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Posts Tagged ‘Little’

This $95 lens attachment turns the world around you into a globe using a little glass marble

11 Nov

We’ve come across a number of weird lenses and lens accessories over the years, but the Soratama from Zenjix certainly stands out from the crowd, for better or worse.

The lens attachment features a 72mm filter thread and is designed to go in front of nearly any lens you can find step down/up rings for. It uses a single sheet of glass with what is effectively a clear marble to turn the world around you into a little globe of sorts.

These globe-style shots aren’t new, per se, but unlike photos that use larger glass orbs, this attachment is smaller and means your hand won’t be in the image. We can’t attest to image quality, but the above video shows what kind of shots are possible with the Soratama. There are multiple versions of the Soratama being sold on eBay, starting around $ 95 with shipping.

Articles: Digital Photography Review (dpreview.com)

 
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Video: How to create ‘mind-bending’ drone photos with a little creative thinking

19 Oct

The Cooperative of Photography, better known as COOPH, has shared ‘Droneception,’ a quick tutorial video that breaks down how to create ‘mind-bending’ drone images using two-shot, three-shot and more advanced multi-shot methods.

The video is three-and-a-half minutes long with only visuals and text overlays for instructions, but it’s succinct and manages to effectively convey the steps required to get the shots and make the final compositions. These methods should work with nearly any drone, so whether you’re using the newest DJI or a few year old no-name brand, the magic happens with the creative thinking ahead of time and the post-processing done afterwards.

For more videos, head over and subscribe to COOPH’s YouTube Channel.

Articles: Digital Photography Review (dpreview.com)

 
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Samyang’s new compact AF 75mm F1.8 FE lens has a neat little trick up its sleeve

22 Apr

Samyang (also branded as Rokinon and Bower in other markets), has released its new AF 75mm F1.8 FE lens for full-frame Sony camera systems.

Aside from the rather unusual focal length (I think we can all appreciate the decision not to add yet another 85mm FE lens to the market), the lens has another interesting feature. On the barrel of the lens, Samyang has included a ‘Custom’ switch that will turn the ring on the barrel from a focus ring (Mode 1) to an aperture ring (Mode 2). It’s not a dedicated aperture ring, but the ability to switch on-the-fly is a nice addition, especially for a lens from a budget manufacturer.

Onto the more standard specifications, the lens is constructed of ten elements in nine groups, including two high-refractive (HR) elements and three extra-low dispersion (ED) elements. It offers an aperture range between F1.8 and F22, has a minimum focusing distance of 69cm (27″), features a nine-blade aperture diaphragm and uses a 58mm front filter thread. The lens weighs just 230g (8oz) and measures in at 65mm in diameter (2.56in) and 69mm (2.72″) long, making it an incredibly compact and lightweight lens for its focal length.

Below are a few sample photos, provided by Samyang:

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Samyang hasn’t shared pricing or availability information yet, but we have contacted the manufacturer and will update the article accordingly when we receive a response.

Articles: Digital Photography Review (dpreview.com)

 
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Video: How to capture abstract macro photographs using little more than paper and lights

07 Apr

Considering most of the world is well into a few weeks of self-isolation, you’ve probably photographed nearly everything you can in your household, leaving little left to document. Now, it’s time to get really creative and to help make the most of a rough situation is Ben from Adaptalux, who’s shared a 15-minute video showing how you can capture abstract macro photographs using little more than a few lights, a few sheets of paper and a little bit of creative thinking.

Throughout the 15-minute video, Ben walks through a number of different setups and other variations you can experiment with to capture the macro abstract photographs, but the basic tools you’ll need on hand include a camera, a close-up capable lens, a tripod (not necessary, but will very much simplify the process), at least one light source, several sheets of white paper, paper clips (or bobby pins) and a flat surface that’s either transparent or translucent.

While Adaptalux lights are unsurprisingly mentioned in the video, any lights should do and if you have a few gels sitting around, you can get extra creative by mixing up colors.

If you prefer a non-visual explainer, Adaptalux has also published an accompanying blog post on its website that details the process. You can find more tutorials on Adaptalux’s YouTube channel, where it offers up a complete playlist dedicated to ‘Macro Photography Tutorials.’

