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Archive for the ‘Equipment’ Category

Meet The Aquapac Waterproof DSLR Case

27 Apr

Water and camera guts don’t mix. That’s just science.

So, give your precious DSLR the ultimate protection – the Aquapac Waterproof DSLR Case!

It’s rated to keep your camera bone dry down to 30 ft below the water’s surface.

Aquapac protects your photo snapping pal from sand, snow, rain and all your messiest adventures.

Head on over to the PJ shop to learn about our cameras’ new favorite go-to outfit.

LEARN MORE or BUY


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Personal Photo Gifts for Mom from Parabo Press

24 Apr

Turn your photos into amazing Mother’s Day gifts, that will certainly make you the golden child in your mother’s eyes.

With our Parabo Press app, it’s easy to order up the perfect Mom’s Day surprise made with the photos right there on your phone.

Organize your photos on your compy? No sweat. Order up a gift from the Parabo website.

Either way, Mom will love it!

Plus, you’ll save 20% on your gift with the coupon PJMOM, now through Parabo’s standard shipping Mother’s Day order deadline 5/3.
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A Passion for Wrecks and Images Give a Photography Enthusiast a Second Career

21 Apr

photography-wrecks

Image: Pongsatorn Sukhum

Pongsatorn Sukhum was on his way to becoming a professional photographer. A long-time camera enthusiast, he took a year off college while studying in the UK to work in a studio that shot advertising photography. He then moved into editorial photography, shooting for travel magazines and building up a collection of underwater stock images that combined his love of photography with his passion for Scuba diving. In the mid-nineties, his work was shown in a group exhibition in his native Thailand. Today, Pongsatorn runs an engineering business in Bangkok but his continued work in underwater photography, and in particular, his images of World War II wrecks off the coast of Thailand are an example of how talented enthusiasts can keep their professions while maintaining their passion for image-making and even contributing to the preservation of the subjects they love to shoot.

Pongsatorn now produces fine art prints of his photography which he sells through his website. But publications call him whenever they need images to complement their editorials on wrecks in the region and he is still commissioned occasionally for advertising work. If he’s not working on an engineering project, he’ll dive one or two weekends each month and when he’s not on the water, he’ll find time each week to process images and research ships.

Artistry Meets Expertise

That demand for professional imagery from a photographer who only works in the profession part-time continues for a couple of reasons. The quality of Pongsatorn’s photographs is certainly one factor. Pongsatorn may not be a full-time photographer but his images are professional quality. He shoots in black and white to convey the sense of being in an environment in which color has been stripped away by the water, and to convey the mood at the depths where the ships rest.

“I feel that the characteristics of high-speed b/w film faithfully capture the light and ambiance at these great depths,” he told us by email. “I also believe that entering the water loaded with b/w film is a mindset.”

The result is a collection of atmospheric shots in which the fragility and graceful lines of the diver are set against the solidity of a slowly decaying steel hulk placed in front of a backdrop of silty grays.

But the continued demand among buyers for Pongsatorn’s skills can also be put down to his expertise. Underwater photography is demanding. Photographers have to be skilled in diving as well as in image-making. They need to understand their equipment and the environment as well as the subject of the shoot.

“Underwater, we can’t change lenses, add filters, or replace batteries so advanced planning is required,” says Pongsatorn. “Familiarity with the layout of the wreck is crucial to avoid delays associated with orientation.”

Pongsatorn keeps a collection of construction blueprints related to the wreck he’s about to shoot, as well as sketches that he updates regularly. Before the dive, those plans are transferred to a waterproof slate for use underwater so that he’s not trying to communicate a new idea to a co-diver or assistant while they’re swimming. The choice of shots, too, poses a range of different problems. Wide angle images mean keeping other divers and their bubbles away from the scene long enough for Pongsatorn to get his shots. That’s not usually an issue when shooting wrecks that aren’t popular dive sites but for well-known locations, Pongsatorn usually pleads for a ten-minute head start. Before some shoots, he’s even asked the Thai Navy to cordon off a wreck for a day.

While underwater photographers don’t have the same daylight worries as landscape photographers, they do have to cope with other challenges. Weather conditions can restrict accessibility to remote sites to certain times of the year, and sediment raised by the actions of a swimming photographer can reduce visibility.

“This happens frequently as the wrecks are naturally on the sea bed (with the exception of the so-called vertical wreck) where there is a great deal of sediment just waiting to be disturbed,” says Pongsatorn. “Diver buoyancy control and proper finning techniques need to be practiced.”

Learn How to Fin

Often, the constraints of time and the limitations of depth mean that Pongsatorn can only make one or two dives to a low-lying wreck on any given day. Some dive profiles, he says, are so deep that he’ll only be able to stay at the site for as little as five minutes.

“As you can imagine, deep wreck photography is a very low-yield activity. However, these challenges make it exciting and create opportunities for some truly creative work.”

