Posts Tagged ‘2017’

2017 Buying Guides: Best compacts, drones and phones

22 Nov

Looking for a lightweight compact camera that’s easy to bring with you anywhere? Or maybe you’re smartphone-shopping and want the one that takes the best picture. And what if you want to shoot from above? In these buyers guides we have recommendations for the best compact cameras, smartphones and drones.

If you want a compact camera that produces great quality photos without the hassle of changing lenses, there are plenty of choices available for every budget. All of the cameras in this buying guide have zoom lenses, with focal length ranges mostly spanning around 24-70mm (equivalent).

Best pocketable enthusiast cameras

The long zoom cameras in this buying guide fit into the enthusiast category, meaning that they offer solid build quality, electronic viewfinders and (usually) 4K video capture. All of these long zooms have 1″-type sensors, which slot in between the micro-sensors in phones and cheap compacts, and Micro Four Thirds and APS-C sensors in interchangeable lens cameras.

Best enthusiast long zoom cameras

The fixed lens camera market may be a bit niche, but it’s here that you’ll find some of the best cameras you can buy. Sensors ranging from APS-C format to full-frame are designed to match their lenses, so image quality is top-notch.

Best fixed prime lens cameras

All of the products in this guide fall into the ‘buy and fly’ category, meaning they require no extra components or customizations. Options range from personal ‘selfie’ drones to advanced models capable of producing professional-grade photos and video. Best consumer drones

In 2017 phone manufacturers turned to software and computational imaging methods to achieve better detail, wider dynamic range and lower noise levels, as well as high-quality zooming and DSLR-like bokeh effects. We’ve put the latest flagship smartphones through their paces and can point you in the right direction.

Best smartphone cameras

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2017 Buying Guides: Best cameras for any budget

22 Nov

Shopping for a camera with a set budget? No problem! We’ve rounded up our favorite cameras, broken them into price brackets from around $ 500 to well over $ 2000 and listed our favorite choices. So, if you want to give that special someone a holiday gift that won’t bust your wallet, we’ve got you covered.

If you’re looking for a camera for a specific use case, we have plenty of suggestions right here.

The cameras in this buying guide are light and portable, and several feature selfie-friendly LCDs. Generally speaking, you won’t find a lot of direct controls or a lot of customizability, and 4K video is rare, but for those seeking a point-and-shoot experience with better image quality, these cameras fit the bill.

Best cameras under $ 500

The cameras in this buying guide tend to offer more direct controls than cheaper models, better autofocus systems, and some feature 4K video capture as well. Some of them are easy to pick up and use, while others require a bit more work to get the hang of.

Best cameras under $ 1000

Cameras in the $ 1000-1500 price range have excellent sensors (some full-frame), advanced autofocus systems and 4K video capture. Expect plenty of direct controls and customizability and, in some cases, weather-sealed bodies.

Best cameras under $ 1500

As you approach the $ 2000 price point you’ll find flagship APS-C and Four Thirds cameras, built for speed and durability. You’ll also find a handful of full-frame ILCs and DSLRs, with their own unique selling points.

Best cameras under $ 2000

If you’re a serious enthusiast or working pro, the very best digital cameras on the market will cost you at least $ 2000. That’s a lot of money, but generally speaking these cameras offer the highest resolution, the best build quality and the most advanced video specs out there, as well as fast burst rates and top-notch autofocus.

Best cameras over $ 2000

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2017 Buying Guides: Best cameras for every kind of photographer

22 Nov

There’s never been a better time to shop for a new camera, but the number of options available can be overwhelming. In this series of buying guides we’ve provided customized recommendations for several use cases, from shooting landscapes to buying a first camera for a student photographer.

In each of these guides you’ll find one or two main recommendations, and detailed content on several other cameras that deserve your consideration. Our recommendations span product class and cost, but if you’d rather shop by price, click here

If you’re specifically looking for a compact camera, check out our phones, drones and compacts buying guide hub here

Maybe you want better photos in low light. Maybe you’re tired of digital zoom. Whatever the reason, if you’re looking for a capable, beginner-friendly camera to grow and learn with, we’ve got you covered in our guide to best cameras for beginners.

Best cameras for beginners

Quick. Unpredictable. Unwilling to sit still. Kids really are the ultimate test for a camera’s autofocus system. In this guide we’ve compiled a shortlist of what we think are the best options for parents trying to keep up with young kids.

Best cameras for parents

There’s no doubt that the digital revolution made it easier than ever before to pick up a camera and start learning photography. But it hasn’t necessarily gotten easier to choose a first camera. We’re here to help.

Best cameras for students

Whether you’re piling the family in the minivan for a trip to the Magic Kingdom or backpacking through Southeast Asia, you’re going to want to capture the experience with photographs.

Best cameras for travel

Are you a speed freak? Hungry to photograph anything that goes zoom? Or perhaps you just want to get Sports Illustrated level shots of your child’s soccer game. Keep reading to find out which cameras we think are best for sports and action shooting.

Best cameras for sports and action

Video features have become an important factor to many photographers when choosing a new camera. Read on to find out which cameras we think are best for the videophile, at a variety of price points.