Articles: Digital Photography Review (dpreview.com)

 
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A little bit of everything: Fujifilm XF 16-80mm F4 sample gallery

21 Feb

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Fujifilm’s XF 16-80mm F4 lens gives a 35mm equivalent zoom range of 24-120mm, which makes it an incredibly versatile walk-around lens. So we did a lot of walking around with it. The built-in stabilizer means the lens is more flexible than you might think for indoor shooting, and the claimed weather resistance means we didn’t let a little rain or snow shower keep us from packing it along. Check out how this lens performs in our sample gallery.

Articles: Digital Photography Review (dpreview.com)

 
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Godox’s new R1 and RF1 lights are compact LED discs that look a little familiar

20 Sep

Godox has unveiled the R1 and RF1, a pair of LED-powered lights designed to be compact and portable for photographers and videographers on the go.

Before we dive into the good stuff though, let’s go ahead and address the elephant in the room—yes, theses lights and their accompanying dome accessory bear a striking resemblance to Profoto’s new C1 and C1 Plus lights.

The functionality is slightly different and Godox doesn’t consider its R1 and RF1 units ’studio’ quality, but it’s difficult to overlook the uncanny similarities between the four units.

With that out of the way, let’s get down to the details. Both the R1 and RF1 are compact lights that feature integrated magnets for Godox’s AK-R1 round head accessories (sold separately) and securing to surfaces for easy mounting. The units are charged via the onboard USB-C port and settings are controlled via the Godox app over Bluetooth.

The R1 is the entry-level version that features RGB LED lights with variable color temperature (2500K-8500K) and a Television Lighting Consistency Index (TLCI) of >95. The R1 is designed for continuous use with variable power output and a features battery life rating of one hour when used at full power.

Godox says the R1 features 14 different RGB lighting modes—including ‘music,’ ‘lightning,’ ‘screen,’ ‘candlelight’ and more—as well as 8 other modes that change the color temperature.

The RF1 is identical to the R1 with the expiation that unlike the R1, which is limited to continuous mode, the RF1 features Godox’s 2.4Ghz Wireless X System, which turns it into a flash when used with computable Canon, Nikon, Sony, Fuji, Panasonic, Olympus and Pentax camera systems.

Godox doesn’t offer any information on output power, recycling time or even pricing and availability information. We have contacted Godox regarding these details and will update the article accordingly when we hear back. Until then, we’ll just have to wait and see. That said, it’s probably a safe bet that both of these units will come in much cheaper than the $ 299 and $ 499 price tag Profoto is asking for its C1 and C1 Plus units, respectively.

Articles: Digital Photography Review (dpreview.com)

 
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3 Photo Keywording Tools for Little or No Cost

03 Jul

The post 3 Photo Keywording Tools for Little or No Cost appeared first on Digital Photography School. It was authored by Glenn Harper.

Most dictionaries don’t recognize “keyword” as a verb, yet keywording is seen as an arduous task by many photographers. Despite the mundanity, if you want to find specific photos amid a large collection, it helps to keyword them. This article looks at three keywording tools that will hasten the work for little or no cost.

Three Keywording Tools for Little or No Cost

Manual vs automated

The main benefit of laboriously keywording every image yourself is accuracy. You know every word you enter applies to that photo. Or, you have a good-faith belief that it does. Good keywording often involves research, especially if you’re keywording with the aim of selling or licensing photos.

Semi-automated

One way to speed up keywording is with the quick keyword lists you find in all software with built-in DAM (digital asset management). Such lists normally need building first, but they cut out typing and thinking time once installed. A similar system is used in paid-for keyword tools.

ACDSee Photo Studio Ultimate - keywording - quick keyword lists

An ACDSee Photo Studio Ultimate quick keyword list, which you can expand if necessary to include many keywords. I also have an organized keyword list under construction.

Automated

An even faster way to keyword is by using image recognition software. This populates keyword fields quickly. The main drawback is having to remove a few words from most photos. That’s not a bad trade-off when it works well, since deleting words is less taxing than adding them. You’ll still need to add a few keywords yourself, because software like this tends to identify subjects generically.

Three keyword tools for little or no cost

Keyword software ranges from expensive to free. It can be standalone, plugin, SaaS or web-based without charge. You’re unlikely to want to pay for keywording unless there’s a chance of return on investment. Below are three keywording tools that have little or no effect on your bank balance but which might save you time.

