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Posts Tagged ‘Attention’

Why It’s Important to Pay Attention to Your Backgrounds in Photography

21 Sep

The post Why It’s Important to Pay Attention to Your Backgrounds in Photography appeared first on Digital Photography School. It was authored by Simon Bond.

In today’s article, you’re going to learn about the importance of backgrounds in photography. Knowing how to best use the background will have a big impact on the success of your photo.

You’re going to discover the different approaches to dealing with the background, and how that background will then work as a counterweight to your main subject.

So turn your eye away from the main subject, and see what a good background will do for your final image.

backgrounds in photography
The strong pattern in the background leads the eye to the model, who is the main subject in this portrait photo.

Background or main subject?

The answer to this question is, of course, both.

As a photographer, you need to pay equal attention to the main subject and the background. It’s easy to lose track of the background while you focus on your main subject. Take a little longer composing your photo and look to the background. You’re looking to avoid clutter in the background while lining up leading lines with your main subject.

backgrounds in photography
In this photo, the street hawker is the main subject, but equally important is the background and the mood the background provides.

Composing with the background

The background is an important aspect of portrait and still life photography. And the background often takes up the entire photograph when shooting landscapes, so you pay particular attention to it by default.

So what are you looking for in the background, when the main focus of the image is your main subject? The answer is design elements, such as:

  • Lines: Are there leading lines in the background? Then make sure they lead the eye to the main subject. Equally, make sure the background is compositionally sound. This will often mean positioning the subject in the left or right third of the frame.
  • Patterns: Is there a textured background such as a brick wall behind your subject? Make sure that this fills the background.
  • Minimalism: Avoid background clutter for a more minimalist photo. Step to the side if this removes an unwanted element from your photo such as a lamp post or a person.
  • Frames: Like leading lines, if there is a natural frame you can use in the background then line this up with your main subject.
backgrounds in photography
The frame gives the photo a more minimal feel, yet there is still a story captured with the moving person.

Work with the background or remove it?

You have a choice as a photographer whether you want to use the background in your frame, or whether you want to eliminate it.

The choice is an artistic one, and for certain types of photography (such as street photography), you’ll certainly want to include the background.

So let’s look at these two approaches.

backgrounds in photography
This photo has a minimalist feel, produced by a strobe with a snoot attached.

The story is in the background

The background is vital in that it gives your photo context. How your main subject interacts with the background gives your photo more narrative, and hence it becomes a stronger photo. That’s not an excuse to include clutter, though; you should still look to see what elements can be removed from the background.

The ideal photo then shows your main subject, and just enough of the background to provide that story. So how will you achieve this?

  • Focal length: A change in focal length can have a big impact, especially on the background. Longer focal lengths will allow you to compress the background behind your main subject, but at the (likely) cost of losing narrative content that would have enhanced the photo.
  • Bokeh: Bokeh refers to the out-of-focus portion of your photo. This effect can be controlled, and you don’t need to completely blur out the background. A soft-focus background can give your photo a story without forcing the eye away from your main subject.
  • Framing: If you happen to find a natural frame in front of your subject, you can use this. Use it to frame the main subject and the area of the background that’s important. Then the frame can naturally remove unwanted elements in your photo by blocking them from view.
backgrounds in photography
This photo shows how background can add context to the main subject. Soft bokeh is used here.

Minimal backgrounds in photography

The other way to deal with the background is to remove it, blur it out, or ensure it’s one particular texture.

Taking this approach will give your photo a much more minimal feel, and this can be just as effective when producing an interesting image. This option is well worth considering when you have a very interesting main subject or, even better, a main subject that provides its own story by doing something interesting.

So how will you go about producing minimal backgrounds in photography?

  • Low-Key: A low-key effect involves perfectly exposing the main subject while underexposing the background. The resultant photo will then have a black background. To achieve this, light your subject with a narrow beam of sunlight or use a strobe with a snoot attached.
  • Bokeh: Now the aim is to completely blur out the background. The best lenses to do this are prime lenses, and you’ll want to use the largest available aperture. The greatest effect will be achieved when there is a large distance between the main subject and the background.
  • Texture: Backgrounds like brick walls, metal shop shutters, or concrete blocks can work well here. The aim is to fill the background with a particular pattern and nothing else.
  • Color block: Again, a wall can work here, but it should be a single color. Alternatively, how about aiming at the sky on a clear day, so you have just blue for your background?
backgrounds in photography
This photo includes stronger bokeh with the background blurred out. However, the colors in the background still serve to frame the leaf.

