RSS
 

Posts Tagged ‘70200mm’

Tamron SP 70-200mm F2.8 Di VC USD G2 sample gallery

20 Mar

Like its predecessor, the Tamron SP 70-200mm F2.8 G2 offers moisture-resistance, and we couldn’t be more grateful. We put the updated telezoom to work in one of the rainiest months in recent Seattle history. With improvements to autofocus as well as image stabilization, it’s a substantial upgrade and, thankfully, a lens that’s not afraid of a few showers.

See our Tamron SP 70-200mm F2.8 Di VC USD G2 sample gallery

$ (document).ready(function() { SampleGalleryStripV2({“galleryId”:”0456329947″}) })

Sample photoSample photoSample photoSample photoSample photo

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Tamron SP 70-200mm F2.8 Di VC USD G2 sample gallery

Posted in Uncategorized

 

dPS Writer’s Favorite Lenses: I’m Torn Between My Nifty Fifty and 70-200mm F2.8

09 Mar
My Favourite Lenses: I'm Torn Between My Nifty Fifty and 70-200mm F2.8

I use my 50mm lens almost exclusively when I’m shooting abstract images.

I won’t lie to you, I’m genuinely torn here. There are two lenses that I could probably say were my favorites. One of those lenses became my favorite out of necessity. It was the only one I owned when I first started shooting with a DSLR. The other became favorite because of its versatility and something much more personal than professional.

My Favourite Lenses: I'm Torn Between My Nifty Fifty and 70-200mm F2.8

This image was shot with my 50mm lens. It was one of my first attempts at fine art photography. It’s so sharp.

My Favourite Lenses: I'm Torn Between My Nifty Fifty and 70-200mm F2.8

The large aperture of the 50mm allowed me to shoot during low-light situations.

It all started with the 50mm lens

Let’s head back in history to 2006 when I bought my first DSLR. I found a used Canon Rebel for sale online for $ 200. It came with a 50mm prime lens. That was fantastic; it was in my budget. I didn’t have a lot of money at the time as I was raising three kids under the age of six. I struck a deal with the seller, and I was in business.

When I went to my first camera course, the instructor laughed when he saw my gear. I thought, at first he was making fun of my gear. But, I was wrong, he was excited for me. He said having just the one lens would push me to be creative and to learn and find out how to take great photos. I would have no choice but to think about my composition because of the limitations of my gear. He said he wished all of his students were as limited as I was and that relying on gadgets and a zoom lens stunted creativity. They could essentially cheat instead of learning to see the photograph and position themselves correctly. He inspired me to push myself to learn everything I could about 50mm.

My Favourite Lenses: I'm Torn Between My Nifty Fifty and 70-200mm F2.8

The 50mm lens is ideal for portraits. It’s lightweight and easy for me to move around with.

I shot landscapes, portraits, macros, and everything in between. I love my 50mm lens because it’s light-weight and affordable. But, I love my nifty 50 because my photos are tack sharp. The bokeh with it is beautiful too, and I love experimenting with the larger aperture. The lens offers photographers so many creative possibilities. Seriously, what lens could be better?

My Favourite Lenses: I'm Torn Between My Nifty Fifty and 70-200mm F2.8

This is one of the rare times that I was able to use my 50mm with my family.

My second love – the 70-200mm f/2.8

I love the bokeh in this shot. The 70-200mm f/2.8 is awesome for this feature.

Well, it’s time for my second love to make an entrance. I love my 70-200mm f/2.8. This lens was also my first big glass purchase. I scrimped and saved for months to be able to buy it. At the time it seemed like an immense sacrifice, but it was worth it.

The lens is very versatile. I can use it for portraits, indoor sports, macro shooting, and candid images on the street. Really, I can use it for anything. It’s not overly heavy so I can hand hold it for extended periods of time, which is very nice. The large aperture is helpful for low light situations or when I need a fast shutter speed. It’s tack sharp, and the bokeh is beautiful. I take it everywhere. My 70-200mm has been on canoe trips and suffered rainstorms (albeit covered with a large garbage bag). It is my workhorse.

dPS Writer's Favorite Lenses: I'm Torn Between My Nifty Fifty and 70-200mm F2.8

The focal length of the 70-200mm is perfect for so many types of shots including street shooting or silhouettes at the beach.

All the reasons I listed, however, are not why this lens is my favorite. There is one thing about this lens that makes it unique. This one thing is more personal than it is professional. Those of you who have children will totally connect with me on this element. The longer focal length of this lens means that I can capture authentic images of my family.

My kids are very much sick of their mother taking their photos. They’ve been there and done that far too much. I can never get them to cooperate when I use my 50mm. Instead, my 70-200mm allows me to capture them from a distance. I can be discreet and not invade their fun. I can catch them laughing and acting naturally. Some of my most cherished shots have come from moments like this.

