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Posts Tagged ‘Composition’

11 Food Photography Composition Tips (for Mouthwatering Results)

02 Sep

The post 11 Food Photography Composition Tips (for Mouthwatering Results) appeared first on Digital Photography School. It was authored by Jeremy Flint.

11 composition tips for food photography

Looking to improve your food photography compositions? You’ve come to the right place.

In this article, I’m going to share my favorite composition tips – for arranging and styling food, yes, but also for adding creative touches that’ll give you an ultra-professional look.

So whether you’re a complete beginner just starting out in food photography, or you’re a more experienced photographer looking for some composition-enhancing tips, this guide will help you on your way.

Starting with tip #1:

1. Change your angle for an unusual perspective

Beginning food photographers often shoot food straight on, as if they’re sitting or standing at the table with their camera.

And while such an approach can work, it can also fall a little flat. Instead, consider a different perspective, one that will enhance the most interesting parts of the food or highlight key elements.

For instance, a straight-down approach – where you shoot from overhead, with the sensor parallel to the plate – is a great way to showcase all of the food, plus it can add some artistic flair.

Alternatively, shooting from low down or the side gives the viewer a new angle to consider and will highlight the food’s details.

raspberries on black

2. Consider orientation (portrait vs landscape)

As you’re undoubtedly aware, you can photograph food in either portrait or landscape orientation – but don’t just stick your camera in one position and call it a day.

Instead, think carefully about which orientation best highlights the food and best frames your composition.

Personally, I think landscape-oriented images tend to look great for showing off beautiful compositions. But try rotating your camera and see if a vertical shot might work well, too. You may find that a vertical composition actually enhances the photo by eliminating distracting elements around the central theme.

cookies set out on cloth food photography composition

3. Use the rule of thirds for well-organized food compositions

It’s a photography classic, but for a good reason. So if you’re struggling to come up with beautiful compositions, why not try the rule of thirds?

You see, the rule of thirds works by dividing your image into thirds (via gridlines). It suggests you align your main subject and other compositional elements with these gridlines; that way, the entire image feels both balanced and dynamic.

For example, I placed the bowls along gridlines here for a pleasing composition:

bowls carefully arranged composition

4. Break the rule of thirds

It is important to note that the rule of thirds is only a food photography guideline, not a true rule – so you certainly don’t need to stick to its terms.

After all, rules are there to be broken! Don’t be afraid to move food items around and test out different compositions. Try putting your main subject in different locations, away from the rule of thirds gridlines and intersections, and see what you get. Who knows; maybe you’ll hit upon a composition you really love!

Pro tip: Positioning the main subject dead-center or slightly off-center generally works well. It’ll lead the viewer’s eye around the image and then toward the main subject:

the rule of thirds broken with centered bread

5. Consider adding elements to the composition

The objects you include alongside your main subject are essential to creating beautiful compositions.

Of course, it’s important to have a main food element – but you should also add extra items to elevate the scene beyond the ordinary.

Some examples of items to include could be additional food pieces, garnishes to brighten the main subject, cutlery such as a knife and fork, and even cooking utensils.

plates of food
If you are shooting dishes around the main subject, you will need to go wide enough to capture everything in the frame.

6. Add props

In the previous tip, I recommended including little extra elements, such as cutlery or garnishes.

But if you want to really double down and create unique images, you might also try including props. I’m not talking about bits of food, but rather objects, such as bowls, plants, jars, rustic boxes, and the like.

Aim to arrange the items so you showcase – rather than obscure! – your main dish.

7. Re-arrange the elements (beyond the normal)

Often, the natural way to arrange food elements is as a chef or waiter would:

Food on the plate, knife to one side, a glass in the back, etc.

But to create a more striking composition, I suggest you mix it up. Move some of the items to a different place in the frame. For instance, you might move the knife out in front of the food, as I did here:

toast food photography composition

Really, the important thing is to experiment; test out different compositions, use your creativity, and then capture the shot you like best!

8. Use patterns

As a food photographer, patterns are your friend.

And while you don’t always need patterns in your photos, you can use them to creatively highlight your food. For instance, you might lay out a batch of baked goods in an eye-catching arrangement, or you might circle your main subject with a selection of different-colored fruits.

The key is to create a sequence or structure that creatively emphasizes the main dish. That way, the viewer knows where to look – and is also impressed by your artistry.

9. Use negative space

Here’s another tried and tested food photography composition technique:

Use negative space in your image.

Negative space refers to the part of your frame that is free from any elements or props, like a bare table, a stretch of cloth, etc.

And while additional elements and props can look nice, negative space is a great way to encourage the viewer to focus on the main dish without the added distraction that props bring. Plus, more negative space makes for more simplified compositions, which is generally a good thing.

stack of bread

10. Shoot specific parts of the food

Not all of your food has to be in each image.

So instead of zooming out to shoot the entire dish, get close and capture parts of the food. Emphasize mouthwatering details that’ll look great to the viewer, but make sure to carefully structure your compositions; the goal is to make the main subject stand out against the rest of the shot.

11. Use natural and artificial light

Did you know that light can significantly affect your food photography compositions? It’s true. Light can add volume, create shadows, and emphasize (or de-emphasize) different elements.

So before getting started, you will need to think about the light that is present in your food photography location. Observe how the light falls and ask yourself: does it look natural? Is the light too bright or too dark?

Strong direct light, for instance, can ruin your compositions by making the food too bright. So when faced with direct light, try moving your food to avoid this harsh light, or place your entire composition in the shade to create a more balanced image.

In situations where there is not enough natural light, you will need to brighten up your compositions another way. One solution is artificial lighting; consider using a flash, or even a lamp or fixed room lights, to add more brightness and lighten the subject.

bowls arranged on blue
Moving food and drink into the shade can eliminate the harsh shadows produced by direct sunlight.

Food photography composition: conclusion

Food photography composition can make or break your images of food, so you should pay careful attention to these tips.

That said, remember to be creative; if you don’t like one of these tips, ignore it! Food composition and styling is a personal choice and is entirely subjective. There is no right or wrong way of photographing things – so be sure to balance these tips with your own vision. That way, you can create images that look great, and that you love.

Now over to you:

Which of these composition tips is your favorite? Do you have any tips of your own to add? Share them in the comments below!

The post 11 Food Photography Composition Tips (for Mouthwatering Results) appeared first on Digital Photography School. It was authored by Jeremy Flint.


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10 Landscape Composition Techniques for Breathtaking Photos (2021)

27 Jun

The post 10 Landscape Composition Techniques for Breathtaking Photos (2021) appeared first on Digital Photography School. It was authored by Darren Rowse.

In this article, I’m going to share 10 simple landscape photography composition tips – so that you can start creating beautiful, flowing, dynamic, balanced landscape images.

