Posts Tagged ‘Career’

Is a Career in Travel Photography Right for You?

04 Sep

It sounds tempting and exotic. Traveling the world taking photos and seeing those photos appear in newspapers and magazines can be thrilling but are you made for a career in travel photography? Here are seven ways to know if a career in travel photography is right for you.

Is a Career in Travel Photography Right for You?

#1 – You have a longing to travel

The first requirement of being a travel photographer is actually enjoying traveling but it’s more than that. It’s a restlessness that simply doesn’t go away no matter what you are doing or where you have already been. You simply can’t sit still and want to explore everything and everywhere. Does that sound like you?

But it’s also important to remember that taking photos while traveling is different than traveling to take photos. Your time on the road as a travel photographer has one reason and one reason only and that’s to take photos. Nothing else matters and nothing can come between you and your next great shot.

Is a Career in Travel Photography Right for You?

#2 – You enjoy your own company

Travel photography is a lonely business and most of your time is spent on the road with your own thoughts. Yes you’ll have the odd conversation with a local but ultimately you are working alone. You are usually awake and out and about before others and you usually end up being the last one back to the hotel room. While spending time on your own can sometimes be nice, can you handle days, weeks or even months by yourself?

Is a Career in Travel Photography Right for You?

#3 – You can adapt quickly

There is a common theme amongst travel photographers and that is “not enough time”. You will usually find yourself with a long shot list and not enough time to fulfil it. So you need to be able to adapt quickly and hit the ground running straightaway, even in new destinations. There won’t be time to spend a couple of days getting to know a destination and every second wasted is eating into your time needed to cover off your shot list.

But you also need to learn to adapt while you are at a destination, for example, if the weather is causing problems to your shot list. You need to be able to think, act, and plan quickly and efficiently.

Is a Career in Travel Photography Right for You?

#4 – You have an eye for what people want

I remember learning very early in my career as a travel photographer that you need to learn what people want to see. This is a business after all, and the only way that you can earn a living from it is by being able to sell your images or getting paid for assignments. Some photographers are better at this than others. Ultimately the success or failure of your photography business comes down to being able to give people what they want to see and what they will pay for.

Part of this will come with experience through years of seeing which of your images sell. But you also need to actively spend time researching and looking at trends in the travel industry, be in the know with up and coming destinations and the news. For example a major airline could be starting a new route, or a previously “closed off” country could be opening its doors to tourists.

Is a Career in Travel Photography Right for You?

One of my images recently used by Tatler.

#5 – You can function with little sleep

There’s no getting around it, being a travel photographer on location is tiring work. You often have to function on little sleep as you’ll be getting up before sunrise, spending all day walking around, then hanging around until well after sunset to capture great shots.

In the summer months that could mean having to get by with just a few hours of sleep a night. Add to that carrying camera equipment all day and not eating properly and you will quickly learn that being on a photo assignment is completely different than being on holiday.

Is a Career in Travel Photography Right for You?

#6 – You are confident

As a travel photographer, you often have to do things by yourself. Whether that is adapting to a new location, finding your way around a city or trying to explain to a local why you want to take their photo. But arguably the biggest requirement for a travel photographer is being confident in your ability to capture great photos that will go on to sell.

Unlike working in a studio when you can set up and art direct your shoot and make adjustments as necessary, as a travel photographer sometimes you only get one shot at documenting a location. You may only have a few days at any given place so you have to capture what you need to in that time.

Because of this you need to believe in your ability both to compose and frame your photos, making sure things like the lighting and the subject are right, but also in your ability to execute that shot perfectly. Sometimes there are no second chances to correct a photo that is blurred or poorly focused.

Is a Career in Travel Photography Right for You?

#7 – You can work quickly

Travel photography is about telling the story of that destination. Whether it’s a famous monument, a beautiful cityscape or a local going about their day, a travel photographer’s job is to capture that. Often those moments are fleeting and don’t stay around for long. For example the gap in the flow of traffic in front of that famous monument could just be a few minutes. Or the interaction between a market vendor and a customer could last a few seconds. Even capturing landscape or city shots could only have a short window where the light is perfect.

The only way to ensure you don’t miss these moments is to be able to work quickly. This means being ready and knowing how to use your camera completely. With practice over time you will naturally improve and get faster in your work and your camera will become an extension of your arm.

Is a Career in Travel Photography Right for You?