I’m sure my family knows I have my camera out and pointed at them, but because I’m not right in their faces they forget about me. Or at the very least they can ignore me. It’s the one thing I can’t do with my 50mm, and for this reason, the 70-200mm wins a special place in my heart.

dPS Writer's Favorite Lenses: I'm Torn Between My Nifty Fifty and 70-200mm F2.8

I like shooting landscapes with the 70mm range on this lens.

There are emotional ties to this lens

dPS Writer's Favorite Lenses: I'm Torn Between My Nifty Fifty and 70-200mm F2.8

He was just having fun. He wasn’t aware of my presence with my camera. Yes, his face is a little soft, but this shot is emotional and personal, not professional.

Forget all the features and the specs. I’m not overly worried about chromatic aberration or vibration reduction controls. The 70-200mm holds a place in my heart because it allows me to capture the love and adoration I have for my children. I can make precious memories. My 70-200mm is an emotional favorite. It’s a very personal preference. It is a beautiful, durable, incredible lens that helps me succeed in my business – but it also helps me to capture personal memories.

dPS Writer's Favorite Lenses: I'm Torn Between My Nifty Fifty and 70-200mm F2.8

Capturing joy; I think it’s a great reason to love this lens.

dPS Writer's Favorite Lenses: I'm Torn Between My Nifty Fifty and 70-200mm F2.8

I could have zoomed in more, but I wanted to capture the environment too.

Your favorite lens

What’s your favorite lens? Share it with us in the comments below. Maybe you love your inexpensive 18-55mm kit lens. Tell us why. We want to hear your stories. Forget the specs, what kinds of joy does the lens bring to your life?

My teenager has become so jaded that my 70-200mm is the only way I can capture images of him.

The post dPS Writer’s Favorite Lenses: I’m Torn Between My Nifty Fifty and 70-200mm F2.8 by Erin Fitzgibbon appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on dPS Writer’s Favorite Lenses: I’m Torn Between My Nifty Fifty and 70-200mm F2.8

Posted in Photography

 

Lensrentals and the continuing saga of the broken Sony FE 70-200mm F2.8 GM

04 Mar

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_1792729276″,”galleryId”:”1792729276″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });

Last week we took a look at Lensrentals’ six hour initial disassembly of a broken Sony FE 70-200 F2.8 GM lens (would hate to be the person who dropped it!). In part two, the guys from LR continue to take apart the lens, to see if it can be saved or sent to the scrapyard.

Read LensRentals’ Sony FE 70-200mm F2.8 GM Teardown (Part 2)

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Lensrentals and the continuing saga of the broken Sony FE 70-200mm F2.8 GM

Posted in Uncategorized

 

Lensrentals and the mysterious case of the Sony FE 70-200mm F2.8 GM

25 Feb

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_4915756573″,”galleryId”:”4915756573″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });

One lens’ bad fortune is our gain: the Sony FE 70-200mm F2.8 GM’s optical test results had been puzzling the team at Lensrentals, and when a customer dropped one recently a teardown was in order. The teardown took a total of six hours – twice the usual amount of time required – and along the way they found a lot of solidly constructed pieces, a mysterious component they dubbed the ‘Southern Fairy Tale Ring,’ and a great deal of silicone glue.

This article details the first part of the teardown, showing the disassembly of the first half of the lens up to the point where a snack break was needed. It’s a long read but as always, thoroughly fascinating and entertaining. It turns out that construction of the FE 70-200mm F2.8 is a bit unconventional, and that’s not a bad thing at all.

Read LensRentals’ Sony FE 70-200mm F2.8 GM OSS Teardown (Part 1)

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Lensrentals and the mysterious case of the Sony FE 70-200mm F2.8 GM

Posted in Uncategorized

 

Hands on with Tamron 70-200mm F2.8 and 10-24mm F3.5-4.5 ‘G2’ zooms

09 Feb

Hands on with Tamron 70-200mm F2.8 and 10-24mm F3.5-4.5 ‘G2’ zooms

Tamron announced two zoom lens updates at this year’s WPPI show in Las Vegas – the full-frame SP 70-200mm F2.8 Di VC USD G2 and the APS-C format 10-24mm F3.5-4.5 Di II VC HLD. Technically, both are ‘updates’ to older products, but the improvements are fairly significant. This is the 70-200mm F2.8, mounted on a Canon EOS 5D Mark II.

Hands on with Tamron 70-200mm F2.8 and 10-24mm F3.5-4.5 ‘G2’ zooms

The ‘G2’ 70-200mm F2.8 now carries the ‘SP’ designation, which Tamron reserves for its highest-end lenses. The lens has been completely redesigned, and the new optical design consists of 23 elements in 17 groups. These include extra low dispersion and low dispersion elements to reduce chromatic aberrations. 