Maximize backgrounds in photography!

Now that you know how important it is to pay attention to the background, how will that change your photography? Are there techniques you use that haven’t been mentioned in this article?

As always, we’d love to see your photos and for you to share your opinions. If you have photos where the background is key to the success of the photo, then please share those in the comments section. And explain why you think the background is so important!

The post Why It’s Important to Pay Attention to Your Backgrounds in Photography appeared first on Digital Photography School. It was authored by Simon Bond.


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DJI shares open letter regarding corruption allegations, asks media to ‘pay close attention to the facts’

04 Feb

Three weeks ago, DJI released a statement regarding its ongoing investigation into an alleged corruption scandal that could ultimately cost the Chinese drone manufacturer upwards of more than $ 150 million. Now, DJI has published an open letter on its website detailing more information and urging ‘the media to pay close attention to the facts [DJI has] presented.’

In its initial statement, DJI said that during its internal investigation regarding the alleged corruption, ‘DJI itself found some employees inflated the cost of parts and materials for certain products for personal financial gain […] DJI took swift action to address this issue, dismissed a number of employees who violated company policies, and contacted law enforcement officials.

Since the initial statement, DJI has published an open letter on its website that provides more details on the investigation, the events that led up to it and what it plans to do going forward.

As DJI embarked on a management reform effort last year, we discovered problems that had evolved during our period of high growth,‘ reads the letter. It later goes on to say ‘DJI has discovered instances of cost inefficiency, purchasing manipulations and outright theft. We cannot ignore these issues. Indeed, for the sake of the vast majority of our employees who work hard and honestly, we need to uncover and eliminate these problems.

Although it’s not a full-fledged apology to consumers and investors, DJI does accept blame for letting the corruption getting as bad as it did, saying ‘in the past emphasized corporate growth over new internal processes.

DJI says fostering better management will be the key to eliminating such corruption in the future and says ‘will now take a leading role in developing clear policies, procedures and expectations to address corner-cutting and employee theft‘ and calls upon other companies to implement similar processes.

The letter also implores the media to ‘pay close attention to the facts we have presented.’

DJI has been expected to file for IPO in 2019, so these statements and open letters appear to be a part of an intense effort to suppress the fallout from the corruption and its financial implications.

Articles: Digital Photography Review (dpreview.com)

 
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How to Create a Center of Attention for Better Storytelling Images

08 Jan

Drawing the viewer’s attention to the main subject in your photographs will help them understand your story more clearly. If you have a busy scene with no clear focus point it will possibly give your viewers an overall idea of what you were photographing, but they may not scrutinize it for long. Adding a clear center of attention will help you create better storytelling images.

How to Create a Center of Attention for Better Storytelling Images

Particularly when you are photographing a locality with a lot going on you can seek to isolate or draw the viewer’s eye to one main subject within your composition. By using this technique, you can develop a style which may become easily recognizable in your photographs.

Lessons from documentary photography

I first learned to make photographs like this while working as a newspaper photographer. My task was to illustrate and support the journalist’s story with my pictures. Making photos that compelled people to stop and look was always my priority. We wanted people to take notice, look at the photo, and read the story.

Photos of broad, general scenes will not achieve this so well as people will typically just flick past them.

How to Create a Center of Attention for Better Storytelling Images

Creating a photo essay to tell of your travel experience, an event you attended, a parade, etc., you will be aiming to convey what you saw and how you felt to best engage your audience. By creating a series of images where you have focused in on one main subject in each image you can build an overall illustration communicating to the viewer what it was like to be there. That is storytelling at its best.

How to Create a Center of Attention for Better Storytelling Images

Techniques

There are various techniques you can use to draw attention to one part of your composition. Using a shallow depth of field to isolate is one method. Using the contrast in light between your subject and the background, and various composition methods you can obtain pleasing results.

Play with the background

All of the photos I am using to illustrate this article are from a street parade in Chiang Mai, Thailand. With a lot of people, often cluttered backgrounds, and no real control or means of setting up photos, it’s a challenging situation in which to shoot.