Best cameras for video

Landscape photography isn’t as simple as just showing up in front of a beautiful view and taking a couple of pictures. Landscape shooters have a unique set of needs and requirements for their gear, and we’ve selected some of our favorites in this buying guide.

Best cameras for landscapes

Those shooting portraits and weddings need a camera with a decent autofocus system, which won’t give up in low interior lighting. Good image quality at medium/high ISO sensitivity settings is a must, and great colors straight out of the camera will make your life much easier. These days, video is a big deal too. Read on to see which cameras are best suited to those tasks.

Best cameras for people and events

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Treat yourself 2017: the ultimate holiday gift guide for that special person (you)

20 Nov

2017 Treat Yourself Buying Guide

The holidays are all about giving, so why not give back to the most important photographer in your life? That’s right, I’m talking about you.

At this time of year there are plenty of gift guides out there geared toward buying for others, but at the end of the day, your own photographic spirit needs nurturing. Also, camera gear can be pretty pricey and no matter how much they love you, your significant other/siblings/parents/friends might not be able to spring for that $ 1600 item on your wish list.

In this guide, we’ve rounded up a list of gear designed to pamper you and your creative spirit. From the ultimate pocket compacts, to nicer ways of carrying your camera, to the perfect rugged, portable hard drive – we’ve got you covered.

Peak Design Everyday backpack, 20L black

Peak Design Everyday backpack, 20L | $ 260 |

Treat yourself to one of the most technical and well-thought-out camera backpacks on the market: the Peak Design Everyday backpack. It comes in both a 20L and 30L capacity.

Weather-proof with plenty of ways to expand its carrying capacity including luggage straps, this bag is also real slick-looking. We’re big fans of the origami-style Flex-Fold dividers used to organize the bag’s interior, and we also appreciate the many interior pockets.

DJI Mavic Pro Fly More Combo

DJI Mavic Pro more combo | $ 1300|

There are smaller, cheaper drones than the DJI Mavic Pro out there, (like the DJI Spark) but we recommend treating yourself to the Pro because it offers a great balance of portability, features and image/video quality. The Mavic Pro can shoot 12MP Raw files and 4K video and offers 27 minutes of flight time, 3-axis gimbal stabilization and can fly at up to 40 mph. It’s also pretty easy to pick up and start using, especially in beginner mode, though there is a slight learning curve.

In a sense, it’s the perfect drone for the first-time-flyer, long-time-photographer who wants to shoot more than HD video or JPEGs with their drone. We recommend you spend the extra cash on the controller – using your cellphone alone provides a very limit flight range and mediocre flight experience. But there are few things better for changing up your photographic perspective than owning a flying camera.

Affinity Photo for desktop

Affinity Photo for desktop | $ 50 |

Affinity Photo for desktop is a nifty piece of editing software that rivals Photoshop, all for a one time payment of $ 50.

In our review of Affinity Photo, we found the software more than capable at handling the majority of our re-touching tasks. Editing is mostly non-destructive and there are tools for batch processing, Raw processing, tone mapping, creating panoramas and focus stacking. Plus, if you’re coming from Photoshop, the learning curve is pretty shallow.

Affinity Photo for desktop is available for both Mac and PC.

Polaroid OneStep 2

Polaroid OneStep2 + i-Type film pack | $ 146 |

The ultimate treat yourself: Take a step back from the technical nitty-gritty of this modern digital world and try shooting just for composition – it can do wonders for your creative spirit. To get into this mindset may we suggest one of the coolest instant cameras on the market, the Polaroid OneStep2?

The OneStep2 is a modern rebirth of the classic Polaroid OneStep. The controls on this camera are purposely limited: there’s a shutter button, a flash on button and a self-timer. It shoots Polaroid i-Type film which is similar to the original Polaroid 600 film and substantially larger than the Instax film offered by Fujifilm.

The camera itself is pretty affordable ($ 100), but it’s the film cost that’ll get you – at ~$ 2 a shot it’ll definitely have you shooting decisively. Nothing wrong with that!

Sandisk Extreme 500 portable SSD 500 GB

Sandisk Extreme 500 portable SSD 500 GB | $ 170 |

This tiny portable SSD drive is both drop-proof and weather-proof and it weighs less than 80g. For the traveling photographer with limited space, it’s an invaluable piece of gear – one that won’t fail if dropped or knocked around. It also offers super fast transfer speeds and runs cool and quiet.

So treat yourself and your data to peace of mind and pick up what we consider to be the most sensible rugged hard drive currently on the market.

Ricoh Theta V

Ricoh Theta V | $ 430 |

360-degree photos and videos are pretty darn cool and the technology required to make decent looking 360/VR content is finally coming down in price. Why not get in on the fun and treat yourself to one of the nicest stand-alone 360-cameras on the market in the form of the Ricoh Theta V?

We’ve found found the Theta V to be both easy-to-use and capable of impressive quality stills and video. It offers 4K video capture and shoots 14MP stills. Connectivity and audio capture have both been improved over the previous model, and the camera itself has a slick, Apple-like design.