Despite all of these points, there really aren’t many jobs that can give you the same excitement, anticipation, and satisfaction as being a travel photographer. Seeing your work published makes all of the early mornings and endless hours of walking around and waiting worth it.

So do you think a career in travel photography is right for you? Share your thoughts below.

The post Is a Career in Travel Photography Right for You? by Kav Dadfar appeared first on Digital Photography School.

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A Passion for Wrecks and Images Give a Photography Enthusiast a Second Career

21 Apr


Image: Pongsatorn Sukhum

Pongsatorn Sukhum was on his way to becoming a professional photographer. A long-time camera enthusiast, he took a year off college while studying in the UK to work in a studio that shot advertising photography. He then moved into editorial photography, shooting for travel magazines and building up a collection of underwater stock images that combined his love of photography with his passion for Scuba diving. In the mid-nineties, his work was shown in a group exhibition in his native Thailand. Today, Pongsatorn runs an engineering business in Bangkok but his continued work in underwater photography, and in particular, his images of World War II wrecks off the coast of Thailand are an example of how talented enthusiasts can keep their professions while maintaining their passion for image-making and even contributing to the preservation of the subjects they love to shoot.

Pongsatorn now produces fine art prints of his photography which he sells through his website. But publications call him whenever they need images to complement their editorials on wrecks in the region and he is still commissioned occasionally for advertising work. If he’s not working on an engineering project, he’ll dive one or two weekends each month and when he’s not on the water, he’ll find time each week to process images and research ships.

Artistry Meets Expertise

That demand for professional imagery from a photographer who only works in the profession part-time continues for a couple of reasons. The quality of Pongsatorn’s photographs is certainly one factor. Pongsatorn may not be a full-time photographer but his images are professional quality. He shoots in black and white to convey the sense of being in an environment in which color has been stripped away by the water, and to convey the mood at the depths where the ships rest.

“I feel that the characteristics of high-speed b/w film faithfully capture the light and ambiance at these great depths,” he told us by email. “I also believe that entering the water loaded with b/w film is a mindset.”

The result is a collection of atmospheric shots in which the fragility and graceful lines of the diver are set against the solidity of a slowly decaying steel hulk placed in front of a backdrop of silty grays.

But the continued demand among buyers for Pongsatorn’s skills can also be put down to his expertise. Underwater photography is demanding. Photographers have to be skilled in diving as well as in image-making. They need to understand their equipment and the environment as well as the subject of the shoot.

“Underwater, we can’t change lenses, add filters, or replace batteries so advanced planning is required,” says Pongsatorn. “Familiarity with the layout of the wreck is crucial to avoid delays associated with orientation.”

Pongsatorn keeps a collection of construction blueprints related to the wreck he’s about to shoot, as well as sketches that he updates regularly. Before the dive, those plans are transferred to a waterproof slate for use underwater so that he’s not trying to communicate a new idea to a co-diver or assistant while they’re swimming. The choice of shots, too, poses a range of different problems. Wide angle images mean keeping other divers and their bubbles away from the scene long enough for Pongsatorn to get his shots. That’s not usually an issue when shooting wrecks that aren’t popular dive sites but for well-known locations, Pongsatorn usually pleads for a ten-minute head start. Before some shoots, he’s even asked the Thai Navy to cordon off a wreck for a day.

While underwater photographers don’t have the same daylight worries as landscape photographers, they do have to cope with other challenges. Weather conditions can restrict accessibility to remote sites to certain times of the year, and sediment raised by the actions of a swimming photographer can reduce visibility.

“This happens frequently as the wrecks are naturally on the sea bed (with the exception of the so-called vertical wreck) where there is a great deal of sediment just waiting to be disturbed,” says Pongsatorn. “Diver buoyancy control and proper finning techniques need to be practiced.”

Learn How to Fin

Often, the constraints of time and the limitations of depth mean that Pongsatorn can only make one or two dives to a low-lying wreck on any given day. Some dive profiles, he says, are so deep that he’ll only be able to stay at the site for as little as five minutes.

“As you can imagine, deep wreck photography is a very low-yield activity. However, these challenges make it exciting and create opportunities for some truly creative work.”

For other photographers looking to specialize in underwater photography, Pongsatorn notes that while no official training is required, there are numerous basic courses and workshops available that will explain how light behaves underwater and how to set up and look after equipment. Photographers who happen to live in tropical areas can start by photographing clown fish, he recommends, as they’re easy to find and tend to stay in one place. Once they’ve mastered finning and have control over their stability, photographers can pick a subject and study its behavior.