How to Create a Center of Attention for Better Storytelling Images

Finding a dark background to help isolate your subject is not always so easy, but when you can it will produce some great photos. In this photo of the boy playing a large drum, I positioned myself so the background was totally in shadow and therefore underexposed.

This has achieved isolation of my main subject and you easily focus your attention on him. My timing to capture a smile and interesting positioning of his drumstick also helped. On its own though, this photograph does not do much to illustrate the parade and environment.

How to Create a Center of Attention for Better Storytelling Images

Coming in close to the French horn player (with a 35mm lens on a full frame camera and a wide aperture) I was able to isolate him and at the same time convey more information about his activity and location. Making him the center of attention and at the same time leaving him in context helps tell the story.

Had I used a longer lens it would have included less background and it may have been even more blurred, further distorting the detail and therefore the context of the story would be lost.

Using compositional elements

How to Create a Center of Attention for Better Storytelling Images

Using different composition methods such as framing or converging lines you can help draw your viewer’s attention to your chosen subject.

Often during our workshops, I find people want to include too much in their photos. I encourage them to include less and take more photos build up a story that way.

While it is good practice to create a photo essay which has a varied selection of wide, medium and close-up photos, trying to capture too much of what’s in front of you can often produce rather uninteresting photographs. Bringing one part of your composition to the foreground as the center of attention is a more effective means of holding a viewer’s focus.

How to Create a Center of Attention for Better Storytelling Images

Single or multiple photos

At the newspaper most often each story was accompanied by a single photograph. So the challenge was to produce one image supporting the narrative of the story. Not always so easy, especially with an event like a parade.

I often encourage people to photograph as if they are shooting to cover a story for a magazine. The aim being to come away with a series of photographs that together will tell the story of their experience. To finish up with 6-10 photos having a clear center of interest in each one and conveying the overall experience of the day.

How to Create a Center of Attention for Better Storytelling Images

If you produce a small collection of photos most social media and photo sharing sites have means to display them together in an album or gallery so it’s a great way for you to share your stories and your experiences.

Your turn

You can see some of these tips in action in the video below. Please share your tips and thoughs on creating more storytelling images by having a center of attention in the comments below.

The post How to Create a Center of Attention for Better Storytelling Images by Kevin Landwer-Johan appeared first on Digital Photography School.


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DJI is now a camera company, and we should probably pay attention

14 Oct

When most people think of DJI, they think of drones – Phantoms, Mavics, and Sparks. Some may also know DJI for camera stabilization systems and gimbals, but it’s fair to say that most people probably think of DJI as a drone company.

Starting this week, DJI is also a camera company.

At an event in Hollywood, the company introduced its new Zenmuse X7 cinema camera, which includes some very impressive features including 6K Raw video. (You can find the full rundown of specs in our news story.) It’s a camera aimed primarily at the high-end motion picture market, but it sheds some light on DJI’s approach to the camera industry.

Part of what makes this interesting is the astounding rate at which DJI has been innovating over the past few years. I’m not suggesting that other companies haven’t innovated, but let’s be honest – at times the camera market can feel a little bit predictable.

“Starting this week, DJI is also a camera company.”

What sets DJI apart is that it seems to consistently push boundaries to create inventive products, which sometimes even surprise us a bit, as well as the rate at which they appear to be doing it. In fact, at the launch event for the X7 I felt a genuine sense of excitement about the new camera, not just from DJI employees but from those in attendance.

Although the X7 is undeniably aimed at cinematographers, it presents opportunities for photographers as well. It also illustrates that DJI is prepared to make its own imaging products if the company thinks it can build a better mousetrap than what’s currently out there.

A new system

DJI has built aerial systems with cameras for years, such as the Phantom series, and more recently, the Inspire series. Those models historically relied on either small sensor cameras with fixed gimbals, or adopted standards not originally developed for aerial use, such as Micro Four Thirds. (The original Phantom even used a GoPro camera.)

At the very high end of the market, however, photographers and filmmakers have largely been on their own to figure out how to rig pro-level cameras, such as DSLRs or cinema cams, on much larger drones like the S900 or Matrice 600, something that requires long set up times, provides less stability, and results in short flight times.

The Zenmuse X7 camera was designed specifically for aerial use, with a focus on small size and light weight. The short 16.84mm flange distance of the DL-mount allows lenses to remain small.

