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Posts Tagged ‘CINE’

Samyang’s new XEEN CF Cine Prime full-frame lenses detailed ahead of Q3 launch

13 Sep

Samyang has launched its new line of XEEN CF Cine Prime full-frame lenses made from lightweight carbon fiber. The XEEN CF will be offered in 16mm, 24mm, 35mm, 50mm, and 85mm options for Canon EF, Sony E and PL mounts. The model features a T1.5 aperture, 11-blade diaphragm and luminous numbers on the lens rings for making adjustments in dark conditions.

The XEEN CF lenses feature the company’s proprietary X-Coating for minimized reflections paired with controlled ghosting and flares for halation, producing a ‘dramatic effect.’ Users are promised ‘beautiful bokeh’ thanks to the 11-blade diaphragm and excellent low-light performance from the bright aperture.

The lenses are designed for large format and 8K sensors, offering the durability and light weight of carbon fiber at 0.9kg (2lbs) to 1.1kg (2.4lbs), depending on the model. Due to the low weight, the new XEEN CF lenses can be used with gimbals and drones in addition to movie cameras.

The company will initially launch its 24mm, 50mm and 85mm lenses in Q3 2019; the 16mm and 35mm options won’t be released until early next year. Prices are unclear at this time, but ePhotozine claims the lenses will be showcased at the 2019 IBC Exhibition in Amsterdam from September 13 to 17.

Articles: Digital Photography Review (dpreview.com)

 
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Irix announces an 11mm T4.3 cine lens for Canon EF, Sony E, MFT and Arri PL mounts

12 Sep

Lens manufacturer Irix has launched a new 11mm T4.3 lens for Canon EF, Sony E, MFT and Arri PL camera systems.

The lens, which appears to be a cine version of its 11mm F/4 lens, is constructed with a magnesium housing with various rubber seals for weather resistance. It’s comprised of 16 elements including four high-refractive index (HR) elements, three aspherical elements and two low-dispersion (ED) elements.

The lens weighs 1.1kg (2.43lbs) and features Irix’s Magnetic Mount System, which makes it easy to attach compatible accessories, including the lens hood. Irix has also added its new Multi Start Thread focusing mechanism, which ‘allows quiet and precise focusing even under adverse weather conditions such as rain, humidity or extreme temperatures.’

Other features include a 95mm diameter front flange and Mod 0.8 standard geared rings.

The 11mm T4.3 cine lens will be offered in Arri PL, Canon EF, MFT and Sony E mounts. Pricing and availability has not yet been announced, but ‘will be available shortly.’ For more information, keep up to date on the Irix website.

Irix Cine 11mm T4.3

IRIX, known for high mechanical and optical quality, pleasantly presents the 11mm T4.3 – the second full-frame lens from its new cinematography line. Enjoy the new perspective of super panoramic film shots made with Irix Cine lens!

Irix 11mm T4.3 is the second unique lens from the new Cine line. Its extremely short focal length, rectilinear image projection and the large image circle of 43.3mm (covering the full-frame format) make it one of the most outstanding cine lenses on the market. Depending on the diagonal of the sensor, the lens can provide a moderately wide angle of view for classic wide-angle shots or super-panoramic 123-degree viewing angle in a 2.39:1 widescreen format. Irix 11mm T4.3 thanks to its unique parameters, provides a perspective not available in film optics, thus releasing creativity in creating dynamic shots.SAR

The same, but different optics
The lens optical system is based on the new optical formula, developed especially for cinematic purpose. It consists of 16 optical elements, which four are made with high refractive index (HR) glass, three other have aspherical surfaces and the last two are made with low-dispersion glass (ED). The use of the large front lens and other special glass elements provides crisp cinematic shots in a resolution up to 8K while keeping the focus “breathing” effect at the lowest level. The lens offers a large maximum T number of 4.3 which can be reduced to T22, thanks to the rounded shape of iris blades.