10 landscape photography composition techniques

Specifically, you’ll discover:

  • How to draw the viewer straight into the scene (and keep them wanting more!)
  • How to position your horizons for maximum dynamism and balance
  • A simple trick for minimalistic landscape shots
  • A cool technique to focus the viewer exactly where you want them
  • Much more!

So if you’re ready to take your landscape compositions to the next level, let’s dive right in, starting with my number-one most useful technique:

1. Include a main subject to engage the viewer

To instantly level up your landscape compositions, here’s how you should start:

By including a clear, identifiable subject in each photo.

The subject can be anything: a rock. A mountain. A river. A shell on the beach. Waves crashing on the shore. Lightning in the sky.

The point is to include at least one element in your photo that the viewer can grab onto – something that sucks them into the frame and piques their interest. Otherwise, your viewer will become confused. They won’t know where to focus, so they’ll move on to a different image and never look back. (Not good!)

waterfall at sunset with flowing water
Here, the main subject is the waterfall – it’s what really captures the viewer’s attention.

Is it okay to include multiple interesting subjects? Absolutely! In fact, many landscape photographers these days specialize in packing both a foreground subject and a background subject into a single photo (more on that later). But be careful not to include so many subjects that the viewer no longer has a place to focus. When in doubt, simplicity should win out.

2. Use the rule of thirds to position your key elements

The rule of thirds is one of my favorite landscape composition tools. It’s a great way to get started with composition, and it’ll give you an easy way to arrange key elements within the frame, like your main subject, your horizon, and other supporting elements.

For those unfamiliar with the rule of thirds, here’s a quick explanation:

The rule of thirds tells you to split your composition into vertical and horizontal thirds, so you end up with a series of gridlines. Then, for the most powerful compositions, you should place compositional elements along those gridlines (and at their intersection points).

landscape photography rule of thirds composition gridlines

This often comes into play when working with horizon lines. Instead of putting the horizon smack-dab in the center of the frame, you can put it along the top rule of thirds gridline (a good idea if your foreground is especially interesting) or along the bottom rule of thirds gridline (a good idea if your sky is colorful or dramatic).

For this image, the blowing sand in the foreground is stunning – so the photographer chose to put the horizon along the upper gridline:

sand dunes with rule of thirds landscape composition

You can also use the rule of thirds to position your main subject. You might put the subject along one of the vertical gridlines, or – even better – at an intersection point.

A quick word of caution, though:

The rule of thirds is a helpful technique. But despite the name, it’s not a landscape composition rule – rather, it’s a guideline, so you don’t need to follow it all the time. Instead, use it when it works, break it when it doesn’t.

Make sense?

3. Use foreground interest to create depth

Most landscape photos, even the mediocre ones, include background interest (such as a distant mountain, a dramatic sunset, or a house on a cliff).

But if you want to really take your landscapes to the next level, I highly recommend including foreground interest, which should sit somewhere between your camera and the background. (It’s also referred to as the near-far composition technique.)

This is a powerful tool, one that’s insanely popular among today’s professional landscape photographers. And the reason it’s so popular? It helps create the illusion of depth in a scene.

For instance, a photo of a distant mountain can look nice, but it often appears rather flat.

But add some grass close to the camera, and the whole composition immediately deepens. The viewer first focuses on the foreground grass, then moves into the midground, then finally sees the stunning mountain in the background:

mountain with grasses in the foreground

So the next time you find a beautiful background subject, like the mountain I mentioned above…

…take a few moments to look for foreground interest. Then include both foreground and background in a single shot.

Note that the foreground interest can be a discrete subject, like a patch of grass. Or it can simply lead the eye into the frame, as I discuss in the next tip:

4. Use leading lines to suck the viewer into the scene

Leading lines are lines that draw the viewer into the scene. They generally start in the foreground of the composition, then move back, back, back…until they reach a distant subject.

In the photo below, the road acts as a leading line, which moves the viewer toward the beautiful sunset:

leading lines moving toward the sunset

The road isn’t really a discrete subject, but it does provide foreground interest, and it moves the viewer toward the background.

By the way, you can make leading lines out of pretty much anything. I highly recommend you take a look at some of your favorite landscape photography and see how it incorporates leading lines; you’ll find all sorts of creative compositions, with lines created out of roads, rivers, fallen trees, ferns, lines in the dirt, and much, much more.

river flowing away as leading lines in a mountainous landscape
The river leads the eye toward the mountains in the background.

5. Use lots of negative space to create minimalist landscape compositions

These days, minimalism is all the rage in landscape photography. Here’s how it works:

First, find a scene full of negative space. (Negative space refers to emptiness in a composition, like a long stretch of blue sky, a swathe of green grass, a smooth, barren beach, etc.)

Second, find a small, isolated, lonely-looking subject, like a tree in a field, a rock jutting out from a flat landscape, or even a person.

Third, position your isolated subject so it’s small in the frame, and it’s surrounded by plenty of negative space. Here, it often pays to break the rule of thirds; instead of putting your subject at a rule of thirds intersection point, you put it closer to the edges of the frame, which serves to emphasize the emptiness.

man walking in minimalistic landscape photography composition
The person walking alone provides a focal point and is surrounded by plenty of negative space.

You’ll end up with an attention-grabbing shot, one that feels both contemporary and timeless.

6. Don’t be afraid to go tight

Most photographers do landscape photography with wide-angle lenses. And in general, this works really well; you can capture the vastness of the scene while emphasizing foreground and background subjects.

That said…

It sometimes pays to zoom in tight using a telephoto lens (a 70-200mm or 100-400mm will do a good job).

This works especially well on relatively flat subjects with graphic lines: a distant waterfall, cracks in a canyon wall, overlapping mountains. Zooming in will compress the scene, so advice about adding depth tends to fly out the window, and that’s okay.

Instead, focus on using landscape compositional tools like the rule of thirds to create balance and flow. And as I emphasized at the beginning of this article, make sure to include a clear point of interest!

telephoto  mountains overlapping
A telephoto lens compressed these mountains, so you get a beautifully layered composition.

7. Use layers to help simplify the scene

Layers are one of my absolute favorite landscape photography composition techniques, because they make scenes simpler, easily digestible, and all-around beautiful.

When you’re out with your camera, just look for a clear bottom layer, middle layer, and top layer (though more layers is fine, too!).

One of the great things about layered compositions is that they work regardless of your focal length or subject of interest. You can create layered wide-angle shots by incorporating clear foregrounds, midgrounds, and backgrounds into the composition.

layered composition grasses by the sea
Note the grasses in the foreground, the water in the midground, and the sky in the background.

And you can create layered telephoto shots by compressing distant elements (as I mentioned in the previous tip, overlapping mountains look great, but you can also layer trees, sand dunes, and more).

mountains with dramatic sky
Here, the layers are more subtle – the mountains are layered, though the final layer is the sky.