Most important though is to respect the environment in which you’re shooting. On his blog, Pongsatorn has highlighted campaigns for shark preservation and attacked dive operators who remove artifacts from the wrecks they visit.

“There are several operators who specifically set out to loot. It’s in their literature. They abuse the legal loopholes and lack of enforcement. It’s sad to see all these artifacts being hauled up day after day. These people need to be educated.”

Similarly, divers who venture into a wreck exhale bubbles which can get trapped below decks and under bulkheads. In time, these air pockets corrode the metal and exert an upward pressure on the metal plates, causing them to collapse, Pongsatorn warns.

It’s that kind of knowledge and that level of concern that combines with creativity and artistry to produce images that are attractive to buyers — both of art prints and for commercial use. Find a subject for which you feel passionate enough to want to study and understand completely, bring to it your photography skills, and you also won’t need to give up the day job to earn money from your photography.

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Richard Cooke shares stories from a career photographing fast cars and RAF jets

17 Mar

Richard Cooke, an action photographer whose portfolio includes innovative air-to-air shots of RAF jets, has launched a weekly video series telling the stories behind some of his most daring shoots. In the first episode, he explains how his first job photographing a Jaguar squadron in the air came to be, what the preparation was like, and what happened when he accidentally tripped the Jaguar’s air brake on his first flight.

Up to five episodes currently, the series is a fascinating first-hand account of all the trouble that goes on behind the scenes of some truly incredible images. Take a look at the first episode here, and head to YouTube to subscribe and see the full series.

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Pulitzer-prize winning photographer Jack Dykinga reflects on his career

29 Jan
A collection of Jack Dykinga’s Press Passes from his years in Photojournalism.
Photo by Jack Dykinga

Jack Dykinga’s career started in photojournalism during the Civil Rights Movement in the US during the 1960’s and 70’s. Despite winning a Pulitzer Prize during his tenure at the Chicago Sun-Times, he’s never allowed himself to get too comfortable with one style. He later shifted his focus to fine art and landscape photography, a career move that’s not too common among photojournalists.

Arizona State Trust land near Redrock, AZ with summer monsoon storm, flashes of lightning and a partial rainbow over the saguaro cacti in the Sonoran Desert Arizona. Photo by Jack Dykinga

He’s now offering a retrospective on his unique career in his book ‘A Photographer’s Life’. His recent interview with Resource Travel also reveals some interesting insights. He has this to say about finding success in any field of photography:

‘I’m a tried and true pro and I know exactly what buttons to push and what I need to do to capture the story, but it still boils down to your impression, your curiosity, what it is that piques your interest. That varies from photographer to photographer. From that, you apply your set of skills and your style artistically — so you’re doing both journalism and art at the same time. That’s the most successful type of photography.’

Yosemite National Park, CAL/Bridalveil Falls pours into Yosemite Valley’s coniferous forest under shroud of fog. California, 1987 Photo by Jack Dykinga

The full interview over at Resource Travel is well worth your time. Do Dykinga’s words ring true for you? Let us know in the comments.

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Everything you Always Wanted to know about a Career in Photography but were Afraid to Ask

08 Jun

Before I get into this article, I want to set the stage by saying that the objective here is not to diminish or make light of the concerns and questions that novice photographers have. In fact, at some point in our careers, we have all asked similar questions – sometimes out loud, and sometimes just in the solitude of our own minds. There is no wrong or silly question, and there are no right or wrong answers. These are in no particular order, and the views expressed here are solely based on my own experiences.

Memorable Jaunts DPS Article What you want to know - Beach sunset photos

One of my favorite images to date happened by pure accident – I saw the image in my mind even before I took a single frame.

Where can I learn about everything related to photography for FREE?

We are both lucky and unlucky to live in the era of the Internet. Any google search, on average, yields thousands of pages, articles, and YouTube videos. If you have a burning question about anything and everything, the easiest way to learn is via the Internet.

Sites like our own Digital Photography School are a great resource for almost any topic related to photography, from a beginner to an experienced photographer. Other sites like Creative Live offer many classes on various aspects of photography, as well as other creative genres. While most sites provide a great overview of a particular topic, any in-depth research requires time and money. There are number of virtual, as well as live workshops, all over the world covering all aspects of photography. A few that come to mind are The Design School and Clickinmoms (I have used both services and am very happy with the level of instruction provided there – this is just my personal experience).

You could also check out our dPS ebooks and online courses.