Functional and highly innovative
When designing the lens mechanical system of 11mm T4.3, we used newly developed technical solutions that have been successfully implemented in the Irix Cine 150mm T3.0 lens. The new Multi Start Thread focusing mechanism allows quiet and precise focusing even under adverse weather conditions such as rain, humidity or extreme temperatures. The focusing geared ring rotates 180 degrees and depending on the lens version, has a focusing scale with metric or imperial units.

Thanks to another innovative solution like the adaptive ring, the Irix Cine 11mm T4.3 ensures great ergonomics of operation both by hand and with follow focus mechanism. Moreover, despite the very short optical system layout, geared rings of focus and aperture were placed at the same height as in other Irix Cine lenses – all for better ergonomics and more intuitive use.

The exceptional functionality is a distinctive feature of all Irix products. The same applies to the Irix Cine 11mm T4.3, whose extremely compact design (weights 1,1 kg) has been also equipped with an innovative Magnetic Mount System for accessories. The MMS system allows quick and easy attachment of a variety of dedicated accessories. The lens hood included in the kit with the lens is the first element of the MMS system. The system will be expanded with further accessories in the future.

Prepared for all weather conditions
The ultra-wide field of view of the Irix 11mm T4.3 means that its natural work environment is outdoor. It’s durable magnesium housing and numerous rubber seals guarantee the safety of both the optical system and the camera sensor in every weather conditions.

Designed to work in accordance with film industry standards
The 11mm T4.3 is another lens of the Irix Cine line that proves the newest technical solutions can perfectly harmonize with well-established film industry standards. The lens has a front flange with a diameter of 95mm and geared rings in the Mod 0.8 standard, which ensures its compatibility with most cine gear accessories. Attention to maintaining the standard also applies to the family of Irix cine lenses whose geared rings are in the same position and have unified rotation angle.

Irix Cinematic
The new line of Irix Cine Lenses is created in close cooperation with professional filmmakers; their ideas and suggestions were an important factor in the design process. The designers earlier experience in the field of photography led us to create new and better solutions for Irix Cine products.

Available camera mounts
The new Irix Cine 11mm T4.3 will be offered in following lens mounts: Canon EF, Sony E, MFT and Arri PL.

Price and availability
The price and availability of the Irix Cine 11mm T4.3 lens will be announced shortly.

Articles: Digital Photography Review (dpreview.com)

 
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Sigma launches its ‘Classic’ Art cine lens line, announces development of PL to L mount adapter

11 Sep

Sigma has announced a new line of cinema lenses, a new collection of Art Prime PL mount lenses with Cooke Optics’ /I Technology communication protocol and the development of a Sigma-made PL mount to L mount converter.

As it previewed back in July 2019, Sigma has launched its new line of ‘Classic’ Art prime lenses for cinematography. These new lenses are identical in design to its standard Cine prime lens collection, but feature different lens coatings to help re-create the aesthetic of lenses from the 1950s and 70s. The video example below, provided by Sigma, helps to show off the more ‘classic’ look:

Despite the identical optical design to the standard Cine primes, these new lenses feature slightly slow T-stops due to the different coatings. These new lenses also feature Cooke Optics’ /i Technology, which allows the lens metadata to be directly recorded to the camera with every frame, even as it changes mid-scene.

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For better or worse, these lenses aren’t sold individually and are instead sold as a single ten-lens kit. So unless you’re a rental company or a happen to have six figures sitting around burning a hole in your pocket, these are probably out of reach for most film sets. The lenses will be available with the PL mount and ship by the end of 2019.

Speaking of Cooke Optics’ /i technology, Sigma’s existing Cine prime lens collection has been updated to include the additional metadata. The lenses will be sold separately from the previous version of Sigma’s Cine lenses, but not all hope is lost for those with the original version of the lenses. Sigma says:

‘For SIGMA customers who have already purchased a SIGMA PL mount lens, a new service to turn their lenses into /i technology compatible ones is under consideration.’

Lastly, Sigma has announced that it’s working on the MC-31, a PL mount to L mount adapter that can be used to mount PL cine lenses on Sigma’s own fp camera system and other L mount camera systems. Sigma doesn’t specify any information regarding pricing or availability for the MC-31 adapter.