Not every composition is amenable to layering. But when you find a scene with repeating or overlapping elements, that’s a good sign you can get a layered shot – and when possible, I recommend you go for it.

8. Incorporate diagonal lines to add movement

This one’s a more advanced landscape composition tool, and the effect can be subtle – but when done right, it can level up a good photo to a great one.

You see, diagonal lines are an effective way to move the eye around the scene and add flow to a shot. They’ll carefully push the viewer toward the main subject, while also prompting them to have a fun little journey around your photo.

To get started, I’d recommend first identifying your main subject. This should be the focal point of your image, and the place you want the diagonal lines to lead.

Then walk around, looking for potential diagonals that point toward – not away! – from your subject. You’ll often need to get creative. Consider all your options: paths, lines of trees, fences, rivers, a shadow, even clouds!

Finally, compose your photo, including at least one diagonal line moving toward your subject (and feel free to use two, three, or four lines if you can find them).

mountains with beautiful clouds forming lines
The clouds provide diagonal lines that move the viewer toward the mountain.

Note that diagonal lines can be foreground leading lines, but they don’t have to be. It’s perfectly acceptable to find a diagonal line that starts far off in the distance, as long as it moves toward your main subject.

9. Use geometry, especially triangles, to add flow and stability

In landscape photography, geometry is your friend.

Specifically, you can incorporate shapes, such as triangles, squares, and circles, into your compositions. These will help create both flow and stability, plus they just look very cool (especially when done with subtlety!).

For instance, consider the triangle, one of the most powerful shapes available to the landscape photographer. It includes diagonal lines and therefore adds plenty of movement. It also tends to be very stable, thanks to its strong edges and wide base.

mountains forming a triangle
The mountain creates a clear triangle – and it makes the composition far more powerful.

Circles are great, too – partial circles create nice curves for plenty of flow. And complete circles create eye-catching points of interest.

You don’t need to find full shapes in the landscape, by the way. It’s okay to use a somewhat circular rock, a vaguely triangular mountain, and so on. The point is to include shape-like elements when you can, without stressing too much about whether you have a complete shape or an implied one. That way, you create strong compositions that still feel natural.

Make sense?

10. Find natural frames to focus the viewer

As emphasized earlier in this article, foreground interest is a great way to add depth to landscape compositions.

But sometimes, you run into foreground elements that can’t quite work as a discrete compositional element…

…yet can still sit around the edges of your photo as a frame.

This is the landscape photography framing technique: You include tangential elements around the outside of an image and use them to direct the viewer toward the interesting midground and background.

For instance, you might include an overhanging branch toward the top of the image, in order to guide the viewer toward the subject in the middle of the shot:

village scene with tree providing a landscape composition frame

Or you might find a tunnel of rocks that leads the viewer toward the sunset in the background.

In wide-open spaces, finding frames can be tough. But if you’re shooting in a more chaotic landscape, you can often find trees or rocks to create a frame. In fact, it’s often these simple frames that take a good composition to the next level; they provide much-needed focus by showing the viewer exactly where to look (and when positioned carefully, they can also block out distracting elements).

Landscape photography composition: final words

Well, there you have it:

10 techniques to enhance your landscape compositions.

Practice these techniques, and above all, have fun!

Now over to you:

Which of these composition tips is your favorite? Which are you going to try first? Share your thoughts in the comments below!

autumn trees with mountains in the background

The post 10 Landscape Composition Techniques for Breathtaking Photos (2021) appeared first on Digital Photography School. It was authored by Darren Rowse.


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7 Composition and Lighting Tips to Improve Your Landscape Photos (Video)

13 Jun

The post 7 Composition and Lighting Tips to Improve Your Landscape Photos (Video) appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Looking to take your landscape photography to the next level?

In this video, professional landscape photographer Nigel Danson takes you through his shooting process and shares 7 simple tips and tricks to elevate your photos. While Danson mostly focuses on composition, he throws in a couple of lighting tips for good measure – and each piece of advice is carefully illustrated with breathtaking video footage and stellar example photos.

So give it a watch! And then leave a comment below, letting us know your favorite tip from the video.

The post 7 Composition and Lighting Tips to Improve Your Landscape Photos (Video) appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Triangle Composition in Photography: A Quick Guide (Plus Tips)

13 Apr

The post Triangle Composition in Photography: A Quick Guide (Plus Tips) appeared first on Digital Photography School. It was authored by Megan Kennedy.

triangle composition in photography a quick guide

Speaking about triangle composition, artist Wassily Kandinsky once said, “The impact of the acute angle of a triangle on a circle produces an effect no less powerful than the finger of God touching the finger of Adam in Michelangelo.”

Recognizing the momentum within a triangular shape, painters have regularly capitalized on the visual drama of triangular structures. But painters aren’t the only ones to utilize triangles; photographers have also made extensive use of the shape to add impact, lead the eye, and emphasize spirited angles unfolding within the photographic frame.

In this article, we’ll take a look at the dynamics of triangles in photographic composition.

What is triangle composition in photography?

Triangle composition relies on the use of triangular shapes or concepts to create a better image.

Triangles can be found everywhere. Signs, architecture, geography, sailboats, food, arrows, aviation, wallpaper, optical illusions (see the Penrose triangle); the list goes on!

Why are triangles useful?

Triangles are useful in composition for many reasons. Perhaps one of the most obvious selling points of triangles is their striking versatility.

For instance, triangles can represent direction and orientation; they can signal stasis or momentum. A triangle that recedes into the horizon creates the impression of perspective and depth. Off-kilter triangles paired with vivid colors create impactful shapes that express energy and dynamism. And depending on whether a triangle is facing left or right, it can represent progress, forward motion, or backtracking (just think of the symbols on a TV remote!).

Triangles in composition can also create order in chaos. That’s why triangles can be helpful in planning a photograph or figuring out why an image works the way it does.

Over time, artists have developed different compositional concepts to help create appealing imagery. The golden triangle is a visualization that divides the frame into four triangles, like this:

A diagram of the golden triangle composition rule

The golden triangle suggests one of three approaches:

  1. Fill one of the triangles with a main subject.
  2. Align some diagonal subject matter with at least one of the diagonal golden triangle lines.
  3. Line up a significant point in the composition with a point of intersection.
A web with the golden triangle composition rule overlay
Canon 5D Mark IV | Canon EF 50mm f/1.8 II with extension tubes | f/2.5 | 1/50s | ISO 100

Triangles found in both the natural and modern landscape can visually unite or disrupt a photograph.

And by incorporating triangles or the golden triangle overlay into a photographic composition, you can control the energy and focus of an image.

Common triangle types

There are several types of triangles you should know:

Self-contained triangles can be found throughout the natural and urban environment. These distinct shapes can command attention and often serve as a key component or structural element within a photograph.

(Interestingly, some triangles do extend beyond the frame, thus becoming more indirect triangular compositions.)