Hands on with Tamron 70-200mm F2.8 and 10-24mm F3.5-4.5 ‘G2’ zooms

Mechanically, there have been some changes too. Like Nikon’s new 70-200mm F2.8E, the Tamron 70-200mm F2.8’s zoom ring can be found near the front of the lens, while the focus ring is positioned closer to the camera. Feel free to argue about whether this is a good idea or not in the comments. Minimum focus distance is unequivocally improved, being reduced to 95cm (37.4″) from the previous model’s 130cm (50.7″).

Hands on with Tamron 70-200mm F2.8 and 10-24mm F3.5-4.5 ‘G2’ zooms

Autofocus performance has also been improved, thanks (according to Tamron) to the inclusion of two microcomputers and a new AF algorithm. Vibration Compensation (VC) is enhanced too, and can now compensate up to a claimed 5 stops.

Hands on with Tamron 70-200mm F2.8 and 10-24mm F3.5-4.5 ‘G2’ zooms

The removable tripod collar can be loosened and removed over the lens mount (as opposed to clamshell designs which can be attached and detached when the lens is mounted to a camera). The Nikon mount version of this lens now offers electronic aperture actuation, which is becoming standard on all newer Nikon lenses and should improve exposure accuracy, especially during high framerate burst shooting. 

Hands on with Tamron 70-200mm F2.8 and 10-24mm F3.5-4.5 ‘G2’ zooms

Build quality seems excellent, as we’ve come to expect from all of Tamron’s new generation of ‘SP’ lenses. Dust and moisture seals (including a grommet around the lens mount) help to keep the 70-200mm safe when shooting in tough conditions. The front element is fluorine coated, which should make it easy to quickly clean off water or oily fingerprints. 

Hands on with Tamron 70-200mm F2.8 and 10-24mm F3.5-4.5 ‘G2’ zooms

And here’s the 10-24mm F3.5-4.5 Di II VC HLD. Designed for APS-C format DSLRs, this wide-angle zoom covers an equivalent focal length range of 15-36mm (16-38mm equiv on Canon).

Hands on with Tamron 70-200mm F2.8 and 10-24mm F3.5-4.5 ‘G2’ zooms

The biggest change in this lens compared to its 2008 predecessor is the addition of Vibration Compensation. Tamron claims 4 stops of compensation, which means that in theory, it should be possible to hand-hold exposures of up to ~1 second at 10mm. Don’t quote us on that, though.

Hands on with Tamron 70-200mm F2.8 and 10-24mm F3.5-4.5 ‘G2’ zooms

The 10-24mm zoom features Tamron’s new HLD (High/Low torque modulated Drive) AF motor, for smooth and fast autofocus. We’ve only had a few minutes with a prototype lens, but just anecdotally, focus certainly seems fast. Optically, this new lens differs from its predecessor by offering more elements (16, as opposed to 12) in more groups (11, compared to 9) including one LD (Low Dispersion) lens element, one XLD glass element, one molded glass aspherical element, and one hybrid aspherical lens.

Hands on with Tamron 70-200mm F2.8 and 10-24mm F3.5-4.5 ‘G2’ zooms

Again, the 10-24mm is sealed against dust and moisture, and build quality is excellent. Like the 70-200mm F2.8 G2, versions of this lens for the Nikon mount now feature fully electronic aperture actuation, allowing aperture to be changed during live view.

We’re looking forward to getting our hands on a production sample to see whether the various upgrades have made a significant difference to image quality. 

The Tamron 70-200mm F2.8 Di VC USD G2 is expected to arrive in March for $ 1299. The Tamron 10-24mm F3.5-4.5 Di II VC HLD is slated for availability this spring for $ 499.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Hands on with Tamron 70-200mm F2.8 and 10-24mm F3.5-4.5 ‘G2’ zooms

Posted in Uncategorized

 

Tamron announces 70-200mm F2.8 and 10-24mm F3.5-4.5 updates

07 Feb

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_8028434815″,”galleryId”:”8028434815″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });

Tamron has announced updates to two of its zoom lenses. The full-frame Tamron SP 70-200mm F2.8 Di VC USD G2 improves on its predecessor with faster autofocus and better stabilization. Tamron claims its boosted Vibration Correction provides 5 stops of stabilization. The lens is moisture and dust-resistant, and has received a thorough overhaul of optical and mechanical designs. The new optical design consists of 23 elements in 17 groups, and includes extra low dispersion and low dispersion elements to reduce chromatic aberrations. Tamron claims the inclusion of two microcomputers and a new AF algorithm has improved focus speed and accuracy. Minimum focus distance is also improved, reduced to 37.4in from the previous model’s 50.7in. The 70-200 also supports Tamron’s 1.4x and 2x teleconverters/

Meanwhile, the Tamron 10-24mm F3.5-4.5 Di II VC HLD adds stabilization and refined optics to the company’s wide-angle zoom for APS-C introduced in 2008. It features LD, XLD, aspherical and hybrid aspherical elements, as well as a Broad-Band Anti-Reflection coating. Tamron was able to add Vibration Correction without increasing the size of the lens, and the company claims up to 4 stops of shake reduction. It also uses a new HLD (high/low torque-modulated drive) motor that allow for smooth control over the lens’ heavy elements. The lens is sealed against moisture and has a fluorine coating to keep oil and water off of the front elements.