State-of-the-art resolution meets the classic “look”

SIGMA CINE LENS welcomes a new series “FF Classic Prime Line” to the lineup. With cutting-edge technology, SIGMA’s new “Classic Art Prime” offers unrivaled expression for artists.

The SIGMA Corporation is pleased to announce the launch of “FF Classic Prime Line” as a new series in the SIGMA CINE LENS.

FF High Speed Prime Line has been offering the highest resolving power in its class, that is compatible with 8K shooting with large format sensors while achieving an outstanding compact design. Based on this product line, the FF Classic Prime Line incorporates more non-coated optical elements to achieve unrivaled expression.

It retains the high-resolution capability that SIGMA CINE LENS is well known for, and offers a unique combination of low contrast and artistic flare/ghost in the image. As with all other lenses from the FF High Speed Prime Line, it creates beautiful bokeh effects to improve creativity.

FF Classic Prime Line has implemented newly developed coatings on the glass elements and offers consistent T value across the lineup (14mm and 135mm at T3.2 and the rest of the lenses at T2.5). This will greatly contribute to the effective workflow in postproduction. Furthermore, it is compatible with the communication protocol of Cooke “/i Technology”, thus an ideal tool for shooting and editing with the latest technology, such as VFX. A special coating is implemented on the front and rear elements so that the lens durability is ensured as with all other cine lenses from SIGMA.

“Classic Art Prime” is a new solution from SIGMA that is required for the most advanced technology for classical expression. The “look” that FF Classic Prime Line can offer will enable cinematographers to explore new possibilities in movie creation.
From September 13th to 17th, SIGMA is going to display this new product at the IBC 2019 in Amsterdam, Netherlands.

SIGMA CINE LENS “Art Prime” Launch

A new /i Technology-compatible PL mount lens in the FF High Speed Prime Line

SIGMA Corporation (CEO: Kazuto Yamaki) is pleased to announce the launch of a new Art Prime PL mount lens that supports Cooke Optics’ /i Technology communication protocol in a latest addition to the SIGMA CINE LENS family for filmmaking in the FF High Speed Prime Line.

Optimized for large-format camera systems and 8K shooting, the FF High Speed Prime Line lenses deliver stunning image quality in a compact construction. A new addition to this prime lens lineup comes with electronic contacts that supports Cooke’s /i Technology communication protocol for Art Prime PL mount lenses.

By using an /i Technology-compatible cine lens with a cine camera that supports the same protocol, users can see and record lens metadata such as focus distance, focal length, and aperture. This helps streamline compositing in the post-production process. This is particularly suitable for the latest forms of filmmaking, such as VFX, that call for detailed shooting data.

Prototypes of this /i Technology-compatible FF High Speed Prime lens were used for shooting “Top Gun: Maverick”, scheduled to be released in 2020, showing that the new lens is already in commercial applications.

For SIGMA customers who have already purchased a SIGMA PL mount lens, a new service to turn their lenses /i Technology-compatible is under consideration.

A production version of this new product will be on display at IBC 2019, scheduled to take place in Amsterdam, the Netherlands, from September 13 to 17, 2019.

PL-L Mount Converter

Development of SIGMA MOUNT CONVERTER MC-31 announced

SIGMA Corporation (CEO: Kazuto Yamaki) is pleased to announce its development of SIGMA MOUNT CONVERTER MC-31, a converter that allows PL mount lenses to be used on L-Mount cameras.

By using SIGMA MOUNT CONVERTER MC-31, users can use PL mount cine lenses, which are widely used in the filmmaking industry, on the SIGMA fp and other L-Mount cameras.

A production version of this new product will be on display at IBC 2019, scheduled to take place in Amsterdam, the Netherlands, from September 13 to 17, 2019.

