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Posts Tagged ‘camouflage’

Leica’s latest special edition is an ‘urban camouflage’ Leica CL with a matching strap

20 Jun

Leica has teamed up with French-Italian photographer and art collector, Jean Pigozzi to release a special-edition version of its Leica CL camera system.

The camera, officially named the Leica CL ‘Urban Jungle by Jean Pigozzi,’ features the same internals as the standard Leica CL, including the 24.2-megapixel APS-C CMOS sensor and Maestro II image processor. The outside, however, features an urban camouflage print on its black leather wrap, a custom grey rope camera strap, and the words ‘URBAN JUNGLE’ etched alongside Pigozzi’s signature on the rear of the camera underneath the LCD display.

The special edition kit also comes paired with the Leica Elmarit-TL 18mm F2.8 ASPH lens, which is neatly tucked alongside the camera body and custom strap in ‘an elegant presentation box.’ This is Leica’s second collaboration with Pigozzi, the first being the Leica Sofort ‘Limoland’ camera released in 2017.

Only 150 Leica CL ‘Urban Jungle by Jean Pigozzi’ will be made and shipping will start June 25, 2019. You can get your hands on a kit at Leica Stores and Boutiques for $ 3,950. Alternatively, you can buy the standard black Leica CL kit, get yourself a silver Sharpie, scribble a little bit on the leather wrapping and save yourself approximately $ 750.

Press release:

Leica Releases Limited Edition Camera Inspired by the Aesthetic of the Concrete Jungle

The LEICA CL “URBAN JUNGLE by JEAN PIGOZZI” pairs unparalleled imaging quality with a unique camouflage design

June 19, 2019 – The visually-captivating LEICA CL “URBAN JUNGLE by JEAN PIGOZZI” is the newest special edition release of the Leica CL compact system camera presented by Leica Camera. Created in collaboration with French-Italian photographer, entrepreneur and art collector Jean Pigozzi, this eye-catching camera features a striking urban camouflage pattern on its leather covering, with an accompanying gray rope strap. Just as the Leica CL strikes a balance between traditional controls and contemporary design, Pigozzi’s thoughtful design language takes the functional pattern of camouflage and elevates it with a high-fashion and ultramodern aesthetic.

“With this design,” Pigozzi shares, “I wanted to do something completely different and create something is unique from all the other cameras around. To bring the urban aesthetic to life, I tried to visualize the structures of a big city like New York to replicate what I define as an ‘Urban Jungle.”

The LEICA CL “URBAN JUNGLE by JEAN PIGOZZI” sports the same top-level performance, intuitive handling and exceptional image quality as the standard production Leica CL. A few highlights include the built-in EyeRes® electronic viewfinder that enables users to preview the final image before the picture is taken, high-resolution image quality that performs exceptionally well in low light, and a supremely fast and accurate autofocus; all of which are packaged efficiently into a compact system camera that travels effortlessly to any urban jungle the world over. The special edition set is complete with a Leica Elmarit-TL 18 mm f/2.8 ASPH. lens, lovingly packaged together with the camera in an elegant presentation box. With a focal length ideal for everyday travel and street photography, the Elmarit-TL lens helps this set bring the urban spirit to life.

Pigozzi’s latest design is his sophomore collaboration with Leica Camera, following the Leica Sofort “Limoland” by Jean Pigozzi in 2017, which sported vibrant, colorful graphics of “Mr Limo,” the logo of Pigozzi’s LimoLand fashion label.

The LEICA CL “URBAN JUNGLE by JEAN PIGOZZI” is limited to 150 sets worldwide and will be on sale for $ 3,950 beginning June 25, exclusively available at Leica Stores and Boutiques.