Olympus Tough TG-5

Olympus Tough TG-5 | $ 450 |

The budget compact may be dead but the rugged compact is still very much alive. And the Olympus Tough TG-5 is a DPReview favorite. We already recommended it as a great gift option for others, but if you’re into outdoor activities it’ll make a great compact option alongside your main camera. In fact, DPR’s Carey Rose deemed it the ‘best rugged compact you can buy right now,’ based on his shooting experience.

The camera offers a 25-100mm equiv zoom lens and the body is completely sealed, making it waterproof down to 50ft, drop proof from 7ft, crush proof up to 220lb and freezeproof to 14F. It also shoots Raw and is capable of surprisingly good image quality. Other features include 4K video capture and 20 fps burst shooting.

There’s something to be said for a go-everywhere-camera that you don’t have to worry about dropping, breaking or soaking. And there’s none we’d recommend over the Olympus Tough TG-5. Treat yourself!

Sony RX100 V

Sony Cyber-shot RX100 V | $ 950 |

Speaking of compacts, the Sony Cyber-shot RX100 V is arguably the most advanced high-end pocket camera to ever exist, jam packed with a dizzying array of technology and features. The creme de la creme of small cameras, for many it is a want-to-have, not a need-to-have. To that we say… treat yourself!

It’s got a useful and sharp 24-70mm equiv. F1.8-2.8 zoom lens and can shoot at up to 24 fps with AF and auto exposure. Plus, it uses an impressive 315-point phase detect AF system. But that’s not all: it’s capable of outstanding 4K video and class-leading stills. The RX100 V also offers built-in Wi-Fi, a pop-up electronic viewfinder and a pop-up flash (read our full review).

The RX100 V has come down a tiny bit in price since launch, but if it’s still too expensive, you should consider some of the other also excellent, but more affordable RX100-series cameras.

Fujifilm X100F

Fujfilm X100F | $ 1300 |

We’ve enjoyed using every camera in the Fujifilm X100-series, and the X100F is the latest and greatest iteration. A beautifully-designed, retro-looking camera, the X100F offers a fixed 35mm F2 equiv. lens and tons of direct controls.

The X100F gains a higher-resolution 24MP sensor, an AF joystick and improved AF performance. We especially like the hybrid optical/electronic viewfinder. And unsurprisingly, we gave the X100F a gold award in our review.

In short, we think it’s among the nicest-designed compact cameras around and a great companion for travel, or documenting friends and family. So treat yourself to retro-elegance in this fixed-lens beauty.

Canon 85mm F1.4L IS USM

Canon 85mm F1.4L IS USM | | $ 1600

If you’re going to buy a portrait lens, you might as well buy one of the nicest primes released this year. We’re talking of course about Canon’s new 85mm F1.4L IS (see our sample gallery shot with it). Sharp, fast and stabilized, this lens is capably of seriously excellent image quality. It’s also dust and weather-sealed and features a 9-blade aperture.

At $ 1600, it’s priced pretty competitively, but Sigma’s stabilized 85mm F1.4 is also excellent, and somewhat cheaper at $ 1200.

Nikon D850

Nikon D850 | $ 3300 |

Perhaps you already shoot Nikon, but maybe you are invested in another DSLR system, or you shoot mirrorless. Regardless of the camera your are currently shooting with, we’d urge you to take a look at the best DSLR currently on the market: the Nikon D850. As we stated in its gold award winning review…

‘Offering an impressive 45.7MP of resolution, 7fps burst shooting, full-width 4K video and a focusing system derived from the flagship D5, it looks as though Nikon’s thrown just about everything they’ve got into the D850, and priced it well to boot. Competitors with similarly specced megapixel counts such as the Sony a7R II and Canon EOS 5Ds R may be cheaper at this point in their lifetimes, but they also fall short of the D850 in a number of ways that may make a difference in the way you shoot.’

If that doesn’t have you convinced the Nikon D850 is the ultimate treat yourself purchase, maybe our sample gallery will.

That’s all the self-gifting advice we have for you this year. We certainly don’t expect you to pick up everything on our list, but hopefully there is something here that’ll make you, or a special someone smile.

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Gear of the Year 2017 – Allison’s choice: Google’s HDR+ mode

16 Nov

I was told. And I believed. But I didn’t quite understand how good Google’s Auto HDR+ mode is. After shooting with the Pixel 2 in some very challenging lighting conditions, I’m a believer.

Google’s HDR+ mode is really, really good. And I’m prepared to defend it as my Gear of the Year.

Like I said, I was told. Our own Lars Rehm was impressed with Auto HDR+ in his Google Pixel XL review of last year. In his words: “the Pixel XL is capable of capturing decent smartphone image quality in its standard mode but the device really comes into its own when HDR+ is activated… The Pixel camera is capable of capturing usable images in light conditions that not too long ago some DSLRs would have struggled with.”

So heading out with the Pixel 2 in hand, I knew that was a strong suit of the camera. I was looking forward to testing it on some challenging scenes. Things didn’t look too promising though as the day started off pretty miserably.

The afternoon forecast looked better, but any Seattlite can tell you there are no guarantees in October. I figured I had a day of dull, flat lighting ahead of me that I’d have to get creative with. I was happily proved wrong.

