RSS
 

Posts Tagged ‘Late’

Fujifilm’s GF 30mm F3.5 R WR lens to ship in late July

30 Jun

Fujifilm has announced that its GF 30mm F3.5 R WR wide-angle lens will ship in late July or early August for $ 1699. The lens, which has been on the G-mount roadmap for several months, is equivalent to a 24mm lens when mounted on a GFX body.

The GF 30mm F3.5 has a total of 16 elements, including aspherical and extra-low dispersion glass. Focusing is internal and the lens has been designed to minimize focus breathing. It’s lightweight and compact (relatively speaking), weighing in at 0.5kg (1.1lbs). The ‘WR’ in the product name indicates weather-resistance, and Fujifilm says that the lens can operate at temperatures as low is -10°C (+14°F).

View our GF 30mm F3.5 sample gallery

Press release

Fujifilm Launches FUJINON GF30mmF3.5 R WR Lightweight, High Resolution Lens

Valhalla, N.Y., June 30, 2020 – FUJIFILM North America Corporation today announced the launch of the FUJINON GF30mmF3.5 R WR (GF30mmF3.5 R WR), a wide-angle prime lens with a focal length equivalent of 24mm (in the 35mm film format) for the FUJIFILM GFX System of large format*1 digital cameras.

With its dust and weather-resistant design, the GF30mmF3.5 R WR caters to a variety of shooting styles including landscapes, architecture, as well as casual snapshots on the move. “This lens is a great compliment to our existing series of GF lenses and gives image-makers a great wide-angle option for landscapes, architecture, or wide environmental portraits,” said Victor Ha, senior director, marketing and product management with the Electronic Imaging Division of FUJIFILM North America Corporation. “We are really excited to see the images our community will make with this lens.”

Main product features:

Image quality

The lens consists of thirteen lens elements in ten groups, including two aspherical elements and two extra-low dispersion (ED) elements. The high-performance lens groups are positioned to control various aberrations, especially distortion to which wide- angle lenses are prone, to achieve edge-to-edge sharpness. The lens is able to resolve an impressive amount of detail, compatible with 100MP sensors — “enabling the photographer to re-create the atmosphere of each scene with a sense of visual honesty and feeling,” said Ha.

Portability

This compact lens weighs approximately 18 ounces (510g) and measures 3.9 inches (99.4mm) with a maximum diameter of 3.3 inches (84mm). In addition, the slim design balances well on a GFX System camera, making it a perfect lens to carry on-the-go.

Performance

The new GF30mmF3.5 R WR lens uses an internal focusing system, offering fast and quiet autofocus (AF). Focus breathing is just 0.05%, making it a great lens for recording video. Like all of Fujifilm’s lenses in the GF family, the GF30mmF3.5 R WR incorporates Fujifilm’s optical design and production technology processes to achieve a sub-micron level precision lens surface. This allows the lens to bring out the full potential of the FUJIFILM GFX 50S and GFX 50R mirrorless digital cameras, as well as the 100MP image sensor of the FUJIFILM GFX 100.

Durability

The lens is sealed at nine locations to make it dust and weather-resistant. It can also be used in temperatures as low as 14°F (-10°C), offering photographers peace-of-mind when shooting in inclement weather or dusty environments.

The GF30mmF3.5 R WR lens will be available in late July or early August in the U.S. and Canada for a manufacturer’s suggested retail price of USD $ 1699.95 and CAD $ 2299.00. For more information, visit https://fujifilm-x.com/en- us/products/lenses/gf30mmf35-r-wr/ .

*1 Fujifilm’s large-format GFX System digital cameras include an image sensor that measures 55mm diagonally (43.8mm x 32.9mm), with an area approx. 1.7 times that of a full-frame 35mm sensor.