The X7 is primarily designed for this latter group, as well as users of the Inspire 2. By building its own camera, DJI had the freedom to engineer both camera and aircraft as a single, integrated system. The result is a very small Super 35 cinema camera that fits easily on an Inspire 2 drone without compromising the flight characteristics, and which can deliver professional cinema quality output. And, at a price point of $ 2699, it almost feels like a bargain.

Further, it’s not just a camera that DJI has introduced, but a full system that includes a new lens mount and lenses. The DL-mount has an extremely short 16.84mm flange distance, allowing for impressively small lenses that keep weight to a minimum. The four lenses available at launch are built from lightweight carbon fiber and have no external moving parts for improved durability. It’s a system that DJI can build on for the future.

In a sense, DJI designed the system because it needed to do so in order to continue innovating in other areas.

“In a sense, DJI designed the system because it needed to do so in order to continue innovating in other areas.”

In my brief hands-on time with the X7 and the new lenses I was impressed with the hardware. It’s remarkably small for what it is. The one thing that caught me off guard was the weight of the lenses; they’re so light that they feel like inexpensive kit lenses. But then you remember that they’re built from carbon fiber in order to be as light as possible and it all makes sense. If the camera and lenses can deliver the level of quality that DJI claims (and indications are that it probably can), the company has a real winner of a product. It’s a strong start for a new system.

The Zenmuse X7 is the first camera in DJI’s new system.

Why should photographers care?

Although the X7 is clearly aimed at the motion picture community, there’s reason for photographers to be excited about DJI’s new camera system as well.

All the press coverage describes the camera as having a Super 35 video sensor, which is a standard in the motion picture industry. That’s true, to a degree. It turns out that the X7’s sensor is actually a full APS-C sensor. When shooting video, the camera uses the full width of the sensor but not the full height, resulting in a cinematic aspect ratio.

When shooting photos, however, the camera uses the full area of its 24MP sensor, supports Raw capture in DNG format, and can even shoot continuously at 20fps. The result is that the X7 may be one of the most compelling options for aerial photographers available today. It’s a bit pricey once you include an Inspire 2 drone and a lens or two, but no more so than a Nikon D5 and a couple good lenses. If you’re serious about aerial work it’s inexpensive compared to helicopter time, and much easier to use than a homebrew system assembled from scratch.

The X7’s Super 35 sensor is really an APS-C sized sensor (23.5mm x 15.7mm). When shooting photos the camera captures the sensor’s full 24MP resolution and supports Raw image capture.

What’s probably more important than the X7 camera, however, is that DJI now has its own camera platform, complete with lens mount, around which it can develop additional imaging products, lenses, and accessories. This could include non-aerial tools, such as gimbal-mounted cameras, and maybe even other products the company has up its sleeve. Additionally, users will be able to buy lenses knowing that they won’t be obsolete when the next camera is introduced, just as with any other system.

“…the X7 may be one of the most compelling options for aerial photographers available today.”

I’m not suggesting that DJI is going to radically shift focus and suddenly start making still cameras, but the company has shown an interest in the photography market, as demonstrated by its stake in Hasselblad. It’s not entirely clear where DJI is headed with this, but I suspect it goes beyond hanging a 100MP Hasselblad H6D off a M600 hexacopter with a Ronin gimbal. However, DJI does have the potential to be a disruptor in the imaging market, and now they have a camera platform with which to do it.

The wrap

It’s not often that we see the introduction of a completely new camera system, so DJI’s announcement this week is notable. What I find particularly exciting is that DJI has a tendency to introduce and iterate products quickly. It’s also in a unique position of not having a legacy system to support. DJI doesn’t have to worry about ‘the way it’s always been done’, or making sure its lenses work with decades-old products. That won’t be true forever, but for now it gives them the freedom to be very creative in their product design.

If you’re going to launch a new cinema camera, you might as well do it in Hollywood. The Inspire 2 and Zenmuse X7 camera.

I don’t imagine DJI is going to shift away from its core strength of aerial imaging, but if the company can keep up its current rate of innovation I believe we’re likely to see some very impressive imaging products coming our way, particularly now that it has committed to a full camera system with room to grow. If DJI can disrupt the market in the process, all the power to them.

