Posts Tagged ‘Lenses’

Fujifilm earning report indicates strong sales of X-series, lenses and GFX 50S

13 Jun

Fujifilm’s earnings report for the fiscal year ending in March has been published and contains some interesting information on the company’s line of consumer imaging products. Sales figures of both X-Series cameras and lenses and the GFX medium format system have increased, according to the report.

‘The business of electronic imaging achieved a sales growth due to positive sales of the X-Series of mirrorless digital cameras such as FUJIFILM X-T2 and FUJIFILM X-T20 as well as their interchangeable lenses, and strong sales of the FUJIFILM GFX 50S, a medium-format mirrorless digital camera equipped with a large sized sensor, released in February.’

Overall, the sales of the company’s Imaging Solutions division decreased 3.2% from 352.9 billion Yen to 341.8 billion Yen due to the negative effect of the appreciation of the Japanese Yen in the foreign exchange market. However, operating income went up by 15% from 32 to 36.8 billion Yen, thanks to the sales expansion of digital cameras mentioned above, an increase in sales of high-end instant photo systems and improved profitability in various business categories.

The company is projecting a 2.4% increase in revenue over the next fiscal year for the Imaging Systems business, from 341 billion to 350 billion Yen, with operating income up nearly 17%.

You can read the annual report for yourself here [PDF].

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Sony provides firmware updates for ten E-mount lenses and LA-EA3 adapter

25 May

Sony has issued firmware updates for ten of its E-mount lenses and the LA-EA3 adapter. The updates address a variety of bugs and stability issues. You can view details and download the update for your operating system by clicking on the Drivers & Software button on the linked product pages below:

  • 70-200mm GM 
  • 70-200mm G 
  • 24-240mm G 
  • 28-70mm G 
  • 24-70mm Zeiss 
  • 16-35mm Zeiss 
  • 50mm f/1.8 
  • 24-70mm GM 
  • 50mm Zeiss 
  • 85mm GM 
  • LA-EA3 adapter

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Sigma offers firmware updates for four Canon mount lenses

19 May

Sigma has released new firmware for Canon mount versions of four of its lenses:

  • 17-70mm F2.8-4 DC Macro OS HSM | Contemporary Canon
  • 18-200mm F3.5-6.3 DC Macro OS HSM | Contemporary Canon
  • 18-300mm F3.5-6.3 DC MACRO OS HSM | Contemporary Canon
  • 24-105mm F4 DG OS HSM | Art Canon

According to Sigma, the new firmware improves the AF accuracy of the lenses when used with the Sigma Mount Converter MC-11, as well as decreasing the lens diaphragm blades noise when using the aforementioned converter.

The same AF accuracy improvement and decreased noise also apply to the lenses when they are used with Canon EOS DSLRs while shooting video or while in Live Mode. Finally, Sigma says these lenses are now compatible with the Canon Digital Cinema Camera EOS C300 Mark II. 

Sigma lens owners with the Sigma USB Dock must first update the Sigma Optimization Pro software to, at minimum, version 1.4.1 (Windows) or version 1.4.0 (Mac) before installing the new firmware.

The full Sigma changelog is below:

Benefits of this firmware update

  • It has improved the AF accuracy when the lens is attached with the SIGMA MOUNT CONVERTER MC-11.
  • ?It is necessary to use the SIGMA USB DOCK for Canon ver.1.02 or later to update the firmware.
  • ? For customers who own SIGMA MOUNT CONVERTER MC-11 EF-E, it is necessary to update this to the latest firmware ver. 1.05.
  • It has reduced the operating sound of the lens diaphragm blades when attached with the SIGMA MOUNT CONVERTER MC-11 EF-E and used for video shooting.
  • It has improved the AF accuracy when the lens is used for video shooting as well as with Live View mode of EOS DIGITAL SLR cameras.*1
  • It has reduced the operating sound of the lens diaphragm blades when the lens is used for video shooting on EOS DIGITAL SLR cameras. *1
  • It has become compatible with the Canon Digital Cinema Camera EOS C300 Mark II.
  • *1 The degree of improvement may differ depending on the camera used.

Via: Sigma

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Canon warns of defective focusing in some EF 24-105mm F4L IS II lenses

19 May

Canon has issued a service notice for a collection of lenses with specific serial numbers that need to be checked for faulty focusing systems. The lens affected is the EF 24-105mm F4L IS II USM standard zoom, but users are advised that only particular production batches have the problem.