Fujifilm GF 30mm F3.5 R WR specifications

Principal specifications
Lens type Prime lens
Max Format size Medium Format (44x33mm)
Focal length 30 mm
Image stabilization No
Lens mount Fujifilm G
Aperture
Maximum aperture F3.5
Minimum aperture F32
Aperture ring Yes
Number of diaphragm blades 9
Optics
Elements 13
Groups 10
Special elements / coatings 2 aspherical + 2 ED elements
Focus
Minimum focus 0.32 m (12.6)
Maximum magnification 0.15×
Autofocus Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 508 g (1.12 lb)
Diameter 84 mm (3.31)
Length 99 mm (3.9)
Materials Magnesium alloy
Sealing Yes
Colour Black
Filter thread 58 mm
Hood supplied Yes

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Fujifilm’s GF 30mm F3.5 R WR lens to ship in late July

Posted in Uncategorized

 

The Sony a7S III May Be Announced in Late June

08 May

The post The Sony a7S III May Be Announced in Late June appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

dps-sony-a7s-iii-news

Over the past several weeks, rumors of a new Sony full-frame camera have been on the rise.

And, taken together, it looks like we may have a Sony a7S II successor before the summer is out.

One rumor, originally reported by Sony Alpha Rumors, suggests that a Sony full-frame camera (and a full-frame lens) will debut at the end of June.

Another rumor, also revealed by Sony Alpha Rumors, tells of a Sony a7S II successor in “late June.”

Sony a7S II successor may debut soon

According to this second report, the a7S III should be launched toward the end of next month, with the camera “scheduled to be on the market by late Summer,” assuming that coronavirus doesn’t cause further, unexpected issues.

Put these two reports together, and an a7S III seems very likely, though it is possible that we’ll be surprised with an a7 IV.

An a7S II successor is long overdue; the a7S II launched way back in 2015, and since then much has changed in the camera industry. Note that the a7S III would be part of Sony’s video-centric stills lineup, which focuses on high-quality video over features such as huge megapixel counts and insanely good autofocus tracking.

So what can we expect from this new Sony snapper?

First, the a7S III should feature at least 4K/60p (the old a7S II offers 4K/30p), but there’s also a possibility for a jump in resolution to 6K or even 8K.

A June-announced 8K camera would be poised to compete with the upcoming Canon EOS R5, which will leapfrog over other mirrorless bodies to offer 8K/30p recording. Personally, I’m doubtful as to whether Sony could pull this off; it’s far more likely that we’ll get 4K/60p, or maybe 6K.

We should also see some standard Sony features: touchscreen capabilities, IBIS, faster AF, and a relatively compact body. The a7S II was (and is) a powerful low-light shooter, so the a7S III may take that even further, offering top-of-the-line high-ISO performance.

As for the price:

The Sony a7S II is currently available for around $ 2000 USD, but it debuted with an MSRP of $ 3000 USD; we can expect that the a7S III will start at this mark, though it’s possible we’ll see a higher price if the camera offers some unexpected features (such as 8K video).

So if you’re a hybrid shooter looking for your next camera, keep an eye out for updates over the next couple of months!

Now over to you:

Are you excited about the potential release of the a7S III? What do you think the camera will offer in terms of video and stills capability? Share your thoughts in the comments!

The post The Sony a7S III May Be Announced in Late June appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


Digital Photography School

 
Comments Off on The Sony a7S III May Be Announced in Late June

Posted in Photography

 

New York Times Lens photo blog will enter ‘temporary hiatus’ starting in late May

15 May

The New York Times photo blog Lens will go on a temporary hiatus starting later this month, the publication’s Director of Photography Meaghan Looram announced to staff in a note that has been shared on Facebook. Looram praised the photo blog, saying it ‘set out to showcase work that risked getting lost in the digital blizzard.’ However, Looram notes, ‘Lens was founded during a different era,’ and it seems it is time for the photo blog to evolve.

Looram’s note explains:

‘Lens was founded during a different era. Digital platforms were presenting new challenges to the industry, and Lens provided one of the few dedicated showcases for photography. But since then, the means of consuming photography have changed and expanded. We believe that this is the perfect time to take stock of and celebrate what Lens has achieved and to give serious thought to how to better position Lens for the future.’

The photo blog isn’t ending, but will instead return as an updated offering that better suits present needs. ‘We want Lens to evolve into an unrivalled source for those who want to read about and think about photography,’ Looram said. The team plans to solicit ideas from readers regarding ways to reinvent the brand as ‘a dynamic space to highlight more of the incredible photography that all of you produce on a daily basis.’

Looram concluded her note, stating:

‘There will be time to celebrate Lens and its wonderful run. In the meantime, a final nod to the creators, producers and caretakers of Lens: What an extraordinary thing you created and produced for a decade. You have our deepest admiration and gratitude. Onward.’