Memorable Jaunts DPS Article What you want to know - Chicago Wedding Photos

I learn a lot online, in the comfort of my own home, but every once in while, I like to take a live workshop – not just to update my portfolio, but also to learn from and meet others in the industry!

How do I shoot in manual mode?

Shooting in manual mode is one of the most intimidating things that most amateur photographers face. If you have a DSLR camera that has a manual mode, it is really not that hard once you get the hang of it. The best thing you can do in learning to shoot in manual, is to understand the exposure triangle and how the three key components of photography – shutter speed, ISO and aperture work – independently and with each other. Here is a good article that digs deeper into photographing in manual mode. Remember this too take time and practice. There is another interesting article here in the Digital Photography School archives that explains all three shooting modes and is worth a read.

Memorable Jaunts DPS Article What you want to know - Understanding backlight

Mastering manual mode is important, especially for images like this – backlit golden hour images…this is SOOC (straight out of the camera).

What lens will give me a blurry background?

If I had a penny for the number of times that I get asked this question from other photographers, as well as my clients who are looking to upgrade their DSLR cameras, I would have an overflowing piggy bank! Blurry backgrounds, or bokeh as it is know in the photography space, is actually a function of aperture (i.e. f-stop), focal length, and distance of the subject from the background. Check out How To Achieve Nice Bokeh [In Plain English] from the dPS archives that addresses this issue specifically.

Memorable Jaunts DPS Article What you want to know - Lilacs in the rain-1

A wide aperture on 50mm lens gives a shallow depth of field where most of the background is blurry.

How much money do I need to spend to get started with a photography business?

There are again any different ways to answer this question. You can essentially spend as much, or as little as you want, to get started. At a bare minimum you will need a good camera system (good is a very relative term here, there are several prosumer cameras on the market today, at various price levels). In many places in the world, particularly in the US, there are several rental companies that offer various cameras and lenses for rent. Borrow Lens, Lensrental and LensProToGo are a few that come to mind. You can also check with your local camera shop to see if they offer rental services.

You do not need the latest and greatest camera system to be a professional photographer. While gear is definitely a plus, skill and the ability to work with what you have to get the results you need are far more important, especially when you are just starting out. Once you develop your own shooting style as well as what you want to focus on, you can slowly build up your gear by adding equipment based on your current needs.

How can I make money from my photography, and do it fast?

401(K) 2012

By 401(K) 2012

Sorry to burst your bubble, but the short answer here is that you cannot make money in anything fast. Everything takes time, practice, and patience. Just like any other career, the more time and effort you invest in your photography, the more experience you will gain. With experience comes confidence and recognition. So if your end goal is to be a internationally recognized photographer, treat it like a career and a business and invest in yourself, your education, and your experience. Don’t be afraid to roll up your sleeves and do the hard work – and in time, you will reap the benefits.

How much should I charge for my photography?

This is again something that is very subjective. What you charge for your services depends on many factors like your skill level, the value of photography in the area that you live in, and the buying capacity of the clients that you are targeting. Another thing to understand is the monetary value of your time. Remember your time is not just the amount of time you spend photographing the client – also take into account any travel to and from the location, editing time, and backend work like backing up photos, uploading galleries, and other administrative tasks. Once you have a handle on all these factors as it relates to your situation, charge an amount that makes it worth your while to photograph your clients. If you are looking to earn a living through your photography, then treat it like a business and not just a hobby. Read: 7 Things That Keep You From Charging What You’re Worth (and how to get over them).

What kind of photography should I focus on?

The easiest way to answer this question is to ask yourself what you enjoy photographing. Write down all the genres of photography that interest you, and try them all out if possible. Ask family and friends to model for you, if you are interested in portraits. Photograph different locations at different times of day if you are interested in landscape photography. Experiment with different types of food and styling if you are interested in food photography. Once you have a reasonable amount of experience in these categories, pick one or two to focus on, and give it your best. Don’t be afraid to experiment once in awhile in other genres, just to flex your creative muscles.

Memorable Jaunts DPS Article What you want to know - Bridal Portraits

I am a wedding and lifestyle photographer – that is what I enjoy doing the most. But mixed in my portfolio will be a bit of travel and editorial images that help me flex my creative muscles.

How can I get clients?