For other photographers looking to specialize in underwater photography, Pongsatorn notes that while no official training is required, there are numerous basic courses and workshops available that will explain how light behaves underwater and how to set up and look after equipment. Photographers who happen to live in tropical areas can start by photographing clown fish, he recommends, as they’re easy to find and tend to stay in one place. Once they’ve mastered finning and have control over their stability, photographers can pick a subject and study its behavior.

Most important though is to respect the environment in which you’re shooting. On his blog, Pongsatorn has highlighted campaigns for shark preservation and attacked dive operators who remove artifacts from the wrecks they visit.

“There are several operators who specifically set out to loot. It’s in their literature. They abuse the legal loopholes and lack of enforcement. It’s sad to see all these artifacts being hauled up day after day. These people need to be educated.”

Similarly, divers who venture into a wreck exhale bubbles which can get trapped below decks and under bulkheads. In time, these air pockets corrode the metal and exert an upward pressure on the metal plates, causing them to collapse, Pongsatorn warns.

It’s that kind of knowledge and that level of concern that combines with creativity and artistry to produce images that are attractive to buyers — both of art prints and for commercial use. Find a subject for which you feel passionate enough to want to study and understand completely, bring to it your photography skills, and you also won’t need to give up the day job to earn money from your photography.


Photopreneur – Make Money Selling Your Photos

 
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7 Secrets of Black and White Photography

20 Apr

We’ve all heard it … “to master black and white photography you must learning to see in black and white” – but just how do you do that?

It can sometimes seem like actually learning to see in black and white is a skill for only the chosen few. But trust us, it’s for you too!

Here are seven (not-so-secret-anymore) secrets that will help you train your brain and expand your eye for the art of black and white photography.

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Camera Showdown: Phone v. DSLR

18 Apr

We’re going to answer the age old* question “What’s a better camera – a phone or a DSLR?” once and for all.**

*The actual age of the question is something like 15 year. The first camera phone was released in 2002.

**Not “for all” so much – it’s pretty subjective.

Look at our pretty chart and decide for yourself.
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Custom Essay Writing Service, Buy Argumentative Essay

14 Apr

our essay writing team will work on it relent lessly to ensure that its quality
www.surveymonkey.com/r/CMYZQZV

 
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Meet Your New DSLR

12 Apr

Ooooh, fancy new DSLR you got there!

(Or maybe you’re thinking of getting one, this guide is for you too).

There are a lot of knobs and buttons on that thing, and some day you’ll get to know them all.

But, for now, day one, we’re here to tell you our top tips for getting off of auto-mode (that’s what your phone was for!) and getting to know your new best friend.
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A Worthy Project for Landscape Photographers: League of Landscape Photographers

04 Apr

Three cover splay

Canadian landscape photographers Samantha Chrysanthou and Darwin Wiggett have created the League of Landscape Photographers, a self-identified group of artists who photograph the world around them in accordance with high ethical and artistic standards. ‘Landscape’ in this group is defined broadly to include wilderness and human interactions with and connections to the land. There is no cost to being a League member but each member must post a personalized code of ethics on their website or social media pages to join. League members share and discuss their ideas, portfolios and projects in the League Facebook group and on the League blog. The pinnacle achievement of the group is the annual, collectable fine-art Leaguemagazine to be released in the fall of 2017. There is currently a fundraising subscription campaign on until April 4 with the goal of getting $ 30,000 CAD to fund 1000 copies of the magazine that will go to subscribers worldwide. All proceeds from the subscriptions go to the creation of the magazine with its evocative imagery and high-end local printing and design. This is a magazine funded by photographers for photographers (no ads or commercial content) and funds raised go to fairly pay ALL contributors for their creativity. League magazine strives to promote photography with a conscience and show that photography can make a positive impact through thoughtful and ethical creativity.

Act quickly as their fund raising deadline is drawing near.

The post A Worthy Project for Landscape Photographers: League of Landscape Photographers appeared first on JMG-Galleries – Landscape, Nature & Travel Photography.


JMG-Galleries – Landscape, Nature & Travel Photography

 
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How Seasaw Filmed a Music Video in Just 6 Hours, and You Can Too!

23 Mar

We love it when our friends do cool things, especially when they’re cool photo or video things. And we love it even more when they tell us all the secrets to how they did it.

Our friend Meg is in the band Seasaw and she recently used a few Photojojo products, an app, and an iPhone to make their latest music video – a cover of Weezer’s “Say It Ain’t So.”

The entire video was shot in just six hours, in a kitchen. Say whaaaat? Just how did they do it?

Below you can find Meg’s steps to music video magic, and try one or all of these tips when filming your next flick!

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It Happened to Me: I Made a Photo Book in Less Than 15 Minutes

22 Mar

Scrolling through your camera roll is cool and all, but leafing through the pages of a photo book is just more magical.

We’d make a photo book for every occasion, but who has the time?

Turns out, if you’ve got 15 minutes, you do!

Photojojo-er and all around great gal, Laurel, just got back from a trip to Thailand, and put together a photo book of her adventures in less than 15 minutes.

And, she’s here to tell you just how she did it.
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