Articles: Digital Photography Review (dpreview.com)

 
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Urban Camouflage: Nude Body-Painted Models Blend Into Built Environments

13 Dec

[ By SA Rogers in Art & Photography & Video. ]

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Nude human bodies seem to melt into their surroundings, expertly hand-painted to match their environments in an artistic form of urban camouflage. Artist Trina Merry dodges traffic, police, pedestrians and inclement weather to capture photographs of her subjects against such backdrops as the Florence skyline, the Washington Monument, the Brooklyn Bridge and Westminster Abbey.

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Artist: Trina Merry - Model: Vitalia Abramova

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Typically working guerrilla-style without the permission of authorities in most cases, Merry selects locations that can make a big visual impact and then paints her models in place. Getting all those angles right is no small challenge – the human body is three-dimensional, after all, and nobody can stand perfectly still for very long. But somehow, it all comes together in the final images of Merry’s work.

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For her latest series, ‘Sweet Land of Liberty,’ Merry poses subjects in front of iconic patriotic landmarks like the White House and the Lincoln Memorial, asking her audience to think about what we have to be grateful for. Previous projects have been set in cities around the world, along with natural cliffs and meadows of Ireland and studio shoots. Many scenes are made even more complicated by the use of several models, contorted to create specific shapes. Some incorporate larger objects, like entire cars, as in a commission for Ford.

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“Body paint is an ancient art form and the use of ochre on the skin dates back 425,000 years and has a deeper part in all of our cultures than people tend to realize,” says Merry. “Painting on the body is a distinctly human experience; it creates a special connection to a person that other visual art forms have trouble accomplishing. This work has a heartbeat and a breath – it is dynamically alive. The ephemeral nature of body paint forces focus and reflects on the reality of existence, which is an incredible thought that I find myself reflecting on frequently while working.”

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Art of Camouflage: Flying Bird Silhouettes Blend into Broken Window Voids

09 Nov

[ By WebUrbanist in Art & Installation & Sound. ]

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A boy aiming his slingshot into the sky seems to aim both at the broken windows of an abandoned building but also a series of birds that seem to appear in the gaps of cracked glass, transfixed in various stages of flight.

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Artist Pejac is well known for his negative-space interventions, from pealing back paint chips to carefully reveal brick beneath to other contextual installations. Much of the art is in the craft: a meticulous removal (or breaking) of materials to slowly reveal some new whole, much like a sculptor chips away at a marble edifice.

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This latest piece was produced during his residency with the Museum of Modern and Contemporary Art in Rijeka, Croatia, where he spent multiple weeks crafting site-specific works.

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Camouflage (Tribute to René Magritte) is set in the huge windows of an old paper factory power plant, depicting a flock of birds that might be hard to spot were it not for the outline of a boy taking aim below them. His figure calls attention to the larger work, signalling a passer by the existence of something both large and subtle going on in the frame.

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The implied story is one about hunting and survival, the birds disguising themselves against a backdrop of broken window panes, making them harder for the child to spot. The boy, too complex a figure to render through even the most craftily broken glass, is painted over a series of panes (images by Sasha Bogojev).

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Invisible Buses: Photorealistic Prints Provide Moving Urban Camouflage

03 Sep

[ By SA Rogers in Art & Street Art & Graffiti. ]

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The streets of Vilnius, Lithuania are full of ghost buses that blend right into their surroundings while passing through intersections as if only existing in translucent ethereal form. Matching up to the scenery beyond when glimpsed at just the right moment, the buses are momentarily camouflaged thanks to photorealistic printed imagery mounted to their exteriors for this summer’s Vilnius Street Art Festival.

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Illusion

A photo posted by Karolis (@draugas) on

Lithuanian artist Liudas Parulskis collaborated with Studio Vieta to print full-scale scenes from the city onto public trolleybuses, a charmingly retro mode of transportation that has remained popular here despite being replaced by newer transit systems in many modern metropolises. ‘Vanishing Trolleybus’ is a temporary installation encouraging pedestrians to try to catch a glimpse or a photo of the effect in action at just the right ‘vanishing point.’