Though Lens is temporarily ending, Looram notes that The NYT is still accepting pitches and the annual New York Portfolio Review that Lens helped launch will continue in the blog’s absence.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on New York Times Lens photo blog will enter ‘temporary hiatus’ starting in late May

Posted in Uncategorized

 

GoPro Q2 2018 results show improvement: new products promised for late 2018

04 Aug

GoPro has revealed its Q2 2018 financial results, boasting a massive 40% quarter-over-quarter revenue increase to $ 283 million and net loss of $ 32 million, which the company says is a 51% sequential improvement. This marks two consecutive positive quarters for GoPro, which has historically struggled and taken various actions, including multiple layoffs, in an effort to survive.

GoPro saw its inventory drop $ 47 million from its first to second 2018 quarters, reaching the company’s lowest inventory level since early 2014. Year-over-year, GoPro also reduced its operating expenses by $ 16 million and increased its paying Plus subscriber numbers by 9% quarter-over-quarter.

GoPro says it took 97% dollar share of the action camera market in the US, with its Fusion model taking 48% of the nation’s spherical camera category

GoPro claims its 18th straight quarter of having the #1 selling camera in North America, also citing a strong presence in the spherical camera, European, and Asian markets. Based on data from NPD Group, GoPro says it took 97% dollar share of the action camera market in the US, with its Fusion model taking 48% of the nation’s spherical camera category.

During the company’s earnings call with investors yesterday, GoPro CEO Nicholas Woodman revealed that the company will release three new products later this year. Details on those three products were not provided, but it’s likely one will be the company’s upcoming flagship Hero 7, an update to the Hero 6 action camera released late last year.

Catch up on GoPro’s Q2 investors’ call

Via: GoPro

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on GoPro Q2 2018 results show improvement: new products promised for late 2018

Posted in Uncategorized

 

Late March Paddling with 2018 All Star SUP by Starboard

03 Apr

Late March on Beaver Pond in Arapaho Bend Natural Area near Fort Collins. The lake was ice free for about two weeks. No green colors yet. Geese are still swimming, but starting to settle down on two islands. Muskrats are […]
paddling with a camera

 
Comments Off on Late March Paddling with 2018 All Star SUP by Starboard

Posted in Photography

 

Your Wacom tablet won’t work with macOS High Sierra until ‘late October’

26 Sep
Photo by Damian Patkowski

Apple’s newest macOS operating system, macOS High Sierra, launched today. But if you use a Wacom tablet to do your photo editing, you’ll want to hold off on hitting the upgrade button. It seems Wacom tablets won’t work with High Sierra until the end of October.

The disappointing news was broadcast in a tweet published by the main Wacom Twitter account that read, “We will release a Driver update late October for 10.13 High Sierra. The current driver is not compatible.” If you click on the more info link offered in that tweet, you get this slightly more detailed explanation:

Apple has announced 10.13 High Sierra will be released September 25th. Wacom is currently working on a new driver update to support the new operating system. The new Wacom driver will be ready by late October at the latest. Due to nature of the changes in High Sierra, the existing Wacom driver for 10.12 will not work. To continue to use your tablet uninterrupted, Wacom suggests not to upgrade to 10.13 until the new driver is released.

The news is particularly disappointing given that Apple announced High Sierra months ago, and gave developers access to that beta the very same day. And based on the wording of the announcement, the old driver won’t work at all, so upgrading to macOS High Sierra will leave you Wacom-less for at least a couple of weeks—if you rely on a Wacom tablet for your work, you’ll just have to wait.

Keep an eye on this link to know the instant Wacom releases their overdue macOS High Sierra driver.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Your Wacom tablet won’t work with macOS High Sierra until ‘late October’

Posted in Uncategorized

 

Late Summer Stand Up Paddling with Olympus TG-5 Camera

04 Sep

After paddling a heavy expedition paddleboard in Missouri River 340 race I returned back to my racing board – 14×30 All Star by Starboard. It is definitely more fun for short 4-6 mile workouts. Of course, I wonder how my […]
paddling with a camera

 
Comments Off on Late Summer Stand Up Paddling with Olympus TG-5 Camera

Posted in Photography

 

East Coast? Late March? Come to Reading, PA.