The clouds started to thin out mid-afternoon. On a long walk from the bus toward Gas Works Park, I came across this row of colorful townhouses. The sun was behind them, and I snapped a photo that looked like a total loss as I composed it on the screen – the houses too dark and lost in the shadows. I didn’t want to blow out the sky to get those details in the houses, so I just took what I figured was a dud of a photo and moved on. So what I saw on my computer screen later was a total surprise to me: a balanced, if somewhat dark exposure, capturing the houses and the sky behind them.

Am I going to print this one, frame it and put it on the wall? No. But I’m impressed that it’s a usable photo, and it took no knowledge of exposure or post-processing to get it.

Gas Works used to be a ‘gasification’ plant owned by the Seattle Gas Light company and was converted into a park in the mid-70’s. Some of the industrial structures remain, monuments to a distant past surrounded now by green parkland and frequented by young families with dogs and weed-vaping tech bros alike. On a sunny afternoon in October it was, both literally and figuratively, lit.

I was convinced my photos were not turning out, but I kept taking them anyway. It’ll just be a deep shadows, blue sky kind of look, I thought. Little did I know that the Pixel 2 was outsmarting me every step of the way.

Back at my desk with the final photos in front of me, I was genuinely impressed by the Pixel 2. Did it do anything that I couldn’t with a Raw file and about 30 seconds of post processing? Heck no. But the point is that this is the new normal for a lot of people who take pictures and have no interest in pulling shadows in Photoshop. They will point their cameras at high contrast scenes like these and come away with the photos they saw in their heads. If you ask me, it’s just one more reason why smartphones will topple the mighty entry-level DSLR.

Apple’s catching on too. HDR Auto is enabled by default in new iPhones and veteran photographer/iPhone user Jeff Carlson is also impressed by how the 8 Plus handles high contrast scenes.

While smartphone manufacturers have been increasingly implementing HDR as an always-on-by-default feature, they’ve also been making these modes smarter and the effect more aggressive. What previously took technical know-how, dedicated software, and multiple exposures is now happening with one click of a virtual shutter button, and it’s going to keep getting better.

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Gear of the Year 2017 – Barney’s choice (part 1): Leica M10

11 Nov

My choice for Gear of the Year is a pricey camera with niche appeal. The Leica M10 is not a camera that many people are likely to buy, when compared to other major DSLRs and mirrorless products released in 2017. Leica knows that, and trust me – Leica is fine with it. The M10 probably isn’t a camera that will suit the majority of photographers, either – even those with the funds required to purchase one.

The M10 is a curious beast: a highly evolved throwback, which combines some very old technology with a modern 24MP full-frame sensor to offer a unique user experience with some unique quirks. It’s awkward, tricky to master, and lacks a lot of the bells and whistles common even in much cheaper competitors, but I love it all the same.

I could have taken this picture with pretty well any camera. But I took it with the Leica M10, because that’s what I had with me. (I didn’t promise you an exciting story).

There is a certain magic to Leica rangefinders, which is hard to properly explain. A lot of their appeal comes down to the quality of construction, which is obvious the moment you pick one up. While other brands have thrown their efforts behind high-tech mass-production (with admittedly impressive results), Leica has never aspired to market saturation and still makes its M-series cameras in much the same way as it always has done; relying heavily on manual processes, and the accumulated years of experience of its small workforce in Wetzlar, Germany (with a little help from electronics suppliers in Asia and a facility in Portugal).

A lot of Leica rangefinders’ appeal comes down to the quality of construction

I’ve been pretty cynical about some of Leica’s digital imaging products in the past (I still can’t get excited about the TL-series, for instance, despite the considerable improvements that have been made to that system since its introduction) and I make no secret of it. In the days of hybrid autofocus and 4K video, the M10 is clearly an anachronism.


The M10 and current 35mm F1.4 Asph., makes a powerful and unobtrusive combination. Many DSLRs and ILCs are technically more versatile, but few are as discreet while still offering a full-frame sensor.

Ironically, the M10 has won a place in my heart (and my camera bag) precisely because it isn’t trying too hard to be something that it isn’t. In contrast to the slightly bloated Typ. 240, the stills-only M10 is stripped back to the essentials. Presenting almost the same form-factor as the M6 TTL and M7, and an identical footprint to the original M3, the M10 is noticeably slimmer than previous digital M-series rangefinders while offering a simpler digital interface and tweaked image quality. In fact, with the M10 I can comfortably shoot at ISO 12,800 and higher without worrying about banding, or any particular image quality gremlins. The sensor isn’t quite up there with the best 24MP sensors on the market, but it’s more than good enough.

It’s been a long, strange year but as 2017 draws to a close, the M10 is probably the camera I’ve used most. While undoubtedly not as versatile as (say) a Nikon D850, the M10 does have the advantage of being considerably more convenient to travel with.

I still get a bit uncomfortable carrying what amounts to almost a year’s rent around my neck

I’ve done a lot of traveling this year, and the M10 has been with me almost everywhere I’ve gone. I love that I can fit a full-frame camera and lens outfit covering 28-90mm into a small Domke F6 shoulder bag without feeling like I’m going to pull my arm out of its socket. I still get a bit uncomfortable carrying what amounts to almost a year’s rent around my neck, but – touch wood (or rather, hand-laquered wood soft shutter release) – nothing bad has happened yet.