This is another big one that I get asked a lot, and I wish there was an easy answer. In fact, this is something that even I still struggle with, six years into my business. Getting new clients, and keeping a steady stream of clients is hard work. You have to constantly market yourself and your services at every opportunity you get. When you meet new people, don’t be afraid to say what you do. It took me a long time to introduce myself as a professional photographer, but once I said it often enough, I realized that I got more confident in not only my photography skills, but also in my business skills. Network and connect with your competitors, as well as other businesses in your area. Do a trade for images if appropriate, and remember not everyone you meet will be interested in getting pictures taken, and that is totally okay.

Memorable Jaunts DPS Article What you want to know - Lifestyle Portraits

A casual conversation at a networking meeting led to an epic family photoshoot and I gained a good friend too.

How can I build a portfolio of my work?

The length of time you invest in yourself and your photography skills is directly proportional to how long you will take to build your portfolio of work. If you constantly focus on learning and improving yourself, the more confident you will become, and the more opportunities you will find to create work that you are proud of. I have a few general rules that I follow in my photography journey

  • Photograph something every week if not every day – the objective here is to learn new techniques and perfect things I already know with respect to my gear.
  • 10:1 ratio – for every 10 minutes I shoot, I want to produce at least one image that I am proud of.
  • Spend time on personal projects – my mantra here is create for the sake of creation.

For me, this is an easy way to constantly update my portfolio with work that I am proud of, and which also represents my creative style.

Memorable Jaunts DPS Article What you want to know - Wedding Styled Shoot

Creating for the sake of creation is a great way to update your portfolio as well as connect with other vendors and creatives in your space.

This is just a small set of questions that I found helpful when I was starting off on my career in photography. If you have others that have helped you navigate the photography waters, feel free to list them in the comments so others can benefit as well.

If you have different questions that you’ve been wanting to ask, this is the place to do it. Let’s see if we can’t get them answered for you as well.

Editor’s Note: This is one of a series of articles this week that are Open for Discussion. We want to get the conversation going, hear your voice and opinions, and talk about some possibly controversial topics in photography.

Give us your thoughts below on the article above and watch for more discussion topics.

See all the recent discussion topics here:

  • 7 Commonly Accepted Photography Beliefs Debunked
  • Is HDR dead? Some dPS Writer’s Thoughts on this Controversial Topic
  • How to Find your Personal Photographic Style
  • Why You May be Failing to Reach Your Potential as a Photographer
  • To Process or Not To Process? Let’s Discuss
  • How much do you process your images? – a dPS POLL
  • Does the Camera Matter? SLR versus Mirrorless versus Smartphone
  • Natural Light Versus Artificial Light: Which is Better?
  • How Limitations Can Help You Grow as a Photographer
  • Brand Name Versus Third-Party Photography Gear: Which is better?

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Kickstarter Project That Will Change Your Photography Career Forever (Exclusive Freebie Inside)

17 Mar

You might have already heard about Defrozo, a free multi-tool business app for photographers as it has been mentioned in the media quite a lot lately. Today the Defrozo Kickstarter went live, and it’s become a Staff Pick in less than 1 hour after the launch! With a working Beta, over 2000 users on board, and some quite ambitious goals, the Continue Reading

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NYT photo editor gives career tips for photojournalists

09 Apr


As part of their continuing video series, Photo District News has released an interview with James Estrin, founder of the New York Times ‘The Lens’ blog. Estrin provides a series of tips for the aspiring photographer. While many of these aren’t groundbreaking, the video has some real gems. Notably, in his advice to photographers looking to document strife or crisis in exotic places, he says to pursue stories that are closer to home. Learn more

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Legendary photographer David Goldblatt shares insights from career

03 Apr


Goldblatt has photographed everyone from Nelson Mandela to divorced housewives, and is especially noted for his stark portrayal of South Africa during Apartheid years. In a presentation at the 2014 Indaba Conference, Goldblatt talks about the challenge of managing the difference between his corporate work and his personal work. See video

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Documenting Poverty Brings a Career and Recognition for Bangladeshi Photojournalist

25 Aug


Photography: GMB Akash

Few photographers will have started with the odds stacked so highly against them as GMB Akash. Born in Bangladesh, Akash had no access to photography galleries or darkrooms when he was growing up. There were no opportunities for him to work as an assistant to a well-known professional, learn the trade and begin to build a name for himself. The simplest image-making practiced today by any child with access to their parent’s smartphone was not a part of his childhood.

“In my surroundings and the place I brought up no one can ever thought a boy can devote himself to photography,” he recalls. “Throughout my childhood I did not have access to photographers, their work, or even a camera.”

