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CIPA figures for April illustrate steadying of the digital camera market and continued mirrorless growth

10 Jun
DSLR sales continue to decline, but great news: the overall camera market seems to be stabilizing.

The latest figures released by the Camera and Imaging Products Association (CIPA) show that the total camera market remained mostly steady year-on-year for the month of April, and that mirrorless sales are growing against a decline in the number of DSLRs sold. CIPA’s data demonstrates that its member companies produced almost the same number of cameras this April as they did in April 2016, but that they were worth fractionally more.

During the period from January to the end of April CIPA members actually produced more cameras than they did in the same period last year, and even though the difference was only 3-4% by volume and value, it is still very positive news.

The decline in the Japanese market rather drags the worldwide shipping figures down from 8.4% by value, when Japan is excluded, to just under 4% when looking at the whole world. Outside of Japan the market grew year-on-year for the period Jan-April by 3% by volume and 12% by value, indicating the cameras being shipped are higher in price than last year.

While the interchangeable lens camera market grew by 7.4% in volume and 4.5% in value for the month, the bulk of that growth came from the ‘non-reflex’ sector. CIPA includes mirrorless cameras, compact system cameras and rangefinder cameras in these figures, though without the membership of Leica or Hasselblad we can assume that most of the category is compact system and other mirrorless cameras that have interchangeable lenses – such as Fujifilm’s GFX.

Asia remains by far the largest market for these cameras and sold almost as many bodies as Japan, Europe and America combined.

This non-reflex category jumped in value by 37.5% in Japan but in the rest of the world that growth hit 80.5%. An area designated by CIPA as ‘Other’, that doesn’t include Asia, Europe, Japan or the Americas, saw mirrorless growth of 141% by volume and 136.5% by value – though the actual figures are relatively small. Asia remains by far the largest market for these cameras and sold almost as many bodies as Japan, Europe and America combined.

While only 89% of last April’s SLRs shipped this April, the worldwide market for these cameras is still just less than twice the size of the mirrorless segment, though in Japan the value of DSLR market was only 57% of what was managed last April – a really significant drop.

The good news, of course, is that the market didn’t shrink.

For more information see the CIPA website.

Articles: Digital Photography Review (dpreview.com)

 
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Exclusive interview: Olympus R&D on continued E-M1 Mark II development

01 Feb
Conference room to conference room: Setting up for a cross-Pacific meeting.

Over the years, Olympus has steadily released firmware updates to its previous flagship, the OM-D E-M1. It currently sits at firmware version 4.3, and in the interim, updates have added features such as Live Composite and Live Boost II, and also included functional improvements to such aspects as continuous autofocus performance, image display lag time and more.

Bearing this in mind, it stands to reason that Olympus would be planning a similar treatment with regards to the E-M1 Mark II. Since its surprise reveal at Photokina 2016, and particularly since we’ve published our full review, we’ve emailed back and forth with both feedback and feature requests for Olympus Tokyo to consider in future firmware updates. This all culminated in an international video conference call last week, where we learned a great deal about just what Olympus’ has in store.

“I would like to promise that we will be improving and evolving [the E-M1 Mark II] with firmware upgrades.” – Mr. Takao Takasu, E-M1 Mark II Product Development

It’s important to point out that the Olympus engineers we met with are understandably unable to confirm specifics such as when (or if) certain improvements will come to the E-M1 II, but they are at the very least committed to confirming some items that they are ‘working on.’ The most notable of these include:

  • Adding ‘Auto ISO’ capability to manual video shooting
  • Allowing for control of autofocus racking speed while shooting video
  • Clarifying and enhancing customizability of continuous autofocus behavior beyond the current -2 to +2 ‘tight to loose’ scale
  • Working on the AF algorithm to improve tracking performance
  • Enable the ability to enter playback and menus while the buffer is clearing

To see considerations as significant as refinement of the autofocus algorithm this early in a product cycle is encouraging. Olympus is adamant (and, given what we’ve found in our full review, rightfully so) that the E-M1 II is part of a system that can appeal to professional shooters looking for a more compact kit without sacrificing anything in terms of overall speed. Admittedly the smaller Four Thirds sensor lags behind many cheaper APS-C and Full Frame solutions with regards to low light and noise performance, but no other camera offers 18fps Raw burst shooting with continuous autofocus, and the smaller sensor in the E-M1 II is precisely what allows the camera to do so.

“We will try to improve playback function during data recording.”- Mr. Katsuhisa Kawaguchi, Continuous Shooting

In addition to letting us know what they’re working on for future firmware upgrades, Olympus gave us some further insight into some of the E-M1 II’s headline capabilities.