This started out as an attempt to quickly ‘de-bling’ a chrome M10 for my recent trip to the jungles of central Mexico. I might have got a bit carried away. Watch out for the ‘Britton Special Edition Jungle M10’ and remember – you saw it here first.

Partly that’s because I’m careful about who I point my camera at (and where I do it) but partly it’s because a black M10 in a black half-case, accessorized with some carefully applied black electrical tape, doesn’t actually draw much attention. The eye-catching chrome version looks absolutely beautiful by comparison, but it’s the kind of beautiful that makes me nervous.

The whole process of taking someone’s picture is less confrontational than it might be with a larger and louder camera

I’m not a huge proponent of candid portraiture, but the subtle click of the M10’s shutter means that even for casual snapshots of friends and family, the whole process of taking someone’s picture is less confrontational than it might be with a larger and louder camera.

The flip-side is that it’s also harder to use. For all of the smug chin-stroking of whiskery old salts who cut their teeth on M3s and M2s back in the Good Old Days, the suggestion that M-series rangefinders are as functional – or as practical – as SLRs “just as long as you know what you’re doing” is nonsense. I still shoot film occasionally and I love it, but compared to a 24MP full-frame sensor, even the finest-grained film is a pretty low-resolution medium. I’m much more prepared to let minor focus errors or even camera-shake slide when I’m flipping through scans from my film cameras than I am when examining digital files at 100% in Lightroom.

One of my favorite lenses on the M10 is actually one of the oldest that I own: the tiny 1950s-vintage Nikkor 2.8cm F3.5, attached via an LTM-M adapter. At F4, the center is sharp enough for this kind of (slightly) off-center composition, with just enough out of focus blur fore and aft for some subject separation. Newer Leica and 3rd party 28mm lenses are unequivocally sharper, but they’re also much bigger. This portrait was taken using Live View to ensure off-center sharpness using this vintage lens.

The M10 can turn out excellent results, but truly accurate focusing and composition can be extremely challenging – even for those with long experience of shooting with rangefinders. Yes, there’s always Live View, but on this point I tend to agree with the whiskery old salts: you don’t buy a rangefinder to use Live View (which doesn’t mean that I never do, because like every good whiskery old salt, I am also a hypocrite).

Perversely though, its inherent trickiness is one of the reasons I enjoy shooting with the M10 so much. Compared to an auto-everything DSLR or mirrorless camera, it’s very challenging. When I capture an image that I really like, I appreciate it more because I feel like I’ve worked harder to get there.

Leica M10 real-world samples

Please do not reproduce any of these images on a website or any newsletter / magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review), we do so in good faith, please don’t abuse it.

Unless otherwise noted images taken with no particular settings at full resolution. Because our review images are now hosted on the ‘galleries’ section of, you can enjoy all of the new galleries functionality when browsing these samples.

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Nikon will shut down all sales operations in Brazil at the end of 2017

07 Nov

Just last week, we learned that Nikon was shutting down operations in China, including closing a factory responsible for producing some of the company’s compact cameras and DSLR lenses. But if you thought that was going to be the only closure in the Nikon portfolio this month, think again.

Announced earlier today, Nikon has decided to cease all e-commerce operations in Brazil, where the company ONLY sells its wares via e-commerce. Translation: Nikon will no longer sell cameras, lenses or accessories in the country. Brazilians’ only option will be gray market gear.

The news was announced in a press release that is linked prominently at the top of the Nikon Brazil website. It reads (Google translated and edited for clarity):

As of December 31st, 2017, Nikon do Brasil Ltda. will end the sale of cameras, lenses and photographic accessories in the Brazilian market, currently marketed exclusively through its e-commerce arm, the Nikon Store. The company’s other business segments, including customer service and technical assistance, will continue to operate normally.

The change is part of ‘global scale restructuring’ of the company’s R&D, Sales and Manufacturing, and at least appears to be the first step in pulling out of Brazil entirely. For now, products under warranty and those purchased through the Nikon Brazil Store before December 31st will continue to have access to warranty services and customer service.

Owners of out-of-warranty gear will receive service “where possible” and “based on costs approved by the owners.”

Press Release

Nikon do Brasil Ltda. announces the closure of e-commerce in Brazil

Nikon Corporation is optimizing R & D, Sales and Manufacturing structures in a global scale restructuring.

As part of this process Nikon do Brasil Ltda.—as of December 31st, 2017—will end the sale of cameras, lenses and photographic accessories in the Brazilian market, currently marketed exclusively through its e-commerce arm, the Nikon Store. The company’s other business segments, including customer service and technical assistance, will continue to operate normally.

Products under warranty, including those marketed by Nikon Brazil’s e-commerce through December 31st, 2017, will continue to honor the warranty periods. For out-of-warranty products, where possible, technical assistance will be provided based on costs approved by the owners.

São Paulo, November 6, 2017.

Auster Nascimento
President – Nikon do Brasil

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GoPro Q3 2017 financial results reveal return to profitability

04 Nov

GoPro has reported its Q3 2017 financial results, detailing revenue that highlights a return to profitability. The company has undergone extensive business restructuring over past months in an effort to reverse its fortunes while decreasing non-GAAP expenses. According to its latest quarterly results, GoPro saw a 37% year-on-year revenue increase, raking in $ 47 million in cash with a 40% gross margin.