Any Vision Lightroom Plugin

The Any Vision Lightroom Plugin uses Google Cloud Vision technology to recognize the content of photos and populate the LR keyword field accordingly. It’s clever stuff. You can try the same technology out here on image files under 4 MB in size. Google Cloud Vision is the engine behind Google image search. The plugin is available on trial for the first 50 images, after which you must buy a license for whatever price you can afford or deem suitable.

Does it work? I’ve found it to be useful for everyday photos, and it even recognizes a few iconic buildings (e.g. Flatiron building). Yes, I have to cut out a few keywords, but I keep more than I delete. It’s not so good with plant portraits, as it tends to fill the keyword field with the names of various lookalike flowers. But once you know its weak spots, it’s good to have on board.

Any Vision Lightroom plugin

Any Vision impressed me by identifying the location of this photo (Lyons-la-Forêt), though I’ll still need to add and subtract a few words.

To get Any Vision working after the trial, you must obtain a Google Cloud Key. That’s linked to your Google billing account, but unless you keyword over 1,000 photos a month, you won’t be charged a thing. Bear in mind you won’t need to analyze every image (i.e. you can copy and paste).

IMS Keyworder

The online IMS Keyworder tool is simple to use. Just enter one or two keywords that best sum up the content of your picture, hit enter and click on relevant photos to create more keywords. The keywords that appear are ranked for their popularity with microstock searchers – customers that look for and download photos. This gives you a clue as to how vital a keyword is to your image.

IMS Keyworder - free image keywording tool

IMS Keyworder shows you how popular search terms with microstock buyers. You can also see how often each keyword appears among your selection.

Other handy IMS features include the ability to bring up a list of synonyms and create templates. You can also embed keywords, descriptions, and captions directly into JPEGs on your PC. This online software is free with the option of making a voluntary payment to the developer.

Xpiks Keyworder

Xpiks is a good open-source program that, like IMS, draws its keyword suggestions from microstock photo libraries. You still need the Internet to use it, but the software exists on your hard drive. And that makes it more versatile since you can add keywords to bigger file formats in the absence of bandwidth restrictions.

Among the useful features of Xpiks are XMP/IPTC/EXIF metadata editing, translation, autocomplete, search facility, spellcheck and, of course, keyword suggestions. If you happen to contribute to microstock libraries, you can also upload photos straight from Xpiks.

Three Keywording Tools for Little or No Cost - Xpiks keyword program

A photo of Mont Blanc in Xpiks with 30+ keywords sourced from several similar microstock photos.

Other keywording tools

Among the other third-party keywording tools I’m aware of (free or not) are the following:

  • Akiwi – online drag and drop image recognition, free
  • Excire – Lightroom plugin with AI technology that lets you search without keywords, 99€ one-time cost
  • fotoKeyword Harvester – by Cradoc fotosoftware, long-established company, not free
  • Keyword Perfect – by A2ZKeywording.com, responsive developer, not free
  • Keywords Ready – online image recognition technology with 50-image monthly limit, free
  • Microstock Keyword Tool – online tool that harvests keywords from microstock photos, free
  • MyKeyworder – image recognition Lightroom & WordPress plugin, small donation to remove restrictions
Three Keywording Tools for Little or No Cost

Akiwi has a cleanly designed webpage that is simple to use. Image recognition helps you find a maximum of 15 keywords per image.

Keywording tips

If you break keyword lists up into categories and sub-categories, you’ll have the basis of a methodical keywording system. The problem with adding words randomly without any system is one of consistency: you’ll rarely end up with the same set of words twice. And that may force you into trying multiple search terms later when it comes to finding pictures. Even if you use keywording tools to help you, it’s handy to have your own lists of words to add on top.

Excire Lightroom plugin

Excire recognizes content but adds keywords sparingly. It’s a paid-for Lightroom add-on that can search your library to some extent without keywords.

The number of keywords you should add is open to debate, especially if you’re licensing photos for publication. You don’t want to waste picture researchers’ time with loosely related words, but you also don’t want to make photos invisible through minimalism. The same applies for your own purposes. About 10-25 keywords often suffices. Some photos might need more. It’s wise to stick to common words where possible. Long or formal words are less likely to be used in search terms.