Both of the new lenses use electromagnetic diaphragm control on Nikon mounts.

The Tamron 70-200mm F2.8 Di VC USD G2 is expected to arrive in March for $ 1299. The Tamron 10-24mm F3.5-4.5 Di II VC HLD is slated for availability this spring for $ 499.

Press releases:

TAMRON REDEFINES THE FAST TELEPHOTO ZOOM CATEGORY WITH THE INTRODUCTION OF THE NEXT GENERATION 70-200MM F/2.8 ZOOM

All-new optical design delivers a dramatically faster autofocus speed and image stabilization performance of 5 stops

SP 70-200mm F/2.8 Di VC USD G2 (Model A025) 

February 6, 2017, Commack, NY – Tamron, a leading manufacturer of optics for diverse applications, announces the launch of SP 70-200mm F/2.8 Di VC USD G2 (Model A025), a new telephoto zoom lens product for full-frame and APS-C DSLR cameras. Model A025 was developed by substantially enhancing the features of its predecessor.

These include a thorough review of the optical, mechanical and electronic designs to increase autofocus speed and precision, reinforce VC (Vibration Compensation) functions and to shorten the MOD. New features include eBAND Coating, Moisture-Proof and Dust-Resistant Construction, Fluorine Coating and compatibility with teleconverters. The lens design features a metal-based barrel for improved handling and ease-of-use. The result of this dramatic evolution is Model A025, a high-speed telephoto lens that widens the scope of expression for photography in a broad range of genres, such as portraits, landscapes, sports and photojournalism. The lens is expected to be available in the U.S. in March at $ 1299.

PRODUCT HIGHLIGHTS 

  1. Outstanding resolution and contrast reproduction performance, beautiful bokeh and full compatibility with Tamron teleconverters

Based on the current model (A009), the optical design has been revised and improved. Both the resolution and contrast reproduction performance far exceed the present levels. Bokeh has been enhanced and expanded to deliver outstanding background effects across the entire zoom range. Use of a circular diaphragm with nine blades further improves bokeh. The optical design of the new A025 consists of 23 elements in 17 groups. Optimum deployment of XLD (eXtra Low Dispersion) and LD (Low Dispersion) glass elements thoroughly eliminate chromatic aberrations, which tend to become particularly prominent in high-speed telephoto lenses, across the entire zoom range, while ensuring uniform, high-level image quality even on the periphery of the image plane.

The new lens is also fully compatible with the TELECONVERTER 1.4x (Model TC-X14) and TELECONVERTER 2.0x (Model TC-X20)1, which increase the focal length of the lens to 1.4 times and 2 times the original, respectively. Both teleconverters are carefully designed and constructed to provide outstanding high quality.

Changes in zoom range when used with SP 70-200 mm F/2.8 Di VC USD G2 (Model A025)

 

Mounted on full-frame DSLR camera

Mounted on APS-C format DSLR camera

Without tele converter

70-200mm

Approx. 109-310mm

With 1.4x tele converter*2

98-280mm

Approx. 152-434mm

With 2.0x tele converter*2

140-400mm

Approx. 217-620mm 

Changes in magnification ratio when used with SP 70-200mm F/2.8 Di VC USD G2 (Model A025)

 

Maximum Magnification Ratio

Without tele converter

1:6.1

With 1.4x tele converter

1:4

With 2.0x tele converter

1:3

Available focusing mode when used with SP 70-200mm F/2.8 Di VC USD G2 (Model A025)

 

When using viewfinder

When using live view mode

With 1.4x teleconverter

AF Possible

AF*2 Possible

With 2.0x teleconverter

AF Possible

AF*3 Possible 

  1. Improved VC system provides highest Vibration Compensation ability in its class3 (5 stops using CIPA standard compliant) and offers three situation-specific VC modes

Utilizing Tamron’s original VC (Vibration Compensation) system, which uses a moving coil mechanism, further reinforcement of the drive system power and control performance has now achieved the highest VC level in its class, with an image stabilization performance of 5 stops according to the CIPA standard (using VC Mode 3). 

Also, the VC system of Model A025 offers three VC modes, including one mode exclusively for panning. Photographers can freely choose between the different VC modes according to their shooting conditions. Even when telephoto shooting in low light, which tends to be severely affected by camera shake, photographers can now enjoy jitter-free handheld shooting with much greater flexibility. 