Canon says that some units with serial numbers beginning with 48, 49, 50 or 51 suffer from poor focusing when used with an AF point close to the edges of the host camera’s focusing array. The fault is only apparent when the lens is used at wide-angle focal lengths.

All defective lenses will be taken back for testing and repair at no cost to the owner, the company says. The Canon website carries a service section that allows owners of the lens to type in the serial number of their lens to check whether it will need to be returned.
For more information see the Canon USA, Europe or Asia service pages, or those for your local area.

Manufacturer’s information

Service Notice: EF 24-105mm f/4L IS II USM Lens

Thank you for using Canon products.

We have determined that some EF 24-105mm f/4L IS II USM lenses exhibit an AF operation-related malfunction. The details of the phenomenon and Canon’s service policy are described below.

We would like to offer our sincere apologies to users who have been inconvenienced by this issue. Going forward, we will spare no effort in our quality management to make sure our customers can use our products with confidence.

At the wide-angle end, focus is not achieved properly when a peripheral AF points are selected, regardless of the AF area selection mode.

Affected Lenses
If the first two digits in the serial number (see the image below) of your lens are ”48”, ”49”, ”50” or ”51”, then your lens MAY POSSIBLY be affected.

How to check if your lens is affected:
1. Click the search button below to display the serial number input screen.
2. Input your lens’ serial number (10 digits) and then click the [Submit] button.
* Please double check the serial number you entered before you click the [Submit] button.
3. One of the following three messages will be displayed.
“Your lens is NOT an affected product”?
“Your lens is an affected product”
“Invalid number”

As soon as preparations have been completed, we will inform users about the start date for accepting support requests for lenses affected by this issue.

Potentially affected products will be inspected and repaired free of charge. If you own one of the potentially affected products please contact our Customer Support Center

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Alpa Silex unit offers electronic control of Canon and Nikon lenses on digital medium-format backs

17 May

Swiss camera and adapter manufacturer Alpa has introduced a new device that allows Nikon and Canon users to mount some of their lenses on digital medium format backs and have access to aperture controls. The Alpa Silex control unit works with the company’s 12 series bodies and brings aperture control to electronically operated lenses from Canon and Nikon, as well as Contax, Hasselblad and Rollei. All Canon EF lenses can be controlled but only Nikon E lenses, with electromagnetic diaphragm mechanisms, will work.

With a Silex in place compatible lenses can be used to record images on a wide range of digital medium format backs. The A12 cameras accept digital backs of a variety of ages, so users don’t necessarily need the latest, and the image area will depend on the size of the sensor used and the covering circle of the lens. 

The Silex not only allows aperture adjustments but also AF control in most Hasselblad H, Canon EF and Nikon E lenses, and web access means the device can be handled remotely over a server.

Initially presented at Photokina 2016 the Alpa Silex is available now for $ 3600/CHF3355. For more information see the Alpa website.

Press release

The control unit ALPA Silex is a brand new, central element of ALPA’s extended modular photographic system. Photographers and soon even videographers will be able to combine ALPA cameras with digital backs of various manufacturers and lenses from Canon, Contax, Hasselblad, Nikon or Rollei. A variety of functions and operating modes are available to the user.

Handy and flexible – Silex is the Swiss pocket knife of the control units. Under this claim, ALPA presented the product at the Photokina 2016. The name Silex itself, however, goes much further back: it reminds us of the material for the all-purpose tools of the stone-age. ALPA Silex is the new all-purpose tool in the ALPA system. It can be used to convert any model of the classic ALPA-12 series into an electronic camera.

The basis for the development of ALPA Silex is the ALPA 12 FPS, introduced at Photokina 2012, with electronically controlled focal plane shutter. The integrated controller was separated as a standalone module and all functions except for the slot shutter were taken over. All known digital components from Hasselblad, Phase One / Leaf and Sinar can be synchronized and the electromechanical diaphragms of Canon EF, Contax, Hasselblad H, Nikon E and Rollei can be controlled. The leaf shutter in Hasselblad HC / HCD (up to 1/800s, “orange” line even up to 1/1000s) and Rollei 6000 (up to 1/500s) can be used, as well as the focus control of many of the lenses from Canon, Hasselblad H and Nikon E. The integrated web server allows remote control in networks without software installation. The future support of Sinar eShutter systems is already prepared.