Keywords Ready - free keywording tool

The 50-image limit of Keywords Ready is limiting for prolific photographers, but this is free software. It gave me a good selection of words for this photo, save for one or two exceptions (I wouldn’t add “material property”).

Final say

I hope this article has led you to some useful keywording tools. If you get to the stage where you have thousands of untagged pictures, modern AI software will help you narrow down a search. Paid-for keywording software tends to be more methodical than the free stuff. It usually includes a large lexicon of categorized words. But free or inexpensive programs will help you get the work done and make your library searchable.

Have you used any of these? What are your thoughts? Or do you use other keywording tools? Share with us in the comments below.

 

photo keywording tools

The post 3 Photo Keywording Tools for Little or No Cost appeared first on Digital Photography School. It was authored by Glenn Harper.


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Godox TT350 Flash Review – the Little Flash that Can

22 May

The post Godox TT350 Flash Review – the Little Flash that Can appeared first on Digital Photography School. It was authored by Sean McCormack.

Godox – the mighty Chinese brand that’s sweeping the lighting world, bringing fear to long-established premium brands. And their quality has reached the point where they can now be trusted.

Godox tt350 with box

One thing they’ve done well to push the brand forward is their system integration. Any of their X-series triggers will fire any light in the system. Not only that, their TTL speedlights can also act as masters for other lights in the system, from the mighty AD600Pro right through to the humble TT350.

That’s what we’re looking at today – the TT350.

This compact and pocketable unit is the smallest flash in the Godox range. It really is small – requiring noting more than two AA batteries.

The Specs

  • A Guide Number of 36 (rather than the typical 52 of most larger flashes).
  • Recycle time of 2.2 seconds at full power
  • 210 full-power flashes available from two 2500maH AA batteries
  • TTL, Manual, Optical Slave, Optical Slave with Preflash, and Multiflash modes available
  • Coverage from 24–105mm in full-frame 35mm terms
  • High-speed sync up to 1/8000 sec
  • Built in 2.4G radio transmitter and receiver to act as either radio master or slave
  • Wide-angle diffuser and bounce card

On-Camera

The small size and weight of the TT350 make it the perfect on-camera flash for any camera system, particularly mirrorless systems. While I’m using them with a Fuji, they’re also available for Canon, Nikon, Sony, Olympus/Panasonic and even Pentax.

As with any on-camera flash aimed directly at the subject, the light is hard and not particularly flattering.

Godox tt350 direct flash
While the flash does have a bounce card, I prefer using reverse bounce for on-camera situations to create a larger light source coming from behind me.

Godox tt350 bounce flash
On-camera, the TT350 can be used as a master for other off-camera flashes.

Now let’s look at off-camera flash.

Off-Camera

The benefits of using a flash off-camera are many. You get better placement to control shadows, and by extension the shape of the features in the shot. You also can use a larger range of modifiers to soften or shape the light itself. To go off-camera, you need a flash, a trigger and a stand (with a modifier being an additional option). In this case, our flash is the TT350.

Triggers

The TT350 can be powered from:

  • the X-16 for manual power
  • the X1T or XPro trigger for TTL and Manual.

It can also be triggered from:

  • another TT350 (and its lithium battery brother the V350)
  • the TT685 and V860II speedlights.

The trigger sits on-camera and relays information from the camera to the remote flash.

Stands

Any stand will do, even the cheap Photo-R stands . I find Neewer to be great value for money, although in the studio I prefer using C-Stands even with speedlights.

Master and Slave

To use the radio features, hold down the Sync button and then twist the dial when the antennae icon flashes.

The first option that appears is M, making your flash the Master.

Godox tt350 Master

A second twist brings you to S, which enables the Slave mode.

To change between TTL, Manual and Multi modes, press the Mode button.

Godox tt350 slave

In Master mode, press the Slave button to alternate between the Master group (M) and the A, B or C groups.

In Slave mode, pressing Slave chooses the group the flash is on (A, B or C).

Godox tt350 slave group c

The M group in Master dictates what the flash does on-camera. Press Mode to switch between flash off, TTL and Manual.

Here’s a video that takes you through the entire process.

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Make sure all your flashes or triggers are on the same channel. To set the channel:

  1. Hold down the Slave button until the CH number flashes
  2. Use the dial to change channel
  3. Press Set to make the change.