  • VC MODE 1 is the standard mode that strikes a great balance between the stability of the viewfinder image and the stabilization effects.
  • VC MODE 2 is exclusively used for panning.
  • VC MODE 3 prioritizes the stabilization of the captured images and forgoes the stabilization of the viewfinder image.

With the optional accessory TAMRON TAP-in ConsoleTM, you can customize the configuration of VC MODE 1. Choose the viewfinder view of either standard or image priority.

  1. Demonstratively improved autofocus speed and responsiveness

Model A025 is equipped with a USD (Ultrasonic Silent Drive) ring-type ultrasonic motor, whose outstanding responsiveness and control ensures accurate high-speed focusing. Incorporating two advanced, high-performance microcomputers and optimizing the algorithm has improved both the focusing speed and accuracy compared with SP 70-200mm (Model A009). Additionally, thanks to the Full-time Manual Focus override mechanism, photographers shooting with AF can instantaneously make fine focusing adjustments using MF without wasting time by switching the AF-MF mode back and forth.

  1. Focuses closer (shorter Minimum Object Distance, or MOD) for greater versatility

Improvements made to the focus cam and zoom cam inside the lens barrel have reduced the MOD from 50.7 inches in the older Model A009 to 37.4 inches for Model A025, which has a maximum magnification ratio of 1:6.1. The shorter MOD, coupled with the excellent optical performance of the SP 70-200mm (Model A025), allows photographers to further broaden their range of expression.

  1. Optimized and exclusively designed eBAND Coating

The new A025 features Tamron’s original eBAND (Extended Bandwidth & Angular-Dependency) Coating, a technology that combines a nano-structured layer with an extremely low refractive index with the conventional multiple-layer coatings. Optimized and exclusively designed for this new zoom, the eBAND Coating provides superior anti-reflection performance, effectively reducing any flare and ghosting. Even when taking backlit portraits, the new lens delivers flawless, crystal clear images. 

  1. Moisture-Proof and Dust-Resistant Construction

Ideal for use in outdoor photography, the new 70-200mm telephoto zoom has moisture-resistant construction because special sealants that are dust-resistant and moisture-resistant are used at every joint and seam. The sealant material helps to prevent the intrusion of any dirt, dust or water droplets, compared to conventional Moisture-Resistant Construction. 

  1. Fluorine Coating for greater protection

The front surface of the lens element is coated with a protective fluorine compound that is water- and oil-repellant. The lens surface is easier to wipe clean and less vulnerable to the damaging effects of dirt, dust, moisture and fingerprints.

  1. Electromagnetic diaphragm system now used also for Nikon-mount lenses

An electromagnetic diaphragm system, which has been a standard feature for Canon-mount lenses, is now available for Nikon-mount lenses4. More precise diaphragm and aperture control is possible because the diaphragm blades are driven and controlled by the motor through electronic pulse signals.

  1. Lightweight and easy-to-hold tripod mount is compatible with Arca-Swiss style quick release plates

A new textured grip and Arca-Swiss style tripod interface enhances both speed and utility. Because the tripod mount is made of lightweight magnesium, it is much easier to carry.

  1. Compatible with TAMRON TAP-in ConsoleTM, an optional accessory product

The optional TAP-in Console provides a USB connection to a personal computer, enabling users to easily update the lens firmware as well as customize features, including fine adjustments to the AF and VC. 

  1. Based on the rigorous quality standards worthy of the SP series, this new lens is manufactured with a thorough attention to details

For the SP series products in particular, Tamron has established rigorous design and quality standards. These standards apply to the optical design, mechanical design and the cosmetic appearance, as well as to such wide-ranging areas as the product’s robustness and improvements in the various individual functions. Tamron thoroughly reviews all of the design and manufacturing processes in order to offer products to customers with even-higher levels of precision and quality.

For the SP 70-200mm G2 (Model A025), the optical design was refreshed, mechanical parts were improved and a new exterior design was adopted. To maximize the optical performance intrinsic to this product, Tamron improved the accuracy of the component parts and increased the precision of the overall zooming mechanism.

1. For more detailed information about teleconverters, please refer to the Tamron website.

2. Subjects with low contrast and/or luminosity values can sometimes result in out-of-focus images.

3. Among 70-200mm F/2.8 interchangeable lenses for full-frame DSLR cameras (as of January, 2017; Tamron)

4. Available only with cameras compatible with the electromagnetic diaphragm (D3100, D3200, D3300, D3400, D5000, D5100, D5200, D5300, D5500, D5600, D7000, D7100, D7200, D300, D300s, D600, D610, D700, D750, D800, D800E, D810, D810A, D3x, D3s, D4, D4s, Df, D500, D5). (As of January, 2017; Tamron)

TAMRON INTRODUCES ULTRA-WIDEANGLE ZOOM WITH VIBRATION COMPENSATION

Compact, high-performance lens boasts the largest focal length range in its class

10-24mm F/3.5-4.5 Di II VC HLD (Model B023) 

February 6, 2017, Commack, NY – Tamron, a leading manufacturer of optics for diverse applications, announces the launch of 10-24mm F/3.5-4.5 Di II VC HLD (Model B023), a new ultra-wideangle zoom lens for APS-C DSLR cameras. The lens is expected to be available in the U.S. this Spring at $ 499.