Together with existing camera models from ALPA, the photographer can use a vast number of third party lenses and, depending on the available image circle, also perform shifts (shifting and stitching). In the future, our back-end adapters will also make it possible to use ALPA cameras for video recording in conjunction with the corresponding digital backs.

Available now:

  • The control unit ALPA Silex,
  • The electronic lens adapter (ELA),
  • As well as the ALPA lens module Hasselblad fix (HAF).
  • Also, immediately available for download is the latest firmware version 4.03, which makes all new functions of ALPA Silex also available for the ALPA 12 FPS. Free as always – as an investment in the ALPA system is sustainable and the term ‘planned obsolescence’ is alien to ALPA. Even if the environment changes, an ALPA will persist.

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Aurora Aperture launches 16-stop ND filter and rear filters for Canon’s super-wide lenses

28 Apr

US filter brand Aurora Aperture has announced a neutral density filter that it claims reduces exposure by 16 stops. The company has launched a new family of fixed factor ND filters called PowerND and is offering strengths of 6, 12 and 16 stops in screw-in and square formats.

The ND64, ND4000 and ND65000 filters will be available for threads of 37-95mm as well as a special 105mm version that will fit an adapter for the Nikkor AF-S 14-24mm F2.8G ED wide-angle zoom. Those preferring a filter system will be able to use the 100 x 100mm square filters. The 16-stop filter is designed for those wanting to make long exposures in daylight conditions and can knock a 1/1000sec shutter speed situation down to 1 minute.

Aurora Aperture has also introduces a series called Aurora CR with filters designed to fit over the rear mount of Canon super-wide lenses. The arch-window-shaped Gorilla Glass filters slide into a holder that screws on to the rear of the lens, and while aimed at users of the Canon EF 11-24mm F4 L USM the system will work with a range of the company’s wide-angle zoom lenses.

The filters are available via Kickstarter with delivery and general sales due to begin in August. Prices start from $ 34 for small screw-in filters of any of the strengths, to $ 117 for the 150mm circular filter. The CR kit including the holder and three filters is $ 165. For more information see the Aurora Aperture website and the company’s Kickstarter page.

Press release

Aurora Aperture Introduces PowerND Family and an Industry First Rear Mount Glass Filter for Canon EF 11-24mm F4L USM

Aurora Aperture Inc., a Southern California startup, today has introduced the PowerND family of high quality fixed neutral density (ND) filters.

The PowerND family consists of three ratings of light reduction capability: ND64 (6 stops),ND4000 (12 stops), and ND65000 (16 stops). Four different formats are available: circular filters from 37mm to 95mm, 100 x 100mm square filters compatible with popular square filter adapters, 150mm circular filters with an adapter for the Nikon AF-S 14-24mm f/2.8G ED lens, and the Aurora CR format, an industry first, a rear mount glass filter for the Canon EF 11-24mm F4L USM lens.

The 6 stop filter is typically used in low light conditions such as during sunrise or sunset for sub-second shutter speed. The 12 stop filter can slow down shutter speed to minutes in dusk and dawn conditions. The 16 stop filter can do magic on a bright day, allowing photographers to expose up to several minutes or more.

The ND4000 and ND65000 have distinct advantages in having more stops than the typical ND1000 or ND32000. They allow users to avoid diffraction softening by enabling users to avoid very small aperture settings or alternatively allowing for longer exposures. In the case of the PowerND 4000 that means two more stops than the typical ND1000 and for the Power ND65000 there’s one additional stop.

“We introduced a variable ND family last year and it was embraced by photographers and videographers worldwide,” said Jinfu Chen, founder and CEO of Aurora Aperture Inc. “the fixed ND family we introduce today is much more powerful in terms of light reduction capability and offers even better optical performance, along with more formats for different camera lenses.”

A small rear mount filter using Gorilla® Glass for the Canon EF 11-24mm F4L USM is an industry first. Prior to this users would have to use extremely large filters with diameters up to 186mm with a bulky front lens shade adapter. The Aurora CR format filter mounts in the rear of the lens, making it much easier to carry and lower in cost. Other Canon lenses that Aurora CR format filter can be used in* are the EF 8-15mm f/4L Fisheye, EF 11-24mm F4L USM, EF 14mm f/2.8L US, EF 15mm f/2.8 Fisheye, EF 16-35mm f/2.8L USM, and EF 17-40mm f/4L USM.

