
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Blackmagic Web Presenter makes it easy to use any camera for live webcasting

12 Feb

Have you ever wanted to use your DSLR, mirrorless, or other high quality camera for live video streaming on platforms like Facebook Live, Skype, or Periscope? If so, you’ve probably discovered how challenging it can be to get some of these programs to work with something other than a webcam or smartphone camera.

 
This week, Blackmagic Design announced what appears to be a great solution to this problem. The Blackmagic Web Presenter is a device that captures video from any camera and relays it to your computer, making the video appear as though it originates from a webcam. Blackmagic claims that it should work with Mac, Windows, Linux, and even Chromebook computers automatically without installing any drivers.
The Web Presenter supports video output from cameras up to Ultra HD resolution. The device scales output signal down to 720p for web streaming using Teranex conversions, which should result in very high quality scaling. It supports both HDMI 2.0 and 12G-SDI connections, and also includes XLR and component audio-in.
 
If you’ve longed to use your favorite DSLR or mirrorless camera instead of a mediocre webcam or smartphone for live webcasts, the Web Presenter looks like it could be a great option.
 
The Blackmagic Design Web Presenter is available now for $ 495.
 
Press release:

Blackmagic Design Announces New Blackmagic Web Presenter

Now it’s possible to make any SDI and HDMI video source appear as a USB webcam for high quality streaming on the internet.

Fremont, California – February 6, 2017 – Blackmagic Design today announced the new Blackmagic Web Presenter, which allows customers to use their professional SDI and HDMI video sources with streaming software and services such as YouTube Live, Facebook Live, and more.

Featuring 12G-SDI and HDMI connections, Blackmagic Web Presenter will down convert any SD, HD and Ultra HD sources and make them look like a 720p USB webcam. As all streaming software works with webcams, Blackmagic Web Presenter also makes it easy to work with any streaming software, but with dramatically higher quality. Streaming in 720p ensures customers get the quality of HD and a 16:9 aspect ratio, but with very low data rates so uplinking streams to the internet is easy from any computer.

Blackmagic Web Presenter can also live switch programs using its built in 2 input production switcher when the optional Teranex Mini Smart Panel is installed, making it a full live production solution for location broadcast.
Blackmagic Web Presenter is available now for US$ 495 from Blackmagic Design resellers worldwide.

Blackmagic Web Presenter is the fastest and easiest way to get high quality video directly on the web for a new generation of web broadcasting. It replaces expensive and hard to set up dedicated streaming encoders and lets customers or broadcasters use professional cameras to stream high quality video through their favorite software and websites. Because Blackmagic Web Presenter looks like a simple webcam, any webcam compatible software will be able to capture this USB video and audio from any broadcast quality source without the need for additional drivers.

Blackmagic Web Presenter is designed for both the high end broadcaster as well as a new generation of web broadcasters. Traditional broadcasters can use Blackmagic Web Presenter to get content online quickly to a global audience from any location. AV professionals can create high quality live streams of seminars and conferences, educators can stream school performances and recitals to family members around the world, and gamers can share their gameplay with massive online communities of players.
Blackmagic Web Presenter also completely revolutionizes online webinars because customers can use it as a full featured, professional live production switcher simply by adding the optional Teranex Mini Smart Panel. That means they can create webinars using multiple sources so the finished program looks better and is far more dynamic than ever before.
Blackmagic Web Presenter features Teranex conversions that provide high quality image scaling for incredible looking web video. Incoming SD, HD and Ultra HD sources are automatically converted to 720p and output via USB to the computer for streaming on the internet. Converting sources to 720p is ideal for streaming because it delivers HD resolution and incredible quality at the lowest possible data rate. If the streaming software detects a slow internet connection, it can command Blackmagic Web Presenter to reduce the frame rate to 20, 15, 10 or even 5 frames per second.
Customers using Blackmagic Web Presenter don’t need to install any additional drivers because it is a standard UVC and UAC compatible USB video device. That means Mac, Windows, Linux and even Chromebook computers will automatically recognize Blackmagic Web Presenter as a standard webcam. This allows customers to use professional cameras to get far superior video quality, while maintaining compatibility with all of their existing software because the computer sees it as a simple webcam. Blackmagic Web Presenter works with software such as Open Broadcaster and XSplit Broadcaster, as well as popular sites like YouTube Live, Facebook Live, Skype, Twitch.TV, Periscope and more.
 
When used with the optional Teranex Mini Smart Panel, Blackmagic Web Presenter can be used as a broadcast quality, 2 input live production switcher. The panel adds push button controls, an LCD screen and spin knob for quickly cutting between sources. Blackmagic Web Presenter features re-synchronization on the HDMI input, so cutting between sources is always smooth and glitch free. For example, customers can connect an SDI camera and an HDMI laptop, and then use the front panel to switch between them while broadcasting live on the internet, complete with smooth, professional looking dissolves.

Blackmagic Web Presenter features 12G-SDI and HDMI 2.0 connections for working with all formats up to 2160p60, loop out to send the input signals back out to other devices such as a projector, and a program output to send full resolution SDI to a recorder or monitor. It also has XLR and RCA HiFi inputs for connecting microphones and other audio devices, along with a built in 90V – 240V AC power supply so customers don’t have to carry around extra power bricks or cables.