With regard to autofocus during burst shooting, the camera is able to capture and analyze phase-detection autofocus information of the image that has just been captured to use it in tandem with Live View autofocus information for more accurate prediction of subject movement – this is all meant to improve tracking performance.

The in-body image stabilization system currently allows around 5.5 stops of image stabilization at 40mm (80mm equiv.) focal length, with shorter focal lengths reducing overall effectiveness, as with shorter focal lengths, you have ever lengthening exposure times where body shake – as opposed to hand shake – becomes dominant (this is true of all IS systems). Smaller amplitude and higher-frequency shaking from hand shake is far easier to engineer for in terms of sensor movement than high amplitude, slow-frequency shake from a photographer’s whole body.

“Our [image stabilization] becoming very, very sensitive. But we are not satisfied with the current performance and will continue to improve.” – Mr. Hisashi Takeuchi, Image Stabilization System

There are, of course, reports of users getting sharp shots at shutter speeds ranging from 2-10 seconds, though these users are also bracing against larger body movements by leaning on a wall, or placing elbows on a desk.

As with its predecessor, weather sealing and durability was a big point of emphasis on the E-M1 Mark II.

That being said, the engineers stated that they are aiming to push image stabilization technology even farther than the 6.5 stops afforded when the E-M1 II is paired with an image stabilized lens, such as the 300mm F4 Pro or 12-100mm F4 Pro. We asked them how they aim to do this, and were greeted with a wry smile or two – certainly indicative of some confidence in their ongoing development. 

Olympus was also able to tell us that the E-M1 II was ‘benchmarked’ against competitors’ models, with a concerted effort being made to improve upon them. In this vein, particular attention was paid to speed of image playback (which is blazingly fast, and highly important considering the burst speeds), JPEG tonality, noise reduction and overall quality (important for quickly filing photos on, say, breaking news assignments), and run-and-gun movie capability, especially in terms of movie image stabilization.

“We have achieved high quality 4K shooting without a tripod or stabilizer.” – Mr. Kazuhiro Haneda, Video

It’s clear that Olympus is proud of the E-M1 Mark II, and is serious about tackling its shortcomings with firmware upgrades wherever possible. One thing they won’t be able to fix with firmware is one of the E-M1 II’s biggest criticisms: the price remains prohibitively high for many. 

But given what Olympus is already aiming to tackle, those investing in the Olympus system for the long term are likely to be rewarded. It’s become more common practice over the past few years to bring updates to camera models (particularly flagships) throughout the product cycle. It’s encouraging to see Olympus continue this going forward, not only in terms of usability and technical improvements, but perhaps new features as well – we’ll just have to wait and see.

Articles: Digital Photography Review (dpreview.com)

 
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The Future of Photography Websites – Understanding and Adapting to Trends Continued

31 May

In an earlier article (The Future of Photography Websites – Understanding and Adapting to Trends) on this topic, you can read about a couple of major trends in the web-design industry (as they relate to photo websites). Here’s a quick review:

  • The huge number of new websites being built and ways to rise above the noise including: Choosing a photography niche (specializing); Differentiating yourself as a photographer; Using quality platforms and website templates; Simplifying and prioritizing elements on your site; Understanding and focusing on your target audience.
  • New website performance standards and their effect on browsing habits: Why and how to make your website faster; Editing down your content and creating a smooth browsing experience; Having clear website navigation.

Now we’re going to continue exploring many other important aspects you should take into consideration when building your photography website (whether it’s an online portfolio, a stock website, or centred around a photo blog). All combined, these notes should give you a more clear picture of how to build your photography website and steer towards a more successful photo business.

3. Mobile devices are omnipresent and powerful

This is fairly obvious to see in the world around us, but what implications does it have on photography websites?

a. The old adage: stop using flash on your site

No need for me to dwell on this, but it’s hard to write an article on photography websites without mentioning Flash, and with good reason. I hope you’re in the position to skip this paragraph, but if you’re still using Flash, continue reading and consider making some changes soon.

Besides the well-known SEO limitations, Flash websites are slower, not compatible with Apple devices, harder to update, and can be almost entirely replaced today using modern HTML5, CSS3 and Javascript components (and surely surpassed in many aspects).

b. Make your website mobile-friendly (responsive)

Many photographers are reporting that almost half of their website traffic comes from mobile users (smartphones and tablets), and we can expect this number to rise further.

So you can no longer afford not to have a mobile-friendly website. Google confirmed this by announcing they will now penalize non mobile-friendly sites. While this is just one of the many factors Google uses to rank websites, it’s a strong signal to take note of this issue.