Designed in California by Aurora Aperture, the Aurora PowerND filters employ up to 128 layers of double sided nano coating** in order to achieve color accuracy and powerful light reduction capability. Hydrophobic and oleophobic coating is applied to filter surface with PFPE coating. The end result is that water droplet on the filter surface can maintain a static contact angle of 110 degrees, one of the best in the industry.

Availability and Pricing
The Aurora PowerND family will be available through Kickstarter starting in April 2017 and to dealers and direct orders in August 2017. List price starts at US$ 42 and varies depending on filter format and size.
* As of April 21, 2017
** ND4000 and ND65000

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Sigma announces 14mm T2 and 135mm T2 Cine Prime lenses

21 Apr
Sigma Cine FF High Speed 14mm T2

Just in time for NAB, Sigma has announced an expansion to its Cine Prime line of lenses, adding the Cine High Speed 14mm T2 and Cine FF High Speed 135mm T2.

The Cine FF High Speed 14mm T2 and Cine FF High Speed 135mm T2 lenses are designed for use with full frame cameras, and join five existing prime lenses in Sigma’s Cine Prime product line. With the addition of these lenses, Sigma now offers cine prime lenses covering a very useful focal length range of 14mm to 135mm.

As with the other lenses in the set, both new lenses are available PL-mount, EF-mount, and E-mount.

Sigma Cine FF High Speed 135mm T2

In addition to the lenses, Sigma is now offering customers the option to order their cine lenses in metric or imperial measurements, as well as standard or full luminous paint markings. Sigma says that existing customers can swap from one measurement system to another for a fee.

Finally, Sigma is now offering its mount conversion services for owners of its cine lenses, allowing users to switch lenses between EF- and E-mounts.

We’re planning to get some hands-on time with these lenses next week at NAB next week and will share our experience with you.

Press release:

NAB 2017: Sigma Unveils Two New Cine Prime Lenses; Adds New Product Options?

Sigma introduces brand new Sigma Cine FF High Speed 14mm T2 and 135mm T2 Prime Lenses

April 20, 2017 – Sigma Corporation of America, a leading DSLR lens, camera, flash and accessory manufacturer, today announced its brand new Cine FF High Speed 14mm T2 and 135mm T2 prime lenses and new Cine Prime and Zoom product options.

Sigma is expanding its Cine Prime line to include two brand new lenses: the Sigma Cine FF High Speed 14mm T2 and the Sigma Cine FF High Speed 135mm T2. The high-performance Sigma Cine Prime product line, which now includes the following focal lengths and apertures – 14mm T2, 20mm T1.5, 24mm T1.5, 35mm T1.5, 50mm T1.5, 85mm T1.5 and 135mm T2 – is compatible with the latest full-frame camera sensor technology. Compact in design, the Cine Prime line offers outstanding optical performance and is ready for higher resolution shooting (up to 6K-8K). Both the 14mm T2 and 135mm T2, along with the previously announced Sigma Cine Prime and Zoom lenses, will be available for test-shooting at the Sigma NAB booth C11525.

In addition to this expansion of its Cine Lens Prime line, Sigma is now offering customers the option to order Cine lenses in metric or imperial measurements as well as standard or full luminous paint on markings. Existing customers who wish to swap from one measurement system to the other can do so for a paid fee.

Also, Sigma is now offering its sought-after Mount Conversion Services for the Cine lens customers. The highly successful program ensures continued return on investment for customers, allowing them to convert their lenses to and from EF and E mounts.

You can read the full Sigma announcement including tech specs here as well as download the new Sigma Cine 14mm T2 and 135mm T2 product images here.

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Fujifilm releases GF 23mm and 110mm lenses, updates roadmap

19 Apr

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Fujifilm has released a pair of G-mount lenses for its GFX 50S medium format camera, an adapter for using legacy Fujifilm large format lenses and information about future GF lenses.