31 Jan

Hey folks, just a quick heads up that I will be teaching at the Dynamic Images Photo Conference in Reading, PA, on Saturday, March 25th. The conference is put on by the Berks Photographic Society, a rather large camera club that has been doing conferences for 58 years.

Reading, PA is within easy reach of Baltimore, Philly, New York and Intercourse. So if you are looking for something to do on the last weekend in March, there is a whole three-day roster planned with concurrent seminars, workshops, shooting sessions, etc.

My afternoon talk will be a similar approach to that of The Flash Bus tour back in 2011. (Evolved a bit, of course.) So if you missed that, now’s your chance to get a few hour’s worth of start-from-zero flash photography firehose. It’s suitable for beginner through intermediate level lighting photographers, so please do not be intimidated by the planned pace.

I am but a Saturday afternoon cog in the three-day weekend machine. There are lots of other things going on, with multiple instructional paths from which to choose happening at once. The entire three-day weekend is $ 169, but you can get 10% off by using the coupon code “dynamic.”

The seats are opened to their membership first, so if you want to attend I would get on it sooner rather than later. Full info is here.

Hope to see you there. I’ll be the guy in shorts.
Strobist

 
Comments Off on East Coast? Late March? Come to Reading, PA.

Posted in Photography

 

Fujifilm medium-format GFX 50S to ship in late February for $6500

21 Jan

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_9285245724″,”galleryId”:”9285245724″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });

Back at Photokina in September, Fujifilm took the wraps off of its new mirrorless medium-format camera, the GFX 50S. Today they’re released all of the details, including price and ship date.

The GFX 50S uses a 51.4MP ‘Fujifilm G Format’ medium-format sensor (43.8 x 32.9mm), which is 1.7x the area of a full-frame sensor. The lens mount is known as G-mount and, like all medium-format cameras, it has a ‘reverse’ crop factor of 0.79x, so that new 63mm F2.8 lens is equivalent to 50mm. The camera has a 117-point contrast-detect AF system, and users can set the focus point using the touchscreen or a joystick on the rear plate. Its NP-T125 lithium-ion battery is rated for 400 shots on a single charge (meaning you’ll probably get many more in most real-world usage).

The weather-sealed body is made of a magnesium alloy and weighs just 825g/43oz with battery and memory card installed. It has a 3.2″ dual-tilt touchscreen LCD display and a 2.36M-dot OLED viewfinder, to which you can add a ’tilt adapter’ allowing it to tilt upward by 90° and rotated left or right by 45° (that’s a lot of tilting). On the top plate is a 1.28″ LCD which displays current shooting settings. There are two SD card slots, both of which support high-speed UHS-II media.

The GFX 50S has Fujifilm’s Film Simulation modes, including a new Color Chrome Effect option. It can capture Full HD video at up to 30p, with a bit rate of 36 Mbps. As one would expect from a camera in this class, the GFX 50S supports tethered shooting from a PC. Optional accessories include a battery grip, H-Mount adapter for use with classic Fujinon HC lenses and a ‘View Camera Adapter G’ that lets you use the GFX as a digital back.

Along with the GFX come three new lenses, with three more to follow by the end of the year. The initial trio of lenses including a 110mm F2 (equivalent to 87mm), 23mm F4 (18mm equiv.) and 45mm F2.8 (35mm equiv.).

The GFX 50S will ship in late February at an MSRP of $ 6499/£6199.

GROUNDBREAKING FUJIFILM GFX 50S MEDIUM FORMAT MIRRORLESS CAMERA DELIVERS ULTRA-HIGH IMAGE QUALITY

FUJIFILM GFX 50S combines an extraordinary sensor, processor and design with FUJINON lenses to give users the ultimate photography experience

Valhalla, N.Y., January 19, 2017 – As the leader in innovation for photographers, FUJIFILM North America Corporation today announces the FUJIFILM GFX 50S medium format mirrorless digital camera that will launch late February, 2017 with an initial selection of three FUJINON lenses – the GF63mmF2.8 R WR, the GF32-64mmF4 R LM WR, and the GF120mmF4 R LM OIS WR Macro. These lenses encapsulate the design philosophy of FUJINON lenses that are renowned by photographers around the world.