The closest Akash came to being able to take pictures, experiment with compositions and f stops, and play with light was holding his father’s old camera, closing his eyes and imagining himself taking pictures.

His imagination seems to have worked. Today, GMB Akash travels the world taking photos that have appeared in more than 80 major international publications including National Geographic, Vogue, Time, and the  New York Times. He was the first Bangladeshi selected for the World Press Photo Joop Swart Masterclass in the Netherlands and the first to receive the Young Reporters Award from the Scope Photo Festival in Paris. In 2006, the same year he released his first book “First Light,” he received the World Press Photo award. He’s been named Travel Photographer of the Year and Nikon have selected him as one of their eight influencers in the Asia Pacific region.

“I Have No Time to Play.”

It helps that what Bangladesh lacks in opportunities for photographic training it more than makes in opportunities to tell powerful photographic stories. Akash specializes in the kind of photojournalism that makes a difference. His projects have included Bangladesh’s shipbuilders, its sex workers and its child laborers. It’s those stories that have inspired him to build a career as a photographer.

“Once an eight-year old balloon maker told me: ‘I took some damaged balloons for my little sister. I have no time to play. I have only time to support my parents,’” Akash recalls. “It was at that point that I realized I should turn my lens on lives like hers.”

Akash’s most recent project, “Survivors,” focuses on the people at the bottom of society and spans ten years and seven countries: Bangladesh, India, Nepal, Sri Lanka, Philippines, Pakistan and Bhutan. In addition to the sex workers and child laborers with whom Akash has worked over the last decade, the project also includes people coping with the results of climate change as well as the homeless.

The project was funded on, a crowdfunding site for photojournalists. Aiming for $ 9,250 to produce a book made up of the images of people living on the edge of society that Akash has collected over the last decade, he managed to collect $ 10,450 from 94 backers.

That’s an even bigger achievement than it sounds. Bangladesh has no Paypal connection so Akash was unable to collect funds from local friends and family, the first stop for most crowdfunding campaigns.

The success of the campaign he puts down to transparency. users should make a plan, says Akash, identify the project’s strengths and weaknesses, use social networking to build contributions and offer good rewards. (In addition to copies of the book for those donating $ 65 or more, Akash’s rewards included signed thanks from the subjects of the book, a private workshop and a three-day tour of Dhaka.)

“Most importantly if one can evince true dedication for the project, ‘success’ will come,” says Akash.

Giving Back

There may be more to it than that, though. Akash also donated a quarter of the book’s sales price to projects that he runs with friends and well-wishers to help the poor in South Asia escape the cycle of poverty. A portion of the pledges made to the campaign on went to buy rickshaws and sewing machines, as well as education for children. The opportunity not just to see poverty and injustice depicted dramatically in a book of images but, in viewing those photographs, to be able to do something about it, is likely to be a far more effective benefit than any of the rewards offered on the campaign page.


Photography: GMB Akash

But while Akash’s backers are able to enjoy both wonderful photography and contribute to a good cause, Akash himself has been able to build a rewarding career taking pictures of subjects that are both meaningful and important. He says that he only ever photographs the subjects that he finds interesting and inspiring, and never with the aim of winning an award or landing a job with a publication.

He concedes, though, that the awards and recognition do help to land good assignments. The jobs tend to come in directly from magazines, agencies and organizations whenever they need help with a project or want to assign a commission. Ultimately, he argues, it’s his choice of topics to document and shoot, the injustice and poverty that he can see in his native Bangladesh, that have allowed him to build his career.

“Taking photos to feed my passion may be the most important invisible factor to win competitions/publications,” he says.

For most people today, the first steps towards a career as a photographer aren’t difficult to make. The cheapest digital cameras now cost less than the price of an electronic toy and with over a billion smartphones now sold, few children are far from the chance to point at a lens at a flower, a friend or the family pet. The satisfaction that comes with framing, shooting and making an image are now available to everyone.

Turning those first shots into a career, though, may now be harder than ever. It requires determination and talent but it’s also possible to do it with an eye for a story and the determination to use a camera to document injustice and help those who need it.

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7 Easy Steps To Take Your Photography Career To New Heights

12 Apr

We all know that being a successful professional photographer requires a lot of hard work, dedication, and a little bit of luck. The advice I hear most often is don’t bother trying, do it as a hobby. But for some of us, taking photos is something we have to do because there’s nothing else we’d rather be doing. So we Continue Reading

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