The GF 23mm F4 R LM WR, equivalent to 18mm when mounted on the GFX 50S, has a linear focus motor, a nine-blade circular aperture, ED, super ED and aspherical elements, and a Nano GI coating. It’s also weather-resistant and functions down to -10°C/+14°F. It’ll ship in late June for $ 2599.

Also coming in June is the GF 110mm F2 R LM WR, which also has a nine-blade aperture, weather-sealing, and a linear motor. It has three ED and one super ED elements and is equivalent to 87mm when mounted on the GFX 50S. It will be priced at $ 2799.

Fujifilm also released a roadmap for future medium format lenses. Coming later this year is a 45mm F2.8 R WR (equivalent to 36mm), followed by a telephoto prime and teleconverter.

Lastly, the company will soon be offering the ‘View Camera Adapter G,’ which allows you to use the GFX 50S with 4×5 format view cameras. The adapter allows the GFX 50S to be used on a standard Graflok-style mount camera, enabling the use of large format Fujinon lenses, such as the CM series.

Press Release


FUJINON GF110mmF2 R LM WR and GF23mmF4 R LM WR Lenses expand the GFX user experience; updated GF lens roadmap announced and new GFX firmware coming soon

Valhalla, N.Y., April 19, 2017 – As the leader in innovation for photographers, FUJIFILM North America Corporation today announces two new GF lenses for the FUJIFILM GFX 50S medium format mirrorless digital camera system, the GF110mmF2 R LM WR (equivalent to 87mm in 35mm format) and the GF23mmF4 R LM WR (equivalent to 18mm in 35mm format). A new GF lens roadmap is released today, along with plans for a new FUJIFILM GFX 50S firmware update this spring.

FUJINON Lenses Guarantee Image Perfection

As part of the GFX system, Fujifilm is launching newly developed, ultra-high resolution FUJINON GF lenses. Taking advantage of the mirrorless system’s structure, the G Mount has a short flange back distance of just 26.7mm that reduces the back focus distance as much as possible. This prevents vignetting and achieves edge-to-edge sharpness. All FUJINON GF lenses have been designed to support sensors of over 100MP.

New Lenses Deliver Image Excellence

The FUJINON GF110mmF2 R LM WR is a medium telephoto lens perfect for portraits. With a focal length equivalent to 87mm in the 35mm format, it achieves a brightness of F2.0 when used wide open to deliver stunning bokeh.

The FUJINON GF23mmF4 R LM WR has a focal length equivalent to 18mm in the 35mm format and is expertly suited for landscape and architectural photography. Despite the super-wide angle of view, distortion is kept to a minimum, and with the high-resolution performance extending all the way to the edges, sharp depiction as if looking at an actual landscape is achieved.

Both new lenses feature fast and quiet autofocus (AF) by using a linear motor, are dust and weather resistant, and are capable of operating in environments as cold as 14°F / -10°C. The lenses combine high performance and reliability for professionals looking for the ultimate in photography tools.

Current Lens Lineup

  1. GF63mmF2.8 R WR (equivalent to 50mm in 35mm format)
  2. GF32-64mmF4 R LM WR (equivalent to 25-51mm in 35mm format)
  3. GF120mmF4 Macro R LM OIS WR (equivalent to 95mm in 35mm format)

Coming Later in 2017

  1. GF45mmF2.8 R WR (equivalent to 35mm in 35mm format)

FUJINON GF110mmF2 R LM WR Key Features

  • FUJIFILM G Mount is compatible with the FUJIFILM GFX 50S
  • Weather-resistant design capable of operating at temperatures as low as 14°F / -10°C
  • 14 elements in 9 groups, including 4 ED lens elements
  • Super ED lens and three ED lenses for suppressed chromatic aberration and high resolution performance all the way to the edges
  • 9 blade aperture creates smooth and circular bokeh

FUJINON GF23mmF4 R LM WR Key Features

  • FUJIFILM G Mount is compatible with the FUJIFILM GFX 50S
  • Weather-resistant design capable of operating at temperatures as low as 14°F / -10°C
  • 12 groups and 15 elements construction using two aspherical lenses, one super ED lens, and three ED lenses
  • 9 blade aperture creates smooth and circular bokeh
  • Nano GI coating suppresses ghosting and flare

The GFX 50S and FUJINON GF lenses culminate to create a new camera system capable of creating the world’s highest level of photographic expressions by combining the thorough incorporation of knowledge regarding camera operation, optical design, image capture, and image processing.