The innovative GFX system utilizes a Fujifilm exclusive 43.8 x 32.9mm (FUJIFILM G Format) 51.4MP CMOS sensor. The GFX 50S combines the heritage of over 80 years of imaging and the innovative award-winning functional design of our X Series digital camera system in the relentless pursuit of image quality.

The FUJIFILM GFX 50S Revealed

The FUJIFILM GFX 50S mirrorless digital camera uses the new 51.4MP FUJIFILM G Format 43.8 x 32.9mm sensor with approximately 1.7x the area of a 35mm sensor. In addition to the camera are three new FUJINON GF Lenses that will be followed by three additional lenses later in 2017.

The GFX 50S 51.4MP sensor shows its true potential when making large format prints, capturing majestic landscape photos or reproducing historical documents. Compared to a full size sensor with equivalent megapixels, both resolution and sensitivity are dramatically better due to the larger size of each pixel. As a result, the sensor captures great textures and subtlety of tone that is unique to large size sensors. The texture and tone combine to give a unique three-dimensional effect creating extremely high quality photography. Images captured can be reproduced down to the smallest detail, conveying the texture of the subject, a three-dimensional feeling, and the atmosphere of the scene.

For flash photography in the studio or outdoors during the day, the GFX 50S sensor has a native ISO of 100. The sensor can also be adapted to various aspect ratios, including 4:3, 3:2, 16:9, 1:1, 65:24, 5:4, 7:6, all of which are available in large and medium format film cameras.

The FUJIFILM GFX 50S uses the X Processor Pro (also used in the X-Pro2 and X-T2 cameras) and allows photographers to use Fujifilm’s proprietary Film Simulations with a Medium Format sensor. The camera supports Full HD recording at 29.97p/25p/24p/23.98p. Users can enjoy high quality video with no post-processing required by using Film Simulation modes just like they would with a still image. The GFX 50S introduces a new Color Chrome Effect feature that reproduces subtle tones in highly saturated subjects.

Ultimate Performance in a Compact Body

With a compact and lightweight body constructed from magnesium alloy, the FUJIFILM GFX 50S weighs approximately 43 ounces when paired with the FUJINON GF63mmF2.8 R WR, and weighs approximately 60% of a medium format DSLR camera equipped with a sensor of the same size. When compared to a full frame, the weight is almost identical. Overall camera body height and width have also been minimized for maximum flexibility, overturning the common perceptions regarding the mobility of medium format digital cameras.

Bright, Crystal Clear Viewfinder and Large Touchscreen

The FUJIFILM GFX 50S gives users a 3.69M dot organic EL electronic viewfinder and 2.36M dot touchscreen LCD back panel for easy viewing. The EVF is detachable to allow for flexible operation. Users can attach the accessory EVF-TL1 EVF tilt adapter (sold separately) to allow the finder to be tilted to 90° vertically and swung ±45°. A 3.2 inch, 2.36M dot touch panel is used for the rear monitor, with touch operation for the menu, focusing points and image playback. A three-directional tilting LCD screen improves operability and makes viewing images and checking focus even easier.

FUJINON Lenses Guarantee Image Perfection

As part of the GFX system, Fujifilm is launching newly developed, ultra-high resolution FUJINON GF lenses. Taking advantage of the mirrorless system’s structure, the G Mount has a short flange back distance of just 26.7mm that reduces the back focus distance as much as possible. This prevents vignetting and achieves edge-to-edge sharpness. All FUJINON GF Lenses have been designed to support sensors of over 100MP.

GFX lens barrels feature an aperture ring in the same manner as FUJINON XF lenses, for intuitive operation. A new C (Command) Position has been added to the aperture ring, allowing users to change the aperture with the camera’s command dial. The A (Auto) Position and C Position feature a locking button installed on the aperture ring that must be disabled to implement changes.

Built for the Professional, and the Enthusiast

Just as with the flagship X Series models, the FUJIFILM GFX 50S features dedicated dials to independently set aperture, shutter speed, and ISO, the important factors in determining exposure.

Aperture and ISO feature a C (Command) and the shutter speed dial has a T (Time) Position. Setting the dial to this position allows the user to change exposure settings using the command dials on the front and rear of the camera body. The user can choose between these two operation methods according to their preference, ease of use, and the shooting environment.