Articles: Digital Photography Review (dpreview.com)

 
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Moment launches 37mm Cine filters and mount for use with smartphone cameras

22 Aug

Mobile photography company Moment has launched a new 37mm Cine filter set for smartphones, including a compatible mount. Though Moment already offered a series of filters, those products were designed for the company’s mobile lenses. The new 37mm Cine filter set, however, is made for use with a phone’s camera using its native lenses.

The new filter mount is designed for use with Moment’s existing smartphone cases for iPhone, Pixel, OnePlus, and Galaxy models. Users who don’t already have a Moment phone case can order the new 37mm Cine filters and mount in a bundle that features a phone case, 37mm ND filter and 37mm CPL filter. This bundle costs $ 99.96 USD.

The new 37mm Cine CPL phone filter set is available with the mount and CPL filter for $ 49.98 USD, plus there’s a 37mm Cine ND filter set with the mount and ND filter for $ 39.98 USD. Both new filters are scratch-resistant and feature hydrophobic, anti-static, anti-reflective, color-corrective coatings.

The filter mount will work with any 37mm filters and the filters with any lenses with a 37mm filter thread, according to the company. The entire 37mm Cine filters and mount line is available now from Moment.

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Panasonic 10-25mm F1.7 preview + Cine Gear announcements

01 Jun

Hot on the heels of Panasonic’s announcements from Cine Gear 2019, Chris and Jordan give us a hands-on preview of the new 10-25mm F1.7 lens, along with details of the new VLog upgrade for the S1 and the announcement of a new video-oriented full frame mirrorless model, the S1H.

Get new episodes of DPReview TV every week by subscribing to our YouTube channel!

  • Introduction
  • Design and handling
  • Focus breathing
  • Versus Sigma 18-35mm F1.8 with Metabones Speedbooster
  • Macro capability
  • Autofocus
  • Size and weather sealing
  • Panasonic S1 firmware update (SFU2)
  • Panasonic S1H pre-announcement details
  • Wrap-up

Articles: Digital Photography Review (dpreview.com)

 
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Venus Optics shares details of upcoming zoom and prime cine lenses

07 Apr

Venus Optics is showing prototypes of its new Laowa cinema lenses at the NAB show in Las Vegas, and has released more details of their specification, what we should expect and a better idea of when they will be shipping. The lenses were first shown at Photokina in September, but in the meantime the company has confirmed more information regarding both models which were at a very early stage on their last outing.

The Laowa OOOM 25mm-100mm T2.9, it says, was designed with the aim of suppressing focus breathing, as well as distortion, chromatic aberrations, focus shift across the zoom range and variations in exposure – hence the fixed T2.9 aperture. The company also says that the OOOM name stands for ‘Out Of Our Minds’ and reflects the engineers ideology when it comes to lens design – meaning I suppose that the plans for the concept were ambitious. The lens has a 32mm covering circle which Venus Optics says makes it suitable for all Super 35mm aspect ratios. Using 20 elements in 16 groups the lens will have a closest focus position of 12.7in/32mm.

Venus Optics says we should expect delivery late this year at a price ‘well below USD $ 10,000’ – and that it is working on two more lenses to join it. One will be a wide angle zoom, and the other a telephoto model.

The company’s 12mm T2.9 Zero-D cine lens is also making progress, with details pointing to another late 2019 shipping date. New information on the specification shows the full frame lens will have a covering circle of 46.5mm and a 110mm filter thread. A 114mm step-up ring will be included for filmmakers to fit a rod-supported matte box onto the lens.

For more information see the Venus Optics website.

Press Release:

Laowa OOOM 25-100 t/2.9 and 12mm t/2.9 Zero-D will make their North America debut in NAB Las Vegas (Booth# C11738)

Venus Optics, the camera lenses manufacturer who had previously launched a number of unique Laowa camera lenses, is proud to display the new prototypes of Laowa OOOM 25-100mm t/2.9 and 12mm t/2.9 Zero-D in NAB Las Vegas show (Booth#C11738) and its the first time in America.