Model B023 is a wideangle zoom lens that covers an exceptionally large range—the largest focal length range in its class1 (35mm equivalent is 16mm to 37mm). The lens is ideal for street photography, landscapes, group photos and casual everyday scenes. In 2008, Tamron launched the SP AF 10-24mm F/3.5-4.5 Di II LD Aspherical [IF] (Model B001) that provided an unprecedented focal length range in its class. Building on that lens’s popularity, the successor Model B023 has improved optical performance and new features. It embodies Tamron’s most advanced technologies, including the VC (Vibration Compensation) system, Moisture-Resistant Construction and Fluorine Coating, and the first implementation of Tamron’s new HLD (High/Low torque modulated Drive). Additionally, the Model B023 has a refreshing new design derived from the design of the new product lineup in the SP series.

PRODUCT HIGHLIGHTS 

  1. Inheriting the broadest focal length range in its class of ultra-wideangle zoom lenses

The new Model B023 achieves a broad focal length range of 10-24mm, the largest range among ultra-wideangle zoom lenses for APS-C DSLR cameras. This is the 35mm equivalent of covering a very wideangle of view, from 16mm ultra-wideangle to 37mm semi-wideangle. A photographer can enjoy diverse wideangle expressions with just this one lens, from dynamic landscapes far beyond the normal human field of vision to simple, casual snapshots. 

  1. Improved optical performance across the entire zoom range

The optical design of the new Model B023 consists of 16 lens elements in 11 groups. Special lens elements are utilized in an optimum configuration of one LD (Low Dispersion) lens element, one XLD glass element, one molded glass aspherical element, and one hybrid aspherical lens. While curbing an increase in the size of the optical system, the new lens very effectively compensates for a wide variety of aberrations in the entire zoom range, including transverse chromatic aberration, comatic aberration and distortions that tend to become more prominent with a wideangle lens.

Tamron’s highly regarded BBAR (Broad-Band Anti-Reflection) Coating and the optical design paying close attention to internal reflections in the lens barrel also curb the effects of harmful light rays that tend to occur with a wideangle lens, achieving excellent resistance against ghosting and flare seen in backlighting situations.

  1. 4-Stop Vibration Compensation that is especially useful in low light conditions

In response to the requests of many customers who have asked the company to equip a wideangle lens with image stabilization, we have now installed Tamron’s acclaimed VC (Vibration Compensation) on the new Model B023. Optimizing the actuator and the control algorithm has made it possible to incorporate the VC, while maintaining the compact design of the previous Model B001. The VC especially enhances the photographer’s freedom in handheld shooting at dusk or in a dimly lit room, and under other relatively low light conditions, as the mechanism proves particularly effective in the shooting conditions with slower shutter speeds.

  1. Equipped for the first time with the new HLD with outstanding driving power and stability

Tamron’s new HLD (High/Low torque modulated Drive) has been developed for use as the AF drive system for Model B023. With its outstanding driving power and stability, the HLD is capable of smoothly controlling the AF mechanism of the new Model B023 that is actually equipped with large focusing lens elements. When shooting in AF mode, the Full-time Manual Focus override allows you to instantly make fine focusing adjustments manually, without having to switch between modes.

  1. Compressed into a compact body with structural ingenuity

While enhancing image quality, adding new functions and substantially improving the basic performance, Model B023’s space-saving design has ensured an optimum configuration for components such as the VC and AF unit, thus successfully reducing overall length compared to the previous Model B001. The lightweight and compact body with outstanding ease of use will prove to be very well-balanced when attached to an APS-C DSLR camera.

  1. An even more user-friendly lens with Fluorine Coating and Moisture-Resistant Construction

The front surface of the foremost lens element is coated with a protective fluorine compound that is water- and oil-repellant. The lens surface is easier to wipe clean and is less vulnerable to the damaging effects of dirt, dust, moisture and fingerprints, allowing for much easier maintenance. For greater protection when shooting outdoors, leak-proof seals throughout the lens barrel help protect your equipment.

  1. Electromagnetic diaphragm system now used also for Nikon-mount lenses

An electromagnetic diaphragm system, which has been a standard feature for Canon-mount lenses, is now employed in Nikon-mount lenses2. More precise diaphragm and aperture control is possible because the diaphragm blades are driven and controlled by a motor through electronic pulse signals.

