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Posts Tagged ‘14mm’

Laowa unveils $499 14mm F4 Zero-D lens for EF, F mount camera systems

16 Jul

Venus Optics has announced the release of the Laowa 14mm F4 Zero-D lens for Canon and Nikon DSLR camera systems.

The lens is constructed of 13 elements in 10 elements, including two extra-low dispersion ale nets and two aspherical elements. Like other Laowa ‘Zero-D’ lenses, the lens features near-zero distortion, despite its wide angle of view.

It’s also the first lens to get what Venus Optics called a focusing scale adjustment system, which allows you to calibrate the infinity point of the lens to ensure it’s exactly at the infinity mark based on the specific camera model you’re using it on. Venus Optics has shared the below tutorial showing owners what the calibration process looks like:

The lens features an integrated CPU for electronic control of the aperture with Canon EF mount camera bodies and an aperture coupling for Nikon F mount camera bodies. Other features includ a minimum focusing distance of 14.5cm (5.7″), uses a five-blade aperture diaphragm and uses a 67mm front filter thread.

Below is a gallery of sample images, provided by Venus Optics from a range of photographers:

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As for measurements, the lens comes in at 72.5mm (2.85″) in diameter for both the EF and F mount versions. The Canon EF mount version measures 75mm (2.95″) long while the Nikon F mount version is 73mm (2.87″) long, while weighing 320g (11.3oz) and 360g (12.7oz), respectively.

The lens is available to order on Venus Optics’ website for $ 499.

Articles: Digital Photography Review (dpreview.com)

 
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Venus Optics unveils Laowa 14mm F4 ‘Zero-D’ lens for full-frame mirrorless cameras

18 Sep

Venus Optics has announced the release of its latest lens, the Laowa 14mm F4 FF RL ‘Zero-D’ lens for full-frame mirrorless camera systems.

The compact ultra-wide-angle lens is constructed of 13 elements in 9 groups, including two aspherical elements and three extra-low dispersion elements. The lens features a 114º angle of view on a full-frame sensor while maintaining near-zero distortion as the ‘Zero-D’ moniker alludes to.

The lens features an aperture range of F4-F22, uses a five-blade aperture diaphragm, has a minimum focusing distance of 27cm (10.6″) and uses a 52mm front filter thread. It measures in at 58mm in diameter, 59mm long and weighs just 228g (8oz).

Below is a gallery of sample images provided by Venus Optics:

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The Loawa 14mm F4 ‘Zero-D’ lens is available in Leica M, Leica L, Sony FE, Nikon Z, and Canon RF mounts on Venus Optics’ website. All versions retail for $ 549, with the exception of the Leica M mount, which retails for $ 649. Shipping will start in late September for all but the Leica M and Canon RF mount versions, which will see the first shipments go out in late October.

Articles: Digital Photography Review (dpreview.com)

 
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Venus Optics unveils Loawa 14mm F4 ‘Zero-D’ lens for full-frame mirrorless cameras

18 Sep

Venus Optics has announced the release of its latest lens, the Laowa 14mm F4 FF RL ‘Zero-D’ lens for full-frame mirrorless camera systems.

The compact ultra-wide-angle lens is constructed of 13 elements in 9 groups, including two aspherical elements and three extra-low dispersion elements. The lens features a 114º angle of view on a full-frame sensor while maintaining near-zero distortion as the ‘Zero-D’ moniker alludes to.

The lens features an aperture range of F4-F22, uses a five-blade aperture diaphragm, has a minimum focusing distance of 27cm (10.6″) and uses a 52mm front filter thread. It measures in at 58mm in diameter, 59mm long and weighs just 228g (8oz).

Below is a gallery of sample images provided by Venus Optics:

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The Loawa 14mm F4 ‘Zero-D’ lens is available in Leica M, Leica L, Sony FE, Nikon Z, and Canon RF mounts on Venus Optics’ website. All versions retail for $ 549, with the exception of the Leica M mount, which retails for $ 649. Shipping will start in late September for all but the Leica M and Canon RF mount versions, which will see the first shipments go out in late October.