Other triangular formats include triangles with rounded edges, which deliver a softened visual effect.

Triangle composition leaves in the rain
Triangular patterns found in nature.
Canon 5D Mark IV | Canon EF 24-105mm f/4L IS USM | f/5 | 1/160s | ISO 100

Implied triangles are more subtle arrangements of subject matter that can generate the impression of a triangle composition. Implied triangles aren’t a single specific triangular subject. Instead, they borrow from different elements in an image to form a triangle-like arrangement.

Out of focus lights arranged in triangle patterns
Implied triangles formed from points of light.
Canon 5D Mark IV | Canon EF 24-105mm f/4L IS USM | f/4 | 1/100s | ISO 250

The type and behavior of triangles can significantly impact a photograph.

To create stability or instability within an image, triangles can teeter on a point or rest firmly on a vertical line. Symmetrical triangles can signal equilibrium whereas asymmetrical triangles can represent an object to overcome or act as a symbol of intensification.

A triangle pointing at the sky can represent the peak of a goal or journey toward success. A triangle pointing at the ground can represent direction, a downfall, or a lessening of intensity.

Other triangles can point to specific subjects or even represent the main subject.

Tips for working with triangles

Triangles are intriguing shapes, and working with them doesn’t have to be hard.

Here are a few tips for creating beautiful triangle compositions in photography:

1. Use variety

Triangles come in many shapes and forms. To add variety to your photos, include different triangle sizes, types, and orientations (this will also help you develop an eye for the shape).

triangles on a sidewalk
Triangles can disrupt patterns and direct the viewer.
Canon 5D Mark II | Canon EF 24-105mm f/4L IS USM | f/8 | 1/125s | ISO 100

2. Try the golden triangle rule

As I explained earlier, the golden triangle is a visual device used to help create harmonious compositions.

While the golden triangle takes practice to visualize (see the overlay displayed above), it encourages you to make the most of the available subject matter. The rule also draws attention to areas in a composition that might otherwise be ignored.

3. Rules can be broken

Although triangle composition is an engaging approach to photography, compositional rules can be bent and broken.

The golden triangle serves as a guide or exercise rather than a definitive rule – and can therefore be manipulated or ignored.

And using triangular subject matter in a composition is pretty flexible. For example, rounded points or points that extend off the edge of the photograph can still suggest engaging and cohesive triangle-based compositions.

Triangle composition in photography: final thoughts

Over the centuries, triangles and triangle composition have come to represent strength, vitality, energy, and momentum.

By incorporating triangles (and the golden triangle rule) into your compositions, you can create dynamic, eye-catching photos.

So the next time you’re out with your camera, look for triangles – and create some powerful compositions!

A utility pole with triangle composition
Canon 5D Mark IV | Canon EF 24-105mm f/4L IS USM | f/9 | 1/250s | ISO 100

Triangle composition FAQ

What is triangle composition?

Triangle composition is either the incorporation of triangular shapes into photographic work or adherence to the golden triangle compositional rule.

What is the golden triangle?

The golden triangle is a compositional device. By mentally dividing an image into triangular sections, you can arrange elements to create beautiful compositions.

Where can I photograph triangles?

Triangles make up our world in many ways. Triangles can be found in the urban landscape as well as the natural environment. Once you start looking, you’ll find plenty of opportunities to photograph triangles.

How can I use triangle composition?

There are several ways to incorporate triangular compositions into a photograph. The most obvious ways involve photographing triangular shapes themselves and using the golden triangle rule to guide your compositions. You can also use implied triangles to loosely organize subjects in a triangular format.

The post Triangle Composition in Photography: A Quick Guide (Plus Tips) appeared first on Digital Photography School. It was authored by Megan Kennedy.


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Composition in Photography: A Complete (and Modern) Guide

16 Mar

The post Composition in Photography: A Complete (and Modern) Guide appeared first on Digital Photography School. It was authored by Ana Mireles.

composition in photography: a complete (and modern) guide

If you’re looking to learn about composition in photography, you’ve come to the right place.

In this article, I’ll cover what composition is, and I’ll explain how to use it to make your images eye-catching and unique.

So whether you’re a beginner photographer learning the basics or a more experienced shooter who wants to improve, read on to find out some of the most effective composition tools, concepts, and guidelines available!

What is composition in photography?

Composition in photography refers to the position of elements inside the frame and how they interact with each other.

Ultimately, composition is about the visual structure of your image.

Why is composition important?

The composition of your photograph impacts the way it’s perceived by others. When you choose what to fit inside the frame and what you leave out, where to position each element and so on, you’re capturing a scene with your unique vision.

That’s why it’s important to carefully compose your photos!

Basic techniques and concepts for composition in photography

We are instinctively attracted to images with a good composition.

Why?

Because we find them harmonious or interesting!

However, we are not as naturally skilled at creating stunning compositions.

That’s why photographers have developed basic compositional guidelines and concepts that can quickly improve photo compositions – without requiring years of experience.

Starting with:

The rule of thirds

You’ve probably heard about the rule of thirds – or at the very least, you’ve seen it. That’s because most cameras, including the one on your smartphone, have a rule of thirds grid overlay.

The rule of thirds grid is formed by four lines – two vertical and two horizontal – placed at an equal distance from each other and the photo edges (so the frame is divided into thirds).

Like this:

rule of thirds

But what actually is the rule of thirds?

It’s a guideline stating that you should position compositional elements along your gridlines – and that the focal point of your composition should sit at one of the gridline intersection points.

You can follow this rule in both portrait and landscape orientation, and it works for all types of photography. For example, if you are doing a full-body portrait, you should often place the subject toward one of the gridlines and not in the center.

And when you’re photographing a landscape, you should put the horizon toward the top or bottom third of the image and never in the middle.

Note that the rule of thirds is a guideline, not a true rule. Once you’ve mastered it, I recommend trying to violate it with other concepts – such as symmetry, or with even more complex techniques such as the golden ratio (discussed below).

Leading lines

Leading lines direct the viewer through the image, like this:

leading lines in photography

When you read a text in English, you automatically start at the top left. Then you continue toward the right until the end of the line.

The same thing happens in photography. When we see an image, we also “read” it. Your eye goes from one element to the next – in order to view details and understand the story that’s being told.

That’s where the leading lines come into play: They guide the eye through the image.

Leading lines can be present or implied, and they can be straight or curved. For example, a leading line can be a curvy road getting lost in the mountains. This will compel viewers to follow the road, pulling them into the image.

Texture

texture of cloth

Texture is often overlooked as an element of the composition. You can use it to create contrast between two elements – one that is smooth and one that is rough, for example.

You can also use texture to create interesting shapes and leading lines, or to add interest to an otherwise dull subject.

To work with textures, you need to consider the type and direction of the light. A hard light that comes from the side will emphasize the texture. A soft light coming from the front flattens the surface.