This is especially important for photography websites where users interact with the site more (using slideshows, doing searches, buying images etc.) Slideshows and static images (along with the entire layout, of course) should automatically resize and adapt to any screen size.

Example 7a responsive

To emphasize the importance of a mobile-friendly browsing experience, Google provides a free testing tool for your site and rewards responsive websites in mobile search results:

Example 7b mobile friendly badge

c. Once again, make your website fast

You can read about website performance in the first article, however, it’s worth mentioning here again. The load times of a website are even more important to mobile users (with mobile networks being somewhat slower and less reliable than home broadband connections).

4. Content-consumption rates are increasing (a lot)

Not only are more users coming online (and using more devices than ever before), but they’re also consuming a lot more content. This should come as no surprise, and it’s worth considering for its web-design implications. Since users want more content, here are some ways to help them out:

a. Make your site easily shareable

That means leveraging social media buttons on your website (even when you don’t have your own profiles on those specific social media sites), making it easy for people to recommend your images and pages.

Example 8 social shares

Don’t neglect tweaking your site to display pretty permalinks: a page URL like this www.johndoe.com/?p=789 is much uglier than something like www.johndoe.com/gallery/great-description-here/. Besides the SEO implications, pretty permalinks are also important for people sharing your content: if a URL is more inviting, it will naturally get more shares and visits.

b. Keep the content fresh

Example 9 yannickdixon blog

While everybody knows that blogs should frequently be updated, you need to refresh the rest of your website once in a while too.

  • Make sure your contact information is up to date.
  • Have some featured galleries on the homepage? Change or rotate them from time to time.
  • Have a slideshow? Rearrange some of its images, or add new ones. Returning visitors will notice that.
  • Recently worked on a project or received an award? Make sure it’s there on your site.
  • Consider keeping a Recently Updated gallery or section on your site’s homepage, depending on your layout.
  • Schedule and do such a site review regularly.

You’re not making a good impression if your site is becoming stale after months of inactivity, and let’s not even talk about Google (who values fresh content as much as users do).

c. Consider offering an email newsletter

Email marketing is becoming huge these days. While everybody hates inbox clutter, getting unique and valuable content via email is always good. This is especially important if you have a photography blog. Sure, people can come to your site to check for new content (or subscribe to an RSS feed), but sending them content directly via email can be very effective.

Example 10 kenkaminesky newsletter

The people who subscribe to your mailing list are already targeted; they’re interested in your content to start with,
and want to see more of it. You can look into tools like MailChimp (free for up to 2000 subscribers) and follow their best practices for creating, and managing your mailing list.

5. People are searching more, not just exploring

Remember we mentioned impatience. With things happening so fast online, people expect to be able to search for content if they can’t find what they’re looking for in a few clicks. It comes down (again) to how you organize your site structure (and having clear site navigation), but it’s also about providing metadata and search options where appropriate:

a. Don’t ignore text content

Okay, you have a photography site, so it’s supposed to be image-heavy and visually impressive. The homepage is sometimes a good place to do that, but throughout the site, you need to also have quality text content to provide context.

Example 11 rosafrei metadata

We’re not even attacking this point from an SEO perspective. It’s important to your users that you describe every piece of content you have:

  • What are these images about? (IPTC captions and keywords displayed on the page).
  • What is this entire gallery about? (Gallery descriptions).
  • What is this page about? (On-page intro paragraphs, SEO titles and meta descriptions to help users when seeing search results).
  • What is this blog post about? (Text inside blog posts too, not just one image per post).
  • What is this entire site about? (Titles and descriptions once again, text on the About page, text on other pages describing your work/services).

b. Allow (and track) image searches on your site

Once again, this comes down to properly captioning and keywording your images, along with having an easy-to-find search functionality. This entire process is time-consuming, for sure, but you’ll reap the benefits in the long run. How you add all this searchable image IPTC metadata is also important and shouldn’t be taken lightly. Nobody will do a search on your site for “DSC0023”, so you need to provide real value to users that need to search, by describing your images for:

  • Abstract meanings.
  • Scientific names where appropriate.
  • Actual persons/locations/objects depicted in them< ./li>
  • More creative captions describing your process, experience, gear, etc.

Example 12 analytics site search

You can obviously write unlimited keywords for your images (sometimes overdoing it with all the possible synonyms), but it’s usually recommended to go for 10-20 keywords per image depending on the type of photography you do.

Once images are on your site and people are searching for them, be sure to also track those searches in Google Analytics to learn more about popular search queries (informing you about content demands). There are exceptions to this: simple portfolio websites (with just a small selection of best-of images) don’t really need a search functionality. For larger stock archives or anybody selling prints/licenses though, it’s a must.

