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On Space Time Foam: Surreal Billowing Art Installation

12 Dec

[ By Steph in Art & Installation & Sound. ]

The science of engineering and rationalism of city planning meet visionary experimentation in art installations by Tomás Saraceno. The Argentina-born artist is known for works that imagine an alternate future for humanity in unexpected, often utopian ways. His latest work, ‘On Space Time Foam‘, is an exploration of self-sufficient aerial structures that could be made on a larger scale and inhabited by humans.

‘On Space Time Foam’ is a layered installation of translucent PVC membranes suspended nearly 80 feet above the ground. Installed at the Hangar Bicocca in Milan, Italy, the work alludes to the primordial state of matter from which the universe formed.

Visitors can access the installation either from above, to navigate it themselves, or from below, to watch as people seemingly float in mid-air. The plastic has a surface area of nearly 13,000 square feet. Walking on the surface is a tricky task, sending visitors sliding and tumbling across the plastic. “As soon as you decide to climb onto the installation, you are necessarily caught up in a play of mutual dependence,” Saraceno told Klat Magazine. “This experience helps to initiate a dialogue between people, through a body language that has no need of words.”

While it’s a fun attraction in its current form, Saraceno has big plans for the concept. He aims to translate it into a Buckminster Fuller-inspired floating biosphere above the climate change-threatened Maldives Islands, which would be fully inhabitable with solar panels and desalinated water. Saraceno will embark on a residency at the Massachusetts Institute of Technology to work out the logistics of such an ambitious undertaking.

“The aim of what I do is to try to expand the range of the dialogue, to make as many people as possible aware of the extent of the impact that each of us has on others and on the environment. This is the objective of my artistic practice: awakening people to the interdependence of the different elements that make up the system in which we live—the interrelations between objects, natural phenomena and living creatures.”

See a video of the installation in action, and an interview with the artist, at Design Boom.


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[ By Steph in Art & Installation & Sound. ]

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Posted in Creativity

 

Scratching the foam

30 Aug

Some cool visual art images:

Scratching the foam
visual art
Image by Roberto Giannotti

My life as seen from a washing machine
visual art
Image by Roberto Giannotti

RI – Newport: Newport Art Museum/John N.A. Griswold House
visual art
Image by wallyg
Completed in 1864, the John N.A. Griswold House, at 76 Bellevue Avenue, is a seminal work by the noted American architect Richard Morris Hunt and is considered by architectural historians to be the first example of the mature Stick Style of architecture, drawing from the vernacular styles of rural France. Hunt’s first major commission in Newport, it was designed for John Noble Alsop Griswold, a China Trade merchant and financier. Hunt was the first American to study architecture at the Ecole des Beaux Arts in Paris where he met John N.A. Griswold, and his wife Jane Emmet Griswold in 1846. The Griswold’s decision to build a summer house in Newport designed by a major architect established a trend that continued throughout the 20th century.

A 2-1/2 story wood frame building is magnificently offset with asymmetrical elevations, and sheltered by a steep, complex slate roof comprised of a central mansard with multiple intersecting gables and corners. An asymmetrically placed porte cochere, projecting polygonal and rectangular bays, and a deep veranda on the west with an offset rear ell all contribute to the pictuersque silhouette.

It is also nationally significant as the home, since 1916, of the Art Association of Newport, now called the Newport Art Association, America’s oldest known surviving art association, established in 1912. Its founding took place during a transitional period in the history of American art, developing out of the art colony movement and the rise of American Impressionism at the turn of the century, and at the same time introducing innovative New York shows to a New England audience.

The museum collects, preserves, exhibits and interprets historic and contemporary visual arts of the highest quality with an emphasis on the rich artistic heritage of Newport, the state of Rhode Island and southeastern New England. Today, the museum is housed on a two-acre campus, also including the Cushing Memorial Gallery and the Gilbert S. Kahn Building. The Griswold House currently houses restored rooms, galleries, a children’s art classroom, administrative offices, a lecture hall, the Griffon Shop and the Museum Store. The surrounding park and sculpture garden is used for many outdoor programs during the summer months.

Explore: August 22, 2007

 
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Posted in Photographs