Color

color wheel

Color is a key consideration for composition in photography. There are so many color harmonies that you have endless possibilities!

You can use complementary colors to create contrast and make your subject stand out. And you can bring together apparently unrelated elements that are united via a color scheme.

A good way to learn and understand color palettes is Adobe Color. You can use this tool even if you don’t have an Adobe subscription.

Simply select a color wheel with different color harmony rules, such as monochromatic, complementary, etc. You can also upload a photograph to extract the color scheme or gradient. And to stay updated, you can browse trends based on Adobe Stock and Behance.

Use color composition in photography

My favorite tool in Adobe Color is Explore, where you can input a concept or a mood and see the colors that represent it (with multiple examples from the visual arts).

Shape

use shapes to compose your photography

As photographers, we’re used to thinking of ways to add depth to a two-dimensional surface.

Because of that, it’s easy to overlook the importance of shapes. Yet when you’re composing your images, you can use shapes to establish a careful arrangement.

Think of a cake being photographed from the top; that’s a circle. If you cut out a slice, then you’re adding a triangle to the composition.

Every shape gives a different feel to our photographs. For example, squares convey stability, while circles make you think of movement and energy.

That’s why posing a group for a corporate portrait usually means forming squares or rectangles, whereas family portraits are often posed in triangles or dynamic shapes.

A good way to practice shape-based composition is by using shadows or shooting silhouettes. That way, you take out any three-dimensionality and focus only on the shape of objects.

Symmetry

Symmetry is defined as something that is exactly the same on both sides, such as a mountain peak or a tree trunk.

And it can work great in art – as long as you use it carefully.

Note that, in art, a scene is rarely 100 percent symmetrical. Instead, you’ll end up with scenes that are almost symmetrical and are well-balanced on both sides.

Like this lake photo:

symmetrical composition in photography

The trees and water aren’t perfectly symmetrical, but they’re close, and the overall scene has a feeling of balance.

Take a portrait as another example. If you photograph a face perfectly centered in the frame, your image will be symmetric. It won’t matter if the subject has a birthmark on one of their cheeks, or that one of their eyes is slightly lower than the other – the symmetry will dominate.

One of the reasons we find symmetry so appealing is because we often find it in nature. And psychologically speaking, symmetry offers a sense of order that makes us feel at ease.

(A great way to play with symmetry in your photography is by shooting reflections or patterns!)

Contrast

fire burning contrast

Another important concept that can enhance your composition is contrast.

Since we are talking about photography, the first thing that comes to mind is contrasting light, such as low key photography. Here, you capture a very dark image where only a small detail is highlighted (which makes for a highly dramatic result).

However, tonal contrast is not the only type of contrast you can use to improve your compositions. You can also use color contrast (as discussed earlier), juxtaposition, and conceptual contrast (which pairs opposite ideas or aesthetics).

Advanced composition in photography

Once you’ve mastered the basics of composition, it’s time to challenge yourself and move on to more advanced techniques.

Here are some of the most popular tools to consider:

The rule of space

The rule of space tells you to leave space in front of the subject, especially if it’s a moving subject. The idea is that the viewer needs enough room to imagine the subject carrying on the action that it’s performing.

For example, if a duck is paddling away, you would put significant space in front, like this:

rule of space

And according to the rule of space, if you photograph a person who’s running to the right, you should place them on the left side of the frame (and vice versa).

rule of space person walking with a cart

But remember that there’s an exception to every rule, especially when it comes to composition. So if you want to add tension or intrigue the viewer, try violating the rule of space!

The complicated thing about composition is that you must choose to apply or break the rules depending on the message you want your image to convey.

The rule of odds

rule of odds

The rule of odds is based on the principle that people find it more interesting to see odd numbers. While even numbers show stability and work well for symmetric compositions, odd numbers allow the eye to flow through the image.

So according to the rule of odds, you should include odd numbers of items in your compositions.

I recommend you use this rule when it fits the situation, much like you would with shapes. If you want a dynamic composition, you use triangles, diagonal lines, and odd numbers. And if you prefer stability, you can choose straight lines, squares, and even numbers.

In any case, the important thing is to use the rules to your advantage and take control of your compositions.

When you’re shooting food or products, it’s often easier to follow the rule of odds.

But following the rule of odds isn’t as easy when you’re photographing a family of four; you can’t just decide to exclude one of them!

(Though when you’re facing this situation, you can arrange the group so the viewer sees one plus three instead of four.)

Triangular composition

In the first part of the article, I talked about using shapes to compose your images.

But did you know that the most popular shape in composition is the triangle?

You can create triangles with poses in portraits, mountains in a landscape, or a church tower on your travels.

However, if you want to up your game a bit more, you can use golden triangles. This composition technique divides the frame first with a line that connects one corner with the opposite one, then adds two smaller lines coming out from each of the remaining corners.

Like this:

triangular composition in photography

Ideally, you would place the most important elements of the composition where the lines intersect. To achieve this, you may have to tilt your camera; this is called a Dutch angle (aka the Dutch tilt, German tilt, or Batman angle).

That’s why it’s not always possible to use the golden triangle guideline (or, at least, it’s not always the best choice!).

The golden ratio

The golden ratio is a mathematical term that was later applied to art and eventually photography. It equates to 1.618, and there are two ways it can be applied to photographic composition:

As a grid or as a spiral.

The golden grid (aka the Phi Grid)

The Phi Grid divides the frame into nine blocks, just like the rules of thirds.

However, this grid doesn’t follow a 1:1:1 ratio – which means the blocks are not the same size. Instead, the grid is 1:0.618:1, so you get smaller blocks toward the center, like this:

Phi grid photography

This composition tends to be more natural, as the golden ratio is also found in nature. It also has a better reputation than the rule of thirds, which many consider to be amateurish – a first step that should be quickly outgrown for more complex techniques.

The golden spiral (aka the Fibonacci spiral)

For this composition tool, you should follow a spiral whose growth factor is the golden ratio.

It looks like this (though note that it can begin at any corner of the frame):

golden spiral composition in photography

This spiral is found in natural structures such as sunflowers, pine cones, seashells, etc. You can also find it in many artworks and buildings because many artists have used it throughout the centuries.

To train your eye, you can print or draw a golden spiral, then use it to study the photographs from Irving Penn or Henri Cartier-Bresson, who both used the golden spiral to achieve astonishing results.

composition in photography tulip center

Composition in photography: conclusion

Now that you know most of the popular composition tools, you can use them to dramatically improve your images!

I know it’s a lot of information, but composition in photography will become more intuitive as you get more practice.

My suggestion is to keep it simple at first and practice the tools one by one.

Once you get comfortable with each composition guideline, you can combine them to achieve a more complex result.

And remember:

These are just guidelines you can use as you see fit to find your own artistic vision.