GoPro achieved both GAAP and non-GAAP profitability during its third fiscal quarter, with company CEO Nicholas Woodman saying, “GoPro has turned a corner, restoring growth and profitability to our business.” In addition to growing revenue, GoPro saw “dramatically reduced operating costs,” though the lower costs won’t affect its product roadmap, according to Woodman.

In its third quarter last year, GoPro saw a GAAP net loss of $ 104 million. Compare that to this year’s Q3 GAAP net income of about $ 15 million, and you’ll get a sense of the drastic improvement the company just posted. The turnaround has been largely driven by GoPro’s average sales price (up 22% year-on-year) and the cat that its quarterly operating expenses were the lowest they’ve been in 3 years.

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Sigma to reveal new lens at PDN PhotoPlus Expo 2017

05 Oct

Lens maker Sigma will showcase its full range of Sigma Global Vision lenses, Cine high-speed primes and zooms as well as the Foveon sensor-based sd Quattro and Quattro H cameras at the upcoming PDN PhotoPlus Expo 2017 Expo trade show in New York City later this month, but that’s not all they’re doing.

The company has also announced it will reveal one completely new lens at the show, teasing us with this little detail without revealing anything else about the upcoming glass.

Additionally, a number of photographers and other imaging professionals will take the stage at the Sigma booth and talk about how they use Sigma products in the areas of aviation, editorial, glamour, landscape, travel and wedding photography.

As if those weren’t enough reasons to pay a visit, PPE 2017 attendees who visit Sigma’s booth (#837) will also have a chance to enter and win a Sigma 24-70mm F2.8 Art lens. Something to think about if you happen to be in New York at the end of October…

Sigma Reveals its PDN PhotoPlus Expo 2017 Line Up and a Brand New Lens

The breakthrough year for Sigma Global Vision Art, Contemporary and Sport lenses on display; brand new lens addition to be unveiled; Sigma Pros light up stage with new presentations

Ronkonkoma, NY – October 4, 2017 Sigma Corporation of America, a leading still photo and cinema lens, camera, flash and accessory manufacturer, will showcase its full line up of Sigma Global Vision lenses, including a brand-new addition to the line, at the upcoming PDN PhotoPlus Expo 2017 Expo held at the Jacob Javits Convention Center in New York City from October 26-28, 2017 (booth 837).

The company will also have on hand its breakthrough optics for the cinema market – the Sigma Cine high-speed Primes and Zooms – as well as the Foveon sensor-based sd Quattro and Quattro H cameras.

“Sigma has had a landmark year with the introduction of seven new lenses across our Global Vision and Cine product lines,” states Mark Amir-Hamzeh, president of Sigma Corporation of America. “Our research and development team is dedicated to creating superior optics that meet the ever-growing requirements of today’s high resolution cameras, taking advantage of every possible design and element to capture the greatest picture detail for both still and moving images. We look forward to showcasing the culmination of what has been a remarkable year in optical advancements for Sigma at this year’s PPE event.”

Sigma 2017 introductions include the award-winning 14mm F1.4 DG HSM Art, 24-70mm F2.8 DG OS HSM Art, 135mm F1.8 DG HSM Art, 100-400mm F5-6.3 DG OS HSM Contemporary Sigma Global Vision lenses and the new Sigma Cine FF High Speed 14mm T2 and 135mm T2 prime lenses.

Sigma Special PPE Presentation – Sigma Pro Phenom Jen Rozenbaum
Sigma Pro Jen Rozenbaum will take the PPE stage on Wednesday, October 25, 11:00 AM – 12:30 PM to deliver a PPE Master Class on “How to make every woman look amazing.”Jen will share with attendees her vast experience in boudoir photography, providing top tips and secret tricks – from wardrobe to posing – that flatter all women. Jen’s presentation will help attendees understand how to best dress and pose any woman of any size and shape as well as gain confidence behind the camera whether they are shooting boudoir, wedding or seniors!

Master Photographers Take the Sigma Stage
Showcasing the very best in photography craft, the expanded Sigma Pro family will headline the Sigma stage and offer attendees a behind the lens look at the techniques and technology that captured some of the year’s most outstanding photographs in the areas of aviation, editorial, glamour, landscapes, travel and weddings.

This year’s prestigious Sigma Pro PPE stage line-up includes outdoor sports and adventure travel photographer Liam Doran, aviation photo expert Jim Koepnick, renowned bird and travel photographer Roman Kurywczak, fearless woman photographer Jen Rozenbaum, and glamour and wedding photographer Jim Schmelzer.