Laowa OOOM 25-100 t/2.9 Cine

Laowa OOOM 25-100 t/2.9 Cine is a high quality cinematic zoom lenses dedicated for PL/EF cameras with Super35-sized sensors. The name “OOOM” stands for “Out Of Our Minds” which properly describes our ideology of designing lenses. Unlike some other cine zooms in the market, the OOOM 25-100mm was designed with a goal to suppress focus breathing to the minimal at the beginning. Featuring a 32mm image coverage, the new OOOM lens covers a relatively bigger image than other S35 zoom lenses and should be able to cover most of the aspect ratios of cameras with Super35 sensors. The lens can focus up to 12.7” (32cm) away from the front element, which is comparatively closer than other lenses in the market with similar zoom factor. The 20 elements in 16 groups optics design successfully suppress distortion and chromatic aberration to the minimal and deliver outstanding resolution across the frame.

The 4X zoom factor provides a great deal of flexibility to shoot in most scenarios. This lens also has a par-focal and fixed t/2.9 aperture design that both the focus point & brightness will stay unchanged throughout the whole zoom range. The focus, aperture and zoom ring feature a cine-style 0.8 Mod gear teeth for fitting with focus units or motors. An industry standard 114mm front diameter is equipped for filmmakers to fit with their own matte boxes. A focus mark calibration mechanism is incorporated for filmmakers to micro-adjustment in case of front/back focusing. A user-interchangeable PL/EF mounts are available.

Venus Optics are currently preparing a similar cinematic zoom lens with wider focal length and the other one with a more telephoto perspective. The specifications will be announced in due course.

The retail selling price of the Laowa OOOM 25-100mm t/2.9 lens is not fixed yet but it will be well below USD 10,000. It will be available to ship from late 2019.

The lens will make its US debut in the coming NAB show in Las Vegas between 6-11 Apr in Venus Optics Booth (C11738).

Laowa 12mm t/2.9 Zero-D Cine

Laowa 12mm t/2.9 Zero-D Cine is one of the widest and fastest available lens for shooting with large format sensors. It is designed with a 46.5mm image circle, successfully covers both full frame and Vista Vision-sized sensors. Despite the ultra-wide 122° field of view, the image is perfectly rectilinear and features a close-to-zero distortion rate. The focus flow is extended to 270° for cinematographers to also take advantage of the 0.6 feet (18cm) closest focusing distance. The lens is super lightweight (650g, 1.4lbs) and comes with a 100mm front diameter. A 114mm step up ring is included for filmmakers to fit rod supported matte box onto the lens. Both EF and PL mount will be available.

The retail pricing of the 12mm t/2.9 Zero-D Cine is not ready yet and it will be ready to ship in around late 2019.

Articles: Digital Photography Review (dpreview.com)

 
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Sigma cine 28mm T.1.5 lens gets a price and shipping date

18 Feb

Sigma has announced its new 28mm T1.5 cine lens for full frame sensor cameras will be available starting in the middle of March. The lens will cost $ 3499 but will also be offered with luminous markings, to make it easier to use in low light, for $ 4,499.

The lens is latest of a set of 10 full-frame fixed-focal-length lenses, eight of which have a T1.5 maximum aperture. The lenses have 180° focus ring rotation, and are tested using the company’s 46-million-pixel Foveon sensor.

As with the rest of Sigma’s cine series, the 28mm T1.5 FF will be available in PL, EF and E mounts. The company has also announced a new carry case for a set of five lenses that will cost $ 750. It is designed to hold the 14mm, 28mm, 40mm, 105mm and 135mm lenses, and will be available at the same time as this 28mm lens.

For more information see the Sigma website.

Press release:

Sigma Ships Its 28mm T1.5 Full-Frame Cine Lens

Sigma Corporation of America, a leading still photo and cinema lens, camera, flash and accessory manufacturer, today announced one of its newest additions to the cine prime lens lineup, Sigma 28mm T1.5 FF, will be available in mid March 2019 for $ 3,499.00 for the regular version and $ 4,499.00 for the fully luminous (FL) version.