New FUJINON GF Lens Development Roadmap

Fujifilm has publicly announced six lenses for the G Mount lens lineup this year. After the release of the GFX 50S and three G Mount lenses, Fujifilm is now unveiling a new roadmap with the additions of a telephoto prime lens and tele converter, in order to expand products covering telephoto ranges, an area with many requests from users.

With the addition of the two new lenses, the G Mount system lineup has been expanded to a total of eight lenses, achieving a fulfilling lineup to correspond to a wide range of user needs.

Also coming in June 2017 is a new View Camera Adapter G that can be used when shooting with the GFX 50S when using previous FUJINON large format camera lenses, such as the CM FUJINON. The adapter is mounted in the film camera loading position of the view camera which adopts the film format of the 4×5 size.

New Firmware Update Planned

Fujifilm will release a free firmware update for the FUJIFILM GFX 50S later this spring, adding new functionality and improving operability. New functions include computer tethering via Wi-Fi and improved operability in exposure compensation and autofocus performance in difficult scenes.

Availability and Pricing

The GF110mmF2 R LM WR will be available in Late June, 2017 for USD $ 2,799.95 and CAD $ 3,599.99 and the GF23mmF4 R LM WR will be available in Late June, 2017 for USD $ 2,599.95 and CAD $ 3,399.99.

The FUJIFILM GFX 50S Medium Format Camera Body is available now in the U.S. and Canada for USD $ 6,499.95 and CAD $ 8,499.99.

Fujifilm GF 23mm F4 R LM WR / 110mm F2 R LM WR specifications

  Fujifilm GF 23mm F4 R LM WR Fujifilm GF 110mm F2 R LM WR
Principal specifications
Lens type Prime lens
Max Format size 645
Focal length 23 mm 110 mm
Image stabilization No
Lens mount Fujifilm G
Maximum aperture F4 F2
Minimum aperture F32 F22
Aperture ring Yes
Number of diaphragm blades 9
Aperture notes Rounded blades
Elements 15 14
Groups 12 9
Special elements / coatings 2 aspherical, 3 extra-low dispersion, 1 super ED 4 extra-low dispersion elements
Minimum focus 0.38 m (14.96) 0.90 m (35.43)
Maximum magnification 0.09× 0.16×
Autofocus Yes
Motor type Linear Motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Weight 845 g (1.86 lb) 1010 g (2.23 lb)
Diameter 90 mm (3.54) 94 mm (3.7)
Length 103 mm (4.06) 126 mm (4.96)
Sealing Yes
Filter thread 82.0 mm 77.0 mm
Hood supplied Yes
Tripod collar No

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Leica offers free fix for faulty AF in some S lenses

08 Apr

Leica has finally announced that it has found a reliable replacement for the defective focus drive units in some of the S lenses from its medium-format system. The faulty units created complete AF failure in affected lenses and it has taken the company some time to find a permanent solution.

In what Leica describes as an act of ‘goodwill’ users with lenses that have already stopped working can have the AF drive units replaced for free, as can anyone whose unit fails up to five years from the date of purchase. Those whose drive units are still functioning can also have theirs replaced but for a charge of around $ 400 according to Red Dot Forum. That fee includes an extra year of product warranty for all lenses, no matter how old.

The free replacement service has been on offer since the end of 2015 but until now the company was replacing broken units with the same kind of drive motor. This new announcement relates to a new drive unit that is said to be more reliable.

Press release

Official Release from Leica AG

In some cases, a defect may appear in the autofocus drive unit of Leica S-Lenses. Under certain unfavorable conditions, this may lead to a complete loss of the autofocus function.

We are pleased to inform you that we have successfully completed the development and stringent quality assurance testing of a new generation of autofocus drive units under practical conditions.

Leica Camera AG is prepared to offer a free replacement of the autofocus drive unit of S-Lenses affected by this problem within the terms of a goodwill arrangement.

In light of this, we would like to remind our customers that we can offer free replacement of the autofocus drive unit only for S-Lenses affected by this concrete defect. The goodwill arrangement will remain valid for a period of five years from the date of purchase of the respective S-Lens.

Preventive replacement of the autofocus drive unit (including a warranty extension of 12 months) may be requested at your own expense.