The exciting topics include (listed by Sigma Pro) and showcase lenses from Sigma Global Vision Art, Contemporary and Sport lines:

  • Liam Doran – Adventure Sports Photography: Get a behind the scenes look at the fast-paced world of editorial adventure sports photography with Liam Doran clients Powder, Bike, Ski, Mountain, Outside, Aka Skidor and many more. Showcasing Art and Sport lenses.
  • Liam Doran – Signature Images – A Visual Journey: From skiing in Switzerland to mountain biking in Colorado, Liam shares the backstory on how some of his favorite images were shot and which Sigma lenses helped him capture some of his best work. Showcasing Art and Sport lenses. Liam shoots extensively with the 12-24mm F4 DG HSM Art, 24-70mm F2.8 Art, 100-400mm F5-6.3 Contemporary and the 150-600mm F5-6.3 DG OS Contemporary and the 70-200mm F2.8 EX DG OS HSM lenses among others.
  • Jim Koepnick – Documentary Photography…A Single Lens Solution: While there is a mystique about street photography with an old rangefinder camera and one lens, the bottom line is the photo that is captured, and the story that photo tells the viewer. Jim shares what a pro can do with a Sigma 18-300mm F3.5-6.3 DC Macro OS HSM Contemporary lens.
  • Jim Koepnick – Air Show Photography – Sigma Has It Covered: Air shows are one of the most popular spectator events in the country, and the wide variety of Sigma lenses make it easy to photograph every aspect of exotic aircraft in the air and on the ground. Learn the best techniques for capturing fast moving planes in flight and making creative images of planes and personalities on the ramp using the Sigma 12-24mm F4 Art, 24-70mm F2.8 Art, 100-400mm F5-6.3 Contemporary and the 150-600mm F5-6.3 Contemporary lenses.
  • Roman Kurywczak – For the Love of Landscapes: Roman will take attendees on an inspirational journey showcasing the magic of landscape photography through useful tips, suggested camera settings, instruction on innovative techniques and recommendations for the optimal Sigma brand lenses and gear for capturing stunning images of your very own. Showcasing the Sigma 12-24mm F4 Art, 14mm F1.4 Art, 100-400mm F5-6.3 Contemporary and the 150-600mm F5-6.3 Contemporary lenses.
  • Roman Kurywczak – Getting Close for Impact: This educational lecture will show you the technical tips and tricks needed to take your close-up photography to the next level. Attendees will learn how to consistently capture sharp images, front to back, handheld, and all in a single frame with a variety of Sigma lens options including the Sigma 105mm F2.8 EX DG OS HSM, 150mm F2.8 EX DG HSM, APO Macro 180mm F2.8 EX DG HSM, 18-300mm F3.5-6.3 Contemporary, 100-400mm F5-6.3 Contemporary and the EM-140 DG Macro Flash.
  • Roman Kurywczak – Photographing Wildlife – from Portraits to Action: This exciting photographic journey will give attendees the important information they need to know about photographing wildlife out in the field – from camera settings to Sigma lens and accessory choices. Roman will share striking examples illustrating how the right lens choice positively impacts the image without breaking your budget. Showcasing the Sigma100-400mm F5-6.3 Contemporary, 150-600mm F5-6.3 Contemporary, 300-800mm F5.6 EX DF APO HSM and the 500mm F4 DG OS HSM Sport lenses.
  • Roman Kurywczak – Photography After Dark: This informative how-to program is designed to open up your eyes to the possibilities of photographing landscapes after dark, whether a natural landscape with the star filled sky as a backdrop, or dazzling city lights photographed from a helicopter using a variety of Sigma lenses including the Sigma12-24mm F4 Art, 14mm F1.4 Art and the 24mm F1.4 DG HSM Art lenses.
  • Jen Rozenbaum – Bulletproof Posing for All Women: Confidence is just as important behind the lens as it is in front of it! Posing women is a creative challenge for all photographers. Join Jen as she shows her bulletproof tips and tricks for posing women to make them look simply amazing, and give the photographer and subject the confidence that generates an incredible shoot. Showcasing the Sigma 50mm F1.4 DG HSM Art,85mm F1.4 DG HSM Art, and the 24-105mm F4 DG OS HSM Art lenses.
  • Jim Schmelzer – Glamour Photography Using Exotic Lenses for Impact: Jim will showcase a variety of glamour images shot with Sigma Art and Sport lenses. He will deconstruct shots –sharing tips, including those that he used to capture the stunning images of world-class models from his latest commercial glamour shoot in Cancun Mexico. Showcasing the Sigma 85mm F1.4 DG HSM Art, 120-300mm F2.8 DG OS HSM Sport and the 135mm F1.8 Art lenses.
  • Jim Schmelzer – Choosing the Right Lens for Your Wedding Day Assignment:Wedding day photographers must wear a variety of hats. They need to be an architectural photographer, photojournalist, portrait artist and most importantly, they need to be fast and accurate. Look over Jim’s shoulder as he demonstrates how he captures the versatility in images required of today’s modern wedding photographer. Showcasing the Sigma 12-24mm F4 Art, 24-105mm F4 Art, 35mm F1.4 DG HSM Art and the 85mm F1.4 Art lenses.

For the Sigma Pro presentation schedule days and times, please visit: ?

Sigma Super Giveaways at PPE 2017
PPE 2017 attendees who visit Sigma at booth 837 will have a chance to enter and win a Sigma grand giveaway – a 24-70mm F2.8 Art – an MSRP value of $ 1299.00 USD!