Articles: Digital Photography Review (dpreview.com)

 
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Wanksy: Phallus Graffiti Draws Attention to Dangerous Potholes

29 Apr

[ By WebUrbanist in Art & Street Art & Graffiti. ]

wanksy pothole street art

In a quest to evoke a faster fix from city authorities, a lone street artist going by the name Wanksy is highlighting holes in the ground with (NSFW) spray paintings sharing one thing in common: the rough but instantly recognizable shape of a phallus.

penis pothole filler art

Like Hanksy, Wanksy is a play on Banksy, a world-renowned art activist. Found all around Manchester, England, Wanksy’s penis-shaped pothole sketches are perhaps crude but they serve more than one point. First, they provoke public calls to officials to clean them up while also filling in the holes. Second, but equally important for the safety of the artist, the phallus represents an easy-to-draw figure that can be sketched quickly with less risk of getting hit bye a vehicle. Third, the rough markings serve as interim warnings to drivers who might not see a water-filled hole at night.

wanksy street artist

Though the paint washes away over time, making these temporary, this response from a local council member shows that the powers that be are not particularly amused: “Has this person, for just one second, considered how families with young children must feel when they are confronted with these obscene symbols as they walk to school? Not only is this vandalism, but it’s also counter-productive. Every penny that we have to spend cleaning off this graffiti is a penny less that we have to spend on actually repairing the potholes.”

wanksy road penis street art

wanksy filled pothole

The notion of highlighting or filling in potholes by activists takes many forms beyond this novel approach, including a Chicago tile artist who fills in holes with mosaics, a guerrilla gardener who plants pansies in these street voids and even a pothole robin hood who steels asphalt from the city to fill in gaps with his own work and time. In the grand scheme, one could argue that this newest contributor is somewhat juvenile, but if it solves a real-world urban infrastructure problem, it is hard not to smile at least a little at his attempt to lighten the mood while fixing city streets.

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[ By WebUrbanist in Art & Street Art & Graffiti. ]

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24 Uber Sharp Images with Huge Depth of Field to Focus Your Attention

27 Feb

Over the last few weeks on dPS we’ve had some collections of images that demonstrate some of the basic photography principals. Last week it was using a large aperture for shallow depth of field. This time we’re going the other way and looking for images with a lot of depth of field, ones that utilize small apertures like f/16 or even smaller.

These are usually images with a lot of depth and focus from near to far. Landscape photographers use this technique often as do, surprisingly, macro shooters. When you get up close the depth of field is really slim so you need that added focus from the smaller apertures (if not using focus stacking techniques).

As a neat side effect if you include a light source like direct sunlight – smaller apertures will turn those into starbursts – a telltale sign you know a small aperture was used.

So here are some images that exemplify maximum sharpness and large depth of field:

Photograph True Grit by Sean Bagshaw on 500px

True Grit by Sean Bagshaw on 500px

Photograph Golden Gate In Chains by Robert Schmalle on 500px

Golden Gate In Chains by Robert Schmalle on 500px

Photograph From Above by Dylan Gehlken on 500px

From Above by Dylan Gehlken on 500px

Photograph Taillante by Gabriele Mannelli on 500px

Taillante by Gabriele Mannelli on 500px

Photograph Exuberance I by Julia Anna Gospodarou on 500px

Exuberance I by Julia Anna Gospodarou on 500px

Photograph Happy Holidays from the Bay Bridge by Aaron M on 500px

Happy Holidays from the Bay Bridge by Aaron M on 500px

Photograph Darkroot Grotto by Alex Noriega on 500px

Darkroot Grotto by Alex Noriega on 500px

Photograph Arch Angel Falls, Zion National Park by Don Smith on 500px

Arch Angel Falls, Zion National Park by Don Smith on 500px

Photograph Under the Bridge by Dariusz Klimczak on 500px

Under the Bridge by Dariusz Klimczak on 500px

Photograph Mr. Robber & Prey by Donald Jusa on 500px

Mr. Robber & Prey by Donald Jusa on 500px

Photograph Sitting on th</p>
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Photograph f by Martin Brown on 500px