Articles: Digital Photography Review (dpreview.com)

 
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Samyang/Rokinon Announces 14mm f/2.8 and 85mm f/1.4 Series II lenses

01 Jun

The post Samyang/Rokinon Announces 14mm f/2.8 and 85mm f/1.4 Series II lenses appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

If you’re looking for a reasonably-priced but high-performing lens or two, then you’re in luck.

dps-samyang-series-II-lenses

Samyang/Rokinon has now announced an update for two of its most popular pieces of glass:

The Samyang 14mm f/2.8 Series II

The 14mm f/2.8 and the 85mm f/1.4.

The Samyang 14mm f/2.8 and the 85mm f/1.4 are already highly-regarded among photographers looking to get strong images while keeping prices low (and who don’t mind full-time manual focus). The ultra-wide focal length of the 14mm is perfect for astrophotography, especially when combined with an f/2.8 maximum aperture. And the f/1.4 aperture on the 85mm is a great way to produce that gorgeous, creamy bokeh that portrait photographers want.

All for under $ 650 USD.

But now, with the announcement of the 14mm f/2.8 Series II and the 85mm f/1.4 Series II, Samyang/Rokinon has taken their product lineup a step further.

The 14mm f/2.8 Series II offers the same optics of the original Samyang 14mm, but now sports a focus lock; this allows you to set your point of focus and hold it in place, which is great for maintaining perfect focus in astrophotography, time-lapse, or other difficult-to-focus situations.

the Samyang 14mm Series II lens offers a de-click and a focus lock function

The Samyang 14mm Series II also features a “de-click” option, so that you can manually change the aperture along a near-infinite spectrum (rather than being forced to work in increments, which is the standard for most lenses). This is a great way to fine-tune your apertures in the field, and it also benefits video shooters who want to subtly alter exposure throughout a recording.

As for the 85mm f/1.4 Series II:

You still get the same excellent sharpness and bokeh, but Samyang has added a “de-click” feature to match the 14mm f/2.8 Series II.

And both lenses now offer weather sealing, which will be appreciated by astrophotographers, landscape photographers, and other outdoor shooters, and will make both lenses an easier sell for photographers that work in adverse conditions.

But perhaps the most enticing thing about the new Samyang lenses is the price:

You’ll be able to grab the 85mm f/1.4 Series II for just $ 400 USD, while the 14mm f/2.8 Series II will come in at $ 500 USD.

Sure, constantly using manual focus may come as a bit of a shock, especially if you’ve never used it before. But you’ll become an expert before long and, at such impressively low prices, these two lenses are hard to pass up.

You can currently preorder both the 85mm f/1.4 Series II and the 14mm f/2.8 Series II for Canon EF, Nikon F, Fujifilm X, MFT, and Canon M mounts.

Now over to you:

Do you have any experience with the original Samyang 85mm and 14mm lenses? What do you think of them? And for those of you who are interested in the new lenses: What do you plan to use them for?

The post Samyang/Rokinon Announces 14mm f/2.8 and 85mm f/1.4 Series II lenses appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Samyang releases updated ‘MK2’ versions of its popular 14mm F2.8, 85mm F1.4 lenses

26 May

Samyang, which is also sold under the brand name Rokinon, has released updated versions of two of its best-selling lenses: the MF 14mm F2.8 MK2 and the MF 85mm F1.4 MK2.

The updated manual focus lenses feature the same optical designs as their respective predecessors but add new features to provide a more seamless and robust user experience. In particular, both lenses now have weather-sealing, an updated focus ring for better grip and a switch for de-clicking the aperture without the need to tear it apart. The 14mm F2.8 MK2 also has a new focus lock switch for ensuring the focus doesn’t get bumped out of place during operation.

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Both lenses are available for Canon EF, Nikon F, Sony E, Fujifilm X, Canon M and MFT mount camera systems. As of writing this article, no pricing information is available for the lenses and no online retailer appears to have a product page up. We have contacted Samyang for additional information and will update accordingly when we receive a response.

Articles: Digital Photography Review (dpreview.com)

 
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Moment launches new ultra-wide Fisheye 14mm Lens with ‘bi-aspherical’ lens design

27 Nov

Smartphone lens manufacturer Moment has announced its new Fisheye 14mm Lens, an add-on lens that Moment claims ‘is the widest, crispiest shot you can have on a phone.’