Re-engineered and introduced in 2017, the newly updated 24-70mm F2.8 Art lens is Sigma’s workhorse zoom lens. It touts a brand new Optical Stabilizer (OS), Hypersonic Motor (HSM) for highly efficient and fast autofocus, as well as a dust- and splash-proof mount with rubber sealing.

The 24-70mm F2.8 Art lens embodies all the technical qualities and finesse that define the high-performance Sigma Global Vision Art series. A popular industry focal range covering a wide array of shooting scenarios, the 24-70mm’s optical design also includes three SLD (Special Low Dispersion) glass elements and four aspherical elements to ensure image accuracy and sharpness. The 24-70mm F2.8 Art aspherical elements use Sigma’s thicker center glass design and highly precise polishing process, delivering stunning images and bokeh effects. The lens’ purpose-built structure boasts a new metal barrel for optimal durability with TSC composite internal moving components designed to resist thermal contraction and expansion. Available for Canon, Nikon and Sigma camera mounts.

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These are the winners of the 2017 EyeEm Awards, the world’s largest photo competition

17 Sep
Photo © Sasha Dudkina, EyeEm 2017 Photographer of the Year

A month and a half after revealing the finalists of the 2017 EyeEm Awards, the photo sharing community and licensing marketplace has finally revealed the winners.

The 2017 EyeEm Awards have a few distinguishing factors. First, if you go by number of submissions, they are the world’s largest photo competition—over 590,000 photos were submitted by over 88,000 photographers. Second, for the first time in the awards’ short history, all of the winning images come from a full series. And finally, this year EyeEm added a Community Vote category.

Scroll down to see all of the winning series, along with a short description of the photographer and what they were trying to capture.

2017 EyeEm Photographer of the Year

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Sasha Dudkina is a 19-year-old photographer from Moscow, Russia. She shoots with a Canon 650D and occasionally her iPhone.

Sasha’s photographic style is characterized by glances and holding on to fleeting moments. She considers herself an observer, always taking in the people and events around her, often times snapping candid photos of her friends and strangers. Her photography is inspired by her home country of Russia, its literature, music, diversity of nature and especially the people.

“Sasha has been a super engaged community member since joining EyeEm in 2014,” said Brada Vivi Barassi, Head of Photography at EyeEm. “She regularly participates in Missions and shares life through her lens in a really consistent, intimate way. Sasha is brimming with potential. We’re so excited to work with her, help unleash her creativity to the full and provide support throughout her photography journey.”

The Great Outdoors Category Winner

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Guiga Pira was asked to join the crew of an anti-poaching ship as the drone pilot for a campaign to protect the most endangered marine mammal in the world from illegal fisherman. Drones were used to locate, identify and document illegal fishing activities in a protected area.

Pira said as the drone pilot in this campaign “I saw too much of the dark side of humanity in such a beautiful place. I decided to make the best of my time while flying, so every time the drones were launched I tried to capture the beautiful side of the area I was patrolling.”

The Street Photographer Category Winner

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The lead photo was taken as part of Julie Hrudova’s series, ‘LEISURE,’ which is an ongoing series Hrudova says is “core to what my work is about.” It’s a play with photography being a trustworthy and truthful medium by creating some confusion about what is actually happening in the image, or why. Hrudova says her subjects are focused on their leisure activities and often isolated.

The photos from the series are taken in Moscow, Tokyo and Amsterdam.

The Architect Category Winner

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Denise Kwong went to a popular spot in Hong Kong to shoot the markets below, when she looked to the left and saw this block of units. Kwong said: “With its lighting scheme, it was giving off a cinematic vibe and I also love how how each lit balcony made the building facade look like a sheet of negatives – each telling its own story.”

The Portraitist Category Winner

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The winning image was taken as part of Adeolu Osibodu’s series, ‘Losing Amos.’ Osibodu says: “My Grandfather Amos died in 2014. It was then that I realized how casual my idea of him was. I constantly asked myself why I couldn’t see beyond his heavy grins, why I couldn’t define him as more than the man who was never unhappy… these were unsettling thoughts that meddled with my conscience.” Osibodu decided to take a series of self-portraits wearing different clothes his grandfather owned at various times in his life.

“Maybe this is inspired by an urge to find consolation or my intimate affection for a time before, or me just being Adeolu. Regardless, I’m forever glad I happened to find myself in this state.”

The Photojournalist Category Winner

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The winning image is from Ramin Mazur’s series, “The Process,” documenting a production of Hamlet put on in a prison in Moldova.

The Republic of Moldova has one of the highest numbers of inmates per capita in Europe, including the highest rate of the long term convicted. To shed a light on the issues of penitentiary system, art centre “Coliseum” directed a play in the most secure prison in Moldova. For several months inmates were studying the craft of acting to perform on the same level as professionals from the National Theatre. Some of the inmates had already been in prison for more than half their lives. Through this play, directors Mihai Fusu and Luminita Ticu aimed to draw attention to conditions of lifers in Moldova, the penitentiary system as whole and most importantly, stereotypes.

Inmates and their right to be changed is a taboo topic among people and, paired with poor economical conditions and corrupted institutions, leaves little chance for those who want to be changed or forgiven.

The Community Vote Category Winner

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Robert Torrontegui‘s portrait series captured in Manila, Philippines was selected by the EyeEm community from all of the finalists.

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