  1. Compatible with TAMRON TAP-in ConsoleTM, an optional accessory product

The optional TAP-in Console provides a USB connection to your personal computer, enabling you to easily update your lens’s firmware as well as customize features including fine adjustments to the AF and VC.

  1. External design placing importance on functionality and ease of use

While inheriting the design that makes use of a lot of organic curves and the delicately polished form down to fine details that characterize the SP lens series, the new Model B023 comes with a highly sophisticated design that also places much importance on the lens’s functionality and ease of use, featuring an overall form that faithfully encompasses the internal structures within, a slim Luminous Gold brand ring, the switch shape and the distance-scale window design.

1. Among ultra-wideangle zoom lenses for APS-C DSLR cameras (As of January, 2017; Tamron)

2. Available only with cameras compatible with the electromagnetic diaphragm (D3100, D3200, D3300, D3400, D5000, D5100, D5200, D5300, D5500, D5600, D7000, D7100, D7200, D300, D300s) (As of January, 2017; Tamron)

Specifications

  Tamron SP 70-200mm 2.8 Di VC USD G2 Tamron 10-24mm F3.5-4.5 Di II VC HLD
Principal specifications
Lens type Zoom lens
Max Format size 35mm FF APS-C / DX
Focal length 70–200 mm 10–24 mm
Image stabilization Yes (5 stops) Yes (4 stops)
Lens mount Canon EF, Nikon F (FX) Canon EF-S, Nikon F (DX)
Aperture
Maximum aperture F2.8–22 F3.5–22
Minimum aperture F2.8–22 F4.5–29
Aperture ring No
Number of diaphragm blades 9 7
Optics
Elements 23 16
Groups 17 11
Special elements / coatings eBAND and fluorine coatings
XLD, LD elements
Broad-band Anti-reflection & fluorine coatings
LD, XLD, aspherical, and hybrid aspherical elements.
Focus
Minimum focus 0.95 m (37.4) 0.24 m (9.45)
Maximum magnification 0.16× 0.19×
Autofocus Yes
Motor type Ring-type ultrasonic
Full time manual Yes
Focus method Internal
Distance scale Yes No
DoF scale No
Focus distance limiter Yes
Physical
Weight 1500 g (3.31 lb) 440 g (0.97 lb)
Diameter 88 mm (3.46) 84 mm (3.29)
Length 194 mm (7.63) 85 mm (3.33)
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock Yes No
Filter thread 77.0 mm
Hood supplied Yes
Tripod collar Yes No

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Tamron announces 70-200mm F2.8 and 10-24mm F3.5-4.5 updates

Posted in Uncategorized

 

First samples from the new Nikon 70-200mm F2.8E FL ED VR

02 Feb
ISO 100, 1/400 sec at F4.5. Photo by Dan Bracaglia

The Nikkor 70-200mm F2.8E FL ED VR is the third version of Nikon’s workhorse telezoom. Most of us on staff have spent a bit of time with the previous two versions, and the latest iteration features a new optical design, improved VR and an electromagnetic diaphragm.

We have not had it in the office long but the impression already is that it’s both impressively sharp and well-stabilized. In short, it’s going to appeal to a wide range of photographers. We’ll be sure to add additional images to this gallery once we’ve had more time with the lens, but for now take a look at some initial samples.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on First samples from the new Nikon 70-200mm F2.8E FL ED VR

Posted in Uncategorized

 

LensRentals tests the Nikon 70-200mm F2.8 FL ED

22 Nov
Sarah McAlexander, Lensrentals.com, 2016

Our friends at LensRentals have acquired a supply of Nikon’s new 70-200mm F2.8E FL ED AF-S VR. Nikon’s PR department has been making big claims about this third generation of its workhorse zoom, so Roger Cicala et al. have done us all a kindness by putting it on their optical bench and publishing the results. 

While he finds a bit of sharpness gained at the wide and long end of the range, Cicala is most impressed with performance at 135mm, calling it ‘night and day’ compared to its predecessor. 

Take a look at the full blog post for all of the test results, and yes – even a comparison against Canon’s 70-200mm F2.8L IS II USM.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on LensRentals tests the Nikon 70-200mm F2.8 FL ED

Posted in Uncategorized

 

Hands-on with Nikon AF-S Nikkor 70-200mm F2.8E and PC Nikkor 19mm

22 Oct

Hands-on with Nikon AF-S Nikkor 70-200mm F2.8E and PC Nikkor 19mm

Nikon just released two new lenses – the AF-S Nikkor 70-200mm F2.8E FL ED VR and PC Nikkor 19mm F4E ED. We’re at the Photo Plus show in New York, where we got our hands on them.