The lens features an all-new optical design made specifically for the latest smartphones from Apple, Google, OnePlus and Samsung. It features a bi-aspheric design that Moment claims uses 15-percent more of the image sensor than its existing Fisheye 15mm lens.

This design results in a 170-degree field of view that’s 30% wider than the 120-degree field-of-view found on most ultra-wide-angle lenses in newer smartphones, such as the iPhone 11 Pro.

The resulting image can be de-warped using a new distortion correction filter in Moment’s Pro Camera app (Android, iOS). The de-warping feature is available in the iOS app today and the feature will make its way to the Android app ‘in the next few weeks.’

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Below is a sample video captured with the new Fisheye 14mm lens:

The Moment Fisheye 14mm lens costs just $ 89.99 for the first 48 hours, after which it will jump up to $ 119.99. It will work with Moment’s line of M-series cases, which include options for a handful of iPhone, Pixel, OnePlus and Galaxy devices. You can order yours now and find out more information on Moment’s website.

Articles: Digital Photography Review (dpreview.com)

 
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Samyang AF 14mm F2.8 RF arrives as the first third-party Canon RF autofocus lens

26 Oct

Samyang has introduced the first third-party autofocus lens for Canon RF mount, the Samyang AF 14mm F2.8 RF. The new model joins the company’s similar AF 14mm F2.8 lens for Canon EF, featuring a 113.9-degree wide angle of view (89.8-degree APS-C) thanks to 14 elements in 10 groups, including one high-reflective element, two extra-low dispersion elements and three aspherical elements.

Samyang says it ‘optimized’ the new AF 14mm F2.8 RF lens design so that it is compact enough for use with mirrorless cameras. The model measures 95.3mm (3.7in) in length and weighs 484g (1lbs). The lens is weather-sealed and includes a rear filter holder, AF-MF switch, and an optical design intended to ‘adjust the light flow and reduce the aberration.’

Specs:

  • Aperture range: F2.8 – F22
  • Construction: 14 Elements in 10 groups
  • Coating UMC
  • Min focusing distance: 0.20m (0.66ft)
  • Max magnification ratio: x0.12
  • Number of blades: 7
  • Angle of view: 35mm 113.9?/ APS-C 89.8?
  • Max diameter ?86mm

Below is a gallery of sample images provided by Samyang:

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The Samyang AF 14mm F2.8 RF will be released globally in November; price hasn’t been revealed at this time.

Articles: Digital Photography Review (dpreview.com)

 
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Samyang 14mm f/2.8 Lens – Astrophotography On A Budget

04 Nov

When it comes to choosing lenses, there are two main schools of thought. The first is to use a minimum number of zoom lenses with a large range of focal lengths. The second is to use more lenses with a smaller range of focal lengths.

As a travel photographer, I’ve worked hard to minimize my gear. I would love to own a dozen lenses, I just don’t want to carry them all. It’s rare to find more than three lenses in my bag.

I’ve followed that first school of thought for years, and it’s served me well.

Samyang 14mm f/2.8 lens for astrophotography

The Case For Specialist Lenses

Whatever you photograph, there inevitably will come a time when you want a specialist lens for a specific subject. I’ve experienced this a couple of times.

In a past life as a wedding photographer, I owned a macro lens that I bought exclusively for photographing details such as rings. My other lenses weren’t up to the task, so I added it to my kit for just a few detail images per wedding.

Fast forward a few years, and I discovered a love for astrophotography. I found once again that my landscape lenses weren’t up to the task.

Astrophotography is a highly specialized subject and one that calls for the right gear. I was getting some reasonable night sky photos with my 16-35mm f/4 lens, but I wanted something wider and faster. I needed another specialist lens.

The Samyang 14mm Ultra Wide-Angle f/2.8 IF ED UMC Lens

My search for a lens that was wider than 16mm and faster than f/4 led me to a few lenses that I would’ve loved to add to my kit. The problem was that they were all either too large or too expensive. I didn’t want or need another wide-angle zoom lens.

Then I found the Samyang (also branded as Rokinon) 14mm f/2.8 lens. 14mm gives you a 115° view, which is plenty wide enough to capture the night sky.

The maximum aperture of f/2.8 is fast enough to capture insane amounts of light in the stars. Being a prime lens, it’s lighter than most wide-angle zoom lenses. As if that wasn’t enough, it’s cheap.