You’re now ready for off-camera flash.

Using the TT350 with modifiers

Moving the flash off-camera doesn’t automatically make it look better. But you do get to position the shadows better, as you can see in my article on lighting. I also have a list of cheap modifiers that won’t break the bank. The 120cm Octa is a good investment.

One light

Godox tt350 120cm Octa setup

With the TT350 inside a 120cm Octa (with the diffuser on), you’re ready to get some big light from a small flash. With the Octa between you and the subject, you’ll get flattering light in the ‘Butterfly’ position.

Godox tt350 120cm octa portrait

You can improve this further by adding a reflector underneath, such as the Lastolite Halo Compact.

Godox tt350 120cm octa portrait reflector

High-Speed Sync

To get really shallow depth of field with flash (especially outside), you need to use High-Speed Sync to overcome the limitation of the camera sync speed. To engage it, tap the Sync button once.

Here’s a shot at 1/2000sec and f/1.4, ISO400 with HSS on. (You’ll find bumping the ISO helps save battery life, which is why I’m using ISO400 here).

Godox tt350 120cm octa portrait HSS

Two lights

Another way to help battery life (and the recycle time) is to use two flashes in the modifier.

Godox tt350 dual

Set both flashes to the same channel and group. This allows them to automatically match power when you make a change.

Godox tt350 120cm dual 120

You can get double flash brackets and aim them into the center with them positioned either close together or further out.

Godox tt350 120cm dual portrait

Here’s a portrait with this dual-light Octa box setup on the left (facing across the shot) and a white reflector on the right.

Godox tt350 120cm octa portrait dual setup

This is what the setup looks like.

Godox tt350 120cm cross light

Removing one of the lights and putting it on a stand behind our subject gives a good cross-light setup.

Should you get a TT350?

Clearly, a flash you have with you is better than one you leave behind because of the weight. So for general flash applications the TT350 is great. But, it’s never going to overpower the sun, and and its compact size makes it the lowest-power flash in the range (excluding their mobile phone flash unit).

However, you can buy two TT350s for the price of a V860II. And while they don’t have built-in batteries, combined they can provide more power for less weight.

Me? I bought two so I can use them in the configurations I’ve shown here, and as a master-slave setup if I have an issue with a trigger.

Overall, they’re great tools to have in the bag.

Have you used this flash? What are your thoughts? Please share with us and the dPS community in the comments below.

 

The post Godox TT350 Flash Review – the Little Flash that Can appeared first on Digital Photography School. It was authored by Sean McCormack.


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Godox AD200: An Amazing Flash— If You Tweak it a Little

01 May

The Godox AD200 has been much written about (and fawned over) for good reason: it's a legit 200ws flash in a near-speedlight form factor that has a lot going for it.

At $ 299, as packaged, it's a near-miss. But at $ 366 (including two specific accessories) it's a home run.Read more »


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How to Photograph Children Under Five with Little to No Meltdowns

13 Jan

The post How to Photograph Children Under Five with Little to No Meltdowns appeared first on Digital Photography School. It was authored by Jackie Lamas.

Photographing children under five can be really challenging. However, the most effective photographers are the ones who know how to avoid meltdowns that lead to children shutting down or simply, not wanting to participate at all. Read on to learn tips on how to photograph children without meltdowns!

Pose children with parents closeby can give them comfort and confidence during the session.

Choose the best time for the children

The best way to avoid a meltdown with children from newborn to five years of age is to choose the best time during the day that works best for them. That’s right, we’re working on the child’s schedule rather than the parents or even your photography calendar. This is because some children may be more alert after a good nap and others may be in a better mood after breakfast.

Catering to the child’s already existing schedule avoids any disruptions or over-tiredness. Having the session as part of the day’s activities also gets them excited to explore and play.

Bring snacks and toys

There is nothing more cranky than a hungry child. This goes for any child age 6-months and older. Kids need a snack or drink of some kind often. If your session is going to last from 45 minutes to more than an hour, it’s a good idea to have snacks and drinks on hand. Allowing children to have a snack during the session can also serve to give them a boost in energy and get them back into the session.

Ask the parents to bring the kids favorite snack and drink to the session as well as a snack that could be considered a reward or treat. These rewards/treats can help use bribery in order to get some smiles or to avoid a meltdown in the middle of the session.