Hands-on with Nikon AF-S Nikkor 70-200mm F2.8E and PC Nikkor 19mm

The AF-S Nikkor 70-200mm F2.8E FL ED VR is the third iteration of Nikon’s modern 70-200mm F2.8 telezoom. Improvements over its predecessor include a complete optical redesign and fluorine coatings on the front and rear elements.

While the new lens is only around 100g lighter than the VR II, and a mere couple of millimeters slimmer, it makes a difference. The new lens definitely feels like less of a ‘lump’ than the older version, thanks partly to a shift in the center of gravity, with more weight moved towards the mount. 

Hands-on with Nikon AF-S Nikkor 70-200mm F2.8E and PC Nikkor 19mm

The new lens construction features 22 elements, including six ED, one fluorite and one high refractive index element. As we’d expect from a lens in Nikon’s professional F2.8 lineup, the body is weather-sealed, and includes a rubber flange around the mount to prevent dust and moisture from getting into the camera body when the lens is in use. 

Hands-on with Nikon AF-S Nikkor 70-200mm F2.8E and PC Nikkor 19mm

The ‘E’ in ‘2.8E’ denotes an electronic aperture actuator. Most Nikon lenses still feature a mechanical aperture actuator, but the benefit of electrical actuation (which is slowing being phased in to Nikon’s high-end lenses) is better precision, and stepless movement. The latter feature is especially important when shooting video. Minimum focus in the new lens has been reduced compared to its predecessor, to ~1.1 meters. 

Hands-on with Nikon AF-S Nikkor 70-200mm F2.8E and PC Nikkor 19mm

As usual with high-end telezoom lenses, the AF-S Nikkor 70-200mm F2.8 E features a focus limiter, to prevent hunting when working at longer subject distances. Alongside the usual VR and AF mode switches the new lens also offers an AF-L / Off / AF-ON switch, which allows the buttons on the lens barrel to either activate or lock AF (or be deactivated).

Hands-on with Nikon AF-S Nikkor 70-200mm F2.8E and PC Nikkor 19mm

According to Nikon, the new 70-200mm F2.8E features a refined vibration reduction (VR) system, offering the equivalent of up to four stops of correction. The  AF-S NIKKOR 70-200mm f/2.8E FL ED VR will be available next month for $ 2799.99.

Hands-on with Nikon AF-S Nikkor 70-200mm F2.8E and PC Nikkor 19mm

Next up, at the opposite end of the lineup is the PC Nikkor 19mm F4E ED. Nikon’s widest PC (perspective correction) lens, the 19mm F4E should appeal to architectural and real-estate photographers who need the ability to correct for perspective optically rather than digitally, in post-processing. 

Hands-on with Nikon AF-S Nikkor 70-200mm F2.8E and PC Nikkor 19mm

The 19mm F4E offers 97° of coverage and can shift ±12mm and tilt ±7.5°. Unlike the company’s existing PC-E designs, the mechanism for tilt can be rotated independently from the mechanism for shift, allowing the tilt to be set either parallel to or perpendicular to the shift.

Hands-on with Nikon AF-S Nikkor 70-200mm F2.8E and PC Nikkor 19mm

The new lens is distinguishable by its enormous bulbous front element. Optical construction includes three ED and two aspherical elements as well as Nano Crystal Coating.

Hands-on with Nikon AF-S Nikkor 70-200mm F2.8E and PC Nikkor 19mm

Minimum focus is around 25cm, and as we’d expect from a perspective correction lens, focusing is manual, via a large and well-damped focus ring. Unlike classic Nikon PC designs, aperture is electronically controlled from the camera body.

Hands-on with Nikon AF-S Nikkor 70-200mm F2.8E and PC Nikkor 19mm

Like the new 70-200mm F2.8E, the 19mm F4E is built to a very high standard, and includes a rubber flange to keep dust and moisture out of the camera body. 

Hands-on with Nikon AF-S Nikkor 70-200mm F2.8E and PC Nikkor 19mm

The PC Nikkor 19mm F4E ED will be available next month for $ 3,399.95.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Hands-on with Nikon AF-S Nikkor 70-200mm F2.8E and PC Nikkor 19mm

Posted in Uncategorized

 

Sony FE 70-200mm F2.8 GM galleries: Roller derby and daylight base ISO samples

14 Oct

Our friend James McDaniel recently put Sony’s premium stabilized telezoom to the test, first in low light shooting roller derby WFTDA Playoff action and later in daylight, shooting at base ISO. This lens features built-in image stabilization and uses a linear motor to acquire focus quickly and silently, which could be real benefits to all kinds of photographers. We’ll be adding to the base ISO gallery as soon as we catch a break from the rainy Seattle weather. Until then, enjoy the two galleries below:

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Sony FE 70-200mm F2.8 GM galleries: Roller derby and daylight base ISO samples

Posted in Uncategorized