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Jau vaziuoja! #vilnius #vilniusstreetart #vsaf #vilniusstreets

A photo posted by Vilnius Street Art Festival (@vilniusstreetartfestival) on

Camouflage ? #vilniusstreetart @vilniusstreetartfestival Pusdienis planavimo, žadintuvas 5 valand? ryto, skambutis ? troleibus? parko dispe?erin?, netik?tas sve?ias, valanda laukimo ir dvi valandos retušavimo. Manau, kad visai pavyko ? Credits: Netik?tas pagalbininkas – @sveikutiss Id?ja ir ?kv?pimas – @michaelste

A photo posted by Kristijonas Trink?nas (@tabarzda) on

One bus appears to be covered in imagery depicting traditional local architecture, while others capture specific street scenes around the city. Parulskis added a wolf running across an intersection to one of the buses, winking at the unofficial mascot of the city.

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Architectural Camouflage: Garments Printed with Tile & Marble

28 May

[ By Steph in Design & Products & Packaging. ]

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Blend right into urban surfaces, from the walls of subway stations to the marble in museums and courthouses, with this line of architectural camouflage shirts, pants and accessories. A collaboration between design firm Snarkitecture and custom print company Print All Over Me, the line takes architectural patterns from public places all over New York City and translates them into fashion.

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The prints not only honor iconic minimalist patterns that have been an integral part of the city’s visual identity for decades, it enables the wearer to blend into urban environments. The effect can be pretty impressive, as seen in the collection’s promotional images.

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“The starting point was this idea of creating moments of architectural confusion, where you become visually lost within different material surfaces,” says Snarkitecture, a Brooklyn-based collaborative practice known for its unexpected installations, like all-white airball machines at Miami’s coolest modern parking garage.

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The Architectural Camouflage collection is available now at Print All Over Me, ranging from $ 38-$ 145, including a backpack, a baseball hat, a jumpsuit and a rain coat. Got an idea of your own? Anyone can upload images to create custom garments, home accessories and other items at PAOM.

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Check out more urban camouflage, from body painting and bizarre costumes to disappearing cars.

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Civic Camouflage: Hiding a Huge Urban Stadium in Plain Sight

13 Feb

[ By WebUrbanist in Architecture & Public & Institutional. ]

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Sports stadiums can be contentious, particularly when located in the heart of a city, but this design works in various ways to reduce disruptions to urban fabric, slotting seamlessly into its surrounding context.

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Designed by international architecture and engineering firm Arup, the AC Milan 48,000-seat soccer club stadium in Italy is wrapped in commercial (shops, bars, hotels and restaurants) programmatic elements that work with but also independently of sporting events. Additional public-purpose elements include rooftop decks, micro-parks and playground for children.

Reinforced with soundproofing and a plan to sink its base into the ground, adding these architectural buffers on all sides helps reduce noise pollution for blocks on all sides as well as providing street-level continuity for those walking and driving through the city. Mark Wilson compares it to a combination of historical fortifications and suburban shopping centers: “around the stadium’s heart, architects will build a castle-like perimeter of restaurants, a hotel, and a sports college. From the street, the stadium just looks like a block-wide mall.”

stadium interior space design

The stadium itself features a spectator-optimized design intended to provide the best view possible for all visitors as well as a removable roof to allow for play in various conditions.

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There are many structures that arguably should stand out from their surroundings – civic buildings like city halls, for instance – but sports stadiums rarely look good in and of themselves, and far too frequently interrupt what is going on in the cities around them. Typically, “even the most beautifully designed stadiums are an eyesore. They’re sprawling moles protruding from the skin of an urban environment, distended to accommodate a wide footprint of seats low to the ground.”

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Iconic Camouflage: Painted People Disappear into Cityscapes

28 Nov

[ By WebUrbanist in Art & Photography & Video. ]

body paint central park

Unlike some other prominent artists working with more seamless urban camouflage in strange or offbeat settings, this work in NYC by Trina Merry allows for curves and distortions, and operates with the interplay between painted nudes in more public and iconic surroundings.