The GFX 50S is equipped with a 1.28 inch LCD sub monitor on the top of the body. Important exposure data such as aperture and shutter speed is displayed on this screen. This display is extremely useful when shooting on a tripod or tethered to a computer.

A 117-point (9 x 13 / maximum of 425 points when miniaturized) contrast AF system is used on the GFX 50S. High-precision AF on the imaging sensor dramatically improves focusing accuracy with the shallow depth of field produced by medium format lenses. First adopted in the FUJIFILM X-Pro2, focus point selection can be performed by using the Focus Lever, which allows intuitive movement of the focus point. Alternatively, users can select the focus point from the touch panel LCD screen.

Initial Lens Lineup Will Include the Following Three FUJINON Options:

  1. GF63mmF2.8 R WR (equivalent to 50mm in 35mm format)
  2. GF32-64mmF4 R LM WR (equivalent to 25-51mm in 35mm format)
  3. GF120mmF4 Macro R LM OIS WR (equivalent to 95mm in 35mm format)

FUJINON GF63mmF2.8 R WR

The optical system features a construction of 8 groups and 10 elements, including 1 ED lens element. This lens construction is the most suitable for high resolution in compact and stylish design, the external form of this small and lightweight lens has a diameter of just 84.0 x 71.0mm with a weight of only 14.2 ounces \ 405 grams. Using the front group for the focus, aberrations due to focus distance are suppressed, achieving high resolution performance even when wide open from the center to the edges of the lens.

FUJINON GF32-64mmF4 R LM WR

The FUJINON GF32-64mmF4 R LM WR features a construction of 11 groups and 14 elements, 3 aspheric elements, 1 ED lens and 1 super ED lens, allowing this lens to achieve image quality rivalling prime lenses. As a result, the lens demonstrates extremely high performance from the center all the way to the edges. The lens uses internal focusing, reducing the weight of the focus lens and achieving fast and silent AF by driving focus using a linear motor.

FUJINON GF120mmF4 R LM OIS WR Macro

The FUJINON GF120mmF4 R LM OIS WR Macro has a construction of 9 groups and 14 elements, including 3 ED lens elements. By adopting a floating focus method using a linear motor, silent high-speed autofocusing is achieved while aberrations are corrected, dramatically increasing the resolution. Furthermore, by arranging the ED lenses properly, chromatic aberrations are also properly corrected, contributing to high quality images. In designing this lens the quality of the out of focus area both in front and behind the plane of focus were considered, giving this lens beautiful bokeh. This lens is equipped with optical image stabilization (OIS) effective up to 5.0-stops, making this lens perfect for handheld shooting in low-light situations.

Three Additional FUJINON GF Lenses to be Announced Later in 2017:

  1. GF110mmF2 R LM WR (equivalent to 87mm in 35mm format)
  2. GF23mmF4 R LM WR (equivalent to 18mm in 35mm format)
  3. GF45mmF2.8 R WR (equivalent to 35mm in 35mm format)

GFX 50S Accessories (sold separately)

  1. Vertical Battery Grip VG-GFX1 – high-performance battery grip is designed to place the release button, dials, and function buttons in the same positions when shooting vertically. The battery grip can be loaded with one NP-T125 dedicated battery, lowering the frequency that batteries need replacing. Also, by connecting the AC-15V accessory (sold separately), it is possible to charge the battery within the grip in approximately 2 hours.
  1. EVF Tilt Adapter EVF-TL1 – mounting this accessory between the camera body and EVF, the angle of the EVF can be changed to angles from 0°?90° vertically and from -45°?+45° horizontally. Doing this allows the user to shoot at various angles while using the viewfinder, greatly increasing the versatility of the finder for different subjects.
  1. H Mount Adapter G – allows you to use SUPER EBC FUJINON HC interchangeable lenses developed for the FUJIFILM GX645AF medium format film camera (discontinued). By attaching this adapter to the GFX 50S, a total of 9 SUPER EBC FUJINON HC interchangeable lenses and 1 tele-converter developed for the GX645AF can be used. While the focusing method will be limited to manual focusing, the lens aperture can be changed using the command dial on the camera body, and shooting with the leaf shutter built in to the lenses is also possible. Using this lens shutter will allow high speed flash synchronization up to a maximum speed of 1/800 sec.