Sigma Cine 28mm T1.5 FF is a fast and sharp T1.5 cine lens compatible with full-frame camera sensors and optimized for ultra-high-resolution 6K-8K productions. Featuring a 180-degree focus rotation, this lens is available in EF, E and PL mounts with lens support foot and cap included.

One of the key focal lengths to achieve a true cinematic look, the wide-angle perspective of a 28mm lens has long become an industry standard in shooting motion pictures. DPs and filmmakers of all genres will now have the opportunity to add this gem to their Sigma Cine lens collection to further enable their creative vision and enhance their workflow.
In addition, Sigma is now offering a five-piece case that can hold the 14mm, 28mm, 40mm, 105mm and 135mm cine lenses to safely transport your gear. The new case is also available for purchase in mid March for $ 750.00.

Prominent Characteristics of Sigma Cine Lenses

  • Individual inspection of every single lens with A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections.
  • Computer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed and eliminated.
  • Color balance standardized across the line to make color correction a breeze.
  • Dust-proof and splash-proof construction, with each ring and mount sealed to prevent water and dust from entering.
  • The body is made 100% of metal to stand up to tough professional use over the long term.
  • Luminous paint for enhanced visibility
  • Laser engraving for enhanced durability
  • Mount Conversion Service allows users to convert their lenses to and from EF and E-mounts (charges apply). If the camera system changes, it is possible to simply convert the mount system to continue using the high-performance Sigma lenses.

Articles: Digital Photography Review (dpreview.com)

 
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Lomography launches new 35mm monochrome film stock cut from German cine film rolls

08 Nov

The film photography enthusiasts over at Lomography have launched a new film, Lomography Black & White 400 35mm Berlin Kino Film.

Inspired by the New German Cinema sweeping through Berlin in the 1960s, this film is extracted from a roll of cine film produced by a legendary German company that has been changing the face of cinema since the early 1900s,” reads the product description. “Originally used to make moody monochrome movies, its gorgeous black and white tones lend a timeless effect to cinematic scenes.”

The film has a native sensitivity of ISO 400, but Lomography says it can be pushed to ISO 800, 1,600, or 3,200 while still retaining a solid tonal range with minimal grain.

The Berlin Kino Film can be developed by professional labs or at home using standard black and white developers, including Kodak D-76, Kodak HC-110, Iford Ilfosol-3, and even Rollei’s Black & White Reversal Kit if you’re wanting to get a little wild and turn the negatives into positives.

Below is a gallery of sample images shot on the Lomography Black & White 400 35mm Berlin Kino Film:

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The film is available in 5-packs for $ 44.50, which converts to $ 8.90 for each 36-exposure roll. Pre-orders are currently being taken with the estimated delivery window being sometime in December 2018. To find out more and to pick up your film, head on over to Lomography’s product page.

Articles: Digital Photography Review (dpreview.com)

 
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Sigma opening new facility in Burbank, California showing its dedication to cine market

28 Oct

Just over a year ago, Canon opened the doors on its “most advanced” service and support center in Burbank, California. Now, Sigma is following suit in search of providing “unparalleled service and technical support in the heart of the TV & film production community.”

Sigma says the new facility, which is a five minute drive from Canon’s Burbank facility, is “a modern showroom where filmmakers can test out specific lenses to determine what fits their workflow best and connect with other industry professionals through engaging presentations and workshops,” adding “It will bring together Hollywood professionals and the next generation of cinematographers through student filmmaking group mixers, screenings of films shot with Sigma glass, and educational programs from Sigma and its partners.”

To celebrate the opening of the west coast facility, Sigma is hosting a grand opening event. On Saturday, November 3rd from 5-8pm PDT, Sigma is inviting Los Angeles area cinematographers and filmmakers to see new product demos, enjoy an open bar, and watch a special work showcase by Sigma’s first official Sigma Cine Pro, Timur Civan. Sigma requests that you RSVP for the event on its EventBrite page.