Samyang 14mm f/2.8 lens for astrophotography

Weight

At around 550g, this lens isn’t going to add a lot of extra weight to your camera bag. It’s made mainly of plastic, but build quality is surprisingly good for the price.

It isn’t the highest quality astrophotography lens on the market, but for a budget lens, it’s good enough.

Samyang 14mm f/2.8 lens for astrophotography

Sharpness

Image sharpness is about what you would expect for a budget lens.

It’s sufficiently sharp for astrophotography, but personally, I wouldn’t use it for landscape photography during daylight hours.

This lens also has quite a significant distortion, but that’s unavoidable with such a wide lens. Lightroom’s lens correction profile does a pretty good job of correcting it.

Focus

One thing you need to consider before buying this lens that it’s manual-focus only. It also uses a manual aperture ring.

This has never been a problem for me, as I’ve found auto-focus to be virtually useless when photographing the stars. The focus ring has a nice smooth feel to it and a large throw, making focusing incredibly accurate.

Samyang 14mm f/2.8 lens for astrophotography

You’ll also need to consider that you can’t use filters with this lens due to the large front element. Again, this shouldn’t be an issue if you’re using it for astrophotography, because you won’t be needing filters.

Who Is This Lens For?

If you’re looking for a wide lens on a budget, you should definitely consider the Samyang 14mm f/2.8 lens.

For a great astrophotography lens that won’t break the bank, it’s hard to beat. It may not be the best option if you’re planning to sell large prints, but the image quality will be sufficient for most photographers.

Samyang 14mm f/2.8 lens for astrophotography

Other uses for this lens could be architecture and real estate interiors photography.

You could definitely photograph landscapes with it, but the image softness could be an issue. If you want a higher quality, sharper lens, you’ll need to increase your budget a fair bit.

It’s available with mounts for Canon, Nikon, Sony, and Pentax, and compatible with both full frame and cropped sensors.

Have you used the Samyang 14mm f/2.8 lens? What’s your go-to lens for astrophotography?

The post Samyang 14mm f/2.8 Lens – Astrophotography On A Budget appeared first on Digital Photography School.


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Rokinon AF 14mm F2.8 launches in September for Nikon F-mount

22 Aug

Rokinon has announced that its ultra-wide AF 14mm F2.8 lens will arrive for Nikon F-mount in September. The lens, which is already available for Canon EF, is the maker’s first auto focus lens for Nikon. The model features 15 glass elements in 10 groups, including two aspherical lenses, four high refractive index lenses, and one extra-low dispersion lens. The glass has Ultra Multi-Coating (UMC) anti-reflective coatings.

The lens features a Manual / Auto Focus switch and an aluminum alloy housing, as well as a 7.8″ / 0.20m minimum focusing distance, weather sealing, and a 16.7oz / 474 grams weight. According to Rokinon, the AF 14mm F2.8 “meets or exceeds the performance characteristics” of similar ultra-wide lenses.

The Rokinon AF 14mm F2.8 for Nikon F will be available in September for $ 799 USD.

Via: Imaging Resource

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Sigma 14mm F1.8, 135mm F1.8, and 70mm F2.8 macro Art lenses for Sony E-Mount now shipping

10 Aug

Sigma is now shipping the 14mm F1.8 DG HSM, 70mm F2.8 DG MACRO, and 135mm F1.8 DG HSM Art lenses for Sony E-mount full-frame cameras that were announced in February. All three lenses support Sony’s Continuous AF and high-speed autofocus, as well as in-camera lens aberration correction and image stabilization.

According to Sigma, the brass bayonet on each lens features special surface treatment designed to improve the mount strength. The mount is joined by a rubber seal to protect against splashes and dust. In addition, Sigma says its E-mount models include a newly developed control algorithm that both maximizes data transmission speeds and optimizes the autofocus drive.

All three E-mount lenses are available from retailers now at the following prices:

  • 14mm F1.8 DG HSM: $ 1599 USD
  • 70mm F2.8 DG MACRO: $ 569 USD
  • 135mm F1.8 DG HSM: $ 1399 USD

Articles: Digital Photography Review (dpreview.com)

 
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