    Also, the adapter is equipped with electrical contacts that can communicate with the camera body, independently creating, saving, and applying correctional data for each lens. The adapter supports Manual and Aperture Priority AE exposure modes.

*A removable tripod foot is included to mount the camera with a heavy or long focal length lens.

  1. View Camera Adapter G – allows the GFX 50S to be used as a digital back. The view camera adapter allows the GFX 50S to be mounted to the standard universal-type back of a view camera. This allows the use of FUJINON large format camera lenses, such as the CM-W FUJINON lens series. The camera or lens shutter can be triggered, allowing the user to choose the optimum method. The large image circle and the bellows of the view camera can be used with tilt, shift and swing movements, effective for product and architectural photography.
    *There may be instances in which the adapter cannot be mounted depending on the shape of the view camera.
  1. Tethered Shooting Solutions – We have the following tethering solutions for photographers, including: X Acquire to transfer images from the camera to a hot folder on your computer for use with your preferred imaging software, Tether Shooting Plug-in PRO for Adobe® Photoshop® Lightroom® and HS-V5 for Windows (sold separately).

    By connecting the GFX 50S to a PC via USB cable and using this software, it is possible to transfer photographed images directly to the PC, as well as control the camera from the PC. Also, by using the Control Panel Window newly added to Tether Shooting Plug-in PRO for Adobe® Photoshop® Lightroom®, additional camera functions become available.

  1. RAW FILE CONVERTER EX2.0 – powered by SILKYPIX (free of charge) RAW development software and Adobe® Photoshop® Lightroom® / Adobe® Photoshop® CC (sold separately). RAW development software is used for detailed corrections and advanced image processing that isn’t supported by the in-camera RAW conversion. Both software support Fujifilm’s “Film Simulation” modes, allowing creation of image data that is extremely close to Fujifilm’s advanced color reproduction.

FUJIFILM GFX 50S Key Features:

  • 51.4MP Medium Format 43.8 x 32.9mm sensor for superior sharpness and image quality for all photographers
    • Adaptable to various aspect ratios, including 4:3 (default), 3:2, 16:9, 1:1, 65:24, 5:4, 7:6
  • FUJIFILM G Mount with short flange back distance of just 26.7mm
  • X-Processor Pro imaging processor
  • Detachable electronic viewfinder
  • Weather and dust resistant; operation to as low as 14 degrees Fahrenheit \ -10 degrees Celsius
  • File formats include three different JPEG settings (SUPER FINE, FINE, NORMAL), as well as two different RAW settings (uncompressed, compressed). TIFF output is also possible with in-camera RAW development
  • Full HD for Movie Mode: 1920×1080 29.97p/25p/24p/23.98p 36Mbps, in Film Simulation modes
  • Light body weighs approximately 43oz. \ 825g (including battery and memory card)
  • Uses SD Cards (UHS-II recommended)
    • Equipped with dual slots
    • Supports three different types of recording methods, “Sequential,” in which recording can be continued according to shooting order, “Backup,” which records the same data on two cards simultaneously, and “Sorting,” which records RAW and JPEG data on separate cards
  • Uses newly developed NP-T125 high capacity battery for approximately 400 photos (with Auto Power Save ON)
  • All FUJINON GF Lenses are dust and weather resistant, built to withstand operation at temperatures as low as 14 degrees Fahrenheit \ -10 degrees Celsius allowing photographers to take them outdoors with confidence in challenging weather conditions.
  • The new FUJINON GF Lenses feature an aperture ring, a popular feature in the X Series, and have a new C (Command) Position on the ring to enable aperture adjustments with the Command Dial on the camera body
  • A Fluorine coating applied to the front lens element creates a hydrophobic coating that repels moisture.

The GFX 50S and FUJINON GF lenses culminate to create a new camera system capable of creating the world’s highest level of photographic expressions by combining the thorough incorporation of knowledge regarding camera operation, optical design, image capture, and image processing.

Availability and Pricing

The new FUJIFILM GFX 50S Medium Format Camera Body will be available Late February, 2017 in the U.S. and Canada for USD $ 6,499.95 and CAD $ 8,499.99.