If you have a popular blog on your site, a blog search option also comes in handy. Just make sure it doesn’t get into a fight for attention with the image search box – they need to be clearly separated. Choose whichever is most important to make prominent (like having an image search box in the header throughout the site, and a discreet blog search option in the blog sidebar only).

6. Search engines are looking at user satisfaction as a huge ranking factor

There’s obviously a huge buzz around SEO and how to rank higher for certain keywords. Google is always one step ahead, continually changing their algorithms to prevent any dishonest or spammy tactics. How do they do that? They constantly figure out how people make browsing choices, and turn those into ranking factors.

When writing SEO titles and meta descriptions, think about how they would look in search results, how to best encourage users to give you their clicks. Don’t just stuff them with keywords for Google’s sake.

Example 13 mariankraus

For every main page on your website, ask yourself:

  • What do people come to this page for?
  • Can users quickly find the information they’re after?
  • What would you want to see on this page if you came here for the first time?
  • Where should visitors go to after viewing this page?
  • What elements on the page are probably not useful to people?

This change in mindset is the one thing that can set you apart and differentiate your photo website. Sure, there are many SEO-specific actions you need to take care of, but you should always go above and beyond in providing value to people. Do that, and it will be impossible not to rank well in search engines.

7. Social media websites come and go

You probably can no longer build a successful business without some sort of social media presence. But you would be taking too many risks to only setup camp there, without building your own website. Social media companies can always get sold or shut down (acquisitions, natural life cycles, new competitors etc.), so you don’t really own your profiles there.

Whereas a website is an asset you can control, that you have copyright over. You’re interested in buying instead of just renting online real-estate. Social media sites are excellent marketing hubs, and they’ll always be there to drive business forward in one shape or another. But building your strong personal website should be the core of your focus.

With this in mind, it’s obviously important to leverage all the social media tools you have (by placing profile links and sharing buttons on your site). Use them as much as you want, just don’t rely solely on them, it’s more important to build your own online presence.

8. Web platforms and tools are maturing, and eCommerce is exploding

A lot of photographers these days are looking for hybrid solutions instead of having multiple separate sites. They want a place where they can blog, and showcase and sell their photos if they want. So it makes sense that some platforms are starting to offer that, and the days of having separate portfolio and blog sites are coming to an end.

Current established companies (like PhotoShelter or SmugMug) are getting strong competition from WordPress plugins like NextGen Gallery (with its Pro version) or WooCommerce (with its new Photography extension).

Example 14 scenicnh products

If you want to start selling prints/products, now is a good time. Since online sales keep growing, it’s natural to see many photographers shift (at least partially) from services to products, basically trying to build a passive income from their photography business. They do that through books, prints, courses, workshops, etc.

9. Design aesthetics are changing

Change is the only constant. I won’t recommend you use any particular flat design elements, any colors or layouts because those are just like fashion trends. They come and go.

What is here to stay is simplicity. I can’t imagine a time when having a cluttered header area (with 10-12 menu items, six social media links, a search box and a subscribe box, all crowded together) will be in fashion. A clean website is not about using big fonts or a lot of white. It’s about prioritizing your business goals and the elements on your site.

Applying this mindset to the number of galleries you feature on your homepage or the products and services you offer is important. When visitors have fewer and more clear choices to make, they have a better browsing experience and are more likely to trust your website and keep coming back for more.
Example 15 sebastienmerion

Conclusion

Along with part one of this article, this was an overview of the important web-design trends you should be aware of as a photographer.

Constant improvement is the only way to be successful with an online photography business. You know this to be true for your photo technique and composition skills (since you’re reading this on dPS, after all). The mindset can be applied to your online presence as well; it’s a continuous effort to get better and adapt to the industry.

Success does not depend on cool slideshows and flat designs. Sure, you have to make your photography website beautiful, and, therefore comply with the latest web design fashion trends sometimes, but not at the expense of helpfulness and clarity.

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The post The Future of Photography Websites – Understanding and Adapting to Trends Continued by Alex Vita appeared first on Digital Photography School.


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Adobe Lightroom allows users continued access after license expires

12 Jul

Adobe’s latest Lightroom update has made it possible for subscribers to continue accessing their images and edits, as well as some limited functions of Lightroom once a license for it has ended. Key functions, including the ability to use the Develop module, do go away once the subscription is out of date, but users retain the ability to view, organize and export images. Read more

Articles: Digital Photography Review (dpreview.com)

 
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