Should the defect described above occur in one of your S-Lenses, we recommend that you send it directly to Leica’s Customer Care or the authorized Customer Care department of your country’s Leica subsidiary.

Contact: or Telephone: +49 (0)6441 2080 189.

We consider it our obligation to provide only technically faultless products. We therefore particularly regret that the functions of one of your S-Lenses could have been be impaired by this defect. We hope that the goodwill arrangement we are offering will allow us to resolve this issue as soon as possible and rebuild and maintain the trust you have always placed in the Leica brand and its products.

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Meyer-Optik announces move into high-end lenses for mirrorless cameras with Primagon 24

07 Apr

German lens manufacturer Meyer-Optik-Gorlitz has announced it is to produce a new premium 24mm lens that will come in mounts for all mirrorless camera systems. The Primagon 24 will feature a maximum aperture of F2.8 and will use seven elements including one aspheric. The company says that although the lens uses the Primagon name, it isn’t a recreation of a vintage model, but is a completely new design.

Meyer goes to some length to emphasize that the lens will be made in Germany from German-constructed parts and glass. It is said to be the first in a new series aimed at compact system users that will incorporate popular focal lengths and which aims at ‘best in class’ optical performance.

The information released by the company makes no mention of autofocus, so we should assume this will be another manual lens like the brand’s other optics. Meyer says it will allow 30 photographers the chance to buy the lens at half price before general production begins so they can give feedback to the lens designers so it can be improved or altered before it goes on general sale. We’d guess that those 30 will also receive a full-production model once they become available. To qualify for this opportunity, you need to already be a backer of the company’s Kickstarter campaign for the Trioplan 35+ lens, announced earlier.

The Primagon 24 is expected to be ready at the beginning of 2018, and will retail for approximately €4.999/$ 5,499 . For more information visit the Meyer-Optik-Gorlitz website.

Press release

Meyer-Optik Takes Quantum Leap with New High-End Primagon 24mm

Lens Maker Seeking Photographers to ‘Test’ Lens

With its latest Kickstarter campaign for the historic Trioplan 35+ successfully underway, Meyer-Optik is moving boldly into the world of high-end, high-performance photography with the newest addition to its lineup of hand-crafted lenses. Today, Meyer-Optik announced the new Primagon 24 mm f 2.8, which will have 7 individual lenses, including one aspheric lens. It will have an 84 degree angle of view and will impress with its image quality, compact size and weight of less than 9 ounces (about 250g). It will be available for practically all mirrorless cameras.

Even though the Primagon takes its name from a famous line of historic Meyer-Optik lenses, the new Primagon 24 is a totally new development. With this lens, the young Meyer-Optik brand strives for the highest image quality achievable, sticking to its guiding principles and guarantees that practically all mechanical and optical parts are made in Germany and the lenses will also be hand assembled as individual pieces of craftsmanship in Germany. With the help of world famous development engineers, the Meyer-Optik team has been working on the Primagon 24 for more than a year. The team is also working on several more lenses for this new series to cover the full range of the most needed and popular focal lengths. These lenses are all developed under the premise that they will provide the best in class high-performance tools for the ambitious photographer.

Even though photographers will have to wait until early 2018 to get a look at this lens, as one of the rewards for backing its Kickstarter for the Trioplan 35+, Meyer-Optik is allowing 30 photographers to receive the Primagon 24 for about half of its expected retail cost. The photographers will get a chance to use the lens months before it heads into serial production, allowing them to give Meyer-Optik feedback that the company could use to make final refinements. The “testing” promotion is a unique way to reward a select group of Kickstarter backers, while giving the company a chance to receive some feedback on how the lens performs in the “real world.”

“Even though the new lenses are already high performers, we want to listen and learn from the feedback of our users,” said Dr. Stefan Immes, founder of the revived Meyer-Optik brand.

“The opinion of the Kickstarter community and the direct feedback is very important to us. We are striving for technical perfection with this lens – but we will not make any compromises when it comes to the creative part of photography. Personality and character are the most important features of all our lenses. This starts right at the beginning of the development process and we are proud that some of the best engineers nationally and internationally are supporting our team in Goerlitz,” Immes said.

The new lens will be available at the beginning of 2018. It will be available for all mirrorless mounts. The suggested retail price will be 4.999,–€/5,499 US $ .

Articles: Digital Photography Review (

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