Having parents interact and play with children can help relax them enough to get smiles.

Take breaks often to give the children a chance to snack and drink some water or juice. Take advantage that they are occupied to focus on the older children or on the parents.

Toys are a great way to keep children entertained and you can get a lot of real and authentic expressions out of the child when they are playing with their favorite toy. Sometimes, toys can bring comfort to children and help them to feel more relaxed around new strangers. Also, toys offer a distraction when you are photographing other members of the family all while keeping the smaller children from a tantrum or getting too bored.

Advise parents to avoid saying “no”

This is probably the one tip that will raise a few eyebrows among your clients, but it is really important to keep in mind. Children hear the word “no” over a hundred times a day, and sometimes this can bring about defiant behavior. Avoiding saying no can really help the child to feel more relaxed during the session.

Letting children play and have fun can make the session run smoother.

Not using the word “no” also gives them the freedom to explore, jump, play, run, and yes, even get dirty during the session. Giving children who are under 5 a great experience is really important. They will remember how much fun they had with you and your camera. The next time they see you for another portrait session, they won’t be so afraid or shy.

Let them get it all out of their system and have fun. The more they see this as a fun activity, the more willing they’ll be to cooperate. Of course, all within reason! If something is dangerous then a proper no is okay. For everything else, it’s a banned word for the whole session time.

This also gives you the opportunity to dictate how to say no without actually saying the word. For example, instead of having the parents say “no, don’t climb the tree” where the child will see this as their parents nagging again, you now have the lead to say instead, “hey bud, let’s go over here and see if we can find some sticks, that tree looks like it could have some ants on it.”

This makes you seem like the friend and keeps the parents from using a negative tone during the session. All together giving the child the impression that they are there to have fun and play. Giving you better expressions and eventually, they will listen when you ask them to look at the camera and smile.

Try posing other than smiling at the camera

Most children under five don’t have the patience to stand still for very long and smile at the camera. The most you’ll get from children of this age group is 30 minutes, with bribes! The best way to get them to participate longer is to capture them doing what children do best: play.

Children in this age group are learning so quickly and love to apply what they’ve learned or can identify all the time. This means that if they are at a park, they’ll want to pick up a stick and play. Show their parents and then jump around poking the dirt.

Which means, posed photos may not be what you expect with children so young. In order to capture the whole family together, for instance, is to pose all other members of the family in a way that when you join the smaller children, they are in direct contact with mom or dad. Either in their arms, next to one or the other, or on their laps. Laughing and telling jokes can help them to stay in place long enough for some good photos.

Having the family walk holding hands is also a great way to get the children more involved. You want them to play and explore but you also want them to participate in the more posed family photos as well.

Don’t be afraid to reschedule if necessary

Sometimes, you will get a child who isn’t willing and has multiple meltdowns that were simply unavoidable. If this does occur, offer the family to reschedule the session for another date and time that best suits the child’s schedule and mood.

This is the great thing about portrait sessions as they can be re-done in order to best suit the child who perhaps wasn’t in the mood for photos that day. Reassure your client that rescheduling is the best option and that it is completely okay and happens with children.

Sometimes you won’t get smiles out of children but it’s important to try and get a good solid portrait of them anyway.

Make sure that you exhaust all of the options before deciding that a reschedule is necessary. Sometimes, a child might just need a quick snack break or a break in general. Focus on taking photos of the parents or the other siblings to give them a rest. If all else fails, rescheduling could be the best solution.

Sometimes children open up toward the end of the session. Like this little girl. On the left was at the beginning and on the right, she was smiling toward the end of the session.

If you can’t reschedule, try and get as much as you can from the child before they completely shut down. Work quickly and let the child know that you know they are tired, hungry, or don’t like photos but if they do well they can get a prize. Here, allow the parents to say whichever prize they want to offer. This can sometimes get a few last smiles and give you enough photos.

In conclusion

Children under five years of age aren’t always easy going and willing to take portraits, however, using these tips can help get the most out of them before they burn out. Try and follow their lead and make sure that they have a fun time at the session. This will help them to feel more comfortable the next time they are in front of your camera.

The post How to Photograph Children Under Five with Little to No Meltdowns appeared first on Digital Photography School. It was authored by Jackie Lamas.


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