Sigma Celebrates New Facility Opening in Burbank, California
Places Sigma lenses plus unparalleled service and technical support in the heart of the TV & film production community

Burbank, CA – October 23, 2018 – Sigma Corporation of America, a leading still photo and cinema lens, camera, flash and accessory manufacturer, is pleased to announce the opening of its brand new west coast showcase in Burbank, California. A modern space for its world-class products, services and support, visitors can experience first-hand the popular Sigma Cine and Global Vision lenses through product demonstrations, seminars and special events. “Having a physical presence in the greater Los Angeles area has long been a vision of ours. The new west coast Sigma center has been years in the making and to finally open it to the public is very exciting,”said Kazuto Yamaki, CEO of Sigma Corporation. “We are thrilled to be a part of this creative community, and we look forward to the new relationships Sigma will develop with filmmakers and cinematographers, right in their backyard.”

Join Sigma at Its Grand Opening Event!
To celebrate the opening of the Sigma west coast office, Los Angeles area cinematographers and filmmakers are invited to attend the special reception hosted by Sigma Corporation of America on Saturday, November 3rd from 5-8pm PDT. In addition to the open bar with rare sake tasting, scrumptious food from local food trucks, Sigma swag and giveaways, attendees will have a chance to see product demos and a special work showcase by DP Timur Civan as the first official Sigma Cine Pro. As a Sigma Cine Pro, Timur will become a valuable resource to filmmakers, presenting informative lectures, seminars and workshops to cinematographers across the US. He has worked with clients as diverse as Louis Vuitton, Pepsi, Samsung, Toyota, Home Shopping Network, Vox Media and many more. His unique approach and technique are at the cutting edge of visual storytelling, and Sigma Cine lenses are always there to help bring his creative vision to life. Timur will be in attendance and available to answer any questions about Sigma lenses and how they facilitate his creative expression.

Sigma Burbank is located at 148 S. Victory Blvd., Burbank, CA 91502. All interested in attending the Grand Opening reception should RSVP via this link: https://sigmaburbank.eventbrite.com. Space is limited; spots on the guest list are available on a first-come, first-served basis.

About the Sigma Burbank Showcase
The new Burbank facility reflects Sigma’s commitment to the filmmaking community with a significant presence in the heart of the US film & television production scene. It offers a modern showroom where filmmakers can test out specific lenses to determine what fits their workflow best and connect with other industry professionals through engaging presentations and workshops. It will bring together Hollywood professionals and the next generation of cinematographers through student filmmaking group mixers, screenings of films shot with Sigma glass, and educational programs from Sigma and its partners. “Our high-end Cine and Art lenses are compatible with the latest full-frame camera sensors and can support workflows up to 8K. As the industry adopts new and advanced standards in image resolution, our technical team will always be available onsite and in the neighborhood to support filmmaker needs,” said Mark Amir-Hamzeh, president of Sigma Corporation of America.

Sigma’s presence on the west coast is a significant milestone for the company, its Authorized Dealer network and Sigma customers. For the first time its unrivaled service and support can be offered with more convenience for west coast cine and still photo dealers, order fulfilment will be faster than ever, and service appointments can be scheduled immediately with technical representatives available right onsite.

Articles: Digital Photography Review (dpreview.com)

 
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Meike launches new 25mm T2.2 cine lens with ‘decent build quality’ for MFT camera systems

24 Aug

Hong Kong-based Meike has added to its collection of lenses with a new 25mm T2.2 cine lens for Micro Four Thirds camera systems.

The lens is entirely manual with a minimum focusing distance of 25cm/9.84in and a 77mm front filter thread. The optical construction includes ten elements in eight groups, which makes for a 49.7 degree angle of view.

The 25mm T2.2 cine lens weighs 560g/1.23lbs and features a pair of geared rings for changing its focus and aperture. Interestingly, even Meike seems hesitant on the quality of construction. In the product description on its Amazon page, Meike says the lens offers ‘decent build quality.’ Humble, sure, but not exactly reassuring.

Alongside the lens, which is currently available on Amazon for $ 340, is a rear lens cap, front lens cap, and a microfiber bag for safe transport.

Articles: Digital Photography Review (dpreview.com)

 
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