Also available in February, 2017 will be the first three FUJINON GF lenses. GF63mmF2.8 R WR for USD $ 1,499.95 and CAD $ 1,899.99, GF32-64mmF4 R LM WR for USD $ 2,299.95 and CAD $ 2,999.99, and GF120mmF4 R LM OIS WR Macro for USD $ 2,699.95 and CAD $ 3,499.99.

Fujifilm GFX 50S specifications

Price
MSRP $ 6499/£6199
Body type
Body type Mid-size SLR
Body material Magnesium alloy
Sensor
Max resolution 8256 x 6192
Image ratio w:h 1:1, 5:4, 4:3, 3:2
Effective pixels 51 megapixels
Sensor size Medium format (44 x 33 mm)
Sensor type CMOS
Processor X Processor Pro
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-12800 (expands up to 102400)
Boosted ISO (maximum) 102400
White balance presets 7
Custom white balance Yes
Image stabilization No
Uncompressed format RAW + TIFF
JPEG quality levels Super fine, fine, normal
File format
  • JPEG (Exif v2.3)
  • Raw (14-bit RAF)
  • TIFF (via Raw conversion)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Manual focus Yes
Number of focus points 117
Focal length multiplier 0.79×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3.2
Screen dots 2,360,000
Touch screen Yes
Screen type OLED
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.85×
Viewfinder resolution 3,690,000
Photography features
Minimum shutter speed 360 sec
Maximum shutter speed 1/4000 sec
Maximum shutter speed (electronic) 1/16000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe or flash sync terminal)
Flash modes Auto, standard, slow sync, manual, off
Flash X sync speed 1/125 sec
Drive modes
  • Single
  • Continuous
  • Self-timer
  • Remote
Continuous drive 3.0 fps
Self-timer Yes (2 or 10 sec)
Metering modes
  • Multi
  • Center-weighted
  • Average
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
AE Bracketing ±5 (2, 3, 5, 7 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)
WB Bracketing Yes
Videography features
Format MPEG-4, H.264
Modes
  • 1920 x 1080 @ 30p / Mbps, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 25p / Mbps, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 24p / Mbps, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 23.98p / Mbps, MP4, H.264, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC (dual slots, UHS-II supported)
Connectivity
USB USB 3.0 (5 GBit/sec)
HDMI Yes (micro-HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11b/g/n
Remote control Yes (via cable or smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description NP-T125 lithium-ion battery & charger
Battery Life (CIPA) 400
Weight (inc. batteries) 740 g (1.63 lb / 26.10 oz)
Dimensions 148 x 94 x 91 mm (5.83 x 3.7 x 3.58)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Fujifilm medium-format GFX 50S to ship in late February for $6500

Posted in Uncategorized

 

Polar Dear – Even If I’m Late [OFFICIAL MUSIC VIDEO]

05 Jan

POLAR DEAR’S FACEBOOK PAGE: www.facebook.com First Music Video for Polar Dear. Director / Editor / VFX: Dezs? Gyarmati Photography: Szilard Nagyilles, László Mester, Krisztrián Imre Stylist: Tunde Bak Kyra Make Up: Kata Kertész Special Thanks: umbrella | umbrella.hu, solid studio | solid.hu wait you know me I’m brave so I’m gonna save everything from the grave that i have dug believe me that i know it’s not allowed to throw anything to the crow flying above us wait even if i’m late the promises i told you are all true wait even if you hate being just sedated I need your art if you really want me to sing let me check the sweet melodies of you favourite track wait pull me out of this hole sometimes i have t fall into these endless painfull memories twisted games wait even if i’m late the promises i told you are all true wait even if you hate being just sedated I need your art if you really want me to sing let me check the sweet melodies of you favourite track

FPV… proximity style. FPV gear (readymadeRC.com and hobbyking.com) 1.3 ghz 300mW video tx 3dBi omni antenna (360mah lipo) RMRC 480 camera eagletree elogger and OSD Hobbyking LEDs Gopro HD hero for aerial recording Base station 2 x 1.3Ghz recievers with 8dBi patch and 3dBi omni antennas Eagletree EagleEyes FPV station (diversity) Fatshark goggles All running off a 2200 mah 3s lipo mounted on a camera tripod. Music : “escapee”? by architecture in helsinki
Video Rating: 4 / 5