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In this series, her work features backdrops that are prominent points of interest and world-famous landmarks of New York City, from famous architecture and infrastructure (the Guggenheim Museum, Empire State Building and Brooklyn Bridge) to urban and organic landscapes (like Coney Island and Central Park).

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Thanks to the prominence of these locations, this colorful work naturally becomes a live spectacle beyond the sculptural photographs taken of the models in place.

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Other body paintings by Trina range from referential to abstract, with blank black or white backgrounds in some cases and period or modern artwork in others.

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From the artist: “my surface is living, breathing human beings, making this a highly relevant & immediate. I use non-toxic hypoallergenic paint applied with a brush or airbrush. the painting is temporary like a Tibetan sand painting, beginning to [shift] into another work as soon as I stop painting, changing texture and color.”

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City Camouflage: Ugly Public Buildings in Disguise

31 Jan

[ By Steph in Architecture & Cities & Urbanism. ]

City Camouflage Buildings in Disguise 1

Electricity substations, bathrooms and other less-than-aesthetically pleasing public buildings can stand out as eyesores on the street, taking away from the beauty of their surroundings. Dutch designer Roeland Otten decided to disguise some of Amsterdam and Rotterdam’s worst offenders by making them blend into their environments, in both abstract and highly realistic ways.

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‘City Camouflage’ employs mosaic tiles, paint and photographic prints affixed to the outside of these small buildings to make them less visually offensive. The 1970s structures were unmaintained and beginning to rust.

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High-resolution photography printed on sheets of aluminum make some of the buildings seem almost invisible. Gazing down the street, one’s view is no longer interrupted; you can see exactly what is behind each of these camouflaged buildings.

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Others are covered in tiles that create a more subtle pixelated effect. One electricity substation on the water was given a bold, graphic treatment with acrylic paint so that it blends in from some angles and looks merely artistic from others.

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Public Camouflage: Make-Up Artist Makes Models Invisible

22 Nov

[ By WebUrbanist in Design & Guerilla Ads & Marketing. ]

Illusion relies on expectation – we glance but only glimpse what is familiar and the rest blends neatly into the background, particularly as we go about our busy lives in a bustling urban center.

As nifty as these body-painted costumes by Carolyn Roper (via DailyMail) are, the reactions of passers by are the best part – a shocked bus rider or fruit-stand shopper caught in their moment of surprise by waiting photographers.

To complete the spectacle, every element is critical, from the lines of reflection on a vehicle to the details of fresh vegetables drawn on to carefully mimic tomatoes, beets, pumpkins and lettuce.

The stunts were a marketing move by Really TV for a CIA drama titled Covert Affairs – it is hard to say how well such guerrilla marketing campaigns translate to new viewers for television shows, but thanks to publishers picking up the story, well, surely a few of those spooked by these urban camouflaging antics will check out this show about spooks.


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Camouflage Posters Turn 3D Reality into 2D Illusions

16 Oct

[ By Steph in Art & Photography & Video. ]

Blurring the line between reality and fiction, this urban camouflage photo series by French photographer Fred Lebain features posters that blend in almost perfectly with their environments. Lebain visited New York and took photographs of various scenes, went home to France and turned them into posters, and then came back and installed the posters were the photos were taken.

Called ‘A Spring in New York’, the series reads like slight blips in time, where scenes are glimpsed on a day not too long past, when few things were different – perhaps the amount of sunlight, or the number of people in the background.

The posters curling at the edges or blowing slightly in the wind lends a curious effect to the final images. The scene is wrinkling; reality is threatening to peel away like paper.

In some scenes, the posters really do act as camouflage, hiding part of the photographer so that only hands or feet can be seen.

The series is reminiscent of Liu Bolin, ‘The Invisible Man’, a Beijing-based artist who paints himself into his surroundings so convincingly that it’s often hard to spot him. See more examples of urban camouflage, including body painting and bizarre urban camo suits.


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