Now over to you:

Which of these composition techniques is your favorite? Which do you plan to use in the future? Share your thoughts in the comments below!

Composition in photography FAQs

How do I emphasize my subject?

To emphasize an element in your photograph, you need to draw the viewer’s attention to it. You can use composition techniques, such as leading lines, to achieve this.

Is the rule of thirds the most important composition rule in photography?

No, the rules of composition don’t have a hierarchy. Instead, rules work better in different situations, and the best technique for one photograph can be wrong for the next one.

Can I improve my composition by photographing with a smartphone?

Yes, these rules apply to all types of photography, including mobile and video. If you want some help getting started, most camera phones have a grid overlay that follows the rule of thirds. You can enable/disable it in the settings section. Alternatively, you can install a camera app that supports different types of grids (such as A Better Camera).

How can I improve my composition in Lightroom?

You can use Lightroom’s overlays to improve the compositions of your photos. To use these, select the Crop tool from the Develop panel. Make sure that the Overlay is enabled. Then press the “O” key to toggle between all the available overlays.

Can I break the rules of composition?

Absolutely! Even though some of them are called rules, they are only guidelines, tools, and techniques to help you achieve better results. There’s always flexibility to experiment. It’s important to know the rules before you break them, though!

The post Composition in Photography: A Complete (and Modern) Guide appeared first on Digital Photography School. It was authored by Ana Mireles.


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Take Time to Practice These Three Composition Skills Around Your Home

02 Apr

The post Take Time to Practice These Three Composition Skills Around Your Home appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.

Practice composition skills around your home featured image

Now is a good time to practice composition skills. With many people having to self-isolate, it means you may not be able to enjoy regular life. This will include being able to get out and photograph the subjects you typically take pictures of.

Make good use of the time to practice. This is not something photographers do as much as other artists. You can imagine that to play a song on a guitar or the piano, you must first practice it. It’s easy for a photographer to pick up a camera and get a pretty well-exposed photo without the need to practice. This can make you lazy, and not make time to work on aspects of your photography that need improving.

Take Time to Practice These Three Composition Skills Around Your Home
© Kevin Landwer-Johan Nikon D800, Lens 105mm, 1/400 sec., f/10, ISO 400

In this article, I want to encourage you to think outside the subject. Consider taking photos only to work on improving one aspect of your craft – composition.

Find subject material in your environment. Things you would not normally consider taking pictures of. Aim to make interesting and varied compositions by exploring and experimenting.

Practice composition skills

When you practice anything at all, you will get better at it. When was the last time you engaged in improving your composition skills through practice? Have you ever picked up your camera with the sole aim of getting better at using the rule of thirds or any other aspect of composition?

Focus on using negative space for a day, or a week, and you’ll find you incorporate more of it into your photographs.

By repeating what you are doing, you can learn a skill so well that you don’t have to consciously think about it. It will take time and practice to reach this level, but it is quite natural. Whatever you set yourself to practice, in time, you will be able to use that skill without having to think much about it. This is one great way to build your intuition.

Pick two or three composition rules to work on. I’m writing about the rule of thirds, negative space and filling the frame. But you can work on any you like. The key is to not be so concerned about your subject or creating masterpiece photos, it is to practice and learn.

Consider yourself doing this to be like a musician practicing scales. Their aim is not to go out on stage and play scales, but they know that practicing them will help them play better when they do perform.

Yellow mango against blur glass for practice composition skills
© Kevin Landwer-Johan Nikon D800, Lens 105mm, 1/320 sec., f/7.1, ISO 800

Practice the Rule of Thirds

Let’s start with the most well-known rule of composition in photography, the rule of thirds. This is one many people know and use. To put into practice composition skills, you need to concentrate on the rule, not the subject so much.

Don’t worry if you are not producing great photos. This exercise is designed to help you better understand when to use the rule of thirds.

You might like to use a single subject or various things around you to practice composition skills. For this exercise, I walked around my garden and in my house to create compositions using the rule of thirds.

Take Time to Practice These Three Composition Skills Around Your Home
© Kevin Landwer-Johan Nikon D800, Lens 105mm, 1/400 sec., f/10, ISO 400

Experiment with each subject you photograph. Compose it in different ways, but make sure to have it somewhere on one of the ‘thirds’. Don’t only take the first composition you think of. If you place your subject on the left for your first picture, place it on the right hand third for the second one. Then rotate your camera 90 degrees and place your subject on a lower third intersection.

Rule of Thirds grid
The Rule of Thirds grid

Push yourself to try out compositions you normally wouldn’t. Don’t think about your results as right or wrong. Or even good or bad. The point of practice is to improve, so if you’re taking photos you don’t particularly like, think about them. Why don’t you like them? What can you do to improve?

Practice using the rule of thirds until you feel you’ve made some good progress with it. Do you have a better understanding of how to use it well?

Rose one a plain background for practice composition skills
© Kevin Landwer-Johan Nikon D800, Lens 105mm, 1/400 sec., f/10, ISO 400

Using negative space to practice composition skills

Negative space is not a bad thing – at least not when it’s included in compositions intentionally. Negative space is the area of a photograph that is not the main center of attention.

Often there will be nothing at all in these areas – no shapes, lines, or texture.

At other times there will be some detail, but it will not draw attention away from the main subject at all.

Coffee pot in contrast for practice composition skills.
© Kevin Landwer-Johan Nikon D800, Lens 105mm, 1/320 sec., f/7.1, ISO 800

During our photography workshops, one of the most common mistakes I see people make is to leave too much empty space above a person’s head. This is not usually well-composed negative space. It’s there because the photographer was not paying enough attention to what surrounded their subject.

Practice composition skills by creating photos with strong negative space. Use blank areas to help your main subject stand out. Use a blank wall, a shallow depth of field, or a light subject with a dark background.

There are many ways you can include negative space positively in your pictures.

Again, don’t aim to make masterpieces. Making ‘mistakes’ is healthy when you are practicing.

Experiment and try out various compositions, both horizontal and vertical. Leave space on the left, right, below and above the same subject. Study them together on your computer. Which one do you like the most?

Padlock on a grill
© Kevin Landwer-Johan Nikon D800, Lens 105mm, 1/200 sec., f/4.5, ISO 800

Aim to fill the frame

Filling the frame is something I aim to do every time I take a photo. Sometimes this can mean much of my frame is filled with negative space. So long as it’s intentional and adds to the photo, that’s fine.

To fill the frame well it’s as much about what you leave out as to what you include. Most important is to be aware of what’s within the four edges of your composition and make sure that it’s relevant to the photo you’re taking.

Sometimes filling the frame can mean coming in ultra-close to your subject so you don’t include all of it. Other times you may choose to move back or zoom out to include some of the surroundings because they are relevant.

Always look around the edges of your frame. What’s in the corners? Are the background elements supporting your main subject? If not, move it, move yourself, or use another technique to eliminate the unwanted element.