f by Martin Brown on 500px

Photograph Macro Snail by Enrico Salvati on 500px

Macro Snail by Enrico Salvati on 500px

Photograph rose by Guido Schulze on 500px

rose by Guido Schulze on 500px

Photograph Pipevine Swallowtail Butterfly Eggs by Douglass Moody on 500px

Pipevine Swallowtail Butterfly Eggs by Douglass Moody on 500px

Photograph canon 5d mark 2 by maxime  nadeau on 500px

canon 5d mark 2 by maxime nadeau on 500px

Photograph Gdansk by ?ukasz Derangowski on 500px

Gdansk by ?ukasz Derangowski on 500px

Photograph Portland Head Light by Joseph Rossbach on 500px

Portland Head Light by Joseph Rossbach on 500px

Photograph Only Three Left in Our Care... by Dana Allen on 500px

Only Three Left in Our Care… by Dana Allen on 500px

Photograph Crystalline Chamber by Justin Grimm on 500px

Crystalline Chamber by Justin Grimm on 500px

Photograph Keizersgracht - Amsterdam by Iván Maigua on 500px

Keizersgracht – Amsterdam by Iván Maigua on 500px

Photograph Winter Chapel Dobratsch 2159m by Reinhold Samonigg on 500px

Winter Chapel Dobratsch 2159m by Reinhold Samonigg on 500px

Photograph BMW 2002 by Ivan Barinov on 500px

BMW 2002 by Ivan Barinov on 500px

Photograph Echoes of Light by Adrian Borda on 500px

Echoes of Light by Adrian Borda on 500px

Photograph Highest Mountain In Indochina by Por Pathompat on 500px

Highest Mountain In Indochina by Por Pathompat on 500px

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The Epic Bundle and Another Giveaway Demand Your Attention

19 Jun

Remember Inky Deals? We’ve been telling you about them from time to time now, always when they have some type of amazing deal, bundle or giveaway for you. Hey, we wouldn’t waste your time in any case! Guess what time it is, this month? That’s right…it’s yet another too-good-to-be-true deal from Inky Deals. This time, Inky Deals doesn’t just have Continue Reading

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Camera review: Google turns its attention to imaging on new Nexus 5

29 Nov

nexus5.jpg

The Nexus 5 is Google’s latest showcase smartphone, bringing with it Android 4.4 (aka KitKat) and some new imaging features. This time around, Google is talking up the Nexus 5’s camera, highlighting its optical image stabilization and revamped HDR mode. We put the phone through its photographic paces to see how it holds up in the real world on connect.dpreview.com.

News: Digital Photography Review (dpreview.com)

 
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How to Improve the Balance of your Photos by Paying Attention to the Corners

12 Jun

Balance is a very important aspect in photography. If you are aiming to create a balanced photo, then there is one key that is often overlooked.

The corners of an image.

Our eyes have a natural tendency to want to dart off of the sides of a photograph when we look at it and so, when we can, we need to use the edges to fight this natural urge.  Putting elements in the corners will stop the eyes so that they move back into the scene.

When you are framing a photograph look into each corner to see what is there.  It can often help to cut off elements.  A hint of a stair, window, or tree branches will simultaneously make us feel like the full element is there while still grounding the photo and pushing our eyes back into the middle.

If you’ve noticed why some photographs feel balanced and some don’t and can’t tell why, the corners are often the reason.

Here are 5 examples to look at.

Jimmy Webb, Trash and Vaudeville

The corner lines all lead the eyes to the middle, except the lower left corner, which adds another level of interest but still eventually pushes the eyes back into the photo.

Flat, East Village

Notice on the top how you only need a tiny area in the corners to provide balance.  You can see how this effect applies to the elements on the top and left and right sides of the photo as well.

5 Canal Street, Chinatown

The lines all push the eyes into the scene.  Notice how there are two ‘corners’ providing balance on the top right.

Shipping Docks, Cortlandt Alley

Red Wall, Midtown

The ‘corner’ elements don’t have to be at the very edge.  They can be further away from it.  They just have to provide the feeling of balance.

 

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

How to Improve the Balance of your Photos by Paying Attention to the Corners


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Microsoft Publisher 2010 – Draw Attention; Border Text with a Graphic

11 Sep

Add BorderArt to a text box to draw attention to important information or just to spice up a publication.

Looking to focus the reader’s eyes on a particular block of text in a Microsoft Publisher 2010 document? Instead of applying normal dotted or solid line borders, why not surround text with apples, confetti, pumpkins, trees, or a design of your own choosing?

Read more at MalekTips.
New Computer and Technology Help and Tips – MalekTips.Com

 
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