Blackmagic Web Presenter is portable enough to take anywhere so customers can broadcast wherever there’s an internet connection. The compact 1/3 rack unit size is perfect for equipment racks and can be placed alongside other equipment such as Teranex Mini Converters, HyperDeck Studio recorders and even ATEM Television Studio HD.
“Blackmagic Web Presenter lets customers create incredible looking online broadcasts using their professional SDI equipment and HDMI sources such as cameras, laptops and gaming consoles,” said Grant Petty, CEO, Blackmagic Design. “The exciting part about it is that there are no drivers, it just works with all of the most popular webcam software and sites such as Open Broadcaster, XSplit Broadcaster, YouTube Live, Twitch.TV, Facebook Live and more. Plus, it can be turned into a full featured live production switcher simply by adding a Teranex Mini Smart Panel. Blackmagic Web Presenter is revolutionary because it makes global broadcasting available to anyone, which has been our dream for a long, long time!”
Blackmagic Web Presenter Key Features

  • Converts any SDI or HDMI source to USB webcam video in 720p HD format.
  • No drivers required, works with popular streaming software such as Open Broadcaster, XSplit Broadcaster, YouTube Live, Facebook Live, Periscope, Twitch.TV and more.
  • Supports all SD, HD and Ultra HD input sources up to 2160p60.
  • 12G-SDI input with 12G-SDI loop output.
  • 12G-SDI program output, ideal for recording masters when doing live switching.
  • HDMI 2.0 input with independent HDMI loop output.
  • HDMI video input re-sync for live switching.
  • XLR balanced mic/line level audio input.
  • Consumer HiFi connections for 2 channels of audio input.
  • Teranex quality down converter.
  • Built in 2 input switcher when used with optional Teranex Mini Smart Panel.
  • Desktop design or can be rack mounted using the Teranex Mini Rack Shelf.

Availability and Price

Blackmagic Web Presenter is available now for US$ 495 from Blackmagic Design resellers worldwide.
 

Articles: Digital Photography Review (dpreview.com)

 
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DxO ONE app update adds support for Facebook Live

14 Dec

DxO has announced an update for the iOS app that supports its ONE camera. Version 2.5 of the app will make it possible to use the camera for Facebook Live streaming. When used remotely via Wi-Fi, the app’s Facebook Live integration allows for switching between the ONE’s camera as well as the iPhone’s built-in front and rear facing cameras. Users can also switch between the ONE and the iPhone’s audio feeds, or set the app to switch automatically when the camera is switched. 

DxO estimates that the app update will be available in early 2017.

Press release

The DxO ONE camera to offer the most accessible and flexible pro-quality solution for Facebook Live

Free DxO ONE camera iOS app update revolutionizes Facebook Live broadcasting with a powerful and professional multi-camera mode

PARIS and SAN FRANCISCO—December 14, 2016—DxO, pioneer in digital imaging technologies, announces a major free update to its award-winning DxO ONE pro-quality miniaturized and connected camera for iPhone that will take Facebook Live broadcasting to new heights. The DxO ONE camera iOS app version 2.5 will introduce the world’s first pro-level multi-camera solution for Facebook Live, enabling users to take full advantage of the DxO ONE’s remarkably compact design, outstanding image quality, and integrated internet connectivity while broadcasting to their followers. Available to all DxO ONE users free of charge, the update is expected to be available in early 2017 via the iTunes App Store.

With the update, the DxO ONE app will embrace Facebook Live, providing the ability to quickly and easily create a live stream with only a few taps of the app. When combined with full Wi-Fi remote control, the DxO ONE will operate as a remote broadcast camera, giving users the ability to experiment with camera compositions and placements that are impossible to achieve with the iPhone’s built-in cameras alone. The DxO ONE’s large image sensor and fast lens combine to provide a shallow depth-of-field and natural looking bokeh that lets users live stream with a level of quality that is breathtakingly cinematic.

The DxO ONE Facebook Live solution provides a sophisticated set of controls, including an elegant multi-camera source panel, that lets you preview all three camera views at once—DxO ONE, iPhone front and back—so you can recompose the shot, adjust the lighting, or prepare your subject before going live with any camera view. You become the technical director, as you seamlessly cut between each of the three cameras on-the-fly with a quick tap. Your audio feed can be sourced from the DxO ONE’s internal microphone, the iPhone’s microphone, or set to automatically switch between the two as you cut between cameras. And of course, the DxO ONE app will allow you to name your Live stream and let you connect with the people who care most, whether it’s a select group of personal friends, or your fans worldwide.

“Because it’s so incredibly compact, the DxO ONE has been my go-to camera for pro-quality video whenever and wherever I need it most,” said Nathan Yamniak, Film Director. “Now with the addition of a multi-camera broadcast control panel, and deep support for Facebook Live, it has become for me and my clients the ultimate pro-quality live broadcasting solution.”

Articles: Digital Photography Review (dpreview.com)

 
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