Moving even a little can alter the perspective of how elements within your frame relate to each other. As an example of this, I photographed the same objects on my table. The plastic bottle behind my main setting is distracting.

To eliminate it from my composition, I moved lower and to the right a little. In this situation, I could have also moved the bottle.

coffee set up for practicing composition skills
© Kevin Landwer-Johan Nikon D800, Lens 105mm, 1/80 sec., f/5, ISO 800
coffee set up
© Kevin Landwer-Johan Nikon D800, Lens 105mm, 1/80 sec., f/5, ISO 800

Conclusion

Taking time to practice composition skills may sound a bit boring – just as someone learning the piano might get bored practicing scales.

Try it and see. You may find you enjoy it after a while. Like anything, it takes time for the practice to pay off, so don’t give up easily.

Do you have any other tips you’d like to add? Please share them with us in the comments.

The post Take Time to Practice These Three Composition Skills Around Your Home appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.


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8 Important Composition Tips for Better Photos (video)

07 Mar

The post 8 Important Composition Tips for Better Photos (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

In this video from Jamie Windsor, he explores composition tips for better photos.

As Jamie states in his video, sometimes a new photographer can be overwhelmed by all the so-called “rules” of photography. Those, such as the rule of thirds, Fibonacci spiral, and the phi grid. Jamie breaks it down for you, using some classic images by renowned photographers, such as Annie Leibovitz, Sally Mann, Steve McCurry, and Bruce Gilden as examples. While this helps to visualize the points that he is making, it is also great to see many of these fantastic images.

  1. Get your position right
  2. Use your phone to practice composition
  3. Beware the Rule of Thirds
  4. Squint or blur your eyes
  5. Think conceptually as well as aesthetically
  6. Keep it simple
  7. Keep the edges clean
  8. Work in post-processing

You may also like:

  • How to Use Radial Composition in Photography to Create Awesome Images!
  • Four Rules of Photographic Composition
  • Composition Checklist for Beginners
  • 4 of the Most Common Composition Mistakes In Photography
  • How to Make Brilliant Black and White Photos with Dramatic Composition
  • The S-Curve: A Landscape Photography Composition Technique
  • How to Break the Rules with a Central Composition

The post 8 Important Composition Tips for Better Photos (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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How to Use Radial Composition in Photography to Create Awesome Images!

29 Feb

The post How to Use Radial Composition in Photography to Create Awesome Images! appeared first on Digital Photography School. It was authored by Megan Kennedy.

how-to-use-radial-composition-in-photography

Radial composition (also known as radial balance) is a tool used to influence balance and impact within a photograph. In this article, we’ll look at some of the in’s and out’s of radial composition in photography.

Image: f/2.8 1/1000 ISO 500

f/2.8 1/1000 ISO 500

What is radial composition?

The term radius refers to the distance between the center of a circle and its outer edge. Therefore, radial composition means imagery that radiates outward from a particular point.

One common example of this is the wheel, with spokes radiating away from the central hub.

Another example would be flowers, with petals fanning out from the flower head.

radial composition diagram radius

By using radially orientated lines, shapes and forms, the eye is attracted to a central point within an image, creating emphasis. In this way, radial composition can appeal to our sense of momentum, generating visual movement. Some radial compositions even trick the eye into perceiving actual movement within in a fixed image.

In addition, lines that diverge into a central point also cultivate a greater sense of depth within a photograph. However, keep in mind that not all radial compositions need to be constructed of circles!

In the right context, you can use rectangles, triangles, waves, lines, spirals, or other forms to cultivate radial composition.

radial composition diagram

The history of radial composition

Because of its visual energy, radial compositions have been an enduring presence in visual art and culture. For example, ancient petroglyphs carved into rocks depict spirals and labyrinths as well as lines radiating out from a central focal point.

Rich with symbolism and sacred meaning, the mandala features in numerous religions and beliefs. In Greek mythology, the Sun god Helios was often depicted with a crown of radiating lines. These lines were understood to indicate radiant light, signifying the rays of the sun.

During the Renaissance, radial composition was used to emphasize important figures within a scene. In Assumption of the Virgin by Titian, subjects are seen to radiate away from the main figure (Mary) and a circle of radiant light frames her upper body. In Raphael’s School of Athens, famous philosophers are emphasized by the radial properties of the surrounding architecture.

radial composition smashed glass

f/4.0 1/640 ISO 320

Modern art

Inevitably, radial composition has been a strong compositional feature in modern visual art. A famous example is Kandinsky’s circle paintings that radiate pulses of color. Dada artist Marcel Duchamp’s Bicycle Wheel also takes advantage of the radial structure of the wheel to evoke both a sense of motion and stasis.

In photography, there are countless variations on the use of radial composition. Taken in 1920, Edward Steichen’s Isadora Duncan at the Portal of the Parthenon makes use of radial composition to emphasize the subject within the ancient Parthenon. In Henri Cartier-Bresson’s Children Playing in Ruins, the child subjects are framed by a hole in a wall within the ruins of a city.

How to Use Radial Composition in Photography to Create Awesome Images!

How to cultivate radial compositions

Radial composition relates to visual elements that expand from or center around a central point in an image. Eyes, flowers, snail shells, doorways, fireworks, tree rings…there is an abundance of opportunities to capture radial subject matter.

Fluid radial elements create a harmonious flow throughout the image, whereas sharp, erratic lines generate a scene of energetic movement.

Archways, staircases, reflections, plants…you can find radial features in all genres of photography. You can even create radial imagery through camera movement or abstraction.

radial composition camera tossing2 seconds f/4.0 ISO 100

You can also use radial composition as a tool to emphasize a given subject. Framing an aircraft aligned with the halo of the sun’s rays, or photographing a portrait with the sitter positioned within a window or door frame can seem easy enough. However, incorporating simple radial elements into your composition can add much more depth and impact to your image.

Image: f/6.3 1/400 ISO 100

f/6.3 1/400 ISO 100

Conclusion

From landscapes to architecture and everything in between, radial composition can add impact and depth to your photography.

Keeping an eye out for radial compositional opportunities can lead to engaging material that guides the viewer’s eye around the image more effectively.

Do you make use of radial composition? Share your images in the comments below!

The post How to Use Radial Composition in Photography to Create Awesome Images! appeared first on Digital Photography School. It was authored by Megan Kennedy.


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10 Christmas Portrait Locations (with Bonus Lighting and Composition Tips)

19 Dec

The post 10 Christmas Portrait Locations (with Bonus Lighting and Composition Tips) appeared first on Digital Photography School. It was authored by Mat Coker.

christmas-portrait-locations

Everyone loves to see a nice portrait of the kids at Christmas. But it can be tough to brainstorm new Christmas portrait locations year after year.

Whether you’re photographing your own kids, or you’re a family photographer, this list of Christmas portrait locations will give you plenty of ideas including tips for lighting and composition.

1. Golden hour

Christmas can feel magical and golden hour is a magical time of day for light. You can find some evergreens for the golden sunlight to filter through and create a magical feel for your portrait. Consider using the golden sunlight as a beautiful source of backlight.

Christmas portrait locations

Golden hour is approximately the first and last hour of the day when sunlight looks almost golden. Personally, I love to work with the last 15 minutes of sunlight. I scout my location a few days in advance and take note of the exact time the sun is at its best.

2. Christmas lights in the background

Christmas lights can also be a good source of warm light. They work especially well if you prefer to stay indoors. Keep the tree back in a darker corner and use a window to light your person (this works well when photographing holiday food too).

You may find that a fully decorated Christmas tree can be a bit of a background distraction. A simple tree with lights adds a festive feel without being overwhelming.

Christmas portrait locations

The Christmas lights in the background echo the golden polka dots of her shirt. The catchlights in her eyes (created by the window light) help to bring the portrait to life.

 

Christmas portrait locations

You can see where she was positioned in relation to the window and the tree.

 

Christmas portrait locations

If you don’t have a window for a light source, you can use the flash on your camera. If you’re using your camera’s flash, there are two things to keep in mind. Keep the person away from the Christmas tree and get close to them with your camera. By staying close to them and keeping them away from the tree, the flash will light the person nicely but not overwhelm the tree with light.

3. While it’s snowing

If you live in a part of the world where there is snow, this is really fun for a Christmas portrait. But there are a couple of problems that you will likely run into.

The first is that your photo may turn out looking very dark. This is because the snow is so bright that your camera meter naturally wants to darken the photo. One way around this is to shoot in full manual mode, then you can get the exact brightness that you want. Personally, I shoot on aperture priority and use exposure compensation to get the correct brightness for my photo.

The second problem that you will run into when photographing during a snowfall is misfocused pictures. Your camera may autofocus on a snowflake in the foreground, leaving your subject out of focus. So, make sure to check your photo closely before packing up your camera. That way, you won’t be disappointed when you sit down to edit your photos and realize they’re all out of focus.

Christmas portrait locations

A darker background makes the snowflakes stand out more.

Be sure to protect your camera in cold weather too.

4. Christmas tree at home

This is a perfect opportunity to capture both posed and candid moments. Again, window light will be your friend when lighting your subject.

Notice that in the first photo I positioned the subject so that he is against a clean background. This way he stands out more and is not lost among the decor.

Christmas portrait locations
Christmas portrait locations

5. A quaint storefront

Our downtown street is filled with beautiful storefronts throughout December. These storefronts are a perfect Christmas portrait location. When using a storefront for a background, remember to frame the person neatly.

Once your subject is framed, go for a natural smile! You’ll probably have to say something funny.

Christmas portrait locations

Notice how the boy is framed in this photo. He is balanced by the tree on the left and the windows on the right. His head is in a clean space with nothing distracting protruding from it.

6. Rustic barnboard

If you like a rustic aesthetic at Christmas time, look for an old barn to use as a Christmas portrait location.

Christmas portrait locations

In this first photo, she is placed right up against the wall. I’m using a 50mm lens with an aperture of f/1.8 so the boards are a little out of focus.

 

Christmas portrait locations

I brought her a few feet away from the wall in order to make the background go more out of focus.

7. Use props

You can use all sorts of props in your photos. Sometimes a prop to sit on is more than enough to add visual interest to your portrait.

Christmas portrait locations

With an overcast sky, you can make portraits any time of day without having to worry about harsh shadows from direct sunlight.

8. Wrapping paper backdrop

Find a wide roll of paper with a nice design to use as a backdrop. Place it next to the window and you will have a wonderful natural light source.

Christmas portrait locations

9. Decorate the wilderness

It’s so much fun to bring a sack of Christmas ornaments on a hike and decorate a tree deep in the woods! Once you’ve done that, you’ve got a perfect Christmas portrait location.

Christmas portrait locations
Christmas portrait locations
Christmas portrait locations
Christmas portrait locations

10. Choose a theme

When thinking of Christmas portrait locations, consider building your portrait around a meaningful theme.

Christmas portrait locations

When my son was just two, I couldn’t resist creating a portrait inspired by Charlie Brown.

11. Storytime

Create a storytime theme using a big book as a prop. Remember that a window is a great source of light.

Christmas portrait locations

Try a posed portrait.

 

Christmas portrait locations

Once you have a nice pose, try a photographing a candid moment too.

 

12. Go to a tree farm

Perhaps you don’t have any nice scenery nearby. If that’s the case, then find a tree farm to use for your Christmas portrait location. If you don’t like the manicured look of rows of trees then go for an angle that doesn’t make it obvious that you’re at a tree farm.

10 Christmas Portrait Locations (with Bonus Lighting and Composition Tips)
Christmas portrait locations
Christmas portrait locations
Christmas portrait locations
Christmas portrait locations

The perfect gift

Have fun trying out several of these Christmas portrait locations! When you’re finished, your printed portrait will be one of the most meaningful gifts you can give to friends and family over the holidays.

Do you have any other ideas for Christmas portrait locations? If so, please share them with us in the comments!

The post 10 Christmas Portrait Locations (with Bonus Lighting and Composition Tips) appeared first on Digital Photography School. It was authored by Mat Coker.


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Unlock the Secrets to Composition and Light

13 Dec

The post Unlock the Secrets to Composition and Light appeared first on Digital Photography School. It was authored by Darren Rowse.

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Day 2 of dPS Holiday Deals brings this amazing Composition and Light course combo deal from Photography Concentrate.

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Imagine having a special moment – with your loved ones, friends, or by yourself. A romantic spot, a fun trip, your kid’s first steps, or something else that made you want to pull out your camera, snap and share.  

Unfortunately, what happens next is pretty common … the photo you took is a dull, disappointing record of a great moment or a great place. You wanted to capture that excitement, warm fuzzy feeling or impressive view. But all you got is a lifeless shot. 

Enter composition and light!

Composition Courselight skills course

Understanding composition is the fastest and most lasting way to create amazing images.

People tend to view images in predictable ways.  And once you discover these patterns, you can use them to your advantage. Hacking the way people view photos enables you to create photos that communicate your message – an idea, a memory, a feeling – and look amazing too! 

With Photography Concentrate’s unique 8-step process you’ll be able to put everything you’ll learn about composition and light into action. You won’t be left wondering what’s next. You’ll have a simple step-by-step approach that will let you make great decisions, and create great photos.

This bundle of two practical courses and field guides will help you achieve stunning photos by making advanced composition and light concepts accessible & easy to use. 

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The post Unlock the Secrets to Composition and Light appeared first on Digital Photography School. It was authored by Darren Rowse.


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